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The Panasonic G9 II Mirrorless Camera with Leica 12-35mm Lens is a combination of the Panasonic G9 II Mirrorless Camera and the Panasonic Leica G X 12-35mm f/2.8 Power OIS Lens.
The Panasonic G9 II Mirrorless Camera is Panasonic's latest offering from it's long line of excellent LUMIX cameras. The camera’s new 25.2-megapixel Live MOS sensor delivers high resolution and high-speed response, supporting V-Log/V-Gamut and 13+ stops of wide dynamic range . The new engine achieves natural, three-dimensional textured images and ensures high-speed processing of high bitrate video.
The hybrid PDAF technology on board the LUMIX G9II enables accurate auto-focus and high-speed tracking of fast-moving subjects. New AI-powered recognition technology (developed using AI deep learning) for real-time auto-focus now recognises cars, motorcycles, and animal eyes for improved precision..
To deliver fast action photography, the LUMIX G9II offers burst shooting at 60 fps (AFC) and Super High Speed pre-burst recording that can commence shooting up to 1.5 seconds prior to shutter release, including support for RAW files. A blackout-free Live View Finderv means the user can continuously track and keep the subject in focus.
Providing incredible stabilisation for hybrid shooters, the excellent LUMIX image stabilisation system is further enhanced. For photographers, the in-body IS offers an impressive 8-stop at 60mm , and when shooting with ultra-telephoto focal length, the Dual I.S 2 system offers 7.5-stop at 140mm (280mm 35mm equivalent). Videographers will appreciate the Active I.S. technology which is optimised for video shooting, offering smooth gimbal-like video even when walking with the camera. These capabilities provide even greater support for handheld shooting at ultra-telephoto focal lengths, capturing difficult, dynamic subjects such as wildlife. Using the precision gyro-sensor and in-body stabilisation unit, 100-megapixel images can be captured in camera using the High Resolution mode both with a tripod or when handheld.
There are also several modes that expand the possibilities of creativity. The 13+ stop V-Log/V-Gamut capture offers a high dynamic range, consistent colour management and streamlined post-production. With in-camera colour grading via REAL TIME LUT, creative scope is increased while workflow is reduced – excellent for repeatable setups such as content creators who work in the same studio or are looking to repeat the same style in camera instead of applying the same LUT in post. The newly-added LEICA Monochrome mode provides deep black/white contrast.
The Live View Composite Mode takes away the guess work, allowing the photographer to set the desired exposure, take the shot, then view the image on-screen as it is being exposed in real time. Once they are happy with how the shot looks, they simply hit the shutter button again to stop the exposure. This mode is also great for light painting, shooting light trails and other long exposure scenarios.
The G9II is a launching point for video creation. It includes 4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9), enabling flexible framing options for various social media formats, as well as 4:2:0 10-bit C4K/4K 120p/100p to enable slow motion videos. Recording and playback are supported using an external SSD via USB.
It also offers Apple ProRes video, which delivers high image quality at low compression, reducing computer load during post-production and allowing non-linear editing without transcoding, streamlining workflow from start to finish.
With a compact, high-mobility design, a constant F2.8 aperture and O.I.S. (Optical Image Stabiliser) built-in, the Panasonic Leica G X 12-35mm f/2.8 Power OIS Lens covers virtually any shooting situation. Designed to replace the outgoing LUMIX G X VARIO 12-35 mm / F2.8 II ASPH. as one of Panasonic’s highest quality LUMIX G Micro Four Thirds lenses, it has been engineered to rigorous optical standards from LEICA and boasts a rugged splash- and dust-resistant* design capable of operating in harsh environments and at temperatures down to -10º Celsius – despite weighing just 306g.
The LEICA DG VARIO-ELMARIT 12-35mm / F2.8 ASPH. / POWER O.I.S. is comprised of fourteen lens elements in nine groups including four aspherical lenses, one UED (Ultra Extra-Low Dispersion) lens and one UHR (Ultra High Refractive Index) lens to achieve high optical performance. The UHR lens has an updated design with higher transmittance for natural colour reproduction. Panasonic’s unique Nano Surface Coating reduces reflections across the entire visible light range and, working in tandem with a new light-shielding component, minimises ghosting and flare. The filter diameter is 58mm, with a 7-blade circular aperture diaphragm, providing attractive bokeh in out-of-focus areas of the image.
For greater versatility, the new lens features a shorter focusing distance of 0.15m (at wide-end) with a larger magnification ratio of 0.21x (at 17mm), compared to the LUMIX G X VARIO 12-35mm / F2.8 II ASPH which offered 0.25m focusing distance and 0.17x magnification.
The lens offers silent, high precision autofocus. It incorporates a mechanism that suppresses focus breathing, and micro-step aperture control for smooth exposure changes during recording. Dual I.S. 2 combines the camera’s Body I.S. and the lens’ O.I.S. to provide effective hand-shake correction. These features make the lens suitable for professional video production as well as still photography.
The Panasonic G9 II Mirrorless Camera with Leica 12-35mm Lens is a combination of the Panasonic G9 II Mirrorless Camera and the Panasonic Leica G X 12-35mm f/2.8 Power OIS Lens.
The Panasonic G9 II Mirrorless Camera is Panasonic's latest offering from it's long line of excellent LUMIX cameras. The camera’s new 25.2-megapixel Live MOS sensor delivers high resolution and high-speed response, supporting V-Log/V-Gamut and 13+ stops of wide dynamic range . The new engine achieves natural, three-dimensional textured images and ensures high-speed processing of high bitrate video.
The hybrid PDAF technology on board the LUMIX G9II enables accurate auto-focus and high-speed tracking of fast-moving subjects. New AI-powered recognition technology (developed using AI deep learning) for real-time auto-focus now recognises cars, motorcycles, and animal eyes for improved precision..
To deliver fast action photography, the LUMIX G9II offers burst shooting at 60 fps (AFC) and Super High Speed pre-burst recording that can commence shooting up to 1.5 seconds prior to shutter release, including support for RAW files. A blackout-free Live View Finderv means the user can continuously track and keep the subject in focus.
Providing incredible stabilisation for hybrid shooters, the excellent LUMIX image stabilisation system is further enhanced. For photographers, the in-body IS offers an impressive 8-stop at 60mm , and when shooting with ultra-telephoto focal length, the Dual I.S 2 system offers 7.5-stop at 140mm (280mm 35mm equivalent). Videographers will appreciate the Active I.S. technology which is optimised for video shooting, offering smooth gimbal-like video even when walking with the camera. These capabilities provide even greater support for handheld shooting at ultra-telephoto focal lengths, capturing difficult, dynamic subjects such as wildlife. Using the precision gyro-sensor and in-body stabilisation unit, 100-megapixel images can be captured in camera using the High Resolution mode both with a tripod or when handheld.
There are also several modes that expand the possibilities of creativity. The 13+ stop V-Log/V-Gamut capture offers a high dynamic range, consistent colour management and streamlined post-production. With in-camera colour grading via REAL TIME LUT, creative scope is increased while workflow is reduced – excellent for repeatable setups such as content creators who work in the same studio or are looking to repeat the same style in camera instead of applying the same LUT in post. The newly-added LEICA Monochrome mode provides deep black/white contrast.
The Live View Composite Mode takes away the guess work, allowing the photographer to set the desired exposure, take the shot, then view the image on-screen as it is being exposed in real time. Once they are happy with how the shot looks, they simply hit the shutter button again to stop the exposure. This mode is also great for light painting, shooting light trails and other long exposure scenarios.
The G9II is a launching point for video creation. It includes 4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9), enabling flexible framing options for various social media formats, as well as 4:2:0 10-bit C4K/4K 120p/100p to enable slow motion videos. Recording and playback are supported using an external SSD via USB.
It also offers Apple ProRes video, which delivers high image quality at low compression, reducing computer load during post-production and allowing non-linear editing without transcoding, streamlining workflow from start to finish.
With a compact, high-mobility design, a constant F2.8 aperture and O.I.S. (Optical Image Stabiliser) built-in, the Panasonic Leica G X 12-35mm f/2.8 Power OIS Lens covers virtually any shooting situation. Designed to replace the outgoing LUMIX G X VARIO 12-35 mm / F2.8 II ASPH. as one of Panasonic’s highest quality LUMIX G Micro Four Thirds lenses, it has been engineered to rigorous optical standards from LEICA and boasts a rugged splash- and dust-resistant* design capable of operating in harsh environments and at temperatures down to -10º Celsius – despite weighing just 306g.
The LEICA DG VARIO-ELMARIT 12-35mm / F2.8 ASPH. / POWER O.I.S. is comprised of fourteen lens elements in nine groups including four aspherical lenses, one UED (Ultra Extra-Low Dispersion) lens and one UHR (Ultra High Refractive Index) lens to achieve high optical performance. The UHR lens has an updated design with higher transmittance for natural colour reproduction. Panasonic’s unique Nano Surface Coating reduces reflections across the entire visible light range and, working in tandem with a new light-shielding component, minimises ghosting and flare. The filter diameter is 58mm, with a 7-blade circular aperture diaphragm, providing attractive bokeh in out-of-focus areas of the image.
For greater versatility, the new lens features a shorter focusing distance of 0.15m (at wide-end) with a larger magnification ratio of 0.21x (at 17mm), compared to the LUMIX G X VARIO 12-35mm / F2.8 II ASPH which offered 0.25m focusing distance and 0.17x magnification.
The lens offers silent, high precision autofocus. It incorporates a mechanism that suppresses focus breathing, and micro-step aperture control for smooth exposure changes during recording. Dual I.S. 2 combines the camera’s Body I.S. and the lens’ O.I.S. to provide effective hand-shake correction. These features make the lens suitable for professional video production as well as still photography.
Type | Digital Single Lens Mirrorless camera |
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Lens mount | Micro Four Thirds mount |
Type | Live MOS sensor (17.3 x 13.0 mm) |
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Camera effective pixels / Total pixels | 25.21 megapixels / 26.52 megapixels |
AR (Anti Reflection) coating | Yes |
Aspect ratio / Color filter | 4:3 / Primary color filter |
Dust reduction system | Image sensor shift type |
Latitude | 13+ stops (V-Log) (Sensor output is 60fps or less) 12+ stops (V-Log) (Sensor output is 61fps or higher) |
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Recording file format | JPEG (DCF, Exif 2.31), RAW |
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Aspect ratio | 4:3 / 3:2 / 16:9 / 1:1 |
File size (Pixels) | 4:3 5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode. 3:2 5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode. 16:9 "5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode. " 1:1 4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode. |
Image quality | RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine) |
Color space | sRGB, AdobeRGB |
Recording file format | MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes MP4: H.264/MPEG-4 AVC, H.265/HEVC |
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Audio format | MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**) MP4: AAC (2ch 48kHz/16-bit) *When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately). |
System frequency | 59.94Hz / 50.00Hz / 24.00Hz |
Image area of video | FULL / PIXEL/PIXEL |
EXTERNAL USB-SSD RECORDING | Yes (ON / OFF) |
Type | OLED Live View Finder |
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Pixels | Approx. 3.68 million dots |
Field of view / Magnification | Approx. 100% / Approx. 1.6x / 0.8x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3 |
Eye point / Diopter adjustment | Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt) |
Eye sensor | Yes |
Display speed | 120fps / 60fps |
Type | TFT LCD monitor with static touch control |
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Monitor size | Free-angle, 3.0-inch (7.6cm), 3:2 aspect |
Pixels | Approx. 1.84 million dots |
Field of view | Approx. 100% |
Type | Phase Detection AF system / Contrast AF system |
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DFD technology | Yes |
Focus mode | AFS (Single) / AFC (Continuous) / MF |
AF mode | Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint *Automatic Detection can be turned ON to switch between Human / Animal / Car / Motorcycle. Except when Pinpoint is set. |
AF detective range | EV -4 - 18 (F2.0, ISO100 equivalent, AFS) |
AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction |
AF assist light | Yes |
AF lock | Set the Fn button in custom menu to AF lock |
Focus ring control | Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) *When a compatible lens is attached. |
Others | AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume |
Light metering system | 1,728-zone multi-pattern sensing system |
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Light metering mode | Multiple / Center Weighted / Spot / Highlight Weighted |
Metering range | EV0-18 (F2.0 lens, ISO100 equivalent) |
Mode dial | Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Slow&Quick / Custom 1, 2, 3 / Intelligent Auto *The same exposure operations as P/A/S/M mode is available. |
Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) |
AE lock | Set the Fn button in custom menu to AE lock |
IMAGE STABILIZATION SYSTEM | B.I.S. (5-axis / 8.0-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.] Dual I.S. 2 (7.5-stop**) **Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FSA14140 is used.] |
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White balance | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 |
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White balance adjustment | Blue/Amber bias, Magenta/Green bias |
Color temperature setting | 2500-10000K in 100K |
Type | Focal-plane shutter |
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Shutter speed | Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 Electronic shutter: Bulb (Max. 60 sec), 1/32,000 - 60 Motion picture: 1/25,000 - 1/25 Creative Video M mode / MF mode: 1/25,000 - 1/8 |
Self timer | 10sec, 3 images / 2sec / 10sec / Custom Time |
Remote control | Remote control by DMW-RS2 (sold separately) |
Silent mode / Shutter type | Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR) |
AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst |
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Aperture bracket | 3, 5 or all positions |
Focus bracket | 1 to 999 images, focus steps can be set in 10 levels |
White balance bracket | 3 images in blue/amber axis or in magenta/green axis, color temperature setting |
Burst speed | Mechanical shutter H: 14 frames/sec (AFS/MF), 10 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/AFC/MF) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View) Electronic front curtain shutter H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/AFC/MF) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View) Electronic shutter SH75: 75 frames/sec (AFS/MF) SH60: 60 frames/sec (AFS/AFC/MF) SH20: 20 frames/sec (AFS/AFC/MF) SH75 PRE: 75 frames/sec (AFS/MF) SH60 PRE: 60 frames/sec (AFS/AFC/MF) SH20 PRE: 20 frames/sec (AFS/AFC/MF) H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/AFC/MF) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View) |
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Number of recordable images | H/M/L* RAW+JPEG: More than 160 images RAW: More than 170 images JPEG: More than 200 images *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic. *When using a card with SD Speed Class with ""UHS-II UHS Speed Class 3 (U3)"". SH RAW / RAW+JPEG / JPEG: 200 images |
Flash type | TTL External Flash (sold separately) |
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Flash mode | Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. |
Flash synchronization | 1st Curtain Sync, 2nd Curtain Sync. |
Flash output adjustment | 1/3EV step ±3EV |
Synchronization speed | Less than 1/250 second |
Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch |
Wi-Fi | 2.4GHz (STA/AP) (IEEE802.11b/g/n) 5GHz (STA) (IEEE 802.11a/n/ac) Security: WPA/WPA2/WPA3 Please refer to "Wi-Fi" sheet |
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Bluetooth | Bluetooth® v5.0 (Bluetooth Low Energy (BLE)) |
DUST AND SPLASH RESISTANT | Yes. *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water." |
Battery | Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) USB power supply, USB power charging, USB power delivery |
Dimensions (W x H x D) | Approx. 134.3 x 102.3 x 90.1 mm / 5.29 x 4.03 x 3.55 inch (Body only, excluding protrusions) Approx. 134.3 x 102.3 x 140.7 mm / 5.29 x 4.03 x 5.54 inch (with H-FS12060, excluding protrusions) Approx. 134.3 x 102.3 x 153.8 mm / 5.29 x 4.03 x 6.06 inch (with H-ES12060, excluding protrusions) |
Weight | Approx. 658g / 1.45 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap) Approx. 575g / 1.27 lb (Body, Hot Shoe Cover) (excluding body cap) |
Operating temperature | -10oC to 40oC (14oF to 104oF) |
Operating humidity | 10%RH to 80%RH |
Lens Construction | 14 elements in 9 groups (4 aspherical lenses , 1 UED lens, 1 UHR lens) |
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Nano Surface Coating | Yes |
Mount | Micro Four Thirds mount |
Optical Image Stabilizer | Yes (POWER O.I.S.) |
Focal Length | f=12-35mm (35mm camera equivalent 24-70mm) |
Aperture Type | 7 diaphragm blades / Circular aperture diaphragm |
Maximum Aperture | F2.8 |
Minimum Aperture | F22 |
Closest Focusing Distance | 0.15m/0.49ft (at focal length 12-17mm) / 0.25m/0.82ft (at focal length 35mm) |
Maximum Magnification | 0.21x / 0.42x (35mm camera equivalent) (at focal length 17mm) |
Diagonal Angle of View | 84°(Wide) - 34°(Tele) |
Dust and Splash Resistant | Yes* *Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water. |
Recommended Operating Temperature | -10℃ to 40℃ (14℉ to 104℉) |
Filter Size | 58mm |
Max. Diameter | 67.6mm / 2.7inch |
Overall Length | Approx. 73.8mm / 2.9inch (from the tip of the lens to the base side of the lens mount) |
Weight | Approx. 306g / 0.67lb (excluding lens cap, lens rear cap and lens hood) |