FUJIFILM GFX ETERNA 55 Cinema Camera
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$25,999.00
Sale price
$25,999.00
Description
- Large-Format 8K Sensor, Variable ND
- 4K48 4:3 Open Gate, 6.3K24 Super 35
- 14.5-Stop Dynamic Range, Dual-Native ISO
- Internal ProRes 422 HQ, H.265, Proxies
- Ext HDMI 10-Bit Uncompressed, 12-Bit Raw
- 5" 16:9, 3" 3:2 Touchscreen LCD Screens
- 20 Film Simulations, F-Log2/C 3D LUTs
- FUJIFILM G and ARRI PL Lens Mounts
- Ethernet, BLE with TG-BT1/ATOMOS AirGlu
- CFexpress and SD Card Slots, USB-C Port
Delivery
Australia
Standard Shipping 4-7 business days: AU $8.95*
Express Shipping 1-3 business days: AU $15*
International Shipping
New Zealand 9-12 business days: AU$21*
*During peak promotional periods, please allow additional time for your order dispatch.
Returns
While we can’t offer a refund or replacement if you simply change your mind, we’re here to help if your item has a problem under Australian Consumer Law. You may be entitled to a refund or exchange if an item has a major problem. This is when the item:
- has a problem that would have stopped someone from buying the item if they had known about it
- is unsafe
- is significantly different from the sample or description
- doesn't do what we said it would, or what you asked for and can't be easily fixed
If the problem is not major, we will repair the item within a reasonable time. If it can’t be repaired in a reasonable time, we’ll offer a suitable resolution such as a refund or replacement. Please keep your proof of purchase — e.g. your receipt.
$25,999.00
Sale price
$25,999.00
BANK TRANSFER (EFT)
Description
- Large-Format 8K Sensor, Variable ND
- 4K48 4:3 Open Gate, 6.3K24 Super 35
- 14.5-Stop Dynamic Range, Dual-Native ISO
- Internal ProRes 422 HQ, H.265, Proxies
- Ext HDMI 10-Bit Uncompressed, 12-Bit Raw
- 5" 16:9, 3" 3:2 Touchscreen LCD Screens
- 20 Film Simulations, F-Log2/C 3D LUTs
- FUJIFILM G and ARRI PL Lens Mounts
- Ethernet, BLE with TG-BT1/ATOMOS AirGlu
- CFexpress and SD Card Slots, USB-C Port
Delivery
Australia
Standard Shipping 4-7 business days: AU $8.95*
Express Shipping 1-3 business days: AU $15*
International Shipping
New Zealand 9-12 business days: AU$21*
*During peak promotional periods, please allow additional time for your order dispatch.
Returns
While we can’t offer a refund or replacement if you simply change your mind, we’re here to help if your item has a problem under Australian Consumer Law. You may be entitled to a refund or exchange if an item has a major problem. This is when the item:
- has a problem that would have stopped someone from buying the item if they had known about it
- is unsafe
- is significantly different from the sample or description
- doesn't do what we said it would, or what you asked for and can't be easily fixed
If the problem is not major, we will repair the item within a reasonable time. If it can’t be repaired in a reasonable time, we’ll offer a suitable resolution such as a refund or replacement. Please keep your proof of purchase — e.g. your receipt.
Frequently bought with
Imaging
| Lens Mount | FUJIFILM G with Included PL Mount Adapter |
|---|---|
| Lens Communication | Yes |
| Image Sensor | 43.8 x 33.9 mm (Large Format) CMOS |
| Sensor Resolution | Effective: 102 Megapixel |
| Image Stabilization | No |
| Built-In ND Filter | 2 to 7 Stop Electronic ND Filter |
| Built-In CC Filter | No |
| Internal Filter Holder | No |
| Capture Type | Stills & Video |
Exposure Control
| Shutter Type | Electronic Rolling Shutter |
|---|---|
| Shutter Speed | 1/8000 to 1/8 Second |
| Shutter Angle | 5.6 to 360° |
| ISO/Gain Sensitivity | Dual Base: 800 / 3200
Native: 400 to 12,800 (100 to 25,600 Extended) |
| Signal-to-Noise Ratio | Not Specified by Manufacturer |
| Advertised Dynamic Range | 14 Stops |
| White Balance | Range: 2000 to 11,000K
Presets: Auto, Custom |
| Exposure Modes | Auto |
Focus
| Focus Mode | Automatic, Manual Focus |
|---|---|
| Autofocus Sensitivity | -2 to +1 EV |
Video Capture
| Internal Recording | H.265 ALL-Intra/MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT
8192 x 4320 at 23.98/24.00 fps [50 to 720 Mb/s] 7680 x 4320 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] 6382 x 3590 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] 4664 x 3380 at 23.98/24.00 fps [50 to 720 Mb/s] 4040 x 3380 at 23.98/24.00 fps [50 to 720 Mb/s] 4776 x 3184 at 23.98/24.00 fps [50 to 720 Mb/s] 8192 x 2968 at 23.98/24.00 fps [50 to 720 Mb/s] 3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00 fps [50 to 720 Mb/s] 5440 x 2868 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] 4776 x 2688 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] 5824 x 2436 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 720 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 720 Mb/s] 2048 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 720 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 720 Mb/s] H.265 Long GOP/MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT/XF-HEVC S Long GOP 8192 x 4320 at 23.98/24.00 fps [50 to 200 Mb/s] 7680 x 4320 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s] 6382 x 3590 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s] 4664 x 3380 at 23.98/24.00 fps [50 to 200 Mb/s] 4040 x 3380 at 23.98/24.00 fps [50 to 200 Mb/s] 4776 x 3184 at 23.98/24.00 fps [50 to 200 Mb/s] 8192 x 2968 at 23.98/24.00 fps [50 to 200 Mb/s] 3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00 fps [50 to 200 Mb/s] 5440 x 2868 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s] 4776 x 2688 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s] 5824 x 2436 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s] DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 200 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 200 Mb/s] 2048 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 200 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 200 Mb/s] |
|---|---|
| Video Output | SDI/BNC
3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps 4096 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps 3680 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps 2048 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps 1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps 4:2:2 10-Bit via HDMI 8192 x 4320 at 23.98/24.00 fps 7680 x 4320 at 23.98/24.00/25/29.97 fps 6382 x 3590 at 23.98/24.00/25/29.97 fps 4664 x 3380 at 23.98/24.00 fps 4040 x 3380 at 23.98/24.00 fps 4776 x 3184 at 23.98/24.00 fps 8192 x 2968 at 23.98/24.00 fps 3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00 fps 5440 x 2868 at 23.98/24.00/25/29.97 fps 4776 x 2688 at 23.98/24.00/25/29.97 fps 5824 x 2436 at 23.98/24.00/25/29.97 fps DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps 3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps 2048 x 1080 at 23.98/24.00/25/47.95/48.00/50/59.94 fps 1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps |
| Fast-/Slow-Motion Support | Yes |
| Gamma Curve | FUJIFILM F-Log2, FUJIFILM F-Log2 C |
| Built-In Microphone | Stereo |
| Audio Recording | MOV: 2-Channel, 24-Bit at 48 kHz via LPCM Audio |
Interface
| Media/Memory Card Slot | Single Slot: SD/SDHC/SDXC (UHS-II) [2 TB Maximum / V90 or Faster Recommended]
Single Slot: CFexpress Type B [2 TB Maximum] |
|---|---|
| Internal Storage | No |
| Video I/O | 1x BNC (12G-SDI) Output, 1x HDMI 2.1 Output |
| Audio I/O | 1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
1x 1/8" / 3.5 mm TRS Stereo Input |
| Power I/O | 1x LEMO 4-Pin Input
1x LEMO 2-Pin Output |
| Other I/O | 1x 2.5 mm Sub-Mini (Remote)
1x BNC (Timecode) Input/Output 1x BNC (Genlock) 1x 12-Pin (Lens Control) 1x RJ45 (Ethernet) |
| Wireless | 802.11a/b/g Wi-Fi / Bluetooth LE *Built-In |
| Mobile App Compatible | No |
| Global Positioning (GPS, GLONASS, etc.) | No |
Monitor
| Display Type | Primary Monitor: Included External 5" Touchscreen LCD
Secondary Monitor: Fixed 3" Touchscreen LCD |
|---|---|
| Resolution | Primary Monitor: 1920 x 1080 (6,220,000 Dot)
Secondary Monitor: 720 x 480 (1,040,000 Dot) |
Power
| Battery | NP-W235, V-Mount |
|---|---|
| Power Consumption | 21 W |
Environmental
| Operating Conditions | 14 to 104°F / -10 to 40°C at 10 to 80% Humidity |
|---|
General
| Shoe Mount | 1x Intelligent Hot Shoe on Included Handle |
|---|---|
| Tripod Mount | 2x 1/4"-20 Female
3x 3/8"-16 Female |
| Accessory Mounting Thread | 4x 1/4"-20 on Included Handle
6x Anti-Twist 1/4"-20 on Camera Body 12x Anti-Twist 3/8"-16 on Camera Body 9x Anti-Twist 3/8"-16 on Included Handle |
| Dimensions (W x H x D) | 4.4 x 5.4 x 7" / 110.8 x 138.2 x 176.8 mm |
| Weight | 4.4 lb / 2 kg (Body Only) |
- FUJIFILM GFX ETERNA 55 Cinema Camera
- FUJIFILM NP-W235 Lithium-Ion Battery (7.2V, 2200mAh)
- AC-15VS AC Power Adapter
- AC Cable
- Body Cap
- Top Handle
- 5" Touchscreen LCD Monitor
- LCD Monitor Hood
- LCD Monitor Mount
- ARRI PL-Mount Adapter
0
FUJIFILM brings its vaunted photographic history to a video-centric form with the FUJIFILM GFX ETERNA 55 Cinema Camera. Built around a new large-format sensor that covers Open Gate and a range of additional formats, the GFX ETERNA 55's array of features is designed for exceptional video capture and seamless integration with FUJIFILM G lenses.
Key Features of the FUJIFILM GFX ETERNA 55 Cinema Camera
- Large-Format 8K Sensor, Variable ND
- 4K48 4:3 Open Gate, 6.3K24 Super 35
- 14.5-Stop Dynamic Range, Dual-Native ISO
- Internal ProRes 422 HQ, H.265, Proxies
- Ext HDMI 10-Bit Uncompressed, 12-Bit Raw
- 5" 16:9, 3" 3:2 Touchscreen LCD Screens
- 20 Film Simulations, F-Log2/C 3D LUTs
- FUJIFILM G and ARRI PL Lens Mounts
- Ethernet, BLE with TG-BT1/ATOMOS AirGlu
- CFexpress and SD Card Slots, USB-C Port
Native 4:3 Aspect Ratio
Dubbed the GFX ETERNA "55" in a nod to its diagonal sensor size, this camera incorporates one of the tallest sensors currently on the market. Its native 4:3 aspect ratio provides creators with a canvas that is 1.75x greater than 4-perf Super 35.
Five Main Formats
The GFX ETERNA 55 offers five main formats that are paired to specific lens categories:
- GF and Premista, for use with FUJIFILM lenses.
- 35mm, anamorphic (35mm), and Super 35, for use with a range of lenses from multiple brands.
- Each of these five formats has multiple resolution selections, further expanding your capture options.
Video Formats/Resolutions
The GFX ETERNA 55 expands the GFX100 II's video recording choices with new Open Gate, Super 35, and 2.39:1 anamorphic options using a large 43.8 x 32.9mm sensor.
- Open Gate is available in 3.8K 4:3 at rates up to 48 fps.
- Super 35 options include 6.3K24 in 16:9, DCI 4K30/UHD 4K30 in 17:9 and 16:9, and up to 1080p60 in 17:9 and 16:9.
- Anamorphic 2.39:1 is available in Cine 5.8K up to 30 fps, Super 35 8K24 in 2.39:1, and Super 35 4K24 in 1.2:1.
Anamorphic Ready
The GFX ETERNA's large 4:3 sensor is ready for you to combine with anamorphic lenses, and the camera provides real-time anamorphic de-squeezing for on-set monitoring.
Recording Codecs
Take full advantage of the GFX ETERNA 55's large sensor and internally record video in Apple ProRes 422/HQ/LT, 4:2:2, 10-bit HEVC/H.265, or H.264 or ProRes proxies. Use the HDMI output for external 4:2:2 10-bit uncompressed or 12-bit raw recording.
Custom Frame Guides
Users can create custom frame guides right from the viewfinder with up to three saved for quick access. Aspect ratios range include 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1, and custom. Customizable functions include 1-100% scaling, four line widths, and five color options.
FUJIFILM G and ARRI PL Mounts
The native FUJIFILM G-mount ETERNA 55 camera is compatible with existing G-mount lenses and the new power-zoom G 32-90mm lens, which is optimized for this camera and features autofocus and auto iris functions, as well as geared focus, iris, and zoom rings. The included ARRI PL-mount adapter provides compatibility with an array of cine-style lenses and Cooke /i lens data where available.
Variable ND Filter
The built-in variable electronic ND filter lets you adjust your exposure without stopping down or opening up on your lens, ideal for bright exteriors, slow shutter effects, and shallow depth-of-field looks. This dial-control filter varies from ND 0.6 to ND 2.1, providing a range of two to seven stops in visually stepless .015 increments.
Low-Pass Filter
New to the GFX line, the included OLPF (optical low-pass filter) helps to reduce color anomalies and moiré effects, especially helpful when shooting with LED wall backgrounds.
20 Film Simulations
GFX ETERNA 55 users have access to 20 FUJIFILM film stock simulations, letting you recreate your favorite cinema looks.
- PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE
- PRO Neg. Hi and Std., Classic Neg., Nostalgic Neg., ETERNA/Cinema
- ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, + R Filter, + G Filter
- Black & White, Black & White + Ye Filter, + R Filter, + G Filter, Sepia
Cinematic Visuals
In addition to the 20 film looks, the GFX ETERNA 55 lets users create 3D LUTs for select film simulations for use with the expansive colors and dynamic range of F-Log2 C.
- ETERNA, ETERNA BLEACH BYPASS, PROVIA/Standard
- Velvia/Vivid, ASTIA/Soft, REALA ACE
- Classic Chrome, Classic Neg., ACROS
Hot Swapping
An internal NP-W235 battery enables external battery hot swapping or switching to DC power input. This battery is automatically charged when the camera is attached to an external power source.
5" Monitor and Dual 3" Displays
The GFX ETERNA 55 features dual built-in 3" touchscreens with 4:3 aspect ratios and 700 cd/m² brightness. Located on both sides of the camera, these displays provide easy control access for both the operator and the A.C. The GFX ETERNA 55's external 5" touchscreen color LCD monitor provides a 16:9 aspect ratio and 2000 cd/m² brightness for daylight visibility.
Dedicated Top Handle
The included top handle features a multifunctional left-side dial that can be assigned to ND filter control or to focus, iris, or zoom control when paired with an electronically controlled lens. This handle has a sliding rail base, letting you quickly adjust your camera balance for hand-holding after a lens change, battery addition, etc.
Connectivity
Built-in Wi-Fi and Ethernet enable a range of features, including Frame.io compatibility, browser-based remote control for focus, iris, zoom, and more. BLE (Bluetooth Low Energy) will be supported using the FUJIFILM TG-BT1 tripod grip or an Atomos AirGlu Ambient device.
Expanded Audio Input
Compatibility with the TASCAM XLR microphone adapter handle lets you expand the GFX ETERNA 55's audio input options.
Additional Details
- Grab button for capturing still photos
- 2-pin LEMO output for powering accessories
- SDI, HDMI, genlock, USB-C, Ethernet, and remote connectors
- All connectors have durable caps to protect against dust and debris
- Microphone input and headphone output
- MPN - 74505
- GTIN - 4547410559842
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