We use cookies to make your experience better. To comply with the new e-Privacy directive, we need to ask for your consent to set the cookies. Learn more.
The Sigma FP Digital Camera with AF 45mm f/2.8 DG DN Lens Kit delivers high-spec functionality for stills and video in an extremely compact body that weighs under one pound. Driven by a full-frame 24.6MP BSI Bayer CMOS sensor, 14-bit color depth, electronic image stabilization, and Leica's L-mount lens interface, the fp and its fully electronic shutter provide a maximum resolution for raw and JPEG files of 6000 x 4000 and a shooting rate of 18 fps, while its focus system employs contrast detection and a 49-point selection mode for AF measurement distance, as well as face detection, eye detection, and focus peaking. A base sensitivity of ISO 100-25600 can be expanded to ISO 6-102400, and its video recording capabilities allow for UHD 4K recording at up to 30p, while Full HD recording can be captured at up to 120p. For raw video data, 12-bit CinemaDNG external recording is supported. To help shooters fine tune their video content, Sigma's "Teal and Orange" mode is inspired by the color grading techniques of Hollywood and creates high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement. So that users may easily switch between still and video modes, there is a switch on top of the camera.
Also available for video shooters in a "Director's Viewfinder" function, which allows for the simulating of different angles of view and how an image looks in a cinema camera. It supports cameras such as the ARRI ALEXA LF and RED MONSTRO 8K, as well as other commonly-used digital cameras, film cameras, and anamorphic lenses.
Compose and review your shots with a 3.15" 2.1m-dot LCD touchscreen, and media is captured internally to a UHS-II SDXC card slot. Thanks to an effective heat sink and a 42-point seal for dust- and splash-proofing, the fp will function well for long hours of use in a wide variety of environments. If you need to connect to external peripherals, there is a USB 3.1 Gen 1 Type-C port and a micro-HDMI port.
Equipped with a back-illuminated, 35mm full-frame Bayer sensor with 24.6 effective megapixels, the Sigma fp is capable of taking high-resolution still and moving images.
A body covered with die-cast aluminum on the front and the back helps ensures robustness and heat dissipation while keeping the body weight light.
Designed and inspired by those used on professional cinema cameras, a large-size heat sink is mounted between the LCD and camera body. Combined with a heat dissipation coating applied to the outer surface, the Sigma fp achieves highly effective heat dissipation. It helps prevent overheating at high temperatures or in long hours of use.
The Sigma fp is protected with a splash and dustproof seal on a total of 42 points over the camera body. When combined with a splash and dustproof lens, the Sigma fp is capable of shooting in rain, sandstorms, and other challenging conditions.
The Sigma fp is fitted with 1/4"-20 threads for both the strap holder on either side of the body and for a tripod. This provides greater freedom in how one uses the camera, from mounting it on a tripod in portrait orientation with the fixing removed, to attaching a strap for use in portrait orientation after screwing the fixing into the hole on the base.
Shutter shock, sound, and lags: these are disadvantages of mechanical shutters. The Sigma fp is designed to minimize them in pursuit of a system to adapt to a variety of different shooting scenes. Shooting that requires precision where even the tiniest shake is to be eliminated; shooting without ruining the ambiance of the scene; and shooting with good response, without missing your shot. These types of shooting will open unique horizons in video creation. Furthermore, the absence of a mechanical shutter makes the Sigma fp's camera structure simpler, which in turn improves its reliability as a camera.
Color grading is a process of altering the color of a video and is an important step in filmmaking that will change the "mood" of a film or other types of work. One color grade style that has been widely used in Hollywood films has inspired a new color mode introduced in the Sigma fp, called "Teal and Orange." This color mode is about creating high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement, for visuals that are highly vibrant and deeply dramatic. It can be used in both the Still mode and Cine mode.
The Sigma FP Digital Camera with AF 45mm f/2.8 DG DN Lens Kit delivers high-spec functionality for stills and video in an extremely compact body that weighs under one pound. Driven by a full-frame 24.6MP BSI Bayer CMOS sensor, 14-bit color depth, electronic image stabilization, and Leica's L-mount lens interface, the fp and its fully electronic shutter provide a maximum resolution for raw and JPEG files of 6000 x 4000 and a shooting rate of 18 fps, while its focus system employs contrast detection and a 49-point selection mode for AF measurement distance, as well as face detection, eye detection, and focus peaking. A base sensitivity of ISO 100-25600 can be expanded to ISO 6-102400, and its video recording capabilities allow for UHD 4K recording at up to 30p, while Full HD recording can be captured at up to 120p. For raw video data, 12-bit CinemaDNG external recording is supported. To help shooters fine tune their video content, Sigma's "Teal and Orange" mode is inspired by the color grading techniques of Hollywood and creates high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement. So that users may easily switch between still and video modes, there is a switch on top of the camera.
Also available for video shooters in a "Director's Viewfinder" function, which allows for the simulating of different angles of view and how an image looks in a cinema camera. It supports cameras such as the ARRI ALEXA LF and RED MONSTRO 8K, as well as other commonly-used digital cameras, film cameras, and anamorphic lenses.
Compose and review your shots with a 3.15" 2.1m-dot LCD touchscreen, and media is captured internally to a UHS-II SDXC card slot. Thanks to an effective heat sink and a 42-point seal for dust- and splash-proofing, the fp will function well for long hours of use in a wide variety of environments. If you need to connect to external peripherals, there is a USB 3.1 Gen 1 Type-C port and a micro-HDMI port.
Equipped with a back-illuminated, 35mm full-frame Bayer sensor with 24.6 effective megapixels, the Sigma fp is capable of taking high-resolution still and moving images.
A body covered with die-cast aluminum on the front and the back helps ensures robustness and heat dissipation while keeping the body weight light.
Designed and inspired by those used on professional cinema cameras, a large-size heat sink is mounted between the LCD and camera body. Combined with a heat dissipation coating applied to the outer surface, the Sigma fp achieves highly effective heat dissipation. It helps prevent overheating at high temperatures or in long hours of use.
The Sigma fp is protected with a splash and dustproof seal on a total of 42 points over the camera body. When combined with a splash and dustproof lens, the Sigma fp is capable of shooting in rain, sandstorms, and other challenging conditions.
The Sigma fp is fitted with 1/4"-20 threads for both the strap holder on either side of the body and for a tripod. This provides greater freedom in how one uses the camera, from mounting it on a tripod in portrait orientation with the fixing removed, to attaching a strap for use in portrait orientation after screwing the fixing into the hole on the base.
Shutter shock, sound, and lags: these are disadvantages of mechanical shutters. The Sigma fp is designed to minimize them in pursuit of a system to adapt to a variety of different shooting scenes. Shooting that requires precision where even the tiniest shake is to be eliminated; shooting without ruining the ambiance of the scene; and shooting with good response, without missing your shot. These types of shooting will open unique horizons in video creation. Furthermore, the absence of a mechanical shutter makes the Sigma fp's camera structure simpler, which in turn improves its reliability as a camera.
Color grading is a process of altering the color of a video and is an important step in filmmaking that will change the "mood" of a film or other types of work. One color grade style that has been widely used in Hollywood films has inspired a new color mode introduced in the Sigma fp, called "Teal and Orange." This color mode is about creating high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement, for visuals that are highly vibrant and deeply dramatic. It can be used in both the Still mode and Cine mode.
Type | Interchangeable-lens Mirrorless Type Digital Camera |
---|---|
Storage Media | SD / SDHC / SDXC memory card(UHS-Ⅱ supported) / Portable SSD (USB 3.0 connection, USB bus power supported) |
Lens Mount | L-Mount |
Type | 35mm full-frame (35.9mm x 23.10mm) Back-illuminated Bayer CMOS sensor |
---|---|
Camera effective pixels / Total pixels | Approx. 24. 6MP / Approx. 25.3MP |
Aspect Ratio | 3:2 |
Color, filter System | RGB Primary color filter |
Still Image File Format | Lossless compression RAW(DNG) data12/14 bit, JPEG(Exif2.3), RAW(DNG)+JPEG:recording is possible |
Image aspect ratio | [21:9] / [16:9] / [3:2] / [A Size (√2:1)] / [4:3] / [7:6] / [1:1] |
RAW | HIGH:6000×4000 (3840x2560*) LOW:3008x2000 (1920x1280*) *In DC Crop Mode |
---|---|
JPEG | [21:9] HIGH:6,000×2,576 (3,840×1,648) MED:4,240×1,824 (2,736×1,168) LOW:3,008×1,288 (1,920×824) [16:9] HIGH:6,000×3,376 (3,840×2,160) MED:4,240×2,392 (2,736×1,536) LOW:3,008×1,688 (1,920×1,080) [3:2] HIGH:6,000×4,000 (3,840×2,560) MED:4,240×2,832 (2,736×1,824) LOW:3,008×2,000 (1,920×1,280) [A Size (√2:1)] HIGH:5,664×4,000 (3,616×2,560) MED:4,000×2,832 (2,560×1,824) LOW:2,832×2,000 (1,808×1,280) [4:3] HIGH:5,344×4,000 (3,408×2,560) MED:3,776×2,832 (2,416×1,824) LOW:2,672×2,000 (1,712×1,280) [7:6] HIGH:4,672×4,000 (2,992×2,560) MED:3,312×2,832 (2,112×1,824) LOW:2,336×2,000 (1,488×1,280) [1:1] HIGH:4,000×4,000 (2,560×2,560) MED:2,832×2,832 (1,824×1,824) LOW:2,000×2,000 (1,280×1,280) |
Crop | Equivalent to approx.1.5times the focal length of the lens (on 35mm cameras) |
Color Space | sRGB / Adobe RGB |
Movie Format | CinemaDNG(8bit / 10bit/ 12bit) / MOV:H.264 (ALL-I/ GOP) |
---|---|
Audio Format | Linear PCM (2ch 48kHz/16bit) |
Recording Pixels / Frame Rate | 3,840×2,160 (UHD 4K) / 23.98p, 25p, 29.97p, FHD(1,920x1,080) / 23.98p, 25p, 29.97p, 59.94p, 100p, 119.88p |
Continuous recording time | Up to 2h |
Cinema DNG recording media limits | SD card :UHS-II UHD 8bit under 25fps, FHD 12bit under 60fps Portable SSD : UHD 12bit 24fps, FHD 12bit under 60fps, FHD 8bit under 120fps |
Movie Format | HDMI Loop out “External recorder record: ATOMOS Ninja Inferno, Blackmagic Video Assist 4K supported |
---|---|
Audio Format | Linear PCM (2ch 48kHz/16bit) |
File Size / Frame Rate | 3,840×2,160 (UHD 4K) / 4:2:2 8bit 29.97p / 25p / 23.98p 1,920x1,080 (FHD) / 4:2:2 8bit 119.88p / 100p / 59.94p / 50p / 29.97p / 25p / 23.98p |
Auto Format / Focus Mode | Contrast detection system, Single AF, Continuous AF (with moving object prediction function), Manual Focus |
---|---|
AF Measurement DistanceDetecton Range / AF mode | -5EV~18EV(F1.4:ISO100) / Auto, 49-points selection mode, Free Movement mode, Face/Eye Detection AF mode, Tracking AF mode |
AF Lock | Half-press the shutter button, or press the AEL button (setting change required) |
Other Focus Functions | AF+MF, MF Assist, MF Guide, Focus Peaking, Release Focus Function, AF-ON, Quick AF, Pre-AF, AF during Image Magnification |
Metering System | Evaluative, Spot, Center Weighted Average |
---|---|
Metering Range | -5~18EV (50mm F1.4: ISO100) |
Still Image Shooting Mode | (P) Program AE (Program Shift is possible), (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual |
Movie Shooting Mode | (P) Program AE, (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual |
ISO Sensitivity | ISO 100-25600, Expanded sensitivity ISO 6, 12, 25, 50, 51200, 102400 |
Exposure Compensation | ±5EV (in 1/3-stop increments) : ±3EV at movie recording |
AE Lock | Half-press the shutter button, or press the AEL button (setting change required). |
Exposure Bracket | 3-frame/5-frame stage exposure 3EV (1/3 Step, Standard→Underexposure→Overexposure) (Sequence changeable) |
Image Stabilization System | Electronic system |
---|
Settings | 12types ( Auto, Auto[Lighting Source Priority], Daylight, Shade, Overcast, Incandescent, Fluorescent, Flash, Color Temperature, Custom 1, Custom 2, Custom 3 ) |
---|
Shutter Type | Electronic shutter |
---|---|
Shutter Speed | 30 - 1/8,000sec., Bulb (5 minutes max) |
Drive Modes | Single shooting, Continuous shooting(H:approx. 18shots/sec、 M:approx. 5shots/sec、L:approx. 3shots/sec), Self-timer (2sec. / 10sec.), Interval-timer |
---|---|
Maximum number of shots | HIGH: 12frame, MED: 12frame, LOW: 24frame |
Type / Coverage | TFT color LCD monitor Aspect Ratio 3:2, 3.15, Approx. 2,100,000 dots / Electrostatic capacitance system touch panel / Approx. 100% |
---|
Light Emission Mode | S-TTL automatic light control, Manual, Wireless flash, Multi-emission Flash (when to use external flash) |
---|---|
Flash Mode | Red-eye effect reduction / Slow synchronization, 2nd Curtain synchronization |
Exposure control | Max. ±3EV in 1/3EV-step increments |
Flash Tuning Speed | Max. 1/30sec. * 1/15 sec. or less at 14bit |
External Flash Support | Available when the Hot Shoe Unit HU-11(supplied with this product) is mounted. * S-TTL, Wireless support, Xcontact |
Color Mode | 12types (Standard, Vivid, Neutral, Portrait, Landscape, Cinema, Teal & Orange, Sunset Red, Forest Green, FOV Classic Blue, FOV Classic Yellow, Monochrome) |
---|
Recording Mode | STILL Mode: FillLight / HDR shooting CINE Mode: Still image shooting during movie shooting / HDR shooting / Director's view finder |
---|---|
Playback Mode | STILL: Mode In-camera DNG Development CINE Mode: Cinemagraph / still image cut-out |
Type | Stereo microphone, Monaural speaker |
---|
Display Language | English / Japanese / German / French / Spanish / Italian / Simplified Chinese / Traditional Chinese / Korean / Russian / Dutch / Polish / Portuguese / Danish / Swedish / Norwegian / Finnish |
---|
USB | USB3.1 GEN1 Type C |
---|---|
HDMI | Type D (Ver.1.4) |
Release Terminal | Also used as an external microphone terminal |
External Microphone | Φ3.5mm stereo mini jack (Plug-in power support) |
Headphone output | Unavailable |
Flash-synchro Terminal | Dedicated terminal (with hot shoe unit HU-11 (supplied with this product) mounted) |
Dust- & splash-proof structure | Provided |
---|
Power | Li-ion Battery Pack BP-51 *USB power supply available (when the power is turned off) |
---|---|
Still images | Approx. 280 images (at 23℃ according to CIPA standard) |
Movie | continuous recording | Approx. 70 min |
Dimensions | 112.6 x 69.9 x 45.3mm |
---|---|
Weight | 422g(including battery and SDcard), 370g(Camera Body Only) |
Operating Temperature |
0~+40℃ |
---|---|
Operating Humidity |
86%or less * no condensing |
Accessories | Li-ion Battery Pack BP-51, Strap, Strap Holder, USB AC Adapter UAC-11, USB Cable (A-C) SUC-11, HOT SHOE UNIT HU-11, Body Cap, Instruction Manual, Warranty, Warranty Sticker |
---|---|
Optional Accessories | HAND GRIP HG-11, LARGE HAND GRIP HG-21, LCD VIEW FINDER LVF-11, BASE PLATE BPL-11, CABLE RELEASE CR-41, BASE GRIP BG-11, DC CONNECTOR CN-21, BATTERY CHARGER BC-71, AC ADAPTER SAC-7P, ELECTRONIC FLASH EF-630, MOUNT CONVERTER MC-21 |
Lens construction | 8 elements in 7 groups |
---|---|
Angle of view (35mm) | 51.3° |
Number of diaphragm blades | 7 (Rounded diaphragm) |
Minimum aperture | F22 |
Minimum focusing distance | 24cm / 9.4in. |
Maximum magnification ratio | 1:4 |
Filter size | φ55mm |
Dimensions (diameter x length) |
φ64.0mm×46.2mm / φ2.5in. × 1.8in. |
Weight | 215g / 7.5oz. |
*All figures calculated by L-Mount.