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FUJIFILM continues to challenge the expectations of medium format mirrorless cameras with the FujiFilm GFX 100 II Mirrorless Camera. By incorporating a powerful new 102MP sensor and X-Processor 5, this camera not only serves as a commanding second iteration of FUJIFILM's flagship model but proves to be an elite and accessible mirrorless option for photographers and filmmakers alike.
Improved autofocus algorithms and updated tracking ensures your subject stays locked in focus regardless of their movements. Create images at up to 8 fps with the camera's high-speed mechanical shutter or record 4k/60p video at the full width of the GFX 100 II's impressive 55mm imaging sensor.
Upgrading upon a critical function of any mirrorless camera, the GFX 100 II features a massive 9.44m-dot EVF with 120 fps live view and 5 fps of blackout-free shutter use. Additionally, 8-stops of in-body stabilization helps to create sharper images by reducing camera shake and affords you significantly more control of your shutter speeds. The introduction of these new features elevates the GFX series and solidifies the GFX 100 II as a versatile, high-performing medium format mirrorless camera.
The GFX100 II boasts superior image quality thanks to the use of the Large Format sensor that produces rich tonal reproduction and strong three-dimensional definition. In addition, the latest high-speed image sensor coupled with the high-speed image processing engine has made it possible to bring the AI-based subject-detection AF developed with Deep Learning technology as well as the latest prediction AF algorithm, developed with the X-H2S, to the GFX System for the first time.
The all-new processor has double the processing speed of the previous model. It has improved image quality at low ISO and reduced noise at high sensitivity in stills while delivering significantly improved AF accuracy and speed. The processor also enables subject-detection and AF tracking of a targeted subject with increased accuracy
The new sensor has also led to significant enhancement of video recording performance. The camera can record 4K/60P 4:2:2 10-bit video internally and supports 8K/30P video for the first time in the GFX System. It also offers the new “Video Format” modes to take advantage of the Large Format sensor’s characteristics. GFX100 II supports various cine recording formats, including Premista, 35mm, and anamorphic (35mm) with the mount adapter. This accommodates video recording in a versatile range of situations, complemented additionally by the enhanced sensor readout speed and the tracking AF.
From its unparalleled image quality, to its overall mobility, the boundaries of large format imaging have continually been reimagined with every new iteration. The Fujifilm GFX100 II Medium Format Camera continues this tradition by bringing unprecedented high-speed performance, expanded video capabilities, and lightning fast autofocus to a growing list of accolades that professionals everywhere have come to rely on from GFX System cameras.
FUJIFILM continues to challenge the expectations of medium format mirrorless cameras with the FujiFilm GFX 100 II Mirrorless Camera. By incorporating a powerful new 102MP sensor and X-Processor 5, this camera not only serves as a commanding second iteration of FUJIFILM's flagship model but proves to be an elite and accessible mirrorless option for photographers and filmmakers alike.
Improved autofocus algorithms and updated tracking ensures your subject stays locked in focus regardless of their movements. Create images at up to 8 fps with the camera's high-speed mechanical shutter or record 4k/60p video at the full width of the GFX 100 II's impressive 55mm imaging sensor.
Upgrading upon a critical function of any mirrorless camera, the GFX 100 II features a massive 9.44m-dot EVF with 120 fps live view and 5 fps of blackout-free shutter use. Additionally, 8-stops of in-body stabilization helps to create sharper images by reducing camera shake and affords you significantly more control of your shutter speeds. The introduction of these new features elevates the GFX series and solidifies the GFX 100 II as a versatile, high-performing medium format mirrorless camera.
The GFX100 II boasts superior image quality thanks to the use of the Large Format sensor that produces rich tonal reproduction and strong three-dimensional definition. In addition, the latest high-speed image sensor coupled with the high-speed image processing engine has made it possible to bring the AI-based subject-detection AF developed with Deep Learning technology as well as the latest prediction AF algorithm, developed with the X-H2S, to the GFX System for the first time.
The all-new processor has double the processing speed of the previous model. It has improved image quality at low ISO and reduced noise at high sensitivity in stills while delivering significantly improved AF accuracy and speed. The processor also enables subject-detection and AF tracking of a targeted subject with increased accuracy
The new sensor has also led to significant enhancement of video recording performance. The camera can record 4K/60P 4:2:2 10-bit video internally and supports 8K/30P video for the first time in the GFX System. It also offers the new “Video Format” modes to take advantage of the Large Format sensor’s characteristics. GFX100 II supports various cine recording formats, including Premista, 35mm, and anamorphic (35mm) with the mount adapter. This accommodates video recording in a versatile range of situations, complemented additionally by the enhanced sensor readout speed and the tracking AF.
Lens Mount | FUJIFILM G mount |
---|---|
Image sensor | 43.8mm×32.9mm Bayer array with primary color filter |
Number of effective pixels | 102 million pixels |
Sensor Cleaning System | Ultra Sonic Vibration |
Image Processing Engine | X-Processor 5 |
Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I UHS-II Video Speed Class V90 CFexpress Type B Card (-2TB) SSD (-2TB) *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. |
File format of still image | DCF JPEG HEIF RAW TIFF |
Number of recorded pixels | [L] 4:3 11648 x 8736 3:2 11648 x 7768 16:9 11648 x 6552 1:1 8736 x 8736 65:24 11648 x 4304 5:4 10928 x 8736 7:6 10192 x 8736 [M] 4:3 8256 x 6192 3:2 8256 x 5504 16:9 8256 x 4640 1:1 6192 x 6192 65:24 8256 x 3048 5:4 7744 x 6192 7:6 7232 x 6192 [S] 4:3 4000 x 3000 3:2 4000 x 2664 16:9 4000 x 2248 1:1 2992 x 2992 65:24 4000 x 1480 5:4 3744 x 3000 7:6 3504 x 3000 |
Sensitivity(Still Image) | Standard Output AUTO1 AUTO2 AUTO3 ISO80~12800 (1/3 step) Extended Output ISO40 ISO25600 ISO51200 ISO102400 |
Sensitivity(Movie) | Standard Output: AUTO ISO100~12800 (1/3 step) Extended Output: ISO25600 |
Exposure control | TTL 256-zone metering Multi Spot Average Center Weighted |
Exposure mode | P (Program AE) A (Aperture Priority AE) S (Shutter Speed Priority AE) M (Manual Exposure) |
Exposure compensation | Still: -5.0EV~+5.0EV 1/3EV step Movie: -2.0EV~+2.0EV 1/3EV step |
Image stabilizer Mechanism | Image sensor shift mechanism with 5-axis compensation |
Compensation Effect | 8.0 stops |
Digital Image Stabilization | Yes (movie mode only) |
IS MODE BOOST | Yes (movie mode only) |
Shutter type | Focal Plane Shutter |
Shutter speed | Mechanical shutter: P mode 30sec. to 1/4000sec. A mode 30sec. to 1/4000sec. S/M mode 60min. to 1/4000sec. Bulb up to 60min. Electronic shutter: P mode 30sec. to 1/32000sec. A mode 30sec. to 1/32000sec. S/M mode 60min. to 1/32000sec. Bulb up to 60min. Electronic front curtain shutter: P mode: A mode: S/M mode: Bulb: Mechanical + Electronic shutter: P mode 30sec. to 1/32000sec. A mode 30sec. to 1/32000sec. S/M mode 60min. to 1/32000sec. Bulb up to 60min. E-front + Mechanical shutter: P mode 30sec. to 1/4000sec. A mode 30sec. to 1/4000sec. S/M mode 60min. to 1/4000sec. Bulb up to 60min. E-front + Mechanical + Electronic shutter: P mode 30sec. to 1/32000sec. A mode 30sec. to 1/32000sec. S/M mode 60min. to 1/32000sec. Bulb up to 60min. Movie: 8K/DCI8K 1/4000sec. to 1/24 sec. 6.2K 5.8K 1/4000sec. to 1/24 sec. 5.4K 1/4000sec. to 1/24 sec. 4.8K 1/4000sec. to 1/24 sec. 4.6K(ANAMOR) 1/4000sec. to 1/24 sec. 4K/DCI4K 1/4000sec. to 1/8 sec. FHD 1/4000sec. to 1/8 sec. Synchronized shooting speed for flash: Mechanical shutter 1/125sec. or slower |
Continuous shooting | CH No. of recordable frames Electronic shutter Approx 8.7fps (35mm Format Mode On) JPEG 1000+frames Compressed RAW 1000+frames Lossless compressed RAW 1000+frames Uncompressed RAW 1000+frames Compressed RAW+JPEG 156 frames Lossless compressed RAW+JPEG 148 frames Uncompressed RAW+JPEG 71 frames CH No. of recordable frames Electronic shutter Approx 8.7fps (35mm Format Mode On) JPEG 1000+frames Compressed RAW 1000+frames Lossless compressed RAW 1000+frames Uncompressed RAW 1000+frames Compressed RAW+JPEG 1000+frames Lossless compressed RAW+JPEG 1000+frames Uncompressed RAW+JPEG 1000+frames CH No. of recordable frames Electronic shutter Approx. 5.3fps JPEG 1000+frames Compressed RAW 1000+frames Lossless compressed RAW 1000+frames Uncompressed RAW 390+frames Compressed RAW+JPEG 119+frames Lossless compressed RAW+JPEG 119+frames Uncompressed RAW+JPEG 98 frames CH No. of recordable frames Electronic shutter Approx. 8.0fps JPEG 1000+frames Compressed RAW 325 frames Lossless compressed RAW 302 frames Uncompressed RAW 76 frames Compressed RAW+JPEG 75 frames Lossless compressed RAW+JPEG 75 frames Uncompressed RAW+JPEG 55 frames CH No. of recordable frames Electronic shutter Approx. 5.0fps JPEG 1000+frames Compressed RAW 1000+frames Lossless compressed RAW 1000+frames Uncompressed RAW 497 frames Compressed RAW+JPEG 153 frames Lossless compressed RAW+JPEG 152 frames Uncompressed RAW+JPEG 116 frames Mechanical shutter Approx 2.0fps JPEG 1000+frames Compressed RAW 1000+frames Lossless compressed RAW 1000+frames Uncompressed RAW 1000+frames Compressed RAW+JPEG 1000+frames Lossless compressed RAW+JPEG 1000+frames Uncompressed RAW+JPEG 1000+frames |
Drivew | AE Braketing 2, 3, 5, 7, 9, frames *By 1/3EV step, up to ± 3EV step, up Film simulation bracketing Any 3 types of film selection Dynamic Range bracketing 100, 200, 400% ISO sensitivity bracketing ± 1/3EV, ±2/3EV, ±1EV White Balance bracketing ± 1, 2, 3 Focusing bracketing Auto/Manual Multiple Exposure Yes (Max. 9 frames) Additive Average Bright Dark |
Pixel Shirf Muti Shot | High resolution + Accurate Colour Yes Accurate Colour Yes |
Focus Mode | Single AF Continuous AF MF |
Focus Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) |
Low-light Performance | Contrast -2.5EV GF80mmF1.7 attached Phase Detection -5.5EV GF80mmF1.7 attached |
AF frame selection | Single point AF 13x9 / 25x17 (Changeable size of AF frame) Zone AF 3x3 / 5x5 / 7x7 / Custom1-3 from 117 areas on 13×9 grid Wide/Tracking AF Yes (AF-S: Wide / AF-C: Tracking) All Yes |
Face/eye detection | Yes |
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) |
Flash | Yes Sync. Mode 1,2nd Curtain AUTO FP (HSS) Flash Mode TTL(TTL AUTO / STANDARD / SLOW SYNC) Manual Multi *When EF-500 is set OFF |
Synchronized terminal | Sync Mode 1, 2nd Curtain Flash Manual |
Hot shoe | Yes (Dedicated TTL Flash compatible) |
Viewfinder | EVF 0.64 inch OLED Color Viewfinder Approx. 9.44 Million dots Coverage of viewing Area vs. Capturing Area Approx.100% Eyepoint Approx. 21mm (From the rear End of the Camera's Eyepiece) Diopter Adjustment -5~+2m: Magnification 1.00x with 50mm Lens (35mm Equivalent) at infinity and diopter set to 1.0 m Diagonal Angle of View approx − 47° (Horizontal angle of view: approx. 38°) Built-in Eye Sensor |
LCD monitor | Aspect Ratio 3.2inch Tilt-Type (Three Direction) Touch Screen Colour LCD Monitor 4:3 Dots Approx. 2.36 million dots |
Touch Screen Mode | Shooting Mode AF, Focus Area, OFF Double Tap Setting (ON/OFF) EVF Touch Screen Area Setting |
Playback Mode | Swipe Pinch - in / Pinch - out Double - Tap Drag |
Sub LCD Monitor | 2.09 inch Monochrome LCD Monitor Aspect Ratio 9:3 Dots 320x219 dot |
Moving Recording | File format MOV Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.246, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4 MPRG-4 AVC/H.264, AAC |
Movie Compression | All Intra Long GOP |
8K(17:9) | File size 8192 x 4320 Frame rate 24p, 23.98p Bitrate 720, 360, 200, 100, 50 Mbps |
8K(16:9) | File size 7680 x 4320 Frame rate 29.97p, 25p, 24p, 23.98p Bitrate 720, 360, 200, 100, 50 Mbps |
8K(2.76:1) | File size 8192 x 2968 Frame rate 24p, 23.98p Bitrate 720, 360, 200, 100, 50 Mbps |
5.8K(2.35:1) | File size 5824 x 2476 Frame rate 29.97p, 25p, 24p, 23.98p Bitrate 720, 360, 200, 100, 50 Mbps |
5.4k(17:9) | File size 5440 x 2868 Frame rate 29.97p, 25p, 24p, 23.98p Bitrate 720, 360, 200, 100, 50 Mbps |
4.8K(16:9) | File size 4776 x 2688 Frame rate 29.97p, 25p, 24p, 23.98p Bitrate 720, 360, 200, 100, 50 Mbps |
4.6K(1.38:1) | File size 4664 x 3380 Frame rate 24p, 23.98p Bitrate 720, 360, 200, 100, 50 Mbps |
DCI14K HQ(17:9) | File size 4096 x 2160 Frame rate 59.94p, 50p, 29.97p, 25p, 24p, 23.98p Bitrate 720, 360, 200, 100, 50 Mbps |
4K(16:9) | File size 3840 x 2160 Frame rate 59.94p, 50p, 29.97p, 25p, 24p, 23.98p Bitrate 720, 360, 200, 100, 50 Mbps |
Full HD(17:9) | File size 2048 x 1080 Frame rate 59.94p, 50p, 29.97p, 25p, 24p, 23.98p Bitrate 720, 360, 200, 100, 50 Mbps |
Full HD(16:9) | File size 1920 x 1080 Frame rate 59.94p, 50p, 29.97p, 25p, 24p, 23.98p Bitrate 720, 360, 200, 100, 50 Mbps |
Full HD LP(17:9)High speed rec. | File size 1920 x 1080 Frame rate 120p, 100p Bitrate 720, 360, 200, 100, 50 Mbps(recording) |
Film Simulation Mode | 20 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome REALA ACE Pro Neg.Hi Pro Neg. STD Classic Neg. Nostalgic Neg Eterna/Cinema Eterna Bleach Bypass acros acros + Ye Filter acros + R Filter acros + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
Monochromatic Colour | Yes |
Grain Effect | Roughness Strong, Weak, Off Size Large, Small |
Colour Chrome Effect | Strong, Weak, Off |
Colour Chrome Blue | Strong, Weak, Off |
Smooth Skin Effect | Strong, Weak, Off |
Dynamic range Setting | Still AUTO 100% / 200% / 400% ISO restriction DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more Move 100% / 200% / 400% ISO restriction DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more |
White balance | White Priority, Auto, Ambience Priority |
Custom | Custom 1-3 |
Colour temperature selection | 2500k~10000K |
Present | Daylight Shade Fluorescent Light- 1 Fluorescent Light-2 Fluorescent Light-3 Incandescent Light Underwater |
Clarity Setting | ±5 steps |
Self Timer | Still 10, 2 secs Movie 10, 5, 3 sec |
Interval time Shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) |
Wireless transmitter | Standard IEEE802.11a/b/g/n/ac (standard wireless protocol) Encryption WPA/WPA2 mixed mode, WPA3 Access mode Infrastructure |
Bluetooth | Standartd Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency) 2402〜2480MHz Digital interface USB Type-C (USB3.2 Gen2x1) HDMI output HDMI connector (Type A) LAN Terminal 1000BASE-T、100BASE-TX、10BASE-T |
Others |
ø3.5mm, stereo mini connector (Microphone) Hot shoe |
Power Supply | NP-W235 Li-ion battery (included) |
Battery life for still images | Normal Mode Approx. 540 frames *Auto power save ON *When GF63mmF2.8 R WR is set |
Actual battery life of movie capture | 8k Approx. 80min. (29.97p) 4k Approx. 90min. (59.94p) Full HD Approx. 140min. (59.94p) |
Dimensions(h x w x d) | 117.4 x 152.4 x 98.6mm (Minimum Depth) 46.5mm |
Excluding EVF(h x w x d) | 152.4 x 1.03.5 x 73.5 mm (Minimum Depth)46.5mm |
Weight | Including Battery and Memory card 948g (including EVF: 1,030g) excluding battery and memory card 約867g (including EVF: 949g) |
Operation Environment | Operating Temperature -10℃~+40℃ Operating Humidity 10% - 80% (no condensation) |