The Panasonic LUMIX S5 with 20-60mm Lens Kit delivers stunning image quality and greater creative scope. Packing the 24.2-megapixel 35mm full-frame CMOS sensor first introduced in the LUMIX S1 into a small, mobile and robust body. Allowing you to harness the incredible image quality of a powerful full-frame sensor, providing impressive low-light performance and incredibly high dynamic range. This kit is paired with the Panasonic LUMIX S 20-60mm F3.5-5.6 Lens which is one of Panasonic's lightest L-mount lenses to date with versatile normal zoom range from moderate wide-angle to portrait.
This hybrid full-frame mirrorless camera delivers exceptional video quality and impressive capabilities, including 4K 60p 10-bit internal recording and external output via HDMI, and a full Varicam V-log profile pre-installed in the Lumix S5. 4:3 Anamorphic Super 35 mode and up to 180 frames per second (fps) Slow Motion shooting is also possible. All backed by Panasonic's 5-axis Dual I.S. 2 image stabilisation system with up to 6.5-stops of camera shake correction for handheld shooting. The camera also incorporates an improved Deep Learning autofocus algorithm that detects specific subjects – humans and fast-moving animals – with great accuracy.
Creative aids for expressive photography include “Live View Composite”, newly-introduced to S Series with the S5, which combines multiple exposures into a single image that emphasises bright points while suppressing overexposure of the total image and maintaining the shadows, thus reducing the learning curve for light painting and long exposure photography. The S5 also features sensor-shift 96-megapixel (MP) high resolution mode, which can capture detailed landscapes with increased dynamic range and colour reproduction, with files created in-camera without the need for external software.
The Panasonic S5 camera's full magnesium alloy weather-sealed body is splash and dust resistant, allowing for working in a range of environmental conditions. Dual SD card slots offer further flexibility with relay recording and backup support. A large, high-resolution OLED viewfinder delivers quick response with minimum distortion for easy and accurate framing of the scene.
Key Features of the Panasonic LUMIX S5 with 20-60mm Lens Kit
- 24.2-megapixel full-frame CMOS sensor (35.6 mm x 23.8mm) with Dual Native ISO technology
- 5-axis Dual I.S 2 Image Stablisation
- Magnesium alloy weather-sealed body
- Sensor-shift 96-megapixel (MP) high resolution mode
- Full Varicam V-log profile pre-installed
- 4K 60p 10-bit internal recording and external output via HDMI
- 14+ Stops Dynamic Range in V-Log
- RAW video output via HDMI up to 5.9K will be available via a future firmware update.
- Ultra high-speed, high-precision AF of approximately 0.08* sec
- Improved Deep Learning autofocus algorithm with greater accuracy in detecting specific subjects – including humans, people’s faces, and fast-moving animals.
- Bluetooth 4.2 Low Energy connection, Wi-Fi 5-GHz (IEEE802.11ac) and 2.4GHz Wi-Fi® (IEEE 802.11b/g/n)
- Dual SD Card slots (UHS-II & UHS-I)
24 Megapixels Dual Native ISO Sensor with Stunning image quality
The Panasonic S5 has a 24.2-megapixel full-frame CMOS sensor (35.6 mm x 23.8mm) with Dual Native ISO technology resulting in minimised noise and outstanding image quality from low to high sensitivity. Dual Native ISO provides a greater variety of artistic choices, with the ability to use less light if desired. The S5’s Dual Native ISOs are 640 and 4000 in V-Log. This feature teams up with the Venus Engine processor to deliver a maximum ISO of up to 51200.
Live View Composite
With the new Live View Composite function, Panasonic's S5 releases the shutter at designated exposure intervals
and produces a single picture combining all the areas of high luminosity such as lights, stars or fireworks - while allowing the
photographer to monitor the composite in Live View.
5-axis Dual I.S 2 Image Stablisation
Panasonic’s 5-Axis Dual I.S. 2 offers excellent stability in a range of situations. A high-precision gyrosensor joins the Dual I.S. system of 5-axis in-body stabilisation and 2-axis optical stabilisation in selected lenses for highly accurate shake detection and compensation. This makes it possible to use up to 6.5 stops slower shutter speed in both photo and video.
96 Megapixel High Resolution Sensor-Shift Mode
The 96MP High Resolution mode creates highly detailed images that can be turned into enormous prints or used in commercial imagery. Using sensor shift technology, it captures and combines eight consecutive images in-camera for outstanding results – from reproducing the delicate colours of natural landscapes to intricate fine arts, and can also be used when moving subjects are in the scene, by switching to the sub mode. It produces a 96-megapixel equivalent (12,000 x 8,000-pixel) RAW and/or JPEG image.
Ready for Exceptional Video Production
Panasonic has never been know to hold back on the video recording capabilities of their mirrorless cameras, and the S5 is no exception. The Panasonic Lumix S5 is capable of unlimited 4K 60p/50p 4:2:2 10-bit HDMI output and also delivers unlimited 4K 30p/25p 4:2:0 8-bit internal recording. In addition, 4K 60p/50p 4:2:0 10-bit and 4K 30p/25p 4:2:2 10-bit can be recorded internally for up to 30 minutes.
The Lumix S5 is also compatible with Panasonic’s DMWXLR1 microphone adaptor, allowing professional audio equipment to be used in video creation. Additionally, RAW video output via HDMI up to 5.9K will be available via a future firmware update.
14+ Stops Dynamic Range in V-Log
The camera features V-Log/V-Gamut with a wide dynamic range of 14+ stops, in line with the dynamic range of
the Panasonic VariCam, to precisely capture everything from dark to bright areas. Subtle gradations such as
skin tones are faithfully reproduced. Designed with consistent color management in mind, the recorded footage
is easily matched with V-Log footage recorded by the LUMIX S1/S1H, or V-Log L footage recorded by the LUMIX
GH5/GH5S, for an easier post production workflow. Practical tools like a Waveform Monitor and V-Log View
Assist are included.
Up to 180 fps Slow Motion Recording
Slow & Quick mode enables impressive slow and quick motion video with autofocus, and can be accessed directly using the mode dial. In 4K the S5 achieves up to 30x quick or 2.5x slow motion at 1-60fps, and in FHD it achieves 60x quick or 7.5x slow motion at 1-180fps.
Note: The AF mode switches to MF when the frame rate is set to of 150 fps or more. The angle of view is reduced when the frame rate is set to 180 fps. Recording stops when the continuous recording time exceeds 30 minutes.
Live Straming (Beta)
For live streaming, LUMIX Tether for Streaming (Beta) with LIVE VIEW mode is available. LUMIX Sync for iOS/Android devices enables image transfer to a smartphone or tablet via easy wireless connection.
High-speed, High-precision Autofocus & Reliable Performance
Panasonic has achieved high-speed AF with its advanced control technology incorporating the major devices – lens, sensor and imaging engine. The lens and sensor communicate at a maximum 480 fps. Contrast AF with DFD technology allows the S5 to achieve an ultra high-speed, high-precision AF of approximately 0.08* sec. It also excels in low-light shooting, with -6EV** luminance detection performance in Low Light AF, thanks to the higher sensitivity and optimised tuning of the sensor.
Real-time AF Detection Technology
The S5 also incorporates an improved Deep Learning autofocus algorithm that offers greater accuracy in
detecting specific subjects – including humans, people’s faces, and fast-moving animals. In addition to the eye,
face and body, the head is also separately recognised by real-time detection technology to provide even more
precise focusing. The camera keeps tracking subjects when they move quickly, turn away, tilt their head or
move far away from the camera. Also, improvements to DFD technology have enhanced AFC, which allows the
camera to keep tracking small or fast-moving subjects and capture them in crisp focus.
Splash/dust-resistant Magnesium Alloy Construction
To withstand heavy field use, the S5 has a magnesium alloy full die-cast body and is splash/dust-resistant***. With an optimum layout of heat dispersion components, heat is effectively transferred externally, which results in stable, continuous video recording for an extended time.
2,360K-dot high resolution OLED LVF
The large OLED LVF (Live View Finder) has a magnification ratio of approx. 0.74x, 2,360K-dot high resolution and a minimum time lag of less than 0.005 sec. A versatile free-angle 3.0-inch LCD rear monitor (3:2 aspect, approx.1840K-dot) with touch control allows for quick changes to settings, even when the user is in front of the camera.
Dual SD Card Slots
The S5 has dual SD Card slots - one slot complies with the high-speed, high-capacity UHS-II (Video Class 90) and the other with UHS-I. Users can select Relay Recording, Backup Recording or Allocation Recording modes.
Connectivity
Content sharing with smartphones is streamlined using Bluetooth 4.2 Low Energy connection, Wi-Fi 5-GHz (IEEE802.11ac) and 2.4GHz Wi-Fi® (IEEE 802.11b/g/n). With an always-on Bluetooth connection, a smartphone can act as the camera’s remote control via the LUMIX Sync app. The settings of an S5 camera can also be copied and transmitted to other S5 cameras when shooting using multiple cameras.
LUMIX Tether
The S5 is compatible with the LUMIX Tether applications which enables tethered shooting via USB. Users can control the camera by connecting it to a PC. Images can be viewed on a large PC screen while shooting, which is useful in situations where continuous confirmation is required.
Panasonic LUMIX S 20-60mm F3.5-5.6 Lens
Tthe Panasonic LUMIX S 20-60mm F3.5-5.6 Lens, a super-compact and lightweight normal-zoom lens option for any full-frame L-mount mirrorless camera. With a range spanning from ultra-wide 20mm to 60mm standard/portrait, it offers fantastic versatility for everyday or travel photography - capturing subjects from landscape to lifestyle & portrait images. At just 350 grams, the lens is lightweight, compact and easy to carry.
With stunning close-up capabilities permitting working with subjects as close as 15cm with a 0.43x magnification for near-macro performance the lens’ wide viewing angle makes it easy to shoot in confined spaces indoors - particularly well suited for product or food photography.
In terms of optics, the lens incorporates a series of aspherical, high refractive index, and low dispersion elements to control a variety of aberrations and realize a high degree of clarity and sharpness. Comprising 11 elements in 9 groups, the use of 2 aspherical lenses and 3 ED (Extra-low Dispersion) lenses effectively suppresses both axial chromatic aberration and chromatic aberration of magnification. Astigmatism is also corrected with these aspherical lenses, achieving high resolving performance. Furthermore, a UHR (Ultra-High Refractive Index) lens achieves uniform image quality from the centre to edges of the image while contributing to downsizing of the lens unit. The filter diameter is 67 mm, with a 9-blade circular aperture diaphragm.
The Panasonic LUMIX S 20-60mm F3.5-5.6 Lens further adds to its credentials with a rugged dust/splash-resistant design to withstand use under harsh conditions down to a temperature of -10 degrees Celsius. In addition, a fluorine coating on the front lens element repels water and oil for easy cleaning.
Key Features of the Panasonic LUMIX S 20-60mm F3.5-5.6 Lens
- Wide-to-short telephoto zoom designed for full-frame L-mount mirrorless cameras
- Two aspherical elements and one ultra-high refractive index (UHR) element, minimize distortions and spherical aberrations maintaining edge-to-edge sharpness and illumination throughout the zoom range.
- Three extra-low dispersion elements reduce chromatic aberrations and colour fringing.
- Stepping AF motor delivers quick and quiet focusing performance that benefits both photo and video applications.
- Maximum magnification of 0.43x and a minimum focusing distance of only 15 cm benefits working with close-up subjects.
- AF/MF switch permits quick changing between focusing modes.
- Splash, dust, and freezeproof design benefits working in inclement weather conditions down to -10°C.
- A fluorine coating has been applied to the front element to prevent dirt and oils from sticking to lens.
- Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.
Designed for the Modern Content Creator
Well suited to the modern content creator, the lens is equally accomplished in photo and video scenarios. Its high-speed, high-precision AF performance works well for freezing fast action and tracking moving subjects.
A smooth zoom control ring is combined with a smooth electronically controlled aperture for excellent video results, even in difficult lighting conditions. In addition, the silent design of the lens is perfect for sensitive scenarios such as speeches and ceremonies while also ensuring audio capture is not compromised.
- High-speed & High-precision Autofocus
- Electronically Controlled Aperture
- Silent Design
Excellent Close-up Performance | 0.43x Magnification - with 15cm focusing distance
The highly-versatile Panasonic LUMIX S 20-60mm F3.5-5.6 Lens offers a maximum magnification of 0.43x from an impressive close focusing distance of just 15cm you can capture everything from vast landscapes to intricate details. This lens' abilities to portray subtle detail and textures make it well suited to maximise the resolution of your S Series full-frame Panasonic camera.
Optical Construction
The optical construction of the Panasonic LUMIX S 20-60mm F3.5-5.6 Lens consists of 11 Elements organised into 9 Groups. The optical formula includes:
- 2 Aspherical Elements
- 3 Extra-low Dispersion Elements
- 1 Ultra-High Refractive Index Element
The Panasonic LUMIX S 20-60mm F3.5-5.6 Lens array of lens elements work combined to effectively minimise spherical distortions and suppress chromatic aberration for sharp, high-contrast stills and video with great corner-to-corner consistency.
Thanks to the specialised optical construction this lens offers both a compact size and low weight, but also outstanding resolution across the entire frame.
Ready for demanding conditions | Dust, Splash and Freeze-resistant down to -10°C
Complementing the rugged build and philosophy of the Panasonic S Series camera range, this lens is dust, splash and Freeze-resistant down to -10°C giving you the confidence to hang-out-waiting for that 'perfect moment' just a little longer.
To make everyday photography with your full-frame S series camera easier the Panasonic LUMIX S 20-60mm F3.5-5.6 Lens also incorporates a fluorine coating on the front element to repel dirt and smudges - both ensuring maximum optical clarity and assisting your lens cleaning routine.
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- MPN - DC-S5KGN-K
- GTIN - 8887549840081
*11EV, at wide-end with S-R24105 (CIPA) in LVF120 fps setting.
**At ISO100, F1.4, AFS
***Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct
contact with dust and water.
Panasonic LUMIX S5 Specs
TYPE
Type | Digital Single Lens Mirrorless camera |
---|---|
Recording media | SD Memory Card / SDHC Memory Card / SDXC Memory Card Slot 1: Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards. Slot 2: Compatible with UHS-I UHS Speed Class 3 standard SDHC/SDXC Memory Cards.SD Memory Card / SDHC Memory Card / SDXC Memory Card |
Lens mount | L-Mount |
IMAGE SENSOR
Type | 35mm full-frame (35.6mm x 23.8mm) CMOS sensor |
---|---|
Camera effective pixels / Total pixels | 24.20 megapixels / 25.28 megapixels |
Aspect ratio / Color filter | 3:2 / Primary color filter |
Dust reduction system | Image sensor shift type |
LATITUDE
14+ stops (V-Log) |
STILL IMAGE
Recording file format | Still image: JPEG (DCF, Exif 2.31), RAW, HLG Photo (CTA-2072) 6K PHOTO** / 4K PHOTO**: 6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch)) 4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch)) Extracted still images: JPEG (DCF, Exif 2.31)6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch)) |
---|---|
Aspect ratio | 4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1 |
File size / Pixels (When using full-frame lenses) | 3:2 "6000x4000(L) / 4272x2848(M) / 3024x2016(S) / 12000x8000(XL)* / 8496x5664(LL)* *High Resolution Mode. 5184x3456(6K PHOTO) / 3504x2336(4K PHOTO) / 5984x4000(HLG PHOTO, Full-Res.) / 3232x2160(HLG PHOTO, 4K-Res.)" 4:3 "5328x4000(L) / 3792x2848(M) / 2688x2016(S) / 10656x8000(XL)* / 7552x5664(LL)* *High Resolution Mode. 4992x3744(6K PHOTO) / 3328x2496(4K PHOTO) / 5312x3984(HLG PHOTO, Full-Res.) / 2880x2160(HLG PHOTO, 4K-Res.)" 16:9 "6000x3368(L) / 4272x2400(M) / 3024x1704(S) / 12000x6736(XL)* / 8496x4784(LL)* *High Resolution Mode. 3840x2160(4K PHOTO) / 5888x3312(HLG PHOTO, Full-Res.) / 3840x2160(HLG PHOTO, 4K-Res.)" 1:1 "4000x4000(L) / 2848x2848(M) / 2016x2016(S) / 8000x8000(XL)* / 5664x5664(LL)* *High Resolution Mode. 2880x2880(4K PHOTO) / 4000x4000(HLG PHOTO, Full-Res.) / 2144x2144(HLG PHOTO, 4K-Res.)" 65:24 6000x2208(L) 2:1 6000x3000(L) |
File size / Pixels (When using APS-C/Super 35mm lenses) | 3:2 3984x2656(L) / 2880x1920(M) / 2064x1376(S) / 3504x2336(4K PHOTO)
4:3 3536x2656(L) / 2560x1920(M) / 1840x1376(S) / 3328x2496(4K PHOTO) 16:9 3984x2240(L) / 2880x1624(M) / 1920x1080(S) / 3840x2160(4K PHOTO) 1:1 2656x2656(L) / 1920x1920(M) / 1376x1376(S) / 2880x2880(4K PHOTO) |
Image quality | RAW / RAW+Fine / RAW+Standard / Fine / Standard |
Color space | sRGB, AdobeRGB |
MOTION PICTURE
Recording file format | "MOV: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit))
MP4: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: AAC (2ch))" |
---|---|
Switch NTSC / PAL | Yes (NTSC (59.94Hz) / PAL(50.00Hz)) |
MOV** | NTSC (59.94Hz) Full-frame [4K] 3840x2160: 29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. [FHD] 1920x1080: "59.94p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 29.97p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 23.98p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. APS-C / Pixel by Pixel [4K] 3840x2160: 59.94p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM) *HLG is selectable. 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. [Anamorphic 4K] 3328x2496 (4:3): 29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. [FHD] 1920x1080: 59.94p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 29.97p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 23.98p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. PAL (50.00Hz) Full-frame [4K] 3840x2160: 25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. [FHD] 1920x1080: 50.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 25.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. APS-C / Pixel by Pixel [4K] 3840x2160: 50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM) *HLG is selectable. 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. [Anamorphic 4K] 3328x2496 (4:3): 50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM) *HLG is selectable. 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. [FHD] 1920x1080: 50.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 25.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. |
MP4** | NTSC (59.94Hz) Full-frame [4K] 3840x2160" 29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) [FHD] 1920x1080: 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) APS-C / Pixel by Pixel [4K] 3840x2160: 59.94p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) [FHD] 1920x1080: 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) PAL(50.00Hz) Full-frame [4K] 3840x2160: 25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) [FHD] 1920x1080: 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) APS-C / Pixel by Pixel [4K] 3840x2160: 50.00p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) [FHD] 1920x1080: 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
SLOW & QUICK VIDEO RECORDING (MP4**)
NTSC (59.94Hz) | Full-frame [FHD] 1920x1080: 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 1, 2, 5, 10, 15, 30, 60, 100, 120, 150*, 180* fps *Angle of view narrows if you select a frame rate with a number of frames 180. The AF mode switches to MF when the frame rate is set to of 150 fps or more. APS-C / Pixel by Pixel [4K] 3840x2160: 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 1, 2, 5, 10, 15, 30, 60 fps |
---|---|
PAL (50.00Hz) | Full-frame [FHD] 1920x1080: 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 1, 2, 5, 10, 15, 30, 60, 100, 120, 150*, 180* fps *Angle of view narrows if you select a frame rate with a number of frames 180. The AF mode switches to MF when the frame rate is set to of 150 fps or more. APS-C / Pixel by Pixel [4K] 3840x2160: 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 1, 2, 5, 10, 15, 30, 60 fps |
VIEWFINDER
Type | OLED Live View Finder |
---|---|
Pixels | Approx. 2.36 million dots |
Field of view / Magnification | Approx. 100% / Approx. 0.74x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2 |
Eye point / Diopter adjustment | Approx. 20 mm at infinity; -1.0 m-1 / -4.0 - +4.0 (dpt) |
Eye sensor | Yes |
Display speed | 120fps / 60fps |
Display time lag | Approx. 0.005sec |
REAR MONITOR
Type | TFT LCD monitor with static touch control |
---|---|
Monitor size | Free-angle, 3.0-inch (7.5cm), 3:2 aspect |
Pixels | Approx. 1.84 million dots |
Field of view | Approx. 100% |
FOCUS
Type | Contrast AF system |
---|---|
DFD technology | Yes |
Focus mode | AFS (Single) / AFC (Continuous) / MF |
AF mode | "Auto Detection (Face, Eye, Body, Animal) / Tracking / 225-Area / Zone (Vertical/Horizontal) / Zone (Square) / Zone (Oval) / 1-Area+ / 1-Area / Pinpoint / Custom 1, 2, 3 (Full area touch is available) (Scalable AF frame size and flexible AF position) |
AF detective range | EV -6 - 20 (F1.4, ISO100 equivalent, AFS) |
AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction |
AF assist lamp | Yes |
AF lock | Set the Fn button in custom menu to AF lock |
Post Focus / Focus Stacking | Yes / Yes |
Others | AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Shutter AF, Half Press Release, Focus/Shutter Priority, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF-Point Scope Setting, AF+MF, MF Guide, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter, Focus Switching for Vert/Hor, Focus Ring Lock, Show/Hide AF Mode, 1-Area AF Moving Speed, Loop Movement Focus Frame, AFC Start Point (225-Area), Lens Focus Resume, Focus Ring Control |
EXPOSURE CONTROL
Light metering system | 1,728-zone multi-pattern sensing system |
---|---|
Light metering mode | Multiple / Center Weighted / Spot / Highlight Weighted |
Metering range | EV0-18 (F2.0 lens, ISO100 equivalent) |
Exposure mode | Program AE / Aperture Priority AE / Shutter Priority AE / Manual Exposure |
ISO sensitivity (Standard output sensitivity) | Auto / 50* / 100 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400* / 204800* (Changeable to 1/3 EV step) *Extended ISO |
Dual Native ISO | [Normal]
Native ISO: 100, 640 Auto: Auto / 50* / 100-51200 / 102400* / 204800* *Extended ISO [V-Log] Native ISO: 640, 4000 Auto: Auto / 320* / 640-51200 *Extended ISO [HLG] Native ISO: 400, 2500 Auto: Auto / 400-51200 / 102400* / 204800* *Extended ISO [Cinelike D2 / Cinelike V2] Native ISO: 200, 1250 Auto: Auto / 100* / 200-51200 / 102400* / 204800* *Extended ISO |
Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) |
AE lock | Set the Fn button in custom menu to AE lock |
IMAGE STABILIZATION SYSTEM
Image sensor shift type | 5-axis / 5.0-stop* *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.] |
---|---|
Dual I.S. | 6.5-stop* Dual I.S. 2 compatible *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.] |
WHITE BALANCE
White balance | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 |
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White balance adjustment | Blue/Amber bias, Magenta/Green bias |
Color temperature setting | 2500-10000K in 100K |
SHUTTER
Type | Focal-plane shutter |
---|---|
Shutter speed | Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 Electronic shutter: Bulb (Max. 60 sec), 1/8,000 - 60 Motion picture: 1/16,000 - 1/25 Creative Video M mode / MF mode: 1/16,000 - 1/2 |
Self timer | 10sec, 3 images / 2sec / 10sec |
Remote control | Remote control by DMW-RS2 (sold separately) |
Silent mode / Shutter type | Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR) |
BRACKET
AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst |
---|---|
Aperture bracket | 3, 5 or all positions in 1 EV step |
Focus bracket | 1 to 999 images, focus steps can be set in 10 levels |
White balance bracket | 3 images in blue/amber axis or in magenta/green axis, color temperature setting |
BURST SHOOTING
Mechanical shutter / Electronic front curtain shutter | AFS/MF: H: 7 frames/sec, M: 5 frames/sec (with Live View), L: 2
frames/sec (with Live View)
AFC: H: 5 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View) |
---|---|
Electronic shutter | AFS/MF: H: 7 frames/sec, M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
AFC: H: 5 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View) |
Number of recordable images | RAW / RAW+JPEG: More than 24 images JPEG: More than 999 images (When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)" inserted into card slot 1.) * When recording is performed under the test conditions specified by Panasonic. |
6K PHOTO** / 4K PHOTO**
Burst speed | 6K PHOTO: 30 frames/sec 4K PHOTO: 60 frames/sec, 30 frames/sec |
---|---|
Exif information | Yes (Each JPEG image cropped out of the 6K/4K burst file complies with EXIF.) |
FLASH
Flash type | TTL External Flash (sold separately) |
---|---|
Flash mode | Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. |
Flash synchronization | 1st Curtain Sync, 2nd Curtain Sync. |
Flash output adjustment | 1/3EV step ±3EV |
Synchronization speed | Less than 1/250 second *The guide number decreases at 1/250 second. Only when set to M mode or S mode. |
Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch |
EXTRA TELE CONVERSION
2.0x (EX S) (When using full-frame lenses), 1.9x (EX S) (When using APS-C / Super 35mm lenses), 1.4x (EX M) *Only for still image recording. |
PHOTO STYLE
Photo Style | Standard / Vivid / Natural / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / Cinelike D2 / Cinelike V2 / Like709 / V-Log / Standard (HLG) / Monochrome (HLG) / Like2100 (HLG) / My Photo Style 1-10 |
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Picture adjustment | Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Sharpness / Noise Reduction / ISO / WB
*Adjustable settings vary depending on the Photo Style mode. |
FILTER
"Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* /
Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature
Effect / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine*
*For photos only. " |
MOTION PICTURE FUNCTION
Luminance level | 8-bit: 0-255 / 16-235 / 16-255 10-bit: 0‒1023 / 64‒940 / 64‒1023 |
---|---|
Wave form monitor | Yes |
LUT display | LUT View Assist (Monitor) / LUT View Assist (HDMI) |
Time code | Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When NTSC (59.94Hz) is selected.) |
Knee control | Yes (in Like709 mode) |
FUNCTION BUTTON
REC | Exposure Comp. / Sensitivity / White Balance / Photo Style / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / HLG Photo / High Resolution Mode / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / Exposure Mode / AF Mode / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode / 1 Shot "6K/4K PHOTO" / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Live View Composite / Post-Focus / Motion Pic. Rec File Format / Motion Pic. Rec Quality / Slow & Quick Setting / Time Code Display / Sound Rec Level Disp. / Sound Rec Level Adj. / Sound Rec Level Limiter / Special Mic. Directivity Adjust / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Live Cropping / Q.MENU / Rec / Playback Switch / Video Record / LVF/Monitor Switch / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Style / Photo/Video Preview / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / Waveform Monitor / Anamorphic Desqueeze Display / Focus Ring Control/ Zoom Control / Destination Card Slot / Wi-Fi / No Setting / Restore to Default |
---|---|
PLAY | Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / 6K/4K PHOTO Bulk Saving / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Night Mode / Card Slot Change / Wi-Fi / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / 6K/4K Photo Play / No Setting / Off (Disable Press and Hold) / Restore to Default |
LEVEL GAUGE
Yes |
PictBridge compatible |
INTERFACE
USB | SuperSpeed USB 3.1 Gen1 Type-C |
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HDMI*** | Monitor-through When a mode other than [4K/60p]/[4K/50p] is selected for [Picture Quality]: 4:2:2 10bit, 4:2:2 8bit, 4:2:0 8bit When [4K/60p]/[4K/50p] mode is selected in [Rec Quality]: 4:2:2 10bit*, 4:2:0 8bit *When 4:2:2 10bit mode is selected, it is not possible to record motion picture or still picture on the memory card in the camera unit. Info Display: ON / OFF (selectable) HLG View Assist (HDMI): AUTO / MODE1 / MODE2 / OFF (selectable) Playback microHDMI TypeD / VIERA Link, Audio: Stereo NTSC (59.94Hz): Auto / 4K/60p / 4K/30p / 1080p / 1080i / 720p / 480p PAL (50.00Hz): Auto /4K/50p / 4K/25p / 1080p / 1080i / 720p / 576p |
Remote input | φ2.5mm |
External microphone / external audio device input | φ3.5mm for external microphone / external audio device
MIC (Plug-in Power) / MIC / LINE is selectable. Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately). |
Headphone output | φ3.5mm |
Microphone | Stereo, Wind Noise Canceller: OFF / Low* / Standard / High *When attaching DMW-MS2 (sold separately). |
XLR microphone | Yes with DMW-XLR1 (sold separately) |
Speaker | Monaural |
SD card slot | SD Memory Card, SDHC Memory Card, SDXC Memory Card
Slot 1: Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards. Slot 2: Compatible with UHS-I UHS Speed Class 3 standard SDHC/SDXC Memory Cards. |
WIRELESS
Wi-Fi | 2.4GHz (STA/AP) (IEEE802.11b/g/n)
5GHz (STA) (IEEE 802.11a/n/ac) *5GHz Wi-Fi is not available in some countries. |
---|---|
Bluetooth | Bluetooth® v4.2 (Bluetooth Low Energy (BLE)) |
DUST AND SPLASH RESISTANT*
Yes. *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. |
POWER
Battery | Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) USB power supply, USB power charging |
---|---|
Battery life (CIPA standard) | Approx. 440 images (rear monitor), 470 images (LVF), 1,500 images (Power Save LVF mode*) with S-R2060
*Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec. |
Continuous recordable time (Motion picture)** | MP4 [4K/60p]: Approx. 110 min (APS-C, Pixel by Pixel) (LVF), 110 min (APS-C, Pixel by Pixel) (rear monitor)
*When using S-R2060. When the battery is fully charged. MOV [4K/60p/4:2:0 10-bit/LongGOP]: Approx. 100 min (APS-C, Pixel by Pixel) (LVF), 110 min (APS-C, Pixel by Pixel) (rear monitor) *When using S-R2060. When the battery is fully charged. |
Actual recordable time (Motion picture)** | MP4 [4K/60p]: Approx. 55 min (APS-C, Pixel by Pixel) (LVF), 55 min (APS-C, Pixel by Pixel) (rear monitor)
*When using S-R2060. When the battery is fully charged. MOV [4K/60p/4:2:0 10-bit/LongGOP]: Approx. 50 min (APS-C, Pixel by Pixel) (LVF), 55 min (APS-C, Pixel by Pixel) (rear monitor) *When using S-R2060. When the battery is fully charged. |
Battery grip | DMW-BGS5 (sold separately) |
DIMENSIONS / WEIGHT
Dimensions (W x H x D) | Approx. 132.6 x 97.1 x 81.9 mm / 5.22 x 3.82 x 3.22 inch (excluding protrusions) |
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Weight | Approx. 714g / 1.58 lb (SD Memory Card x 1, Battery, Body)
Approx. 630g / 1.39 lb (Body only) |
OPERATING ENVIRONMENT
Operating temperature | 0°C to 40°C (32°F to 104°F) |
---|---|
Operating humidity | 10%RH to 80%RH |
Notes
*** About motion picture recording / 6K PHOTO/4K PHOTO recording
- 6K PHOTO is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx. 18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages. - Use a card with SD Speed Class with "Class 4" or higher when recording motion pictures in [MP4 (under 28Mbps)]. - Use a card with SD Speed Class with "UHS-I / UHS-II UHS Speed Class 3 (U3)" when recording motion pictures with [MP4] in [4K], [MOV], [S&Q], [6K PHOTO] or [4K PHOTO]. (SD speed class is the speed standard regarding continuous writing.) - Recording stops when the continuous recording time exceeds 30 minutes in [4K/60p] [4K/50p] [4K-A/50p] [4K/4:2:2 10-bit] [4K-A/4:2:2 10-bit] [4K/4:2:0 10-bit] [4K-A/4:2:0 10-bit] [S&Q]. - Recording stops when the continuous recording time exceeds 15 minutes in [6K PHOTO] [4K PHOTO]. - MP4 motion pictures with [MP4] in [4K]: - When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes, but the motion picture file will be divided and recorded/played back separately. - When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately. - MP4 motion pictures with [MP4] in [FHD]: - You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately. - MOV motion picture with [MOV] - When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes, but the motion picture file will be divided and recorded/played back separately. - When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately. - 4:2:2 10-bit recording is a recording mode for film production and the video needs to be processed on PC. The original video cannot be played on standard TV, Blu-ray Disc™ recorder and Blu-ray Disc™ player. It may cause problems such as freezing when played on these devices. - When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down. *** For [4K/60p] [4K/50p] video output, use an HDMI2.0 cable that has the HDMI logo on it, and that is described as "4K compatible". |
Panasonic LUMIX S 20-60mm F3.5-5.6 Lens Specs
Focal Length | 20 to 60mm |
---|---|
Maximum Aperture | f/3.5 to 5.6 |
Minimum Aperture | f/22 |
Lens Mount | Leica L |
Format Compatibility | Full-Frame |
Angle of View | 94° to 40° |
Minimum Focus Distance | 5.91" / 15 cm |
Maximum Magnification | 0.43x |
Optical Design | 11 Elements in 9 Groups |
Diaphragm Blades | 9, Rounded |
Focus Type | Autofocus |
Image Stabilization | No |
Filter Size | 67 mm (Front) |
Dimensions (ø x L) | 3.05 x 3.43" / 77.4 x 87.2 mm |
Weight | 12.35 oz / 350 g |
- Panasonic LUMIX S5 with 20-60mm Lens Kit
- Body Cap
- Hot Shoe Cover
- Cover for the Battery Grip Connector
- Shoulder Strap
- Battery Pack
- Battery Charger
- AC Adaptor
- USB Connection Cable (A-C)
- Lens Cap
- Lens Hood
- Lens Rear Cap