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The Panasonic G9 II Mirrorless Camera is Pansonic's latest offering from it's long line of excellent LUMIX cameras. The camera’s new 25.2-megapixel Live MOS sensor delivers high resolution and high-speed response, supporting V-Log/V-Gamut and 13+ stops of wide dynamic range . The new engine achieves natural, three-dimensional textured images and ensures high-speed processing of high bitrate video.
The hybrid PDAF technology on board the LUMIX G9II enables accurate auto-focus and high-speed tracking of fast-moving subjects. New AI-powered recognition technology (developed using AI deep learning) for real-time auto-focus now recognises cars, motorcycles, and animal eyes for improved precision..
To deliver fast action photography, the LUMIX G9II offers burst shooting at 60 fps (AFC) and Super High Speed pre-burst recording that can commence shooting up to 1.5 seconds prior to shutter release, including support for RAW files. A blackout-free Live View Finderv means the user can continuously track and keep the subject in focus.
Providing incredible stabilisation for hybrid shooters, the excellent LUMIX image stabilisation system is further enhanced. For photographers, the in-body IS offers an impressive 8-stop at 60mm , and when shooting with ultra-telephoto focal length, the Dual I.S 2 system offers 7.5-stop at 140mm (280mm 35mm equivalent). Videographers will appreciate the Active I.S. technology which is optimised for video shooting, offering smooth gimbal-like video even when walking with the camera. These capabilities provide even greater support for handheld shooting at ultra-telephoto focal lengths, capturing difficult, dynamic subjects such as wildlife. Using the precision gyro-sensor and in-body stabilisation unit, 100-megapixel images can be captured in camera using the High Resolution mode both with a tripod or when handheld.
Key Features of the Panasonic G9 II Mirrorless Camera
25.2-megapixel Live MOS sensor
Hybrid PDAF AI-powered recognition technology
Dual I.S 2 system 8-stop at 60mm and 7.5-stop at 140mm
4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9)
ProRes 300FPS video
60 fps burst shooting (AFC)
Super High Speed pre-burst record
Capture Modes
There are also several modes that expand the possibilities of creativity. The 13+ stop V-Log/V-Gamut capture offers a high dynamic range, consistent colour management and streamlined post-production. With in-camera colour grading via REAL TIME LUT, creative scope is increased while workflow is reduced – excellent for repeatable setups such as content creators who work in the same studio or are looking to repeat the same style in camera instead of applying the same LUT in post. The newly-added LEICA Monochrome mode provides deep black/white contrast.
The Live View Composite Mode takes away the guess work, allowing the photographer to set the desired exposure, take the shot, then view the image on-screen as it is being exposed in real time. Once they are happy with how the shot looks, they simply hit the shutter button again to stop the exposure. This mode is also great for light painting, shooting light trails and other long exposure scenarios.
Video Creation
The G9II is a launching point for video creation. It includes 4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9), enabling flexible framing options for various social media formats, as well as 4:2:0 10-bit C4K/4K 120p/100p to enable slow motion videos. Recording and playback are supported using an external SSD via USB.
It also offers Apple ProRes video, which delivers high image quality at low compression, reducing computer load during post-production and allowing non-linear editing without transcoding, streamlining workflow from start to finish.
The Panasonic G9 II Mirrorless Camera is Pansonic's latest offering from it's long line of excellent LUMIX cameras. The camera’s new 25.2-megapixel Live MOS sensor delivers high resolution and high-speed response, supporting V-Log/V-Gamut and 13+ stops of wide dynamic range . The new engine achieves natural, three-dimensional textured images and ensures high-speed processing of high bitrate video.
The hybrid PDAF technology on board the LUMIX G9II enables accurate auto-focus and high-speed tracking of fast-moving subjects. New AI-powered recognition technology (developed using AI deep learning) for real-time auto-focus now recognises cars, motorcycles, and animal eyes for improved precision..
To deliver fast action photography, the LUMIX G9II offers burst shooting at 60 fps (AFC) and Super High Speed pre-burst recording that can commence shooting up to 1.5 seconds prior to shutter release, including support for RAW files. A blackout-free Live View Finderv means the user can continuously track and keep the subject in focus.
Providing incredible stabilisation for hybrid shooters, the excellent LUMIX image stabilisation system is further enhanced. For photographers, the in-body IS offers an impressive 8-stop at 60mm , and when shooting with ultra-telephoto focal length, the Dual I.S 2 system offers 7.5-stop at 140mm (280mm 35mm equivalent). Videographers will appreciate the Active I.S. technology which is optimised for video shooting, offering smooth gimbal-like video even when walking with the camera. These capabilities provide even greater support for handheld shooting at ultra-telephoto focal lengths, capturing difficult, dynamic subjects such as wildlife. Using the precision gyro-sensor and in-body stabilisation unit, 100-megapixel images can be captured in camera using the High Resolution mode both with a tripod or when handheld.
Key Features of the Panasonic G9 II Mirrorless Camera
25.2-megapixel Live MOS sensor
Hybrid PDAF AI-powered recognition technology
Dual I.S 2 system 8-stop at 60mm and 7.5-stop at 140mm
4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9)
ProRes 300FPS video
60 fps burst shooting (AFC)
Super High Speed pre-burst record
Capture Modes
There are also several modes that expand the possibilities of creativity. The 13+ stop V-Log/V-Gamut capture offers a high dynamic range, consistent colour management and streamlined post-production. With in-camera colour grading via REAL TIME LUT, creative scope is increased while workflow is reduced – excellent for repeatable setups such as content creators who work in the same studio or are looking to repeat the same style in camera instead of applying the same LUT in post. The newly-added LEICA Monochrome mode provides deep black/white contrast.
The Live View Composite Mode takes away the guess work, allowing the photographer to set the desired exposure, take the shot, then view the image on-screen as it is being exposed in real time. Once they are happy with how the shot looks, they simply hit the shutter button again to stop the exposure. This mode is also great for light painting, shooting light trails and other long exposure scenarios.
Video Creation
The G9II is a launching point for video creation. It includes 4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9), enabling flexible framing options for various social media formats, as well as 4:2:0 10-bit C4K/4K 120p/100p to enable slow motion videos. Recording and playback are supported using an external SSD via USB.
It also offers Apple ProRes video, which delivers high image quality at low compression, reducing computer load during post-production and allowing non-linear editing without transcoding, streamlining workflow from start to finish.
Approx. 100% / Approx. 1.6x / 0.8x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3
Eye point / Diopter adjustment
Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt)
Eye sensor
Yes
Display speed
120fps / 60fps
REAR MONITOR
Type
TFT LCD monitor with static touch control
Monitor size
Free-angle, 3.0-inch (7.6cm), 3:2 aspect
Pixels
Approx. 1.84 million dots
Field of view
Approx. 100%
FOCUS
Type
Phase Detection AF system / Contrast AF system
DFD technology
Yes
Focus mode
AFS (Single) / AFC (Continuous) / MF
AF mode
Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint *Automatic Detection can be turned ON to switch between Human / Animal / Car / Motorcycle. Except when Pinpoint is set.
AF detective range
EV -4 - 18 (F2.0, ISO100 equivalent, AFS)
AF custom setting
AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction
AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume
EXPOSURE CONTROL
Light metering system
1,728-zone multi-pattern sensing system
Light metering mode
Multiple / Center Weighted / Spot / Highlight Weighted
Metering range
EV0-18 (F2.0 lens, ISO100 equivalent)
Mode dial
Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Slow&Quick / Custom 1, 2, 3 / Intelligent Auto *The same exposure operations as P/A/S/M mode is available.
Exposure compensation
1/3 EV step ±5EV (±3EV for motion picture)
AE lock
Set the Fn button in custom menu to AE lock
IMAGE STABILIZATION SYSTEM
IMAGE STABILIZATION SYSTEM
B.I.S. (5-axis / 8.0-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.]
Dual I.S. 2 (7.5-stop**) **Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FSA14140 is used.]
WHITE BALANCE
White balance
AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4
H/M/L* RAW+JPEG: More than 160 images RAW: More than 170 images JPEG: More than 200 images *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic. *When using a card with SD Speed Class with ""UHS-II UHS Speed Class 3 (U3)"". SH RAW / RAW+JPEG / JPEG: 200 images
FLASH
Flash type
TTL External Flash (sold separately)
Flash mode
Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.
Yes. *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water."
Battery
Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) USB power supply, USB power charging, USB power delivery
Dimensions (W x H x D)
Approx. 134.3 x 102.3 x 90.1 mm / 5.29 x 4.03 x 3.55 inch (Body only, excluding protrusions) Approx. 134.3 x 102.3 x 140.7 mm / 5.29 x 4.03 x 5.54 inch (with H-FS12060, excluding protrusions) Approx. 134.3 x 102.3 x 153.8 mm / 5.29 x 4.03 x 6.06 inch (with H-ES12060, excluding protrusions)
Weight
Approx. 658g / 1.45 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap) Approx. 575g / 1.27 lb (Body, Hot Shoe Cover) (excluding body cap)
