{"product_id":"panasonic-lumix-s5-ii-w-sigma-35mm-f-2-contemporary-lens-black","title":"Panasonic LUMIX S5 II w\/ Sigma 35mm f\/2 Contemporary Lens (Black)","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003ePanasonic LUMIX S5 II Mirrorless Camera\u003c\/strong\u003e offer a significant step forward for ambitious creators who demand uncompromising performance free of capture and workflow constraints.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003ePanasonic has developed a new 24-megapixel 35mm full-frame CMOS sensor that features on-sensor PDAF (Phase Detection Auto-Focus). The new PDAF has 779 focus points, and provides total AF confidence and a strong ‘lock’ on the subject with the accuracy known from Depth From Defocus plus the smart subject detection of AI for high performance auto focus, in both photo and video modes.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eUnder the L\u003csup\u003e2\u003c\/sup\u003e Technology alliance formed by LEICA and LUMIX, both brands co-invested to develop a new imaging engine that has approximately 2x higher-speed signal processing for high bit-rate video recording and improved high burst rate photography. This makes possible Phase Hybrid AF and Active IS for reinforced command over subject tracking and stabilisation.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eOther features that expand the videographer’s horizon include unlimited 4:2:2 10-bit C4K\/4K recording achieved via a fan and high-efficiency heat sink; full-sensor video shooting; and REAL TIME LUT for on-the-spot colour grading without postproduction.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eWith an increased buffer memory size, the \u003cstrong class=\"h1Lit\"\u003eSigma 35mm f\/2 Contemporary Lens (Black)\u003c\/strong\u003e is capable of impressive high speed burst shooting at up to 30 fps (AFS\/AFC) with an electronic shutter in JPEG\/RAW.\u003c\/p\u003e\n\u003cp\u003eAn inherently flexible focal length, the Sigma 35mm f\/2 DG Contemporary Lens - L-mount Black is a sleek wide-angle prime pairing a bright design with a portable form factor. The standard wide field of view is useful for a broad array of subject types, including landscape, street, documentary, and reportage shooting. Matching the versatility of the focal length, the fast f\/2 maximum aperture gives added flexibility for controlling depth of field or for working in low-light conditions. Despite the speed, this lens still manages to remain portable and lightweight for everyday shooting.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Panasonic LUMIX S5 II w\/ Sigma 35mm f\/2 Contemporary Lens (Black)\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e24-megapixel 35mm full-frame CMOS sensor\u003c\/li\u003e\n\u003cli\u003ePhase Hybrid AF sporting on-sensor PDAF (Phase Detection Auto-Focus) with 779 focus points\u003c\/li\u003e\n\u003cli\u003eNew Active I.S \u0026amp; Dual I.S.2 with a high-precision 5-axis gyro sensor\u003c\/li\u003e\n\u003cli\u003e4:2:0 10-bit 6K (3:2) full-sensor video shooting\u003c\/li\u003e\n\u003cli\u003eUnlimited 4:2:2 10-bit C4K\/4K recording\u003c\/li\u003e\n\u003cli\u003eActive heat management system with fan and high-efficiency heat sink\u003c\/li\u003e\n\u003cli\u003e14+ stop V-Log\/V-Gamut capture\u003c\/li\u003e\n\u003cli\u003eREAL TIME LUT for on-the-spot colour grading without postproduction\u003c\/li\u003e\n\u003cli\u003eHigh speed burst shooting at up to 30 fps (AFS\/AFC) with an electronic shutter in JPEG\/RAW.\u003c\/li\u003e\n\u003cli\u003eWaveform Monitor, Vector Scope, Zebra Pattern, System Frequency (24.00Hz), Synchro Scan, Fan mode and a control panel for quick menu selection\u003c\/li\u003e\n\u003cli\u003e4-channel audio recording support via optional XLR Microphone Adaptor DMW-XLR1 and the 3.5mm input jack\/built-in microphone\u003c\/li\u003e\n\u003cli\u003eLarger EVF \u0026amp; 3.0-inch free-angle LCD rear monitor with touch control\u003c\/li\u003e\n\u003cli\u003eLive View Composite Mode \u0026amp; 96-megapixel High Resolution Mode\u003c\/li\u003e\n\u003cli\u003eDual SD Card slots (UHS-II x 2)\u003c\/li\u003e\n\u003cli\u003eSignature LUMIX design with red and white accents\u003c\/li\u003e\n\u003cli\u003eContemporary Line lens features a compact design that measures approximately 2.8 x 2.6\" and a weight of about 11.5 oz, making it portable enough for everyday shooting needs without compromising on optics or speed.\u003c\/li\u003e\n\u003cli\u003eInternal focusing design pairs with a stepping AF motor for responsive and fast focusing performance that's suitable for both stills and video applications.\u003c\/li\u003e\n\u003cli\u003eOptical design includes two aspherical elements, to optimize sharpness and limit aberrations, and a Super Multi-Layer Coating that controls flare and reflections.\u003c\/li\u003e\n\u003cli\u003eRounded 9-blade diaphragm contributes to a smooth and pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e\n\u003cli\u003eDust and splash-resistant construction with a brass bayonet mount for ensured accuracy and durability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003ePhase Hybrid AF with on-sensor PDAF (Phase Detection Auto-focus)\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eLUMIX has taken the accuracy of Depth From Defocus and the smart subject detection of AI and added Phase Detection to offer high performance auto focus, in both photo and video modes. The new PDAF has 779 focus points, and with the new generation processor, provides total AF confidence and a strong ‘lock’ on the subject.\u003c\/p\u003e\n\u003cp\u003eWith the adoption of PDAF, the AF system has evolved into Phase Hybrid AF. Advanced subject detection and metering technologies lock on, track and capture the target subject in focus in a range of shooting situations – from fast moving sports or multiple subjects; to vlog style content such as talking to camera in a studio or holding up an object to the camera; and backlit or low illumination environments. Major improvements to the AF performance for overall reliability when shooting at 24fps will make the S5II a go-to for YouTube content creators.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eNew Active I.S \u0026amp; Dual I.S.2 with a high-precision 5-axis gyro sensor\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eAnother game-changer delivered with the LUMIX S5II is the new Active I.S. This builds on Panasonic’s history of innovation and reputation in the image stabilisation field by determining the status of camera shake and optimising horizontal, vertical, and rotational correction ratios.\u003c\/p\u003e\n\u003cp\u003eThe system can compensate for significant camera shake in video recording, approximately 200% more when compared to the LUMIX S5. It is highly beneficial in challenging situations, such as handheld filming while walking without using a gimbal, long-shutter handheld shots such as night-time or moving water, and telephoto fixed-frame shots. The S5II also offer Dual I.S.2 with a high-precision 5-axis gyro sensor for stills shooting.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eA variety of video functions and recording options\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe LUMIX S5II is built for the videographer who desires freedom from restriction Introducing 4:2:0 10-bit 6K (3:2) to the S Series, which makes it easy to crop for multiple aspect ratios (16:9, 9:16, 1:1) from the same source footage while maintaining resolution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eActive heat management system\u003c\/strong\u003e\u003cbr\u003eThe S5II's new and extremely compact active heat management system delivers unlimited recording in all environments while not adding extra bulk to hamper the photographer, providing free rein in the field.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eV-Log\/V-Gamut \u0026amp; REAL TIME LUT\u003c\/strong\u003e\u003cbr\u003eThe 14+ stop V-Log\/V-Gamut capture offers a high dynamic range, consistent colour management and streamlined post-production. In addition, with in-camera colour grading via REAL TIME LUT, creative scope is increased while workflow is reduced – excellent for repeatable setups such as content creators who work in the same studio or are looking to repeat the same style in camera instead of applying the same LUT in post.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4:2:0 10-bit 6K* + unlimited 4:2:2 10-bit C4K\/4K recording capability\u003c\/strong\u003e\u003cbr\u003eThe S5II camera provide 4:2:0 10-bit 6K (17:9) \/ 5.9K (16:9), unlimited 4:2:2 10-bit C4K\/4K recording capability. HFR (High Frame Rate) in C4K\/4K (48p), FHD (120p), Slow \u0026amp; Quick motion in C4K\/4K(1-60fps) \/ FHD(1-180fps), and 4K HDR video recording are also available. 4K 60p Time Lapse video can also be produced in-camera where the exposure is automatically adjusted to prevent large changes in brightness between adjacent frames, allowing smooth daytime to nighttime time lapses to be created.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptimised video tools \u0026amp; 4-channel audio recording support\u003c\/strong\u003e\u003cbr\u003ePractical tools included are Waveform Monitor, Vector Scope, Zebra Pattern, System Frequency (24.00Hz), Synchro Scan, Fan mode and a control panel for quick menu selection. By using the optional XLR Microphone Adaptor DMW-XLR1 and the 3.5mm input jack\/built-in microphone, you can capture four channels of audio.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*When the camera is used at recommended operating temperature 0-40 degrees C. 6K and 5.9K at 30p\/25p video recording stops once when continuous recording time exceeds 30 minutes if [Thermal Management] is set to [STANDARD]\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eEnhanced workflow\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe small size of the new S Series cameras and the lenses available means a low-impact kit, and no compromise on performance with a wealth of capabilities designed for a superior shooting experience. AWB Lock keeps the white balance set in auto, while Sheer Overlay can now be used in Creative Video mode footage sequences. Live Crop allows digital zooming and panning on the 6K sensor in a 4K video recording, making it easy for a creator to add smooth motion without having to move the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarger EVF \u0026amp; 3.0-inch free-angle LCD rear monitor with touch control\u003c\/strong\u003e\u003cbr\u003eIn a step up from the S5, the new, larger 3,680K-dot OLED LVF (Live View Finder) has a magnification ratio of approx. 1.52x \/ 0.76x (35mm camera equivalent). A versatile, bright free-angle 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot) with touch control allows for quick changes to settings, even when both the HDMI cable and USB cable are connected, or the user is in front of the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive View Composite Mode\u003c\/strong\u003e\u003cbr\u003eThe Live View Composite Mode takes away the guess work, allowing the photographer to set the desired exposure, take the shot, then view the image on the screen as it is being exposed in real time. Once they are happy with how the shot looks, they simply hit the shutter button again to stop the exposure. This mode is also great for light painting, shooting light trails and other long exposure scenarios.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e96-megapixel High Resolution Mode\u003c\/strong\u003e\u003cbr\u003eThe drive dial now includes a setting for 96-megapixel High Resolution Mode. In this mode the camera captures 8 images in quick succession, with small movements of the sensor between shots to capture extra resolution. There is no requirement to stitch images using software as the camera combines the shots into one image. This mode also features motion compensation, further expanding the use of High Resolution Mode in general photography.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eImpressive quality, performance and connectivity\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe LUMIX S5II has been designed to offer dependable video recording in real-world conditions and features a new heat dispersion mechanism combining a small fan and high-efficiency heat sink. As a result, the S5II achieve continuous video recording in C4K 60p, while the camera body remains conveniently compact. To withstand heavy field use, the camera have a magnesium alloy full die-cast body and is splash\/dust-resistant.\u003c\/p\u003e\n\u003cp\u003eThe LUMIX S5II support USB 3.2 Gen 2 for high-speed writing and readout. The dual SD Card slots (UHS-II x 2) offer a choice of Relay Recording, Backup Recording or Allocation Recording modes, with the card access indicator now located inside the card slot cover. Videographers will be thrilled that the cameras have a full HDMI Type A terminal, offering a more robust connection without the need for adaptors. For external microphone connection, a Φ3.5mm input jack is provided as well as a headphone jack.\u003c\/p\u003e\n\u003cp\u003eContent sharing with smartphones is streamlined using Bluetooth 5.0 Low Energy connection, Wi-Fi 5-GHz (IEEE802.11ac) and 2.4-GHz (IEEE 802.11b\/g\/n). With an always-on Bluetooth connection, a smartphone can act as the camera’s remote control via the LUMIX Sync app. The settings of the LUMIX S5II can also be copied and transmitted wirelessly to other S5II cameras when using multiple cameras.\u003c\/p\u003e\n\u003cp\u003eThe S5II is compatible with LUMIX Tether applications which enable tethered shooting via USB. Letting you control and view multiple cameras by connecting them to a PC. For live streaming, LUMIX Tether for Streaming (Beta) with LIVE VIEW mode is available. LUMIX Sync for iOS\/Android devices enables image transfer to a smartphone or tablet via easy wireless connection.\u003c\/p\u003e\n\u003cp\u003eThe 2200mAh high-capacity battery (DMW-BLK22) can be recharged either via AC or USB which is convenient if you are travelling and want to use a USB power bank. It also complies with USB PD (Power Delivery) when used with the optional LUMIX Battery Charger (DMW-BTC15). The optional Battery Grip (DMW-BGS5) is also compatible with the S5II.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eFuture firmware update\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eTo enhance the performance of the LUMIX S5II the functions below will be available via a future firmware update (Panasonic Australia Press Release Jan 2023).\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRAW data output using Software Upgrade Key DMW-SFU2 (S5II)\u003c\/li\u003e\n\u003cli\u003eLive View Composite (S5II) and more\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSigma I Series Lens\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Sigma I Series is a group of full-frame-compatible lenses emphasizing the ideal mixture of performance and compactness for mirrorless shooters. Combining high optical performance with a stylish and sleek design, these lenses are well-matched to contemporary mirrorless cameras and shooters who prioritize lenses with a high degree of usability, portability, and capability.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eI series lenses have an all-metal construction, including precision-cut aluminum parts on the barrel that offers an elegant finish that's equally durable. Metal materials are also used throughout the internal construction for added robustness and reliability that is inspired by Sigma's Cine lens lineup.\u003c\/li\u003e\n\u003cli\u003eKnurled aperture and focus rings, along with an included knurled metal lens hood, further contribute to a pleasing tactile experience.\u003c\/li\u003e\n\u003cli\u003eIn addition to knurled details, the lens features an intuitive AF\/MF switch and the aperture ring includes an 'A' position for quick switching to an aperture-priority exposure mode.\u003c\/li\u003e\n\u003cli\u003eI series lenses include both a conventional plastic lens cap along with a magnetic metal lens cap for more streamlined and minimal attachment method.\u003c\/li\u003e\n\u003cli\u003eMagnetic lens cap is compatible with optional CH-11 Magnetic Cap Holder.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - LXS5IIS35F2B\u003c\/li\u003e\n\u003cli\u003eGTIN - TBA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":46838581985465,"sku":"174673","price":3799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/panasonic_lumix_s5_ii_w_sigma_35mm_f2_contemporary_lens_black_00.jpg?v=1775366808","url":"https:\/\/www.digidirect.com.au\/products\/panasonic-lumix-s5-ii-w-sigma-35mm-f-2-contemporary-lens-black","provider":"digiDirect","version":"1.0","type":"link"}