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Product Description

The Panasonic LUMIX S5 II Mirrorless Camera offer a significant step forward for ambitious creators who demand uncompromising performance free of capture and workflow constraints.

Panasonic has developed a new 24-megapixel 35mm full-frame CMOS sensor that features on-sensor PDAF (Phase Detection Auto-Focus). The new PDAF has 779 focus points, and provides total AF confidence and a strong ‘lock’ on the subject with the accuracy known from Depth From Defocus plus the smart subject detection of AI for high performance auto focus, in both photo and video modes.

Under the L2 Technology alliance formed by LEICA and LUMIX, both brands co-invested to develop a new imaging engine that has approximately 2x higher-speed signal processing for high bit-rate video recording and improved high burst rate photography. This makes possible Phase Hybrid AF and Active IS for reinforced command over subject tracking and stabilisation.

Other features that expand the videographer’s horizon include unlimited 4:2:2 10-bit C4K/4K recording achieved via a fan and high-efficiency heat sink; full-sensor video shooting; and REAL TIME LUT for on-the-spot colour grading without postproduction.

With an increased buffer memory size, the LUMIX S5II is capable of impressive high speed burst shooting at up to 30 fps (AFS/AFC) with an electronic shutter in JPEG/RAW.

 

Key Features of the Panasonic LUMIX S5II Mirrorless Camera

  • 24-megapixel 35mm full-frame CMOS sensor
  • Phase Hybrid AF sporting on-sensor PDAF (Phase Detection Auto-Focus) with 779 focus points
  • New Active I.S & Dual I.S.2 with a high-precision 5-axis gyro sensor
  • 4:2:0 10-bit 6K (3:2) full-sensor video shooting
  • Unlimited 4:2:2 10-bit C4K/4K recording
  • Active heat management system with fan and high-efficiency heat sink
  • 14+ stop V-Log/V-Gamut capture
  • REAL TIME LUT for on-the-spot colour grading without postproduction
  • High speed burst shooting at up to 30 fps (AFS/AFC) with an electronic shutter in JPEG/RAW.
  • Waveform Monitor, Vector Scope, Zebra Pattern, System Frequency (24.00Hz), Synchro Scan, Fan mode and a control panel for quick menu selection
  • 4-channel audio recording support via optional XLR Microphone Adaptor DMW-XLR1 and the 3.5mm input jack/built-in microphone
  • Larger EVF & 3.0-inch free-angle LCD rear monitor with touch control
  • Live View Composite Mode & 96-megapixel High Resolution Mode
  • Dual SD Card slots (UHS-II x 2)
  • Signature LUMIX design with red and white accents

Phase Hybrid AF with on-sensor PDAF (Phase Detection Auto-focus)

LUMIX has taken the accuracy of Depth From Defocus and the smart subject detection of AI and added Phase Detection to offer high performance auto focus, in both photo and video modes. The new PDAF has 779 focus points, and with the new generation processor, provides total AF confidence and a strong ‘lock’ on the subject.

With the adoption of PDAF, the AF system has evolved into Phase Hybrid AF. Advanced subject detection and metering technologies lock on, track and capture the target subject in focus in a range of shooting situations – from fast moving sports or multiple subjects; to vlog style content such as talking to camera in a studio or holding up an object to the camera; and backlit or low illumination environments. Major improvements to the AF performance for overall reliability when shooting at 24fps will make the S5II a go-to for YouTube content creators.

New Active I.S & Dual I.S.2 with a high-precision 5-axis gyro sensor

Another game-changer delivered with the LUMIX S5II is the new Active I.S. This builds on Panasonic’s history of innovation and reputation in the image stabilisation field by determining the status of camera shake and optimising horizontal, vertical, and rotational correction ratios.

The system can compensate for significant camera shake in video recording, approximately 200% more when compared to the LUMIX S5. It is highly beneficial in challenging situations, such as handheld filming while walking without using a gimbal, long-shutter handheld shots such as night-time or moving water, and telephoto fixed-frame shots. The S5II also offer Dual I.S.2 with a high-precision 5-axis gyro sensor for stills shooting.

A variety of video functions and recording options

The LUMIX S5II is built for the videographer who desires freedom from restriction Introducing 4:2:0 10-bit 6K (3:2) to the S Series, which makes it easy to crop for multiple aspect ratios (16:9, 9:16, 1:1) from the same source footage while maintaining resolution.

Active heat management system
The S5II's new and extremely compact active heat management system delivers unlimited recording in all environments while not adding extra bulk to hamper the photographer, providing free rein in the field.

V-Log/V-Gamut & REAL TIME LUT
The 14+ stop V-Log/V-Gamut capture offers a high dynamic range, consistent colour management and streamlined post-production. In addition, with in-camera colour grading via REAL TIME LUT, creative scope is increased while workflow is reduced – excellent for repeatable setups such as content creators who work in the same studio or are looking to repeat the same style in camera instead of applying the same LUT in post.

4:2:0 10-bit 6K* + unlimited 4:2:2 10-bit C4K/4K recording capability
The S5II camera provide 4:2:0 10-bit 6K (17:9) / 5.9K (16:9), unlimited 4:2:2 10-bit C4K/4K recording capability. HFR (High Frame Rate) in C4K/4K (48p), FHD (120p), Slow & Quick motion in C4K/4K(1-60fps) / FHD(1-180fps), and 4K HDR video recording are also available. 4K 60p Time Lapse video can also be produced in-camera where the exposure is automatically adjusted to prevent large changes in brightness between adjacent frames, allowing smooth daytime to nighttime time lapses to be created.

Optimised video tools & 4-channel audio recording support
Practical tools included are Waveform Monitor, Vector Scope, Zebra Pattern, System Frequency (24.00Hz), Synchro Scan, Fan mode and a control panel for quick menu selection. By using the optional XLR Microphone Adaptor DMW-XLR1 and the 3.5mm input jack/built-in microphone, you can capture four channels of audio.

*When the camera is used at recommended operating temperature 0-40 degrees C. 6K and 5.9K at 30p/25p video recording stops once when continuous recording time exceeds 30 minutes if [Thermal Management] is set to [STANDARD]

Enhanced workflow

The small size of the new S Series cameras and the lenses available means a low-impact kit, and no compromise on performance with a wealth of capabilities designed for a superior shooting experience. AWB Lock keeps the white balance set in auto, while Sheer Overlay can now be used in Creative Video mode footage sequences. Live Crop allows digital zooming and panning on the 6K sensor in a 4K video recording, making it easy for a creator to add smooth motion without having to move the camera.

Larger EVF & 3.0-inch free-angle LCD rear monitor with touch control
In a step up from the S5, the new, larger 3,680K-dot OLED LVF (Live View Finder) has a magnification ratio of approx. 1.52x / 0.76x (35mm camera equivalent). A versatile, bright free-angle 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot) with touch control allows for quick changes to settings, even when both the HDMI cable and USB cable are connected, or the user is in front of the camera.

Live View Composite Mode
The Live View Composite Mode takes away the guess work, allowing the photographer to set the desired exposure, take the shot, then view the image on the screen as it is being exposed in real time. Once they are happy with how the shot looks, they simply hit the shutter button again to stop the exposure. This mode is also great for light painting, shooting light trails and other long exposure scenarios.

96-megapixel High Resolution Mode
The drive dial now includes a setting for 96-megapixel High Resolution Mode. In this mode the camera captures 8 images in quick succession, with small movements of the sensor between shots to capture extra resolution. There is no requirement to stitch images using software as the camera combines the shots into one image. This mode also features motion compensation, further expanding the use of High Resolution Mode in general photography.

Impressive quality, performance and connectivity

The LUMIX S5II has been designed to offer dependable video recording in real-world conditions and features a new heat dispersion mechanism combining a small fan and high-efficiency heat sink. As a result, the S5II achieve continuous video recording in C4K 60p, while the camera body remains conveniently compact. To withstand heavy field use, the camera have a magnesium alloy full die-cast body and is splash/dust-resistant.

The LUMIX S5II support USB 3.2 Gen 2 for high-speed writing and readout. The dual SD Card slots (UHS-II x 2) offer a choice of Relay Recording, Backup Recording or Allocation Recording modes, with the card access indicator now located inside the card slot cover. Videographers will be thrilled that the cameras have a full HDMI Type A terminal, offering a more robust connection without the need for adaptors. For external microphone connection, a Φ3.5mm input jack is provided as well as a headphone jack.

Content sharing with smartphones is streamlined using Bluetooth 5.0 Low Energy connection, Wi-Fi 5-GHz (IEEE802.11ac) and 2.4-GHz (IEEE 802.11b/g/n). With an always-on Bluetooth connection, a smartphone can act as the camera’s remote control via the LUMIX Sync app. The settings of the LUMIX S5II can also be copied and transmitted wirelessly to other S5II cameras when using multiple cameras.

The S5II is compatible with LUMIX Tether applications which enable tethered shooting via USB. Letting you control and view multiple cameras by connecting them to a PC. For live streaming, LUMIX Tether for Streaming (Beta) with LIVE VIEW mode is available. LUMIX Sync for iOS/Android devices enables image transfer to a smartphone or tablet via easy wireless connection.

The 2200mAh high-capacity battery (DMW-BLK22) can be recharged either via AC or USB which is convenient if you are travelling and want to use a USB power bank. It also complies with USB PD (Power Delivery) when used with the optional LUMIX Battery Charger (DMW-BTC15). The optional Battery Grip (DMW-BGS5) is also compatible with the S5II.

Future firmware update

To enhance the performance of the LUMIX S5II the functions below will be available via a future firmware update (Panasonic Australia Press Release Jan 2023).

  • RAW data output using Software Upgrade Key DMW-SFU2 (S5II)
  • Live View Composite (S5II) and more

 

  • MPN - DC-S5M2GN
  • GTIN - 8887549812514
Read More

Panasonic LUMIX S5 II Mirrorless Camera

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Product Overview

  • 24-megapixel 35mm full-frame CMOS sensor
  • Phase Hybrid AF sporting on-sensor PDAF (Phase Detection Auto-Focus) with 779 focus points
  • New Active I.S & Dual I.S.2 with a high-precision 5-axis gyro sensor
  • 4:2:0 10-bit 6K (3:2) full-sensor video shooting
  • Unlimited 4:2:2 10-bit C4K/4K recording
  • Active heat management system with fan and high-efficiency heat sink
  • 14+ stop V-Log/V-Gamut capture
  • REAL TIME LUT for on-the-spot colour grading without postproduction
  • High speed burst shooting at up to 30 fps (AFS/AFC) with an electronic shutter in JPEG/RAW.
  • Waveform Monitor, Vector Scope, Zebra Pattern, System Frequency (24.00Hz), Synchro Scan, Fan mode and a control panel for quick menu selection
  • 4-channel audio recording support via optional XLR Microphone Adaptor DMW-XLR1 and the 3.5mm input jack/built-in microphone
  • Larger EVF & 3.0-inch free-angle LCD rear monitor with touch control
  • Live View Composite Mode & 96-megapixel High Resolution Mode
  • Dual SD Card slots (UHS-II x 2)
  • Signature LUMIX design with red and white accents
+ Read more

The Panasonic LUMIX S5 II Mirrorless Camera offer a significant step forward for ambitious creators who demand uncompromising performance free of capture and workflow constraints.

Panasonic has developed a new 24-megapixel 35mm full-frame CMOS sensor that features on-sensor PDAF (Phase Detection Auto-Focus). The new PDAF has 779 focus points, and provides total AF confidence and a strong ‘lock’ on the subject with the accuracy known from Depth From Defocus plus the smart subject detection of AI for high performance auto focus, in both photo and video modes.

Under the L2 Technology alliance formed by LEICA and LUMIX, both brands co-invested to develop a new imaging engine that has approximately 2x higher-speed signal processing for high bit-rate video recording and improved high burst rate photography. This makes possible Phase Hybrid AF and Active IS for reinforced command over subject tracking and stabilisation.

Other features that expand the videographer’s horizon include unlimited 4:2:2 10-bit C4K/4K recording achieved via a fan and high-efficiency heat sink; full-sensor video shooting; and REAL TIME LUT for on-the-spot colour grading without postproduction.

With an increased buffer memory size, the LUMIX S5II is capable of impressive high speed burst shooting at up to 30 fps (AFS/AFC) with an electronic shutter in JPEG/RAW.

 

Key Features of the Panasonic LUMIX S5II Mirrorless Camera

  • 24-megapixel 35mm full-frame CMOS sensor
  • Phase Hybrid AF sporting on-sensor PDAF (Phase Detection Auto-Focus) with 779 focus points
  • New Active I.S & Dual I.S.2 with a high-precision 5-axis gyro sensor
  • 4:2:0 10-bit 6K (3:2) full-sensor video shooting
  • Unlimited 4:2:2 10-bit C4K/4K recording
  • Active heat management system with fan and high-efficiency heat sink
  • 14+ stop V-Log/V-Gamut capture
  • REAL TIME LUT for on-the-spot colour grading without postproduction
  • High speed burst shooting at up to 30 fps (AFS/AFC) with an electronic shutter in JPEG/RAW.
  • Waveform Monitor, Vector Scope, Zebra Pattern, System Frequency (24.00Hz), Synchro Scan, Fan mode and a control panel for quick menu selection
  • 4-channel audio recording support via optional XLR Microphone Adaptor DMW-XLR1 and the 3.5mm input jack/built-in microphone
  • Larger EVF & 3.0-inch free-angle LCD rear monitor with touch control
  • Live View Composite Mode & 96-megapixel High Resolution Mode
  • Dual SD Card slots (UHS-II x 2)
  • Signature LUMIX design with red and white accents

Phase Hybrid AF with on-sensor PDAF (Phase Detection Auto-focus)

LUMIX has taken the accuracy of Depth From Defocus and the smart subject detection of AI and added Phase Detection to offer high performance auto focus, in both photo and video modes. The new PDAF has 779 focus points, and with the new generation processor, provides total AF confidence and a strong ‘lock’ on the subject.

With the adoption of PDAF, the AF system has evolved into Phase Hybrid AF. Advanced subject detection and metering technologies lock on, track and capture the target subject in focus in a range of shooting situations – from fast moving sports or multiple subjects; to vlog style content such as talking to camera in a studio or holding up an object to the camera; and backlit or low illumination environments. Major improvements to the AF performance for overall reliability when shooting at 24fps will make the S5II a go-to for YouTube content creators.

New Active I.S & Dual I.S.2 with a high-precision 5-axis gyro sensor

Another game-changer delivered with the LUMIX S5II is the new Active I.S. This builds on Panasonic’s history of innovation and reputation in the image stabilisation field by determining the status of camera shake and optimising horizontal, vertical, and rotational correction ratios.

The system can compensate for significant camera shake in video recording, approximately 200% more when compared to the LUMIX S5. It is highly beneficial in challenging situations, such as handheld filming while walking without using a gimbal, long-shutter handheld shots such as night-time or moving water, and telephoto fixed-frame shots. The S5II also offer Dual I.S.2 with a high-precision 5-axis gyro sensor for stills shooting.

A variety of video functions and recording options

The LUMIX S5II is built for the videographer who desires freedom from restriction Introducing 4:2:0 10-bit 6K (3:2) to the S Series, which makes it easy to crop for multiple aspect ratios (16:9, 9:16, 1:1) from the same source footage while maintaining resolution.

Active heat management system
The S5II's new and extremely compact active heat management system delivers unlimited recording in all environments while not adding extra bulk to hamper the photographer, providing free rein in the field.

V-Log/V-Gamut & REAL TIME LUT
The 14+ stop V-Log/V-Gamut capture offers a high dynamic range, consistent colour management and streamlined post-production. In addition, with in-camera colour grading via REAL TIME LUT, creative scope is increased while workflow is reduced – excellent for repeatable setups such as content creators who work in the same studio or are looking to repeat the same style in camera instead of applying the same LUT in post.

4:2:0 10-bit 6K* + unlimited 4:2:2 10-bit C4K/4K recording capability
The S5II camera provide 4:2:0 10-bit 6K (17:9) / 5.9K (16:9), unlimited 4:2:2 10-bit C4K/4K recording capability. HFR (High Frame Rate) in C4K/4K (48p), FHD (120p), Slow & Quick motion in C4K/4K(1-60fps) / FHD(1-180fps), and 4K HDR video recording are also available. 4K 60p Time Lapse video can also be produced in-camera where the exposure is automatically adjusted to prevent large changes in brightness between adjacent frames, allowing smooth daytime to nighttime time lapses to be created.

Optimised video tools & 4-channel audio recording support
Practical tools included are Waveform Monitor, Vector Scope, Zebra Pattern, System Frequency (24.00Hz), Synchro Scan, Fan mode and a control panel for quick menu selection. By using the optional XLR Microphone Adaptor DMW-XLR1 and the 3.5mm input jack/built-in microphone, you can capture four channels of audio.

*When the camera is used at recommended operating temperature 0-40 degrees C. 6K and 5.9K at 30p/25p video recording stops once when continuous recording time exceeds 30 minutes if [Thermal Management] is set to [STANDARD]

Enhanced workflow

The small size of the new S Series cameras and the lenses available means a low-impact kit, and no compromise on performance with a wealth of capabilities designed for a superior shooting experience. AWB Lock keeps the white balance set in auto, while Sheer Overlay can now be used in Creative Video mode footage sequences. Live Crop allows digital zooming and panning on the 6K sensor in a 4K video recording, making it easy for a creator to add smooth motion without having to move the camera.

Larger EVF & 3.0-inch free-angle LCD rear monitor with touch control
In a step up from the S5, the new, larger 3,680K-dot OLED LVF (Live View Finder) has a magnification ratio of approx. 1.52x / 0.76x (35mm camera equivalent). A versatile, bright free-angle 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot) with touch control allows for quick changes to settings, even when both the HDMI cable and USB cable are connected, or the user is in front of the camera.

Live View Composite Mode
The Live View Composite Mode takes away the guess work, allowing the photographer to set the desired exposure, take the shot, then view the image on the screen as it is being exposed in real time. Once they are happy with how the shot looks, they simply hit the shutter button again to stop the exposure. This mode is also great for light painting, shooting light trails and other long exposure scenarios.

96-megapixel High Resolution Mode
The drive dial now includes a setting for 96-megapixel High Resolution Mode. In this mode the camera captures 8 images in quick succession, with small movements of the sensor between shots to capture extra resolution. There is no requirement to stitch images using software as the camera combines the shots into one image. This mode also features motion compensation, further expanding the use of High Resolution Mode in general photography.

Impressive quality, performance and connectivity

The LUMIX S5II has been designed to offer dependable video recording in real-world conditions and features a new heat dispersion mechanism combining a small fan and high-efficiency heat sink. As a result, the S5II achieve continuous video recording in C4K 60p, while the camera body remains conveniently compact. To withstand heavy field use, the camera have a magnesium alloy full die-cast body and is splash/dust-resistant.

The LUMIX S5II support USB 3.2 Gen 2 for high-speed writing and readout. The dual SD Card slots (UHS-II x 2) offer a choice of Relay Recording, Backup Recording or Allocation Recording modes, with the card access indicator now located inside the card slot cover. Videographers will be thrilled that the cameras have a full HDMI Type A terminal, offering a more robust connection without the need for adaptors. For external microphone connection, a Φ3.5mm input jack is provided as well as a headphone jack.

Content sharing with smartphones is streamlined using Bluetooth 5.0 Low Energy connection, Wi-Fi 5-GHz (IEEE802.11ac) and 2.4-GHz (IEEE 802.11b/g/n). With an always-on Bluetooth connection, a smartphone can act as the camera’s remote control via the LUMIX Sync app. The settings of the LUMIX S5II can also be copied and transmitted wirelessly to other S5II cameras when using multiple cameras.

The S5II is compatible with LUMIX Tether applications which enable tethered shooting via USB. Letting you control and view multiple cameras by connecting them to a PC. For live streaming, LUMIX Tether for Streaming (Beta) with LIVE VIEW mode is available. LUMIX Sync for iOS/Android devices enables image transfer to a smartphone or tablet via easy wireless connection.

The 2200mAh high-capacity battery (DMW-BLK22) can be recharged either via AC or USB which is convenient if you are travelling and want to use a USB power bank. It also complies with USB PD (Power Delivery) when used with the optional LUMIX Battery Charger (DMW-BTC15). The optional Battery Grip (DMW-BGS5) is also compatible with the S5II.

Future firmware update

To enhance the performance of the LUMIX S5II the functions below will be available via a future firmware update (Panasonic Australia Press Release Jan 2023).

  • RAW data output using Software Upgrade Key DMW-SFU2 (S5II)
  • Live View Composite (S5II) and more

 

  • MPN - DC-S5M2GN
  • GTIN - 8887549812514
+ Read more

Type

Type Digital Single Lens Mirrorless camera
Lens mount L-Mount

Image Sensor

Type 35mm full-frame (35.6mm x 23.8mm) CMOS sensor
Camera effective pixels / Total pixels 24.20 megapixels / 25.28 megapixels
AR (Anti Reflection) coating Yes
Aspect ratio / Color filter 3:2 / Primary color filter
Dust reduction system Image sensor shift type

Latitude

Latitude 14+ stops (V-Log)

Still Image

Recording file format JPEG (DCF, Exif 2.31), RAW
Aspect ratio 4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1
File size (Pixels) When using full-frame lenses
3:2
6000x4000(L) / 4272x2848(M) / 3024x2016(S) / 12000x8000(XL)* / 8496x5664(LL)* *High Resolution mode.

4:3
5328x4000(L) / 3792x2848(M) / 2688x2016(S) / 10656x8000(XL)* / 7552x5664(LL)* *High Resolution mode.

16:9
6000x3368(L) / 4272x2400(M) / 3024x1704(S) / 12000x6736(XL)* / 8496x4784(LL)* *High Resolution mode.

1:1
4000x4000(L) / 2848x2848(M) / 2016x2016(S) / 8000x8000(XL)* / 5664x5664(LL)* *High Resolution mode.

65:24
6000x2208(L)

2:1
6000x3000(L)

When using APS-C/Super 35mm lenses
3:2
3984x2656(L) / 2880x1920(M) / 2064x1376(S)

4:3
3536x2656(L) / 2560x1920(M) / 1840x1376(S)

16:9
3984x2240(L) / 2880x1624(M) / 1920x1080(S)

1:1
2656x2656(L) / 1920x1920(M) / 1376x1376(S)
Image quality RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)
Color space sRGB, AdobeRGB

Motion Picture

Recording file format MOV: H.264/MPEG-4 AVC, H.265/HEVC
MP4: H.264/MPEG-4 AVC, H.265/HEVC
Audio format MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**)
MP4: AAC (2ch 48kHz/16-bit)
*When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately).
System frequency 59.94Hz / 50.00Hz / 24.00Hz
Image area of video Full / APS-C / PIXEL/PIXEL
MOV (*1) (*2)
*HLG is selectable.		 59.94Hz
FULL
[6K] 5952x3968 (3:2) 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[6K] 5952x3136 (17:9) 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[5.9K] 5888x3312 (16:9) 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[C4K] 4096x2160 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[4K] 3840x2160 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[FHD] 1920x1080 119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

APS-C / PIXEL/PIXEL
[C4K] 4096x2160 59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[4K] 3840x2160 59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[3.3K] 3328x2496 (4:3) 47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[FHD] 1920x1080 119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*When Image Area of Video is set to APS-C.

50.00Hz
FULL
[6K] 5952x3968 (3:2) 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[6K] 5952x3136 (17:9) 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[5.9K] 5888x3312 (16:9) 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[C4K] 4096x2160 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[4K] 3840x2160 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[FHD] 1920x1080 100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

APS-C / PIXEL/PIXEL
[C4K] 4096x2160 50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[4K] 3840x2160 50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[3.3K] 3328x2496 (4:3) 50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[FHD] 1920x1080 100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*When Image Area of Video is set to APS-C.

24.00Hz
FULL
[6K] 5952x3968 (3:2) 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[6K] 5952x3136 (17:9) 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[5.9K] 5888x3312 (16:9) 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[C4K] 4096x2160 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[4K] 3840x2160 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[FHD] 1920x1080 48.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

APS-C / PIXEL/PIXEL
[C4K] 4096x2160 48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[4K] 3840x2160 48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[3.3K] 3328x2496 (4:3) 48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[FHD] 1920x1080 48.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
MP4 (*1) 59.94Hz
FULL
[4K] 3840x2160 29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

[FHD] 1920x1080 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

APS-C / PIXEL/PIXEL
[4K] 3840x2160 59.94p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

[FHD] 1920x1080 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

50.00Hz
FULL
[4K] 3840x2160 25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

[FHD] 1920x1080 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

APS-C / PIXEL/PIXEL
[4K] 3840x2160 50.00p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

[FHD] 1920x1080 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

Slow & Quick

MOV (*1) 59.94Hz
FULL
[FHD] 1920x1080 59.94p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more.

APS-C
[C4K] 4096x2160 29.97p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[4K] 3840x2160 29.97p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[FHD] 1920x1080 59.94p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more.

50.00Hz
FULL
[FHD] 1920x1080 50.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more.

APS-C
[C4K] 4096x2160 25.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[4K] 3840x2160 25.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[FHD] 1920x1080 50.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more.

24.00Hz
FULL
[FHD] 1920x1080 24.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more.

APS-C
[C4K] 4096x2160 24.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[4K] 3840x2160 24.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[FHD] 1920x1080 24.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more.

Viewfinder

Type OLED Live View Finder
Pixels Approx. 3.68 million dots
Field of view / Magnification Approx. 100% / Approx. 0.78x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2
Eye point / Diopter adjustment Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt)
Eye sensor Yes
Display speed 120fps / 60fps

Rear Monitor

Type TFT LCD monitor with static touch control
Monitor size Free-angle, 3.0-inch (7.6cm), 3:2 aspect
Pixels Approx. 1.84 million dots
Field of view Approx. 100%

Focus

Type Phase Detection AF system / Contrast AF system
DFD technology Yes
Focus mode AFS (Single) / AFC (Continuous) / MF
AF mode Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint
*Automatic Detection can be turned ON to switch between Human/ Face/Eye/ Animal+Human. Except when Pinpoint is set.
AF detective range EV -6 - 18 (F1.4, ISO100 equivalent, AFS)
AF custom setting AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction
AF assist light Yes
AF lock Set the Fn button in custom menu to AF lock
Focus ring control Nonlinear / Linear (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum)
Others AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resum

Exposure Control

Light metering system 1,728-zone multi-pattern sensing system
Light metering mode Multiple / Center Weighted / Spot / Highlight Weighted
Metering range EV0-18 (F2.0 lens, ISO100 equivalent)
Mode dial Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Slow&Quick / Custom 1, 2, 3 / Intelligent Auto
*The same exposure operations as P/A/S/M mode is available.
Exposure compensation 1/3 EV step ±5EV (±3EV for motion picture)
ISO sensitivity (Standard output sensitivity) [Normal]
Auto / 50* / 100-51200 / 102400* / 204800* (1/3 or 1 EV step) *Extended ISO

[V-Log]
Auto / 320* / 640-51200 (1/3 or 1 EV step) *Extended ISO

[HLG]
Auto / 400-51200 / 102400* / 204800* (1/3 or 1 EV step) *Extended ISO
Dual Native ISO [Normal]
Native ISO: 100, 640
Auto: Auto / 50* / 100-51200 / 102400* / 204800* *Extended ISO
Low: Auto / 50* / 100-800 *Extended ISO
High: Auto / 320* / 640-51200 / 102400* / 204800* *Extended ISO

[V-Log]
Native ISO: 640, 4000
Auto: Auto / 320* / 640-51200 *Extended ISO
Low: Auto / 320* / 640-5000 *Extended ISO
High: Auto / 2000* / 4000-51200 *Extended ISO

[HLG]
Native ISO: 400, 2500
Auto: Auto / 400-51200 / 102400* / 204800* *Extended ISO
Low: Auto / 400-3200
High: Auto / 2500-51200 / 102400* / 204800* *Extended ISO

[Cinelike D2 / Cinelike V2]
Native ISO: 200, 1250
Auto: Auto / 100* / 200-51200 / 102400* / 204800* *Extended ISO
Low: Auto /100* / 200-1600 *Extended ISO
High: Auto / 640* / 1250-51200 / 102400* / 204800* *Extended ISO
AE lock Set the Fn button in custom menu to AE lock

Image Stabilisation System

Type B.I.S. (5-axis / 5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.]
Dual I.S. 2 (6.5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.]

White Balance

White balance AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4
White balance adjustment Blue/Amber bias, Magenta/Green bias
Color temperature setting 2500-10000K in 100K

Shutter

Type Focal-plane shutter
Shutter speed Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
Electronic shutter: Bulb (Max. 60 sec), 1/8,000 - 60
Motion picture: 1/16,000 - 1/25
Creative Video M mode / MF mode: 1/16,000 - 1/2S
Self timer 10sec, 3 images / 2sec / 10sec / Custom Time
Remote control Remote control by DMW-RS2 (sold separately)
Silent mode / Shutter type Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)

Bracket

AE bracket 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
Aperture bracket 3, 5 or all positions
Focus bracket 1 to 999 images, focus steps can be set in 10 levels
White balance bracket 3 images in blue/amber axis or in magenta/green axis, color temperature setting

Burst Shooting

Burst speed Mechanical shutter / Electronic front curtain shutter
H: 9 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Live View)
M: 5 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View)
L: 2 frames/sec (AFS/AFC/MF) (with Live View)

Electronic shutter
SH30: 30 frames/sec (AFS/AFC/MF)
H: 9 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Live View)
M: 5 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View)
L: 2 frames/sec (AFS/AFC/MF) (with Live View)
Number of recordable images H/M/L*
RAW+JPEG: More than 200 images
RAW: More than 200 images
JPEG: More than 300 images
*Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
*When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)".

SH
RAW / RAW+JPEG / JPEG: 200 images

Flash

Flash type TTL External Flash (sold separately)
Synchronization speed Less than 1/250 second *The guide number decreases at 1/250 second. Only when set to M mode or S mode.
Flash mode Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.
Flash synchronization 1st Curtain Sync, 2nd Curtain Sync.1st Curtain Sync, 2nd Curtain Sync.
Flash output adjustment 1/3EV step ±3EV
Wireless control Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch

Extra Tele Conversion

Modes 2.0x (EX S) (When using full-frame lenses), 1.9x (EX S) (When using APS-C / Super 35mm lenses), 1.4x (EX M) *Only for still image recording.

Colour Settings

Photo Style Photo Style
Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Like2100 (HLG) / Like2100 (HLG) Full Range* / My Photo Style 1-4 (5-10)*
*Set to ON from Show/Hide Photo Style to select.

Picture adjustment
Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB / LUT
*Adjustable settings vary depending on the Photo Style mode.
Filter Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass
LUT Library Vlog_709 / Set 1-10 *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in V-Log View Assist, LUT can be applied from these settings.

Motion Picture Function

Time lapse shot Yes
Stop motion animation Yes
Live cropping Yes (Supports cropping from 5.9K (FULL) 30p/25p/24p video to 4K/FHD sizes)
SS/Gain operation Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB
Luminance level 8-bit: 0-255 / 16-235 / 16-255
10-bit: 0‒1023 / 64‒940 / 64‒1023
Synchro scan Yes
Master pedestal level 31 steps
Color bars / 1kHz test tone Yes (SMPTE / EBU / ARIB) / Yes
LUT view assist Supported file types: .vlt, .cube
Monitor / HDMI
HLG view assist Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)
Anamorphic desqueeze display 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF
Wave form monitor / Vectorscope Selectable
Knee control Yes (in Like709 mode)
Red REC frame indicator ON / OFF

Vertical Position Information

Vertical Position Information Still image / Motion picture (ON/OFF)

Level Gauge

Level Gauge Yes

Function Button

REC Exposure Comp. / Dual Native ISO / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Color Shading Compensation / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Rec. File Format / Rec Quality / Rec Quality (My List) / Slow & Quick Setting / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Mic Input / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Focus Transition / Live Cropping / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control / AF Micro Adjustment / Lens Information / Destination Card Slot / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default
PLAY Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default

Interface

USB USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2))
HDMI (*2) HDMI
HDMI TypeA
Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.)

Monitor-through
4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)
4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)

Playback
59.94Hz: C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p* / 480p*
50.00Hz: C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p* / 576p*
24.00Hz: C4K/24p / 4K/24p / 1080p
*Only for playback.
Remote input φ2.5mm
Audio Build-in microphone
Stereo
Wind Noise Canceller: OFF / Standard / High

External microphone / External audio device input
φ3.5mm for external microphone / external audio device
MIC (Plug-in Power) / MIC / LINE
Wind Cut: OFF / Low / Standard / High *When attaching 3.5mm microphone (sold separately).
Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately).

XLR microphone
Yes with DMW-XLR1 (sold separately)

4ch mic input
Yes with DMW-XLR1 (sold separately)

Speaker
Monaural

Headphone output
φ3.5mm
SD card slot Slot 1, Slot 2
SD Memory Card / SDHC Memory Card* / SDXC Memory Card*
*Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.

TC IN/OUT

Count up Rec Run / Free Run
Time code mode Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)
HDMI time code output ON / OFF

Fan

Modes Auto1 / Auto2 / Fast / Normal / Slow* / OFF**
*Not selectable when the resolution is higher than C4K, or the frame rate is higher than 60p.
**OFF can be set when in iA/P/A/S/M mode.

Wireless

Wi-Fi 2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
5GHz bands (STA) (IEEE 802.11a/n/ac)
Security: WPA/WPA2/WPA3
Bluetooth Bluetooth® v5.0 (Bluetooth Low Energy (BLE))

Dust and Splash Resistant

Dust and Splash Resistant Yes.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

Power

Battery Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
USB power supply, USB power charging, USB power delivery
Battery life (CIPA standard) Approx. 370 images, 1,250 images (Power Save LVF mode*) with S-R2060
Approx. 370 images, 1,200 images (Power Save LVF mode*) with S-S50
*Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
Continuous recordable time (Motion picture) (*1) MP4 [4K/60p]: Approx. 90 min (APS-C), MP4 [FHD/60p]: Approx. 130 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged.
Actual recordable time (Motion picture) (*1) MP4 [4K/60p]: Approx. 45 min (APS-C), MP4 [FHD/60p]: Approx. 65 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged.
Battery grip DMW-BGS5 (sold separately)

Dimensions / Weight

Dimensions (W x H x D) Approx. 134.3 x 102.3 x 90.1 mm / 5.29 x 4.03 x 3.55 inch (Body only, excluding protrusions)
Approx. 134.3 x 102.3 x 157.0 mm / 5.29 x 4.03 x 6.19 inch (with S-R2060, excluding protrusions)
Approx. 134.3 x 102.3 x 151.8 mm / 5.29 x 4.03 x 5.98 inch (with S-S50, excluding protrusions)
Weight Approx. 740g / 1.64 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap)
Approx. 657g / 1.45 lb (Body, Hot Shoe Cover) (excluding body cap)

Operating Environment

Operating temperature (*3) 0℃ to 40℃ (32℉ to 104℉)
Operating humidity 10%RH to 80％RH

Notes

Notes (*1) About motion picture recording

- Recording stops when the continuous recording time exceeds 30 minutes in [6K/29.97p] [6K/25.00p] [5.9K/29.97p]
[5.9K/25.00p] when Thermal Management mode is set to Standard.

- The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
Motion pictures with 72Mbps or less: SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher
Motion pictures with 200Mbps or less: SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30
or higher

- A new file will be created to continue recording if the continuous recording time exceeds the following conditions.
Motion pictures with less than 72Mbps: 30 minutes
Motion pictures with 72Mbps or more: 3 hours 4 minutes

- A new file will be created to continue recording if the file size exceeds the following conditions.
[MP4] in [FHD]: 4GB
[MP4] in [4K]: 96GB
[MOV]: 192GB

(*2) High-res audio is selectable only when attaching Φ3.5mm microphone or DMW-XLR1 (sold separately).
(*3) About AF
- Automatic Detection is not available for High Frame Rate video shooting above 60p (100p or 120p).
- Tracking and Automatic Detection are not available when using HDMI cable or USB connection cable for High Frame Rate
video shooting (100p or 120p) above 60p.

(*4) To output motion pictures with 4K or higher, use a Premium High Speed HDMI cable (Type A - Type A plug).
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What’s In The Box
  • Panasonic LUMIX S5II Body
  • Body Cap
  • Hot Shoe Cover
  • Cover for the Battery Grip Connector
  • Shoulder Strap
  • Battery Pack
  • AC Adaptor
  • USB Connection Cable (A-C)
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FAQs

What types of lenses are compatible with the Panasonic LUMIX S5 II?

The Panasonic LUMIX S5 II is compatible with all L-mount lenses, including those from Sigma, Leica, and Panasonic. The camera also offers full compatibility with Micro Four Thirds lenses.

What type of sensor does the Panasonic LUMIX S5 II have?

The Panasonic LUMIX S5 II has a 24.2-megapixel Live MOS sensor, along with a quad-core Venus Engine, for capturing high-quality images in both still and video formats.

What type of autofocus does the Panasonic LUMIX S5 II have?

The Panasonic LUMIX S5 II has a hybrid autofocus system that is powered by a high-precision 49-point Depth From Defocus (DFD) contrast AF system that ensures accurate, fast, and reliable focusing in both still and video capture modes.

What video formats does the Panasonic LUMIX S5 II support?

The Panasonic LUMIX S5 II supports a variety of different video formats, including 4k (UHD 4K: 3840x2160 30p/24p, 100/200 Mbps) and Full HD recording (1920x1080 60p/50p/25p/24p, 100Mbps).

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