{"product_id":"sony-fx9-cinema-camera","title":"Sony FX9 Cinema Camera","description":"\u003cp class=\"mText\"\u003eWhether you're shooting documentaries, events, reality TV, education, or corporate productions, the \u003cstrong class=\"h1Lit\"\u003eSony FX9 Cinema Camera\u003c\/strong\u003e has you covered with its powerful and flexible 4K interchangeable lens camera system.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eRealise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high-resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eMake sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF* and Real-time Tracking**.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe PXW-FX9 input and output features include 12G\/6G-SDI and HDMI outputs for 4K video, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe camera features a 15-stop dynamic range, supports dynamic HDR, hybrid log gamma mode (HLG), and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. Its 7-stop electronic variable ND filter can perform in auto or manual mode, smoothly adjusting from 1\/4 to 1\/128 density. The camera's default S-Cinetone colour look offers the same soft, vivid tone as with Sony's VENICE camera.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eIn addition to its wide dynamic range, its enhanced colour and light features include a dual base ISO of 800\/4000 with a maximum ISO up to 102,400, which is helpful when in low-light situations or using a slower lens. Other improvements with the latest firmware include improved white balancing in sunlight with a more natural look, user-created 3D LUTs, improved AF, audio improvements, USB tethering, T-value metadata, password enhancements, and an S35 2K imager scan mode.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Ver2.0 Firmware is required.\u003cbr\u003e** Ver3.0 Firmware is required.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Sony FX9 Cinema Camera\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e6K Full-Frame Exmor R CMOS Sensor\u003c\/li\u003e\n\u003cli\u003e15 Stops of Dynamic Range, Dynamic HDR\u003c\/li\u003e\n\u003cli\u003eDCI 4K and UHD 4K up to 59.94p\u003c\/li\u003e\n\u003cli\u003eHD Recording up to 150\/180 fps\u003c\/li\u003e\n\u003cli\u003eQuad Full HD 120p Raw with XDCA-FX9 Unit\u003c\/li\u003e\n\u003cli\u003eSony E-Mount\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC-I up to 600 Mb\/s\u003c\/li\u003e\n\u003cli\u003eAuto-HD, AF, 7-Stop ND Filter, 3D LUTs\u003c\/li\u003e\n\u003cli\u003eDual Base ISO up to 102,400, HLG Mode\u003c\/li\u003e\n\u003cli\u003e12G\/6G\/3G-SDI \u0026amp; HDMI Output up to 4K\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e6K Full-Frame “Exmor R” sensor for stunning picture quality\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe back-illuminated full-frame 6K CMOS sensor uses Sony’s Exmor R technology for improved sensitivity and reduced noise. When recording at DCI 4K*, Ultra HD resolutions the ability to oversample and capture at 6K, combined with powerful image processing, ensures that subtle details and textures beyond those that can be captured by a conventional 4K sensor are retained while at the same time noise is reduced.\u003c\/p\u003e\n\u003cp\u003eCompared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area, providing a wider angle of view, making it easier to gain a shallower depth of field. You can also shoot with Super 35mm lenses without compromise, capturing at 4K in super 35mm with all the benefits of this advanced imaging sensor.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*DCI 4K (4096 x 2160 at 17:9 recording) requires Ver.2.0 or higher firmware.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003ePhenomenal 15+ stops dynamic range for limitless expression\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFX9 offers an exceptional 15+ stops of dynamic range – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e* RAW recording requires Ver.2.0 or higher firmware, XDCA-FX9 and external recorder.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDual Base ISO for stunning images in any light\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eDigital imaging sensors perform best at their base ISO as no unnecessary gain (voltage) is added to the sensors output. While a typical camera has a single base ISO, carefully chosen to provide the optimum settings for a wide range of shooting scenarios, the FX9’s dual ISO function offers far greater flexibility. Its low base sensitivity of ISO 800* is similar to most other digital cinema cameras offering an excellent balance between dynamic range and sensitivity for most normal types of production. The FX9 with its secondary High Base ISO of 4000* excels in low light conditions without adding extra gain. Low light scenes can be shot using High Base and 4000 ISO with near identical image quality to Low Base and 800 ISO. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCinematic colour science with S-Cinetone™\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eS-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e16-bit RAW capability*\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.**\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*RAW output will be enabled with Ver.2.0 or higher firmware. \u003cbr\u003e**Compatible recorders to be announced by 3rd party.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eAccelerate your workflow with User 3D Luts and HLG*\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eUser Created 3D LUTs make it easy to customise FX9’s look to your preferences. It is possible to import LUTs files from an SD card and store up to 16 files on the FX9’s internal memory and switch between them as needed. This is particularly useful for shooting in S-Log3, allowing you to preview on camera whatever custom look you create.\u003c\/p\u003e\n\u003cp\u003eFX9 can record HDR using S-Log3 or Hybrid Log Gamma (HLG)*.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eS-Log3 is optimized for premium applications, capturing the maximum dynamic range from a sensor and providing ultimate creative freedom when colour grading\u003c\/li\u003e\n\u003cli\u003eHLG* delivers content quickly without additional colour grading making it an ideal choice for day-to-day shooting, viewing and editing workflows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e*Ver.2.0 or higher firmware required\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eHDR \/ SDR dual production support*\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWhen shooting HDR content, the FX9’s EVF is easily switched between HDR and SDR emulation modes. In addition, if you adjust the brightness of the image when in SDR emulation, the SDR gain dB is recorded into metadata so it can be used in post-production for the SDR content. Together these changes make it easier to shoot in HDR while also achieving a quick turnaround for SDR content.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Requires firmware V3.0 or higher.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSelectable frame rates for full-frame, Super 35 and Super 16\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eChoose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology. With Ver.3 firmware, FX9 also supports Super 16 scan mode*** and enables B4 lens control (requires optional LA-EB1 and XDCA-FX9 for lens DC supply) with ALAC****(Auto Lens Aberration Compensation). Imager scan area can be switched with Assign button that works like a digital extender.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSuper 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, below settings are recommended.\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCine EI mode: Set EI gain lower and exposure level higher instead\u003c\/li\u003e\n\u003cli\u003eCustom\/SDR mode: Choose the gamma category setting of Original (S-Cinetone) or STD (STD1 to 6)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e*Up to 120fps with Ver1.0. Full-HD 180fps requires Ver.2.0 or higher firmware. \u003cbr\u003e**In full-frame scanning mode: selectable at 1–30fps\/in super 35 scanning mode: selectable at 1–60fps. Quality priority setting is recommended if desired framerate is available. \u003cbr\u003e*** Requires V3 or higher, AF performance at S16 2K mode is not same as other imager mode \u003cbr\u003e**** Lens should support ALAC function.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCatch the action with enhanced Fast Hybrid AF\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eEffortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e561-point phase detection AF\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCustomisable AF settings\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.\u003c\/li\u003e\n\u003cli\u003e5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eEye AF and Real-time Tracking*\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFX9 is the world’s first professional camcorder with Sony’s world-leading eye tracking technology**. High speed, high precision image processing maintains a pin-sharp focus. During an interview or portraiture shoot, you can rely upon Eye AF to capture your subject’s most subtle expressions while you concentrate on the interview and framing. Simply turn on Face or Eye AF priority for seamless AI-based tracking.\u003c\/p\u003e\n\u003cp\u003eUsing Real-time Tracking you can simply touch a subject on the viewfinder, or select a face with FX9 joystick, and the camera will track and maintain focus automatically.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Eye AF requires Ver.2.0 or higher firmware. Real-time Tracking requires Ver.3.0 or higher firmware. \u003cbr\u003e**As of Apr 2020.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eWorld’s first electronic variable ND filter for full-frame sensor*\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eRealise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1\/4 to 1\/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breathtaking artistic effects.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSeamless exposure control\u003c\/li\u003e\n\u003cli\u003eSeamless depth-of-field control\u003c\/li\u003e\n\u003cli\u003eUse the best iris range for optimal optical resolution\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eWhat is Sony's 'Electronic Variable ND Filter'?\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eSony’s Electronic Variable ND Filter can be seamlessly varied while shooting because of its innovative technology, which is completely unlike conventional technology such as a rotating filter wheel or polarising ND Filters. It is also critical to note, Sony’s technology is optically based rather than using image processing.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUse the dial on the right side of the camera, seamlessly altering image exposure while shooting. The filter has a wide range from 1\/4 to 1\/128\u003c\/li\u003e\n\u003cli\u003eSelect Auto ND and the camera will proactively adjust the filter density to find the best exposure level for shooting. This is very helpful, for example, when shooting outside with variable lighting conditions. The Electronic Variable ND Filter automatically adjusts the density so that the exposure will remain the same no matter how light levels change\u003c\/li\u003e\n\u003cli\u003eSet a fixed filter level by simply rotating the filter knob – just like working with a conventional optical filter wheel. The default settings are 1\/4, 1\/16, and 1\/64. However, it is possible to change these three settings to whichever values you prefer. For example, you can set the filter #3 to 1\/128 so that you can go outside on a sunny summer day for shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eProven ergonomics \u0026amp; accessory compatibility\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-series batteries, chargers, E-mount lenses, plus arms and lens adapters.*\u003c\/p\u003e\n\u003cp\u003eThe control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip also features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.\u003c\/p\u003e\n\u003cp\u003eTo withstand the rigors of real-world shooting, FX9 has a robust magnesium chassis which is almost one third lighter than aluminum equivalent, while offering high impact resistance. FX9’s buttons, dials and other parts are sealed to prevent dust and water spray from entering for even greater operational reliability.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eMulti-Interface (MI) Shoe\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eSony’s flexible Multi-Interface (MI) Shoe provides power, signal connections and coordinated on\/off switching with compatible Sony accessories. For example, you can connect and control Sony UWP-D wireless microphone systems (optional).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*BP-U30 and XDCA-FS7 are not compatible with the FX9. \u003cbr\u003e**Dust and water resistance does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eQuick menu control with touch operation*\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX9’s LCD Viewfinder has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCodec, Imager Scan mode, Picture Size and frequency\u003c\/li\u003e\n\u003cli\u003eBase ISO\/Sensitivity\u003c\/li\u003e\n\u003cli\u003eShooting Mode\u003c\/li\u003e\n\u003cli\u003eAudio Levels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIntroduced with V2 firmware, the FX9’s quick access control menu uses a similar UI to Sony’s acclaimed VENICE digital cinematography camera.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Requires Ver.2.0 or higher firmware.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e4-channel audio input and recording\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eNetworked for high mobility\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX9 features internal 5GHz* and 2.4GHz Wi-Fi capability as standard. Just switch on and log onto your preferred network to enable a host of advanced wireless production features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContent Browser Mobile allows the PXW-FX9 to be controlled remotely from a smartphone or tablet computer via a Wi-Fi connection. Adjust the exposure level, zoom, Record\/Stop and more via your mobile device – it’s ideal for single operator shoots. One-touch authentication is also possible with smartphones offering NFC connectivity\u003c\/li\u003e\n\u003cli\u003eFTP Transfer allows content files to be sent over the internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection restored\u003c\/li\u003e\n\u003cli\u003eTrimming allows you to set start and end points in a clip, eliminating time-wasting transfers of unneeded content\u003c\/li\u003e\n\u003cli\u003eC3 Portal can upload high-res and proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. Production teams can even start logging clips while shooting is still going on, saving even more valuable time when a story’s breaking\u003c\/li\u003e\n\u003cli\u003eWired LAN port with optional XDCA-FX9 allows connection of the FX9 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP\u003c\/li\u003e\n\u003cli\u003eDual Link Cellular is enabled with optional XDCA-FX9 and uses two cellular networks in combination to provide an even more reliable network connection. FX9 is compatible with standard USB cellular dongles from most networks. (Please check for most appropriate service provider for your region. Standard network fees will apply.)\u003c\/li\u003e\n\u003cli\u003eHigh quality Sony QoS Streaming to Network RX Station (optional) and C3 Portal by Sony allows images to be streamed live for viewing at a remote location\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e* 5GHz support dependent on country\/regional regulation. Only PXW-FX9V\/9VK support 5GHz. \u003cbr\u003e** Content Browser Mobile™ application can be downloaded from Google Play Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and tablet computers. \u003cbr\u003e*** Requires Ver.3.0 or higher firmware. C3 Portal is available in specific countries.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e4K Multi-Camera Remote Operation\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003ePXW-FX9 supports S700 Protocol over Ethernet* for simple, easy-to-operate multi-camera operation for local events and TV studio production. The optional XDCA-FX9 Extension Unit with RJ45 jack can take S700 Protocol control via Ethernet from a single RCP** unit or you can control multiple FX9s with a PoE Switch using one RCP per FX9. A\/V output over SDI can be routed via a standard SDI switcher and a monitor such as the PVM-X2400 can display up to four HD inputs simultaneously.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*V3 or higher firmware required. \u003cbr\u003e**Availability depends on region.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 class=\"uLit\"\u003eBuy Sony FX9 Cinema Camera with Sony Australia Warranty from digiDirect\u003c\/h3\u003e\n\u003cp\u003eAll our \u003ca href=\"https:\/\/www.digidirect.com.au\/cameras\/sony\"\u003eSony\u003c\/a\u003e products come with Sony Australia Warranty. \u003cbr\u003eBuy with confidence from a reputable seller. digiDirect does not sell grey-import or grey-market stock. \u003cbr\u003eFor more on our warranty policy please see \u003ca href=\"https:\/\/www.digidirect.com.au\/faq\/warranty\/\"\u003e digiDirect FAQ Warranty\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - PXWFX9V\u003c\/li\u003e\n\u003cli\u003eGTIN - 4548736112001\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46839055614137,"sku":"145315","price":19800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/0005_sony_fx9_cinema_camera.jpg?v=1775376854","url":"https:\/\/www.digidirect.com.au\/products\/sony-fx9-cinema-camera","provider":"digiDirect","version":"1.0","type":"link"}