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Having refined the retro styling and ergonomics of the rangefinder-inspired X100-series in its viral fifth iteration, FUJIFILM follows up with the tricked-out silver X100VI Mirrorless Camera, filling out the timeless, compact, touch-friendly body with the speed, power, and pixel count of its flagship APS-C sensor-and-processor combo. Featuring unsurpassed design and a wealth of upgraded tech, the X100VI is poised to be the everyday, everywhere darling of photographers who yearn to transform the mundane into the magical.
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality. This sensor has an improved pixel structure, allowing light to be received more efficiently. Partner to the newly designed sensor is a fresh engine-the X-Processor 5-which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks. The combination of this high-resolution sensor and processor achieves remarkably fast operation, wide dynamic range, and incredible photo quality, even at higher ISO sensitivities.
The powerful video function afforded with the sensor-processor combo means movies can be recorded internally at up to 6.2K at 30p in 10-bit color, along with a 4K HQ mode which oversamples 6.2K footage for superior 4K output. Higher frame rate videos, at 4K 60p or FHD 240p, are also available.
The upgraded sensor-processor combination allows the X100VI to be the first in the series to feature in-body image stabilization. The five-axis sensor-shift IBIS helps to minimize the appearance of camera shake by up to six stops. The improved processing also benefits autofocus performance, producing a faster, more intelligent hybrid focusing system using 425 phase-detection points. Backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types, ensuring the magic moment is never missed.
Further benefiting street photographers, the X100VI is ready for action, no matter how fast the subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/4000 sec will stop any subject in its tracks. Keep your finger down, and the X100VI records images at up to 20 fps with the electronic shutter at a 1.29x crop, and 11 fps with the mechanical shutter.
Updated in the fifth generation, the camera's Fujinon 23mm f/2 lens features a revised optical design that includes two aspherical elements for improved sharpness and clarity through the reduction of spherical aberrations and distortion. With a 35mm full-frame equivalency, the lens' bright f/2 design handles low-light conditions and affords shallow depth of field. When it's bright, the built-in 4-stop ND filter can also be used for more control over your exposures and to better enable working with shallow depth of field. While the lens is a fixed focal length, the X100VI integrates 1.4x and 2x digital teleconverter settings to simulate the look of working with the longer focal lengths of 49mm and 70mm, respectively.
Both optical and electronic viewfinder types are incorporated into the unique Advanced Hybrid Viewfinder, which lets you select from the simplicity and familiarity of an OVF as well as the versatility of an EVF. The optical viewfinder provides a clear, lifelike view of the scene for easier composition and subject tracking. Its enhanced design incorporates an Electronic Rangefinder function, which mimics the functionality of a mechanical rangefinder, and simultaneously overlays information from the electronic viewfinder on top of the optical viewfinder for comparative manual focus control.
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types. The X100VI boasts FUJIFILM's latest recipe-REALA ACE-and also includes 19 other modes, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia. In addition to simulating specific film types, a Grain Effect mode is also available to replicate the look of old film photos with an organic textured appearance, which is especially noticeable when printing. Color Chrome and Color Chrome Blue effects are also available to deepen color, tonal response, and gradation with higher saturation colors.
Deliver photos or video straight to the cloud moments after they're created with the first accessory-free integration for Frame.io Camera to Cloud. Use the camera's built-in Wi-Fi or Ethernet LAN connection to connect to Frame.io and deliver hi-res raw or JPEG images, send h.264 video proxies, or upload video securely for review.
Having refined the retro styling and ergonomics of the rangefinder-inspired X100-series in its viral fifth iteration, FUJIFILM follows up with the tricked-out silver X100VI Mirrorless Camera, filling out the timeless, compact, touch-friendly body with the speed, power, and pixel count of its flagship APS-C sensor-and-processor combo. Featuring unsurpassed design and a wealth of upgraded tech, the X100VI is poised to be the everyday, everywhere darling of photographers who yearn to transform the mundane into the magical.
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality. This sensor has an improved pixel structure, allowing light to be received more efficiently. Partner to the newly designed sensor is a fresh engine-the X-Processor 5-which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks. The combination of this high-resolution sensor and processor achieves remarkably fast operation, wide dynamic range, and incredible photo quality, even at higher ISO sensitivities.
The powerful video function afforded with the sensor-processor combo means movies can be recorded internally at up to 6.2K at 30p in 10-bit color, along with a 4K HQ mode which oversamples 6.2K footage for superior 4K output. Higher frame rate videos, at 4K 60p or FHD 240p, are also available.
The upgraded sensor-processor combination allows the X100VI to be the first in the series to feature in-body image stabilization. The five-axis sensor-shift IBIS helps to minimize the appearance of camera shake by up to six stops. The improved processing also benefits autofocus performance, producing a faster, more intelligent hybrid focusing system using 425 phase-detection points. Backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types, ensuring the magic moment is never missed.
Further benefiting street photographers, the X100VI is ready for action, no matter how fast the subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/4000 sec will stop any subject in its tracks. Keep your finger down, and the X100VI records images at up to 20 fps with the electronic shutter at a 1.29x crop, and 11 fps with the mechanical shutter.
Updated in the fifth generation, the camera's Fujinon 23mm f/2 lens features a revised optical design that includes two aspherical elements for improved sharpness and clarity through the reduction of spherical aberrations and distortion. With a 35mm full-frame equivalency, the lens' bright f/2 design handles low-light conditions and affords shallow depth of field. When it's bright, the built-in 4-stop ND filter can also be used for more control over your exposures and to better enable working with shallow depth of field. While the lens is a fixed focal length, the X100VI integrates 1.4x and 2x digital teleconverter settings to simulate the look of working with the longer focal lengths of 49mm and 70mm, respectively.
Both optical and electronic viewfinder types are incorporated into the unique Advanced Hybrid Viewfinder, which lets you select from the simplicity and familiarity of an OVF as well as the versatility of an EVF. The optical viewfinder provides a clear, lifelike view of the scene for easier composition and subject tracking. Its enhanced design incorporates an Electronic Rangefinder function, which mimics the functionality of a mechanical rangefinder, and simultaneously overlays information from the electronic viewfinder on top of the optical viewfinder for comparative manual focus control.
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types. The X100VI boasts FUJIFILM's latest recipe-REALA ACE-and also includes 19 other modes, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia. In addition to simulating specific film types, a Grain Effect mode is also available to replicate the look of old film photos with an organic textured appearance, which is especially noticeable when printing. Color Chrome and Color Chrome Blue effects are also available to deepen color, tonal response, and gradation with higher saturation colors.
Deliver photos or video straight to the cloud moments after they're created with the first accessory-free integration for Frame.io Camera to Cloud. Use the camera's built-in Wi-Fi or Ethernet LAN connection to connect to Frame.io and deliver hi-res raw or JPEG images, send h.264 video proxies, or upload video securely for review.
Model name | FUJIFILM X100VI |
---|---|
Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter |
Number of effective pixels | 40.2 millions pixels |
Sensor Cleaning System | Ultra Sonic Vibration |
Image Processing Engine | X-Processor 5 |
Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I |
Note | *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. |
DCF | Compliant with Design rule for Camera File system (DCF2.0) |
---|---|
JPEG | Exif Ver.2.32 |
HEIF | 4:2:2 10bit |
RAW | 14bit RAW (RAF original format) |
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
[L] | 4:3 / 6864 x 5152 3:2 / 7728 x 5152 16:9 / 7728 x 4344 1:1 / 5152 x 5152 65:24 5:4 / 6432 x 5152 7:6 |
---|---|
[M] | 4:3 / 4864 x 3648 3:2 / 5472 x 3648 16:9 / 5472 x 3080 1:1 / 3648 x 3648 65:24 5:4 / 4560x3648 7:6 |
[S] | 4:3 / 3456 x 2592 3:2 / 3888 x 2592 16:9 / 3888 x 2184 1:1 / 2592 x 2592 65:24 5:4 / 3264x2592 7:6 |
[L] | vertical / 2160 x 9600 Horizontal / 9600 x 1440 |
---|---|
[M] | Vertical / 2160 x 6400 Horizontal / 6400 x 1440 |
Type | FUJINON single focal length lens |
---|---|
Focal length | f=23mm (35mm format equivalent : 35mm) |
Max. aperture | F2.0 |
Lens configuration | 8 elements in 6 groups (includes 2 aspherical elements) |
ND filter | Yes (4 stops) |
Aperture | F2 - F16 1/3EV step (controlled with 9-blade aperture diaphragm) |
Focus range | Approx. 10cm to infinity / 3.9in. to infinity |
Conversion lens | WIDE / TELE / OFF |
Digital Tele-Converter | 70mm, 50mm, 35mm (Nomal) 35mm format equivalent |
Still Image | Standard Output
|
---|---|
Movie | Standard Output
|
Exposure control | TTL 256-zone metering Multi Spot Average Center Weighted |
Exposure mode | P (Program AE) A (Aperture Priority AE) S (Shutter Speed Priority AE) M (Manual Exposure) |
Still | -5.0EV~+5.0EV 1/3EV step |
---|---|
Movie | -2.0EV~+2.0EV 1/3EV step |
Mechanism | Image sensor shift mechanism with 5-axis compensation |
---|---|
Compensation Effect | 6.0 stops *based on CIPA standard *Pitch/yaw shake only |
Digital Image Stabilization | Yes (movie mode only) |
IS MODE BOOST | Yes (movie mode only) |
Mechanical shutter |
|
---|---|
Electronic shutter |
|
Electronic front curtain shutter |
|
Mechanical + Electronic shutter |
|
E-front + Mechanical shutter (GFX: Electronic Front Curtain Shutter) | P mode A mode S/M mode Bulb |
E-front + Mechanical + Electronic shutter (GFX: E-Front + Electronic Shutter) | P mode A mode S/M mode Bulb |
Movie | 8K/DCI8K 6.2K / 1/4000sec. to 1/24 sec. 5.8K 5.4K 4.8K 4.6K(ANAMOR) 4K/DCI4K 1/4000sec. to 1/24 sec. FHD 1/4000sec. to 1/24 sec. *Cannot choose slower shutter speed than framerate for some settings. |
Synchronized shutter speed for flash | Mechanical shutter Electronic shutter |
Electronic shutter | Approx. 20fps (1.29x Crop) |
---|---|
JPEG | 117 frames |
Compressed RAW | 52 frames |
Lossless compressed RAW | 35 frames |
Uncompressed RAW | 17 frames |
Compressed RAW + JPEG | 25 frames |
Lossless compressed RAW + JPEG | 22 frames |
Uncompressed RAW + JPEG | 17 frames |
Electronic shutter | Approx. 13fps (1.29x Crop) |
---|---|
JPEG | 146 frames |
Compressed RAW | 57 frames |
Lossless compressed RAW | 36 frames |
Uncompressed RAW | 17 frames |
Compressed RAW + JPEG | 38 frames |
Lossless compressed RAW + JPEG | 33 frames |
Uncompressed RAW + JPEG | 17 frames |
Electronic shutter | Approx. 10fps (1.29x Crop) |
---|---|
JPEG | 163 frames |
Compressed RAW | 59 frames |
Lossless compressed RAW | 36 frames |
Uncompressed RAW | 18 frames |
Compressed RAW + JPEG | 36 frames |
Lossless compressed RAW + JPEG | 33 frames |
Uncompressed RAW + JPEG | 17 frames |
Electronic shutter | Approx. 13fps |
---|---|
JPEG | 80 frames |
Compressed RAW | 38 frames |
Lossless compressed RAW | 24 frames |
Uncompressed RAW | 17 frames |
Compressed RAW+JPEG | 25 frames |
Lossless compressed RAW+JPEG | 18 frames |
Uncompressed RAW+JPEG | 17 frames |
Electronic shutter | Approx. 13fps |
---|---|
JPEG | 80 frames |
Compressed RAW | 38 frames |
Lossless compressed RAW | 24 frames |
Uncompressed RAW | 17 frames |
Compressed RAW+JPEG | 25 frames |
Lossless compressed RAW+JPEG | 18 frames |
Uncompressed RAW+JPEG | 17 frames |
Mechanical shutter | Approx. 8.0fps |
---|---|
JPEG | 76 frames |
Compressed RAW | 35 frames |
Lossless compressed RAW | 21 frames |
Uncompressed RAW | 17 frames |
Compressed RAW+JPEG | 28 frames |
Lossless compressed RAW+JPEG | 23 frames |
Uncompressed RAW+JPEG | 17 frames |
Mechanical shutter | Approx. 5.0fps |
---|---|
JPEG | 110 frames |
Compressed RAW | 42 frames |
Lossless compressed RAW | 25 frames |
Uncompressed RAW | 18 frames |
Mechanical shutter | Approx. 4.0fps |
---|---|
JPEG | 184 frames |
Compressed RAW | 48 frames |
Lossless compressed RAW | 26 frames |
Uncompressed RAW | 19 frames |
Mechanical shutter | Approx. 3.0fps |
---|---|
JPEG | 504 frames |
Compressed RAW | 57 frames |
Lossless compressed RAW | 29 frames |
Uncompressed RAW | 20 frames |
Electronic shutter | Approx. 20fps (1.29x Crop) |
---|---|
While half press | 20 frames |
After full press | 135 frames |
Total | 155 frames |
Electronic shutter | Approx. 13fps (1.29x Crop) |
---|---|
While half press | 13 frames |
After full press | 177 frames |
Total | 190 frames |
Electronic shutter | Approx. 10fps (1.29x Crop) |
---|---|
While half press | 10 frames |
After full press | 240 frames |
Total | 250 frames |
Electronic shutter | Approx. 11fps |
---|---|
While half press | 11 frames |
After full press | 79 frames |
Total | 90 frames |
Electronic shutter | Approx. 8fps |
---|---|
While half press | 8 frames |
After full press | 102 frames |
Total | 110 frames *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
Attribute | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
---|---|
Filmsimulation bracketing | Any 3 types of film simulation selectable |
Dynamic Range Bracketing | 100% 200% 400% |
ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
White Balance Bracketing | ±1 ±2 ±3 |
Focus Bracketing | AUTO MANUAL |
Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
HDR Mode | AUTO 200% 400% 800% 800% + |
Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
Pixel Shift Multi Shot | HIGH RESOLUTION + ACCURATE COLOR ACCURATE COLOR |
Mode | Single AF Continuous AF MF |
---|---|
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) |
Low-light Performance | Contrast -2.0EV Phase Detection -5.0EV |
AF frame selection | Single point AF 13x9 / 25x17 (Changeable size of AF frame) Zone AF 3x3 / 5x5 / 7x7 / Custom1-3 from 117 areas on 13×9 grid Wide/Tracking AF Yes (AF-S: Wide / AF-C: Tracking) All Yes |
Face/eye detection | Yes |
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) |
Built-in flash | Auto flash [Super Intelligent Flash] |
---|---|
Guide Number | approx. 4.4 (ISO100・m) |
Effective range(ISO1600) | approx. 30cm - 7.4m/1.0ft. - 24.3ft. |
Sync. Mode | 1st Curtain 2nd Curtain |
Flash Mode | TTL (TTL AUTO / STANDARD / SLOW SYNC.) MANUAL COMMANDER OFF |
Sync. Mode | 1st Curtain 2nd Curtain |
---|---|
Flash Mode | TTL (TTL AUTO / STANDARD / SLOW SYNC.) MANUAL MULTI *When EF-X500 is set OFF |
Synchronized terminal | Sync. Mode Flash Mode |
Hot shoe | Yes (Dedicated TTL Flash compatible) |
OVF | Reverse Galilean viewfinder with electronic bright frame display |
---|---|
Coverage of Frame Area v.s. Capturing Area | approx. 95% |
Magnification | approx x0.52 |
EVF | 0.5 inch OLED Color Viewfinder Approx. 3.69 million dots |
---|---|
Coverage of Viewing Area vs. Capturing Area | Approx. 100% |
Eyepoint | Approx. 16.8mm (from the Rear End of the Camera's Eyepiece) |
Diopter Adjustment | -4~+2m-1 |
Magnification | 0.66x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 |
Diagonal Angle of View | approx. 32° (Horizontal angle of view: approx. 27° ) Built-In Eye Sensor |
LCD monitor | 3.0 inch tilting touch screen color LCD monitor |
Aspect Ratio | 3:2 |
Dots | Approx. 1.62 million dots |
Shooting Mode | Shooting AF Focus Area OFF Double Tap Setting (ON/OFF) Touch Function Setting (ON/OFF) EVF Touch Screen Area Setting |
---|---|
Playback Mode | Swipe Pinch-in / Pinch-out Double-tap Drag |
MOV | HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) |
---|---|
MP4 | MPEG-4 AVC/H.264, AAC |
Movie compression | Long GOP |
File size | 4096 x 2160 |
---|---|
Frame rate | 29.97p 25p 24p 23.98p |
Bitrate | 200Mbps 100Mbps 50Mbps |
File size | 3840 x 2160 |
---|---|
Frame rate | 29.97p 25p 24p 23.98p |
Bitrate | 200Mbps 100Mbps 50Mbps |
File size | 4096 x 2160 |
---|---|
Frame rate | 59.94p 50p 29.97p 25p 24p 23.98p |
Bitrate | 200Mbps 100Mbps 50Mbps |
File size | 3840 x 2160 |
---|---|
Frame rate | 59.94p 50p 29.97p 25p 24p 23.98p |
Bitrate | 200Mbps 100Mbps 50Mbps |
File size | 2048 x 1080 |
---|---|
Frame rate | 59.94p 50p 29.97p 25p 24p 23.98p |
Bitrate | 200Mbps 100Mbps 50Mbps |
File size | 1920 x 1080 |
---|---|
Frame rate | 59.94p 50p 29.97p 25p 24p 23.98p |
Bitrate | 200Mbps 100Mbps 50Mbps |
File size | 2048 x 1080 |
---|---|
Frame rate | 240p 200p 120p 100p |
Bitrate | 200Mbps (recording) |
File size | 1920 x 1080 |
---|---|
Frame rate | 240p 200p 120p 100p |
Bitrate | 200Mbps (recording) |
Note | For recording movies, use a SD memory card with UHS Speed Class 3 or higher. Selectable bitrate will be changed depends on the setting. Recording time can become short depending on the temperature and/or shooting conditions |
Film simulation mode | 20 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome REALA ACE PRO Neg.Hi PRO Neg.Std Classic Neg. Nostalgic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
---|---|
Grain Effect | Roughness-STRONG, WEAK, OFF Size-LARGE, SMALL |
Color Chrome Effect | STRONG, WEAK, OFF |
Color chrome Blue | STRONG, WEAK, OFF |
Smooth Skin Effect | STRONG, WEAK, OFF |
Still | AUTO / 100% / 200% / 400% |
---|---|
ISO restriction | DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
Movie | 100% / 200% / 400% |
ISO restriction | DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
Auto | White Priority Auto Ambience Priority |
---|---|
Custom | Custom1 - 3 |
Color temperature selection | 2500K~10000K |
Preset | Daylight Shade Fluorescent Light-1 Fluorescent Light-2 Fluorescent Light-3 Incandescent Light Underwater |
Clarity setting | ±5 steps |
Still | 10sec. 2sec. |
---|---|
Movie | 10sec. 5sec. 3sec. |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) |
Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
---|---|
Encryption | WPA/WPA2 mixed mode, WPA3 |
Access mode | Infrastructure |
Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
---|---|
Operating frequency (Center frequency) | 2402〜2480MHz |
Digital interface | USB Type-C USB 10Gbps |
---|---|
HDMI output | HDMI Micro connector (Type D) |
Others | Microphone / shutter release input: ø2.5mm Hot shoe |
Economy Mode | Approx. 360 / 450 frames (EVF / OVF) |
---|---|
Normal Mode | Approx. 310 / 450 frames (EVF / OVF) |
8K | - |
---|---|
6.2K | Approx. 45min. (29.97p) |
4K | Approx. 45min. (59.94p) |
Full HD | Approx. 50min. (59.94p), Approx. 55min. (120P) *Face detection is set to OFF |
8K | |
---|---|
6.2K | Approx. 70min. (29.97p) |
4K | Approx. 70min. (59.94p) |
Full HD | Approx. 85min. (59.94p) |
Note | Face detection is set to OFF Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
Width | 128.0mm |
---|---|
Height | 74.8mm |
Depth (Minimum Depth) | 55.3mm (33.2mm) |
Including battery and memory card | Approx. 521g |
---|---|
Excluding battery and memory card | Approx. 471g |
Operating Temperature | 0℃~+40℃ |
---|---|
Operating Humidity | 10% - 80% (no condensation) |