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Pairing beautiful image quality with a practical and easy-to-use setup. The Panasonic GH5 II + LEICA DG 12-60mm Kit bundles the Panasonic GH5 II Body and the Panasonic Leica DG Vario-Elmarit 12-60mm f2.8-4 ASPH. POWER O.I.S. Lens for a great all-around mirrorless camera for photo and video alike.


 

Panasonic GH5 II Body

The Panasonic GH5 II Body Only delivers new enhancements including wireless live streaming capability; C4K/4K 60p 4:2:0 10-bit video recording and simultaneous output of 4:2:2 10-bit over HDMI during 4K 60p 4:2:0 10-bit internal recording; V-Log L pre-installed; and unlimited recording in all video modes.

This camera is the first G Series model to offer high quality wireless live streaming with just the camera, smartphone and the LUMIX Sync app. H.264 in RTMP/RTMPS protocol, allows streaming directly to platforms such as YouTube or Facebook without the need for a paid cloud streaming server. In addition, 1080p Full HD at up to 60 frames per second 16Mbps maximises video quality.

For wired live streaming, the LUMIX Webcam Software (download) allows the Panasonic GH5 II to act as a high-quality webcam via USB. With a future firmware update, the camera will also support wired IP streaming (RTP/RTSP), providing greater flexibility for live production and multi-camera setups.

By using the latest algorithm developed for the S1H, GH5 II's Advanced Body I.S. (Image Stabiliser) delivers up to 6.5-stops slower shutter speeds, a 1.5 stops improvement on the previous GH5 camera for impressively stable handheld shooting and video panning. The camera also incorporates a 20.3-megapixel Digital Live MOS Sensor with a new Anti-Reflective (AR) coating for maximum lens performance, and an updated image processor with the latest high-speed Venus Engine. The autofocus has also been improved for both video recording and still shooting with more accurate subject detection and precise focusing - particularly for faces and heads, as well as animals and moving objects.

A rugged field-ready design with a magnesium alloy full diecast front/rear frame, is both splash and dust-resistant and also freeze-resistant down to -10 degrees Celsius. Dual SD card slots offer flexibility with relay recording or backup support. To enhance shooting ergonomics, a versatile free-angle 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot) features a higher luminosity than the GH5, plus superior colour reproduction for better visibility in outdoor shooting situations.

To further enhance performance and usability, GH5 Mark II firmware updates are scheduled for June 8, 2021. They will include Live View Composite, USB Tethering, and RTP/RTSP Wired IP Streaming. In addition, when LUMIX G / LEICA DG lenses are used with the GH5 Mark 2, users will be able to choose between linear or non-linear control of the focus ring, allowing for more precise and repeatable focus transitions when using manual focus.


Key Features of the Panasonic GH5 II Body Only

  • 20.3-megapixel Digital Live MOS Sensor with a new Anti-Reflective (AR) coating
  • Advanced Body I.S. (Image Stabiliser) delivers up to 6.5-stops slower shutter speeds
  • Improved Autofocus Performance
  • C4K/4K 60p 4:2:0 10-bit internal recording
  • Supports simultaneous output of 4:2:2 10-bit over HDMI during 4K 60p 4:2:0 10-bit internal recording
  • V-log L profile pre-installed
  • Supports high quality wireless live streaming with a smartphone and the LUMIX Sync app
  • Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac)vii/ 2.4GHz (IEEE802.11b/g/n)
  • Free-angle 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot)
  • Supports most GH5 accessories, including XLR microphone adaptor, shutter remote control and battery grip

High-Quality Video & Advanced Editing

Panasonic GH5 II features outstanding video performance for professional videography and is capable of unlimited video recording in all video modes. In addition, the camera can record C4K/4K 60p 4:2:0 10-bit; and also offers a simultaneous output of 4:2:2 10-bit over HDMI during 4K 60p 4:2:0 10-bit internal recording. With no crop when recording in 4K 60p, the user can capture video in the original viewing angle of the lens.

HLG Gamma + Cinelike Colour Profiles
Like the S1H – the S Series video flagship full-frame mirrorless camera - the LUMIX GH5 II includes the HLG gamma profile and has two types of Cinelike gamma presets selectable in Photo Style. HLG allows for high dynamic range video shooting with minimal need for editing, thanks to its broadcast-ready colour gamut format.

With the included Cinelike modes, impressive warm skin tones or delicate nuances of light and shadow can be reproduced even without colour grading over V-Log L footage. The Cinelike D2 setting gives priority to dynamic range and the Cinelike V2 prioritises contrast. MonochromeS and L.ClassicNeo Photo Styles, which were first introduced on the LUMIX S5, have also been added. All these modes can be used for Anamorphic video recording. For VFR (Variable Frame Rate) recording, C4K/4K 60fps, Anamorphic 50fps and FHD180fps are available. AF can be set before starting VFR recording. The Panasonic LUMIX GH5 II also incorporates cinema-standard practical video assist tools such as Waveform Monitor and V-Log L View Assist.

Pre-installed V-Log L
V-Log L comes pre-installed in the camera, delivering high dynamic range with broad colours, and renders a very flat image while maintaining all of the color information within the image. Designed with consistent colour management and an easier post production workflow in mind, the recorded footage is easily matched with VLog L footage recorded by the LUMIX S1/S1H/S5 or LUMIX GH5/GH5S/BGH1. 35 conversion LUTs for VariCam cinema cameras can be downloaded free of charge for use in the LUMIX GH5 II.

High-precision AF

The Panasonic GH5 II features high-speed, high-precision AF. In addition to the eye, face and body, the head is also separately recognised by real-time detection technology to provide even more precise focusing. The camera keeps tracking subjects when they move quickly, turn away, tilt their head or move far away from the camera. Also, improvements to DFD technology have enhanced AFC, which allows the camera to keep tracking small or fast-moving subjects and capture them in crisp focus. GH5 Mark II detects the eye and face at a 2x faster recognition cycle speed than the GH5, even if they are around 50% smaller in the frame.

Reliability & Versatility

The camera is highly reliable in the field, with secure construction and a sealing for every joint, dial, and button. The shutter unit also has a life of around 200,000 cycles. For outdoor use, the Panasonic GH5 II uses the DMW-BLK22 2200mAh high capacity battery first launched with the LUMIX S5. The battery complies with USB PD (Power Delivery), convenient when travelling and using a USB power bank, and can also be recharged via AC or USB. The GH5 II has a double SD Memory Card slot compatible with high-speed, high capacity UHS-II for Relay, Backup or Allocation Recording.

Other shooting assist functions include Frame Markers for checking composition during recording. A wide range of aspect ratios are supported, including those for popular social media platforms – 16:9, 4:3, 1:1, 4:5, 5:4 and 9:16. In addition, the REC Frame Indicator allows the user to check at a glance if the camera is recording or not.

Bluetooth 4.2 & Wi-Fi 5-GHz Connectivity
Content sharing with smartphones is streamlined using Bluetooth 4.2 Low Energy connection, Wi-Fi 5-GHz (IEEE802.11ac) and 2.4GHz Wi-Fi® (IEEE 802.11b/g/n). With an always-on Bluetooth connection, a smartphone can act as the camera’s remote control via the LUMIX Sync app. The settings of a GH5 II camera can also be copied and transmitted to other GH5 II cameras when shooting using multiple cameras (either via LUMIX Sync or SD Card).

The camera is compatible with the LUMIX Tether applications which enable tethered shooting via USB. Users can control the camera by connecting it to a PC and view images on a large PC screen while shooting, useful in situations where continuous confirmation is required.


 

Continued support with Future Firmware Update planned for GH5 II by the end of 2021

Panasonic has already promised future support and plan to bring even more features to the new Panasonic GH5 Mark II. Features planned includes:

  • Live View Composite
  • USB Tethering(4G/5G Smartphone Link) Compatible Streaming Distribution for more stable connection with smartphones
  • RTP/RTSP wired IP streaming – by connecting the camera to the PC via wired LAN, high quality video with sound can be stably streamed to social streaming platforms. A USB Ethernet adaptor is required.

 

Panasonic Leica DG Vario-Elmarit 12-60mm f2.8-4 ASPH. POWER O.I.S. Lens

Spanning a useful wide-angle to short telephoto range, the Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH is a 24-120mm equivalent zoom designed for Micro Four Thirds cameras. Designed in collaboration with Leica, this versatile lens utilizes four aspherical elements and two extra-low dispersion elements to deliver well-corrected, sharp image quality that is void of colour fringing and distortions. The lens also makes use of a linear motor for fast, quiet, and precise autofocus performance, and the POWER Optical Image Stabilization system helps to minimize the appearance of camera shake for sharper handheld shooting. Additionally, the durable metal body of the lens renders it splash, dust, and freezeproof to suit its use in trying environmental conditions.


Key Features of the Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens

  • Standard zoom for Micro Four Thirds mirrorless cameras, this lens provides a 24-120mm equivalent focal length range.
  • Four aspherical elements and two extra-low dispersion elements contribute to minimizing chromatic and spherical aberrations and various distortions in order to produce a high degree of clarity, sharpness, and colour accuracy.
  • Linear autofocus motor delivers fast AF performance that is also precise, smooth, and near-silent to benefit both stills and video applications.
  • POWER Optical Image Stabilization minimizes the appearance of camera shake for sharper handheld shooting and also supports the Dual I.S. function for increased stabilization performance.
  • Splash, dust, and freezeproof design benefits working in inclement weather conditions.
  • Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.

Buy Panasonic GH5 II + LEICA DG 12-60mm Kit with Panasonic Australia Warranty from digiDirect

All our Panasonic products come with Panasonic Australia Warranty.
Buy with confidence from a reputable seller. digiDirect does not sell grey-import or grey-market stock.
For more on our warranty policy please see digiDirect FAQ Warranty


  • MPN - DC-GH5M2LEICA
  • GTIN - 9302704039340
Read More

Panasonic GH5 II + LEICA DG 12-60mm Kit

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Product Overview

  • Panasonic GH5 II Body
  • 20.3-megapixel Digital Live MOS Sensor with a new Anti-Reflective (AR) coating
  • Advanced Body I.S. (Image Stabiliser) delivers up to 6.5-stops slower shutter speeds
  • Improved Autofocus Performance
  • C4K/4K 60p 4:2:0 10-bit internal recording
  • Supports simultaneous output of 4:2:2 10-bit over HDMI during 4K 60p 4:2:0 10-bit internal recording
  • V-log L profile pre-installed
  • Supports high quality wireless live streaming with a smartphone and the LUMIX Sync app
  • Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac)vii/ 2.4GHz (IEEE802.11b/g/n)
  • Free-angle 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot)
  • Supports most GH5 accessories, including XLR microphone adaptor, shutter remote control and battery grip
  • Panasonic Leica DG Vario-Elmarit 12-60mm f2.8-4 ASPH. POWER O.I.S. Lens
  • Micro Four Thirds System
  • 24-120mm (35mm Equivalent)
  • Aperture Range: f/2.8 to f/22
  • Four Aspherical Elements
  • Two Extra-Low Dispersion Elements
  • Linear Autofocus Motor
  • POWER Optical Image Stabilization
  • Splash, Dust, and Freezeproof Design
  • Rounded 9-Blade Diaphragm
+ Read more

Pairing beautiful image quality with a practical and easy-to-use setup. The Panasonic GH5 II + LEICA DG 12-60mm Kit bundles the Panasonic GH5 II Body and the Panasonic Leica DG Vario-Elmarit 12-60mm f2.8-4 ASPH. POWER O.I.S. Lens for a great all-around mirrorless camera for photo and video alike.


 

Panasonic GH5 II Body

The Panasonic GH5 II Body Only delivers new enhancements including wireless live streaming capability; C4K/4K 60p 4:2:0 10-bit video recording and simultaneous output of 4:2:2 10-bit over HDMI during 4K 60p 4:2:0 10-bit internal recording; V-Log L pre-installed; and unlimited recording in all video modes.

This camera is the first G Series model to offer high quality wireless live streaming with just the camera, smartphone and the LUMIX Sync app. H.264 in RTMP/RTMPS protocol, allows streaming directly to platforms such as YouTube or Facebook without the need for a paid cloud streaming server. In addition, 1080p Full HD at up to 60 frames per second 16Mbps maximises video quality.

For wired live streaming, the LUMIX Webcam Software (download) allows the Panasonic GH5 II to act as a high-quality webcam via USB. With a future firmware update, the camera will also support wired IP streaming (RTP/RTSP), providing greater flexibility for live production and multi-camera setups.

By using the latest algorithm developed for the S1H, GH5 II's Advanced Body I.S. (Image Stabiliser) delivers up to 6.5-stops slower shutter speeds, a 1.5 stops improvement on the previous GH5 camera for impressively stable handheld shooting and video panning. The camera also incorporates a 20.3-megapixel Digital Live MOS Sensor with a new Anti-Reflective (AR) coating for maximum lens performance, and an updated image processor with the latest high-speed Venus Engine. The autofocus has also been improved for both video recording and still shooting with more accurate subject detection and precise focusing - particularly for faces and heads, as well as animals and moving objects.

A rugged field-ready design with a magnesium alloy full diecast front/rear frame, is both splash and dust-resistant and also freeze-resistant down to -10 degrees Celsius. Dual SD card slots offer flexibility with relay recording or backup support. To enhance shooting ergonomics, a versatile free-angle 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot) features a higher luminosity than the GH5, plus superior colour reproduction for better visibility in outdoor shooting situations.

To further enhance performance and usability, GH5 Mark II firmware updates are scheduled for June 8, 2021. They will include Live View Composite, USB Tethering, and RTP/RTSP Wired IP Streaming. In addition, when LUMIX G / LEICA DG lenses are used with the GH5 Mark 2, users will be able to choose between linear or non-linear control of the focus ring, allowing for more precise and repeatable focus transitions when using manual focus.


Key Features of the Panasonic GH5 II Body Only

  • 20.3-megapixel Digital Live MOS Sensor with a new Anti-Reflective (AR) coating
  • Advanced Body I.S. (Image Stabiliser) delivers up to 6.5-stops slower shutter speeds
  • Improved Autofocus Performance
  • C4K/4K 60p 4:2:0 10-bit internal recording
  • Supports simultaneous output of 4:2:2 10-bit over HDMI during 4K 60p 4:2:0 10-bit internal recording
  • V-log L profile pre-installed
  • Supports high quality wireless live streaming with a smartphone and the LUMIX Sync app
  • Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac)vii/ 2.4GHz (IEEE802.11b/g/n)
  • Free-angle 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot)
  • Supports most GH5 accessories, including XLR microphone adaptor, shutter remote control and battery grip

High-Quality Video & Advanced Editing

Panasonic GH5 II features outstanding video performance for professional videography and is capable of unlimited video recording in all video modes. In addition, the camera can record C4K/4K 60p 4:2:0 10-bit; and also offers a simultaneous output of 4:2:2 10-bit over HDMI during 4K 60p 4:2:0 10-bit internal recording. With no crop when recording in 4K 60p, the user can capture video in the original viewing angle of the lens.

HLG Gamma + Cinelike Colour Profiles
Like the S1H – the S Series video flagship full-frame mirrorless camera - the LUMIX GH5 II includes the HLG gamma profile and has two types of Cinelike gamma presets selectable in Photo Style. HLG allows for high dynamic range video shooting with minimal need for editing, thanks to its broadcast-ready colour gamut format.

With the included Cinelike modes, impressive warm skin tones or delicate nuances of light and shadow can be reproduced even without colour grading over V-Log L footage. The Cinelike D2 setting gives priority to dynamic range and the Cinelike V2 prioritises contrast. MonochromeS and L.ClassicNeo Photo Styles, which were first introduced on the LUMIX S5, have also been added. All these modes can be used for Anamorphic video recording. For VFR (Variable Frame Rate) recording, C4K/4K 60fps, Anamorphic 50fps and FHD180fps are available. AF can be set before starting VFR recording. The Panasonic LUMIX GH5 II also incorporates cinema-standard practical video assist tools such as Waveform Monitor and V-Log L View Assist.

Pre-installed V-Log L
V-Log L comes pre-installed in the camera, delivering high dynamic range with broad colours, and renders a very flat image while maintaining all of the color information within the image. Designed with consistent colour management and an easier post production workflow in mind, the recorded footage is easily matched with VLog L footage recorded by the LUMIX S1/S1H/S5 or LUMIX GH5/GH5S/BGH1. 35 conversion LUTs for VariCam cinema cameras can be downloaded free of charge for use in the LUMIX GH5 II.

High-precision AF

The Panasonic GH5 II features high-speed, high-precision AF. In addition to the eye, face and body, the head is also separately recognised by real-time detection technology to provide even more precise focusing. The camera keeps tracking subjects when they move quickly, turn away, tilt their head or move far away from the camera. Also, improvements to DFD technology have enhanced AFC, which allows the camera to keep tracking small or fast-moving subjects and capture them in crisp focus. GH5 Mark II detects the eye and face at a 2x faster recognition cycle speed than the GH5, even if they are around 50% smaller in the frame.

Reliability & Versatility

The camera is highly reliable in the field, with secure construction and a sealing for every joint, dial, and button. The shutter unit also has a life of around 200,000 cycles. For outdoor use, the Panasonic GH5 II uses the DMW-BLK22 2200mAh high capacity battery first launched with the LUMIX S5. The battery complies with USB PD (Power Delivery), convenient when travelling and using a USB power bank, and can also be recharged via AC or USB. The GH5 II has a double SD Memory Card slot compatible with high-speed, high capacity UHS-II for Relay, Backup or Allocation Recording.

Other shooting assist functions include Frame Markers for checking composition during recording. A wide range of aspect ratios are supported, including those for popular social media platforms – 16:9, 4:3, 1:1, 4:5, 5:4 and 9:16. In addition, the REC Frame Indicator allows the user to check at a glance if the camera is recording or not.

Bluetooth 4.2 & Wi-Fi 5-GHz Connectivity
Content sharing with smartphones is streamlined using Bluetooth 4.2 Low Energy connection, Wi-Fi 5-GHz (IEEE802.11ac) and 2.4GHz Wi-Fi® (IEEE 802.11b/g/n). With an always-on Bluetooth connection, a smartphone can act as the camera’s remote control via the LUMIX Sync app. The settings of a GH5 II camera can also be copied and transmitted to other GH5 II cameras when shooting using multiple cameras (either via LUMIX Sync or SD Card).

The camera is compatible with the LUMIX Tether applications which enable tethered shooting via USB. Users can control the camera by connecting it to a PC and view images on a large PC screen while shooting, useful in situations where continuous confirmation is required.


 

Continued support with Future Firmware Update planned for GH5 II by the end of 2021

Panasonic has already promised future support and plan to bring even more features to the new Panasonic GH5 Mark II. Features planned includes:

  • Live View Composite
  • USB Tethering(4G/5G Smartphone Link) Compatible Streaming Distribution for more stable connection with smartphones
  • RTP/RTSP wired IP streaming – by connecting the camera to the PC via wired LAN, high quality video with sound can be stably streamed to social streaming platforms. A USB Ethernet adaptor is required.

 

Panasonic Leica DG Vario-Elmarit 12-60mm f2.8-4 ASPH. POWER O.I.S. Lens

Spanning a useful wide-angle to short telephoto range, the Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH is a 24-120mm equivalent zoom designed for Micro Four Thirds cameras. Designed in collaboration with Leica, this versatile lens utilizes four aspherical elements and two extra-low dispersion elements to deliver well-corrected, sharp image quality that is void of colour fringing and distortions. The lens also makes use of a linear motor for fast, quiet, and precise autofocus performance, and the POWER Optical Image Stabilization system helps to minimize the appearance of camera shake for sharper handheld shooting. Additionally, the durable metal body of the lens renders it splash, dust, and freezeproof to suit its use in trying environmental conditions.


Key Features of the Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens

  • Standard zoom for Micro Four Thirds mirrorless cameras, this lens provides a 24-120mm equivalent focal length range.
  • Four aspherical elements and two extra-low dispersion elements contribute to minimizing chromatic and spherical aberrations and various distortions in order to produce a high degree of clarity, sharpness, and colour accuracy.
  • Linear autofocus motor delivers fast AF performance that is also precise, smooth, and near-silent to benefit both stills and video applications.
  • POWER Optical Image Stabilization minimizes the appearance of camera shake for sharper handheld shooting and also supports the Dual I.S. function for increased stabilization performance.
  • Splash, dust, and freezeproof design benefits working in inclement weather conditions.
  • Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.

Buy Panasonic GH5 II + LEICA DG 12-60mm Kit with Panasonic Australia Warranty from digiDirect

All our Panasonic products come with Panasonic Australia Warranty.
Buy with confidence from a reputable seller. digiDirect does not sell grey-import or grey-market stock.
For more on our warranty policy please see digiDirect FAQ Warranty


  • MPN - DC-GH5M2LEICA
  • GTIN - 9302704039340
+ Read more

Panasonic GH5 II Body

Type

Type Digital Single Lens Mirrorless camera
Recording Media SD Memory Card / SDHC Memory Card* / SDXC Memory Card*

*Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.
Lens Mount Micro Four Thirds mount

Image Sensor

Type Live MOS sensor (17.3 x 13.0 mm)
Camera effective pixels / Total pixels 20.33 megapixels / 21.77 megapixels
AR (Anti Reflection) coating Yes
Aspect ratio / Color filter 4:3 / Primary color filter
Dust reduction system Image sensor shift type
Latitude 12 stops (V-Log L)

Still Image

Recording file format Still image:
JPEG (DCF, Exif 2.31), RAW

6K PHOTO (*1) / 4K PHOTO (*1):
6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch))
4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch))Extracted still images: JPEG (DCF, Exif 2.31)
Aspect ratio 4:3 / 3:2 / 16:9 / 1:1
File size (Pixels) 4:3
5184x3888(L) / 3712x2784(M) / 2624x1968(S) / 4992x3744(6K PHOTO) / 3328x2496(4K PHOTO)

3:2
5184x3456(L) / 3712x2480(M) / 2624x1752(S) / 5184x3456(6K PHOTO) / 3504x2336(4K PHOTO)

16:9
5184x2920(L) / 3840x2160(M) / 1920x1080(S) / 3840x2160(4K PHOTO)

1:1
3888x3888(L) / 2784x2784(M) / 1968x1968(S) / 2880x2880(4K PHOTO)
Image quality RAW / RAW+Fine / RAW+Standard / Fine / Standard
Color space sRGB, AdobeRGB

Motion Picture

Recording file format MOV: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit, 48kHz/24-bit*, 96kHz/24-bit*)) *When attaching DMW-XLR1 (sold separately).MP4: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: AAC (2ch))
System frequency 59.94Hz / 50.00Hz / 24.00Hz
Image area of video Full / Pixel by Pixel

MOV (*1)High-res audio is selectable only when using the DMW-XLR1 (sold separately).

59.94Hz [C4K] 4096x2160
59.94p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable.
59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio)
29.97p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.
23.98p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.

[4K] 3840x2160
59.94p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable.
59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio)
29.97p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.
23.98p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.

[Anamorphic 6K] 4992x3744 (4:3)
29.97p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable.
23.98p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable.

[Anamorphic 4K] 3328x2496 (4:3)
59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio)
29.97p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.
23.98p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.

[FHD] 1920x1080
59.94p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.
29.97p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.
23.98p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.
50.00Hz [C4K] 4096x2160
50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable.
50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio)
25.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.

[4K] 3840x2160
50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable.
50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio)
25.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.

[Anamorphic 6K] 4992x3744 (4:3)
25.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable.

[Anamorphic 4K] 3328x2496 (4:3)
50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable.
50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio)
25.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.

[FHD] 1920x1080
50.00p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.
25.00p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.
24.00Hz [C4K] 4096x2160
24.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.

[4K] 3840x2160
24.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.

[Anamorphic 6K] 4992x3744 (4:3)
24.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable.

[Anamorphic 4K] 3328x2496 (4:3)
24.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.

[FHD] 1920x1080
24.00p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable.

MP4 (*1)

59.94Hz [4K] 3840x2160
59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

[FHD] 1920x1080
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
50.00Hz [4K] 3840x2160
50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

[FHD] 1920x1080
50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
24.00Hz -

Variable Frame Rate

Recording Format MOV (*1)
High-res audio is selectable only when using the DMW-XLR1 (sold separately).
59.94Hz [C4K] 4096x2160
29.97p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

[4K] 3840x2160
29.97p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

[Anamorphic 4K] 3328x2496 (4:3)
29.97p (Maximum output of sensor is 50fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p (Maximum output of sensor is 48fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

[FHD] 1920x1080
59.94p (Maximum output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p (Maximum output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p (Maximum output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00Hz [C4K] 4096x2160
25.00p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

[4K] 3840x2160
25.00p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

[Anamorphic 4K] 3328x2496 (4:3)
25.00p (Maximum output of sensor is 50fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

[FHD] 1920x1080
50.00p (Maximum output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p (Maximum output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00Hz [C4K] 4096x2160
24.00p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

[4K] 3840x2160
24.00p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

[Anamorphic 4K] 3328x2496 (4:3)
24.00p (Maximum output of sensor is 48fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

[FHD] 1920x1080
24.00p (Maximum output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

Streaming

Protocol RTMP / RTMPS
Streaming quality NTSC (59.94Hz) [FHD] 1920x1080
59.94p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
29.97p, 6Mbps / 3Mbps (H.264)

[HD] 1280x720
59.94p, 6Mbps (H.264)
29.97p, 4Mbps (H.264)
Streaming quality PAL (50.00Hz) [FHD] 1920x1080
50.00p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
25.00p, 6Mbps / 3Mbps (H.264)

[HD] 1280x720
50.00p, 6Mbps (H.264)
25.00p, 4Mbps (H.264)

Viewfinder

Type OLED Live View Finder
Pixels Approx. 3.68 million dots
Field of view / Magnification Approx. 100% / Approx. 1.52x / 0.76x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3
Eye point / Diopter adjustment Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +3.0 (dpt)
Eye sensor Yes
Display speed 120fps / 60fps

Rear Monitor

Type TFT LCD monitor with static touch control
Monitor size Free-angle, 3.0-inch (7.5cm), 3:2 aspect
Pixels Approx. 1.84 million dots
Field of view Approx. 100%

Focus

Type Contrast AF system
DFD technology Yes
Focus mode AFS (Single) / AFC (Continuous) / MF
AF mode Auto Detection (Face, Eye, Body, Animal) / Tracking / 225-Area / Zone (Vertical/Horizontal) / Zone (Square) / Zone (Oval) / 1-Area+ / 1-Area / Pinpoint / Custom 1, 2, 3(Full area touch is available) (Scalable AF frame size and flexible AF position)
AF detective range EV -4 - 18 (F2.0, ISO100 equivalent, AFS)
AF custom setting AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction
AF assist light Yes
AF lock Set the Fn button in custom menu to AF lock
Post Focus / Focus Stacking Yes / Yes
Focus Ring Control Nonlinear / Linear *When a compatible lens is attached.
Others Focus Peaking, 1-Area AF Moving Speed, AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Release, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, Loop Focus Frame, AFC Start Point (225-Area), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume

Exposure Control

Light metering system 1,728-zone multi-pattern sensing system
Light metering mode Multiple / Center Weighted / Spot / Highlight Weighted
Metering range EV0-18 (F2.0 lens, ISO100 equivalent)
Recording mode Program AE / Aperture Priority AE / Shutter Priority AE / Manual Exposure / Creative Video / Custom 1, 2, 3, 4 / Intelligent Auto
ISO sensitivity (Standard output sensitivity) Still image: Auto / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step)
Creative Video Mode: Auto / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 (Changeable to 1/3 EV step)
Exposure compensation 1/3 EV step ±5EV (±3EV for motion picture)
AE lock Set the Fn button in custom menu to AE lock

Image Stabilization System

Type Image sensor shift type (5-axis / 6.5-stop*)
*Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.

Dual I.S. (6.5-stop* Dual I.S. 2 compatible)
*Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FS14140 is used.

White Balance

White balance AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4
White balance adjustment Blue/Amber bias, Magenta/Green bias
Color temperature setting 2500-10000K in 100K

Shutter

Type Focal-plane shutter
Shutter speed Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
Electronic shutter: Bulb (Max. 60 sec), 1/16,000 - 60
Motion picture: 1/16,000 - 1/25
Creative Video M mode / MF mode: 1/16,000 - 1/2
Self timer 10sec, 3 images / 2sec / 10sec / Custom Time
Remote control Remote control by DMW-RS2 (sold separately)
Silent mode / Shutter type Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)

Bracket

AE bracket 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
Aperture bracket 3, 5 or all positions
Focus bracket 1 to 999 images, focus steps can be set in 10 levels
White balance bracket 3 images in blue/amber axis or in magenta/green axis, color temperature setting

Burst Shooting

Burst speed Mechanical shutter / Electronic front
AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View)
AFC: H: 9 frames/sec (with Live View), M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View)

Electronic shutter
AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View)
AFC: H: 7 frames/sec (with Live View), M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View)
Number of recordable images RAW / RAW+JPEG: More than 108 images
JPEG: More than 999 images (When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)" inserted into card slot 1.)
*When recording is performed under the test conditions specified by Panasonic.

6K PHOTO (*1) / 4K PHOTO (*1)

Burst speed 6K PHOTO: 30 frames/sec
4K PHOTO: 60 frames/sec, 30 frames/sec
Exif information Yes (Each JPEG image cropped out of the 6K/4K burst file complies with EXIF.)

Flash

Flash type TTL External Flash (sold separately)
Flash mode Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.
Flash synchronization 1st Curtain Sync, 2nd Curtain Sync.
Flash output adjustment 1/3EV step ±3EV
Synchronization speed Less than 1/250 second
Wireless control Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch
Flash sync socket Yes

Photo Style

Photo Style Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log L / Hybrid Log Gamma / My Photo Style 1-10
Picture adjustment Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB
*Adjustable settings vary depending on the Photo Style mode.
Filters Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine*
*For photos only.

Motion Picture Function

Master pedestal level 31 steps
Luminance level 8-bit: 0-255 / 16-235 / 16-255
10-bit: 0‒1023 / 64‒940 / 64‒1023
Wave form monitor / Vectorscope Selectable
LUT view assist Monitor / HDMI
HLG view assist Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)
Anamorphic desqueeze display 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF
Synchro scan Yes
Time code Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When NTSC (59.94Hz) is selected.)
SS/Gain operation Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB
Color bars / 1kHz test tone Yes (SMPTE / EBU / ARIB) / Yes
Knee control Yes (in Like709 mode)
Other functions Red REC Frame Indicator, Streaming Blue Frame Indicator,

Function Button

REC Exposure Comp. / Sensitivity / White Balance / Photo Style / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / Exposure Mode / Synchro Scan / AF Mode / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode / 1 Shot "6K/4K PHOTO" / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Live View Composite / Motion Pic. Rec File Format / Motion Pic. Rec Quality / Motion Pic. Rec Quality (My List) / Variable Frame Rate / Time Code Display / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Level Limiter / XLR Mic Adaptor Setting / Special Mic. Directivity Adjust / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Focus Transition / Live Cropping / Q.MENU / Rec/Playback Switch / Video Record / LVF/Monitor Switch / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control/ Zoom Control / Step Zoom / Zoom Speed / Destination Card Slot / Off (Disable Press and Hold) / Restore to Default
PLAY Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / 6K/4K PHOTO Bulk Saving / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Night Mode / Card Slot Change / Wi-Fi / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / 6K/4K Photo Play / No Setting / Off (Disable Press and Hold) / Restore to Default

Interface

USB SuperSpeed USB 3.1 Gen1 Type-C
HDMI (*2) HDMI
HDMI TypeA
Audio: Stereo

Monitor-through
4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)
4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)
Down Convert: Auto / 4K / 1080p / 1080i / OFF

Playback
59.94Hz: Auto / C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080p / 1080i / 720p / 480p
50.00Hz: Auto / C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080p / 1080i / 720p / 576p
24.00Hz: Auto / C4K/24p / 4K/24p / 1080p
Remote inputs φ2.5mm
Microphone Stereo, Wind Noise Canceller: OFF / Low* / Standard / High *When attaching DMW-MS2 (sold separately).
External microphone / external audio device input φ3.5mm for external microphone / external audio device
MIC (Plug-in Power) / MIC / LINE is selectable.
Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately).
XLR microphone Yes with DMW-XLR1 (sold separately)
Speaker Monaural
Headphone output φ3.5mm
SD card slot Slot 1, Slot 2

Wireless

Wi-Fi 2.4GHz (STA/AP) (IEEE802.11b/g/n)
5GHz (STA) (IEEE 802.11a/n/ac) *5GHz Wi-Fi is not available in some countries.
Bluetooth Bluetooth v4.2 (Bluetooth Low Energy (BLE))

Power

Battery Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
USB power supply, USB power charging, USB power delivery
Battery life (CIPA standard) Approx. 400 images, 1200 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
Approx. 410 images, 1200 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
*Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
Continuous recordable time (Motion picture) (*1) MP4 [4K/60p]: Approx. 120 min with H-ES12060 / H-FS12060
MP4 [FHD/60p]: Approx. 140 min with H-ES12060 / H-FS12060
Actual recordable time (Motion picture) (*1) MP4 [4K/60p]: Approx. 60 min with H-ES12060 / H-FS12060
MP4 [FHD/60p]: Approx. 70 min with H-ES12060 / H-FS12060
Battery grip DMW-BGGH5 (sold separately)

Other

Timelapse Shot Yes
Stop Motion Animation Yes
Extra Tele Conversion 2.0x (EX S), 1.4x (EX M) *Only for still image recording.
Vertical Position Information Still image / Motion picture (ON/OFF)
Level Gauge Yes
Print PrintBridge compatible
Dust and Splash Resistant* Yes.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

Dimensions / Weight

Dimensions (W x H x D) Approx. 138.5 x 98.1 x 87.4 mm / 5.45 x 3.86 x 3.44 inch (excluding protrusions)
Weight Approx. 727g / 1.60 lb (SD Memory Card x 1, Battery, Body)
Approx. 647g / 1.43 lb (Body only)

Operating Environment

Operating temperature (*3) -10°C to 40°C (14°F to 104°F)
Operating humidity 10%RH to 80％RH

Panasonic Leica DG Vario-Elmarit 12-60mm f2.8-4 ASPH. POWER O.I.S. Lens

Focal Length 12 to 60mm (35mm Equivalent Focal Length: 24 to 120mm)
Maximum Aperture f/2.8 to 4
Minimum Aperture f/22
Lens Mount Micro Four Thirds
Format Compatibility Micro Four Thirds
Angle of View 84° to 20°
Minimum Focus Distance 7.87" / 20 cm
Maximum Magnification 0.3x
Optical Design 14 Elements in 12 Groups
Diaphragm Blades 9, Rounded
Focus Type Autofocus
Image Stabilization Yes
Filter Size 62 mm (Front)
Dimensions (ø x L) 2.69 x 3.39" / 68.4 x 86 mm
Weight 11.29 oz / 320 g
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What’s In The Box
  • Panasonic GH5 II + LEICA DG 12-60mm Kit
  • Body Cap
  • Hot Shoe Cover
  • Eye Cup
  • Flash Synchro Socket Cap
  • Cover for the Battery Grip Connector
  • Shoulder Strap
  • Battery Pack
  • Battery Charger
  • AC Adaptor
  • USB Connection Cable (A-C)
  • Cable Holder
  • Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens
  • Front Lens Cap
  • Panasonic Rear Lens Caps for Lumix G Lenses
  • Lens Hood
  • Lens Storage Bag
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