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The Zoom F8n Pro Field Recorder features 32-bit float technology for immense dynamic range that frees you from clipping and manual gain adjustments. Offering 8-input / 10-track recording, separate converters for quiet and loud sounds, and high-grade preamps with mic/line input switching, the F8n Pro packs quantity and quality into a rugged frame that's more than ready for filmmaking, production/location sound mixing, sound effects recording, and electronic news gathering
From the large, informative color display and user-friendly controls to the flexible powering methods, remote control options, and precision time code functionality, the F8n Pro is properly equipped to please novices and demanding veterans alike. Whether you need long-duration stereo recording for an interview, redundant capture of multi-mic setups for a video shoot, or Ambisonics sound files for virtual reality and 360-audio projects, the F8n Pro has the modes, resolutions, and media support to handle your crucial audio tasks.
The F8n Pro can accommodate all manner of condenser microphones as well as balanced line-level signals via eight locking Neutrik XLR-1/4" combo inputs. Eight studio-quality microphone preamps boasting massive gain (up to 75 dB) and ultra-low noise (-127 dBu EIN) ensure that your sound sources will be amplified with sonic accuracy. Plus, the F8n Pro's advanced look-ahead limiters anticipate clipping before it's recorded.
A Zoom mic capsule input on the F8n Pro accommodates Zoom's line of interchangeable capsules (available separately) in place of inputs 1-2. With mid-side, X/Y, and shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup.
The F8n Pro boasts a slew of recording modes and resolutions to choose from—record all eight inputs at a maximum resolution of 32-bit / 192 kHz, use BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility, or use the built-in Ambisonics mode to capture 360° audio from a compatible VR microphone.
Track directly to an SD card while recording USB audio to a computer for safe, "redundant" capture of takes. The F8n Pro has dual SD card slots supporting SDXC cards up to 1TB, allowing high-resolution recording, even for long shoots. Record the same content to both cards or select different file formats for each card. The pre-record function allows you to capture up to six seconds of audio before you hit the Record button, guaranteeing you never miss a take.
Outfitted with two TA3 balanced main outputs and an unbalanced 3.5mm submix out, the F8n Pro is a capable field mixer. Since the main and sub outs can be fed from different or identical sources, you can easily route to multiple devices such as a camera, DSLR, mixer, or secondary recorder. With a transparent and high-output 100mW per channel headphone amplifier tied to a dedicated 1/4" stereo output, the F8n Pro provides clean, efficient monitoring of pre- or post-fader levels, independent left/right signals, and alerts for battery and recording status.
The F8n Pro's Ambisonics mode offers precision A-to-B decoding and balanced gain linking, enabling you to capture professional spatial audio for VR (Virtual Reality), AR (Augmented Reality), and more. Even while using the first four channels for Ambisonics recording, you can utilize channels 5-8 for other signals such as boom and lav mics or an alternate Ambisonics format. A built-in Ambisonics stereo monitor converter allows real-time monitoring of your Ambisonics recording. Download the free Zoom Ambisonics Player software to access user-friendly decoding and editing functions for your 360-audio.
The F8n Pro features flexible signal routing from all inputs to all outputs, phase inversion, and mid-side decoding. It also provides high-pass filtering to reduce the sound of wind and other noise. Input and output delays are also available.
Whether you keep the F8n Pro powered on all day, or shut it down during breaks, rock-solid sync with video cameras, master time code clocks, or additional audio recorders will be maintained. Accurate synchronization is made possible with the F8n Pro's high-end time code features. Standard BNC jacks are dedicated for time code I/O, and a Temperature Compensated Crystal Oscillator (TCXO) boasts super stable time code accuracy to ±0.2 ppm. You can even jam sync the F8n when constant external time code isn't present.
The Zoom F8n Pro Field Recorder features 32-bit float technology for immense dynamic range that frees you from clipping and manual gain adjustments. Offering 8-input / 10-track recording, separate converters for quiet and loud sounds, and high-grade preamps with mic/line input switching, the F8n Pro packs quantity and quality into a rugged frame that's more than ready for filmmaking, production/location sound mixing, sound effects recording, and electronic news gathering
From the large, informative color display and user-friendly controls to the flexible powering methods, remote control options, and precision time code functionality, the F8n Pro is properly equipped to please novices and demanding veterans alike. Whether you need long-duration stereo recording for an interview, redundant capture of multi-mic setups for a video shoot, or Ambisonics sound files for virtual reality and 360-audio projects, the F8n Pro has the modes, resolutions, and media support to handle your crucial audio tasks.
The F8n Pro can accommodate all manner of condenser microphones as well as balanced line-level signals via eight locking Neutrik XLR-1/4" combo inputs. Eight studio-quality microphone preamps boasting massive gain (up to 75 dB) and ultra-low noise (-127 dBu EIN) ensure that your sound sources will be amplified with sonic accuracy. Plus, the F8n Pro's advanced look-ahead limiters anticipate clipping before it's recorded.
A Zoom mic capsule input on the F8n Pro accommodates Zoom's line of interchangeable capsules (available separately) in place of inputs 1-2. With mid-side, X/Y, and shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup.
The F8n Pro boasts a slew of recording modes and resolutions to choose from—record all eight inputs at a maximum resolution of 32-bit / 192 kHz, use BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility, or use the built-in Ambisonics mode to capture 360° audio from a compatible VR microphone.
Track directly to an SD card while recording USB audio to a computer for safe, "redundant" capture of takes. The F8n Pro has dual SD card slots supporting SDXC cards up to 1TB, allowing high-resolution recording, even for long shoots. Record the same content to both cards or select different file formats for each card. The pre-record function allows you to capture up to six seconds of audio before you hit the Record button, guaranteeing you never miss a take.
Outfitted with two TA3 balanced main outputs and an unbalanced 3.5mm submix out, the F8n Pro is a capable field mixer. Since the main and sub outs can be fed from different or identical sources, you can easily route to multiple devices such as a camera, DSLR, mixer, or secondary recorder. With a transparent and high-output 100mW per channel headphone amplifier tied to a dedicated 1/4" stereo output, the F8n Pro provides clean, efficient monitoring of pre- or post-fader levels, independent left/right signals, and alerts for battery and recording status.
The F8n Pro's Ambisonics mode offers precision A-to-B decoding and balanced gain linking, enabling you to capture professional spatial audio for VR (Virtual Reality), AR (Augmented Reality), and more. Even while using the first four channels for Ambisonics recording, you can utilize channels 5-8 for other signals such as boom and lav mics or an alternate Ambisonics format. A built-in Ambisonics stereo monitor converter allows real-time monitoring of your Ambisonics recording. Download the free Zoom Ambisonics Player software to access user-friendly decoding and editing functions for your 360-audio.
The F8n Pro features flexible signal routing from all inputs to all outputs, phase inversion, and mid-side decoding. It also provides high-pass filtering to reduce the sound of wind and other noise. Input and output delays are also available.
Whether you keep the F8n Pro powered on all day, or shut it down during breaks, rock-solid sync with video cameras, master time code clocks, or additional audio recorders will be maintained. Accurate synchronization is made possible with the F8n Pro's high-end time code features. Standard BNC jacks are dedicated for time code I/O, and a Temperature Compensated Crystal Oscillator (TCXO) boasts super stable time code accuracy to ±0.2 ppm. You can even jam sync the F8n when constant external time code isn't present.
Form Factor | Field Recorder |
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Primary Use Applications | Audio-for-Video |
Number of Tracks | WAV: 10 (8 Inputs + Stereo Mix) MP3: 2 |
Number of Input Channels | 8 |
Max Sample Rate/Resolution | 192 kHz / 24-Bit |
Microphone | Built-In Slate Mic |
Number of Mic Preamps | 8 |
Built-In Speaker | No |
Display | 2.4" / 6.1 cm Color LCD (Backlit) |
Memory Card Support | SDHC (4 GB to 32 GB) SDXC (64 GB to 1 TB) |
Internal Storage | None |
Special Features | Pre-Record Buffer, Remote Control Capable, Slate Function (Remote Available Separately) |
Audio File Formats | BWF, ID3v1, MP3, WAV, iXML |
---|---|
Sample Rates | WAV: 44.1 / 47.952 / 48 / 48.048 / 88.2 / 96 / 192 kHz MP3: 44.1 / 48 kHz |
Bit Depth | 32-Bit (Floating Point) 16 / 24-Bit |
Bit Rates | 128 to 320 kb/s |
Signal Processing & FX | Delay, Limiter, Low-Cut Filter |
Timecode Support | Yes |
Frame Rates Supported | 23.976 / 24 / 25 / 29.97 / 29.97 DF / 30 / 30 DF |
Clock Accuracy | ±0.2 ppm / 0.5 Frame per 24 Hrs |
Recording Time | WAV 48 kHz/32-Bit: 43.4 Mins per GB (Stereo) WAV 192 kHz/32-Bit: 10.9 Mins per GB (Stereo) |
Included Software | None |
Analog I/O | 8 x Combo XLR-1/4" TRS Female Line/Mic Input (Lockable) 1 x Proprietary 10-Pin Mic Capsule Input 2 x TA3 3-Pin Male Balanced Line Output 1 x 1/8" / 3.5 mm TRS Female Unbalanced Line Output 1 x 1/4" TRS Female Unbalanced Headphone Output |
---|---|
Digital I/O | 1 x BNC Timecode Input 1 x BNC Timecode Output |
Phantom Power | +24 / 48 V (Selectable on Individual Inputs) |
Phantom Power Current | ≤ 10 mA per Channel |
Host Connection | 1 x Mini-USB (USB 2.0) |
Audio Interface Capability | Multi-Track |
Frequency Response | Mic/Line Inputs: 20 Hz to 60 kHz +0.5/-1 dB (at 192 kHz) |
---|---|
Gain/Trim Range | Mic Inputs: +10 to +75 dB Line Inputs: -10 to +55 dB |
Max Input Level | Mic Inputs: +4 dBu (Limiter On, at 0 dBFS) Line Inputs: +24 dBu (at 0 dBFS) |
Max Output Level | Outputs: +24 dBu Aux Outputs: +10 dBV |
Headphone Output Power | 100 mW per Channel into 32 Ohms |
Dynamic Range | A/D Converters: 113 dBA D/A Converters: 105 dBA |
Impedance | Mic Inputs: ≥3 Kilohms Line Inputs: ≥5 Kilohms Balanced Outputs: ≤150 Ohms Aux Outputs: ≤100 Ohms Headphone Outputs: ≤18 Ohms BNC Inputs: 4.6 Kilohms BNC Outputs: ≤50 Ohms |
EIN | ≤-127 dBu (A-Weighted) |
Power Options | Battery or AC/DC Power Adapter |
---|---|
Battery Type | 8 x AA (Not Included) |
Approximate Battery Life | 48 kHz/32-Bit: 6 Hours (Alkaline, 2 Channels, Phantom Off, Recording, with Headphones) 8.5 Hours (NiMH, 2 Channels, Phantom Off, Recording, with Headphones) 12 Hours (Lithium, 2 Channels, Phantom Off, Recording, with Headphones) 48 kHz/32-Bit: 5 Hours (Alkaline, All Channels, Phantom Off, Recording, with Headphones) 7 Hours (NiMH, All Channels, Phantom Off, Recording, with Headphones) 10 Hours (Lithium, All Channels, Phantom Off, Recording, with Headphones) 192 kHz/32-Bit: 0.5 Hours (Alkaline, All Channels, Phantom On, Recording, with Headphones) 1.5 Hours (NiMH, All Channels, Phantom On, Recording, with Headphones) 2.5 Hours (Lithium, All Channels, Phantom On, Recording, with Headphones) |
AC/DC Power Adapter | 12 VDC at 2 A (Included) |
AC Input Power | 100 to 240 VAC, 50 / 60 Hz |
Included Accessories | None |
---|---|
Mounting Options | 1/4"-20 Female (Bottom) |
Dimensions | 17 x 13 x 5cm |
Weight | 1.2 kg (with Batteries) |