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The Panasonic GH6 Body is the latest flagship model in the renowned LUMIX G Series digital mirrorless camera range to push the limits of what is possible from a Micro Four Thirds system camera.
As a first-choice tool thanks to its performance, mobility and rugged design. The GH6 sports a newly developed 25.2-megapixel Live MOS Sensor. In addition to high resolution imaging and high-speed signal readout, the sensor’s single exposure HDR technology is a significant leap forward in dynamic range performance.
The next-generation Venus Engine powers not only advanced image processing and computational photography, it unlocks a new world of video codec options and framerates to enhance workflow and versatility for professional or aspiring videographers. The GH6 offers V-Log/V-Gamut and provides an amazing 13+ stops of wide dynamic range.
Streamlining workflow for creators, the GH6 now includes Apple ProRes 422 HQ, 5.7K 30p internal video recording. This saves time in the editing stage of production by avoiding the time-consuming step of transcoding media from common compressed codecs into ProRes or proxy formats.
The GH6 delivers outstanding C4K 120p in 10-bit 4:2:0, all without a crop or the image quality compromises that are often encountered in the hybrid camera segment. LUMIX users have always enjoyed reliably long recording times, and the GH6 is no exception with unlimited recording assisted by Panasonic’s latest heat management technology, including in intensive recording modes such as C4K 60p 10-bit 4:2:2.
GH6 achieves 7.5 stops of powerful image stabilisation in both wide and telephoto focal lengths. Dual I.S.2 gives users the freedom to choose between using tripods, gimbals or totally handheld, all while delivering smooth and professional images. The GH6 has adopted a new super high-precision 5-axis gyro sensor with a new algorithm to achieve 7.5 stops of Body I.S. and Dual I.S.2
Panasonic has developed a new 25.2-megapixel Live MOS Sensor without LPF (Low-pass Filter) with a high resolution, high-speed signal readout that reduces rolling shutter and achieves wide dynamic range.
The GH6 provides 13+ stops of wide dynamic range with pre-installed V-Log and HLG recording using the Dynamic Range Boost mode. This mode uses two analog circuits, a high gain and a low gain, with each simultaneously capturing a different exposure, and saturation/noise level. The two images are combined at a pixel level to create a high dynamic range image with both low noise and high saturation, resulting in clear and smooth HDR video with rich gradation.
The new Venus Engine delivers approximately twice the processing power of the previous generation. It has evolved with key technologies – Intelligent Detail Processing, 2D Noise Reduction, High Precision 3D Noise Reduction for video, and High Precision 3D Colour Control. Together they provide less noise, higher detail and realism and enhanced colour reproduction for rich, faithful colour expression.
Utilising the powerful image stabilisation system, 100-megapixel high resolution images can be captured in camera using the High Resolution mode both with a tripod or handheld. Eight consecutive images are automatically shot while shifting the sensor using the Body I.S. The result is a 100-megapixel (11552 x 8672-pixel) stunning image that faithfully reproduces precise details and can be saved in both RAW and JPEG. To provide users with the greatest shooting flexibility, multiple modes are available to shoot a variety of scenes, including those with motion.
Taking advantage of the new sensor and image processing engine, the auto focus performance of the LUMIX GH6 has been improved. With higher speed signal processing by the new image processor and an improved AF algorithm, subject detection performance has been dramatically enhanced to achieve higher precision AF. A new inclusion is AF Focus Limiter which enables users to set a near and far range that the camera’s autofocus will stay within, providing consistent results for challenging scenes.
The LUMIX GH6 provides practical options for manual focusing such as MF Assist, which enables the focus point to be enlarged while video recording. The linear focus control enables repeatable focus pulls to be achieved by adjusting the degrees required for the lens to move through the focus range from close to infinity focus.
Enhancing shooting ergonomics, the LUMIX GH6 has a versatile free-angle touch-control 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot resolution). Conveniently, tilt/rotation angle can be adjusted so that HDMI and USB cables are not in the way when shooting. A large, 3,680K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) features a high magnification ratio of approx. 1.52x / 0.76x (35mm camera equivalent).
The GH6 achieves an impressive C4K 60p 10-bit 4:2:2 unlimited video recording. In addition, high frame rate video recording has been enhanced to include 4K 120p 10-bit 4:2:0, and FHD 240p 10-bit 4:2:2 (with audio recording) to enable impressive expression such as speed ramping. VFR (Variable Frame Rate) is available up to 300fps in Full HD 10-bit for dynamic slow motion.
For creators desiring wide screen anamorphic content, the GH6 supports full-sensor 5.8K 30p 10-bit recording when utilising dedicated anamorphic lenses or filters. It is possible to display de-squeezed footage to monitor in real time.
The LUMIX GH6 also achieves 4:2:2 10-bit C4K 60p both internally and externally over HDMI simultaneously. The inclusion of HDMI 2.1 will support C4K 120p HDMI video output with a future firmware update. C4K 120p 12-bit RAW output to the Atomos Ninja V+ monitor recorder will also be available via a planned firmware update.
Panasonic has also included video assist functions such as Waveform Monitor, Zebra Pattern, Luminance Spot Meter, Frame Marker, Anamorphic Desqueeze Display, Red REC Frame Indicator and Tally lamps. Some of the new enhanced features include Safety Zone Marker, which shows a guide of 95%, 90% or 80% recording area; while Centre Marker now allows you to choose the type of marker. In Colour Temperature Setting, the kelvin values can now be displayed on the user interface while recording.
High resolution audio recording is now possible supporting up to 24-bit 96kHz. By using the optional XLR Microphone Adaptor DMW-XLR1 and the 3.5mm input jack/built-in microphone, users can capture four channels of audio, reducing the need for external audio recording devices. Combinations of external microphones can be used to best fit the recording situation - such as outdoor interviews where voices and ambient sound both need to be captured. The headphone channel can be switched during video recording and audio menus can be directly accessed with the Fn1 button on top of the camera for easy sound level checks during 4-channel audio recording.
4K 60p Time Lapse video can also be produced inside the camera. With the Exposure Levelling function, the exposure is automatically adjusted to prevent large changes in brightness between adjacent frames, allowing daytime to nighttime ‘holy grail’ time lapses to be created in camera. The internal time lapse calculator allows users to understand the required settings without the use of external apps/intervalometers.
The GH6 boasts a rugged field-ready design. As well as having a magnesium alloy full diecast front/rear frame, it is splash and dust-resistant and also freeze-resistant down to -10 degrees Celsius. Recording buttons are located on both the top and front of the camera, which makes it easy to start and stop recording even when shooting at a low angle or with a shoulder rig.
The GH6 is equipped with double card slots. The CFexpress card (Type B) supports internal recording of high bitrate video up to 1900Mbps including 5.7K 30p ProRes 422 HQ and C4K 60p ALL-I. The SD Memory Card UHS II V90 supports internal recording of video at 600Mbps or less, with modes including Relay Recording, Backup Recording and Allocation Recording, using both SD Memory Card and CFexpress Card.
The camera has a full size HDMI Type A terminal. Plus, a cable lock holder for the HDMI/USB cable is bundled to prevent issues such as accidentally unplugging on location. The GH6 supports USB 3.2 Gen 2 for high-speed transfer. The 2200mAh (DMW-BLK22E) high-capacity battery can be conveniently recharged either via AC or USB PD. The GH6 is also compatible with Time Code IN/OUT synchronisation through the flash synchro terminal and bundled BNC converter cable. This streamlines non-linear editing of footage shot with multiple cameras.
The GH6 supports Bluetooth 5.0 and Wi-Fi 5GHz (IEEE802.11ac)/ 2.4GHz (IEEE802.11b/g/n), for easy content sharing with smartphones. With an always-on Bluetooth connection, a smartphone can act as the camera’s remote control via the LUMIX Sync mobile app. The settings of a GH6 camera can also be copied and transmitted to other GH6 cameras when shooting using multiple cameras (either via LUMIX Sync or SD Card). Hassle free firmware updates are also available via LUMIX Sync.
All our Panasonic products come with Panasonic Australia Warranty.
Buy with confidence from a reputable seller. digiDirect does not sell grey-import or grey-market stock.
For more on our warranty policy please see digiDirect FAQ Warranty
The Panasonic GH6 Body is the latest flagship model in the renowned LUMIX G Series digital mirrorless camera range to push the limits of what is possible from a Micro Four Thirds system camera.
As a first-choice tool thanks to its performance, mobility and rugged design. The GH6 sports a newly developed 25.2-megapixel Live MOS Sensor. In addition to high resolution imaging and high-speed signal readout, the sensor’s single exposure HDR technology is a significant leap forward in dynamic range performance.
The next-generation Venus Engine powers not only advanced image processing and computational photography, it unlocks a new world of video codec options and framerates to enhance workflow and versatility for professional or aspiring videographers. The GH6 offers V-Log/V-Gamut and provides an amazing 13+ stops of wide dynamic range.
Streamlining workflow for creators, the GH6 now includes Apple ProRes 422 HQ, 5.7K 30p internal video recording. This saves time in the editing stage of production by avoiding the time-consuming step of transcoding media from common compressed codecs into ProRes or proxy formats.
The GH6 delivers outstanding C4K 120p in 10-bit 4:2:0, all without a crop or the image quality compromises that are often encountered in the hybrid camera segment. LUMIX users have always enjoyed reliably long recording times, and the GH6 is no exception with unlimited recording assisted by Panasonic’s latest heat management technology, including in intensive recording modes such as C4K 60p 10-bit 4:2:2.
GH6 achieves 7.5 stops of powerful image stabilisation in both wide and telephoto focal lengths. Dual I.S.2 gives users the freedom to choose between using tripods, gimbals or totally handheld, all while delivering smooth and professional images. The GH6 has adopted a new super high-precision 5-axis gyro sensor with a new algorithm to achieve 7.5 stops of Body I.S. and Dual I.S.2
Panasonic has developed a new 25.2-megapixel Live MOS Sensor without LPF (Low-pass Filter) with a high resolution, high-speed signal readout that reduces rolling shutter and achieves wide dynamic range.
The GH6 provides 13+ stops of wide dynamic range with pre-installed V-Log and HLG recording using the Dynamic Range Boost mode. This mode uses two analog circuits, a high gain and a low gain, with each simultaneously capturing a different exposure, and saturation/noise level. The two images are combined at a pixel level to create a high dynamic range image with both low noise and high saturation, resulting in clear and smooth HDR video with rich gradation.
The new Venus Engine delivers approximately twice the processing power of the previous generation. It has evolved with key technologies – Intelligent Detail Processing, 2D Noise Reduction, High Precision 3D Noise Reduction for video, and High Precision 3D Colour Control. Together they provide less noise, higher detail and realism and enhanced colour reproduction for rich, faithful colour expression.
Utilising the powerful image stabilisation system, 100-megapixel high resolution images can be captured in camera using the High Resolution mode both with a tripod or handheld. Eight consecutive images are automatically shot while shifting the sensor using the Body I.S. The result is a 100-megapixel (11552 x 8672-pixel) stunning image that faithfully reproduces precise details and can be saved in both RAW and JPEG. To provide users with the greatest shooting flexibility, multiple modes are available to shoot a variety of scenes, including those with motion.
Taking advantage of the new sensor and image processing engine, the auto focus performance of the LUMIX GH6 has been improved. With higher speed signal processing by the new image processor and an improved AF algorithm, subject detection performance has been dramatically enhanced to achieve higher precision AF. A new inclusion is AF Focus Limiter which enables users to set a near and far range that the camera’s autofocus will stay within, providing consistent results for challenging scenes.
The LUMIX GH6 provides practical options for manual focusing such as MF Assist, which enables the focus point to be enlarged while video recording. The linear focus control enables repeatable focus pulls to be achieved by adjusting the degrees required for the lens to move through the focus range from close to infinity focus.
Enhancing shooting ergonomics, the LUMIX GH6 has a versatile free-angle touch-control 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot resolution). Conveniently, tilt/rotation angle can be adjusted so that HDMI and USB cables are not in the way when shooting. A large, 3,680K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) features a high magnification ratio of approx. 1.52x / 0.76x (35mm camera equivalent).
The GH6 achieves an impressive C4K 60p 10-bit 4:2:2 unlimited video recording. In addition, high frame rate video recording has been enhanced to include 4K 120p 10-bit 4:2:0, and FHD 240p 10-bit 4:2:2 (with audio recording) to enable impressive expression such as speed ramping. VFR (Variable Frame Rate) is available up to 300fps in Full HD 10-bit for dynamic slow motion.
For creators desiring wide screen anamorphic content, the GH6 supports full-sensor 5.8K 30p 10-bit recording when utilising dedicated anamorphic lenses or filters. It is possible to display de-squeezed footage to monitor in real time.
The LUMIX GH6 also achieves 4:2:2 10-bit C4K 60p both internally and externally over HDMI simultaneously. The inclusion of HDMI 2.1 will support C4K 120p HDMI video output with a future firmware update. C4K 120p 12-bit RAW output to the Atomos Ninja V+ monitor recorder will also be available via a planned firmware update.
Panasonic has also included video assist functions such as Waveform Monitor, Zebra Pattern, Luminance Spot Meter, Frame Marker, Anamorphic Desqueeze Display, Red REC Frame Indicator and Tally lamps. Some of the new enhanced features include Safety Zone Marker, which shows a guide of 95%, 90% or 80% recording area; while Centre Marker now allows you to choose the type of marker. In Colour Temperature Setting, the kelvin values can now be displayed on the user interface while recording.
High resolution audio recording is now possible supporting up to 24-bit 96kHz. By using the optional XLR Microphone Adaptor DMW-XLR1 and the 3.5mm input jack/built-in microphone, users can capture four channels of audio, reducing the need for external audio recording devices. Combinations of external microphones can be used to best fit the recording situation - such as outdoor interviews where voices and ambient sound both need to be captured. The headphone channel can be switched during video recording and audio menus can be directly accessed with the Fn1 button on top of the camera for easy sound level checks during 4-channel audio recording.
4K 60p Time Lapse video can also be produced inside the camera. With the Exposure Levelling function, the exposure is automatically adjusted to prevent large changes in brightness between adjacent frames, allowing daytime to nighttime ‘holy grail’ time lapses to be created in camera. The internal time lapse calculator allows users to understand the required settings without the use of external apps/intervalometers.
The GH6 boasts a rugged field-ready design. As well as having a magnesium alloy full diecast front/rear frame, it is splash and dust-resistant and also freeze-resistant down to -10 degrees Celsius. Recording buttons are located on both the top and front of the camera, which makes it easy to start and stop recording even when shooting at a low angle or with a shoulder rig.
The GH6 is equipped with double card slots. The CFexpress card (Type B) supports internal recording of high bitrate video up to 1900Mbps including 5.7K 30p ProRes 422 HQ and C4K 60p ALL-I. The SD Memory Card UHS II V90 supports internal recording of video at 600Mbps or less, with modes including Relay Recording, Backup Recording and Allocation Recording, using both SD Memory Card and CFexpress Card.
The camera has a full size HDMI Type A terminal. Plus, a cable lock holder for the HDMI/USB cable is bundled to prevent issues such as accidentally unplugging on location. The GH6 supports USB 3.2 Gen 2 for high-speed transfer. The 2200mAh (DMW-BLK22E) high-capacity battery can be conveniently recharged either via AC or USB PD. The GH6 is also compatible with Time Code IN/OUT synchronisation through the flash synchro terminal and bundled BNC converter cable. This streamlines non-linear editing of footage shot with multiple cameras.
The GH6 supports Bluetooth 5.0 and Wi-Fi 5GHz (IEEE802.11ac)/ 2.4GHz (IEEE802.11b/g/n), for easy content sharing with smartphones. With an always-on Bluetooth connection, a smartphone can act as the camera’s remote control via the LUMIX Sync mobile app. The settings of a GH6 camera can also be copied and transmitted to other GH6 cameras when shooting using multiple cameras (either via LUMIX Sync or SD Card). Hassle free firmware updates are also available via LUMIX Sync.
All our Panasonic products come with Panasonic Australia Warranty.
Buy with confidence from a reputable seller. digiDirect does not sell grey-import or grey-market stock.
For more on our warranty policy please see digiDirect FAQ Warranty
Type | Live MOS sensor (17.3 x 13.0 mm) |
---|---|
Camera effective pixels / Total pixels | 25.21 megapixels / 26.52 megapixels |
AR (Anti Reflection) coating | Yes |
Aspect ratio / Color filter | 4:3 / Primary color filter |
Dust reduction system | Image sensor shift type |
Latitude | Dynamic Range Boost ON: 13+ stops (V-Log) Dynamic Range Boost OFF: 12+ stops (V-Log) |
Recording file format | JPEG (DCF, Exif 2.31), RAW |
---|---|
Aspect ratio | 4:3 / 3:2 / 16:9 / 1:1 |
File size (Pixels) | 4:3 5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode. 3:2 5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode. 16:9 5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode. 1:1 4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode. |
Image quality | RAW / RAW+Fine / RAW+Standard / Fine / Standard |
Color space | sRGB, AdobeRGB |
Recording file format | MOV: H.264/MPEG-4 AVC, H.265/HEVC, ProRes MP4: H.264/MPEG-4 AVC, H.265/HEVC |
---|---|
Audio format | MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**) MP4: AAC (2ch 48kHz/16-bit) *When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately). |
System frequency | 59.94Hz / 50.00Hz / 24.00Hz |
Image area of video | Full / Pixel by Pixel |
MOV (*1) (*2) *HLG is selectable. | 59.94Hz [5.8K] 5760x4320 (4:3) 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [5.7K] 5728x3024 (17:9) 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [4.4K] 4352x3264 (4:3) 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [C4K] 4096x2160 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. [4K] 3840x2160 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. [FHD] 1920x1080 239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*/** 239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*/** 119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) / 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. **When Image Area of Video is set to FULL. 50.00Hz [5.8K] 5760x4320 (4:3) 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [5.7K] 5728x3024 (17:9) 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [4.4K] 4352x3264 (4:3) 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [C4K] 4096x2160 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. [4K] 3840x2160 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. [FHD] 1920x1080 200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*/** 200.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*/** 100.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 50.00i, 100Mbps (4:2:2 10-bit ALL-Intra) / 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. **When Image Area of Video is set to FULL. 24.00Hz [5.8K] 5760x4320 (4:3) 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [5.7K] 5728x3024 (17:9) 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [4.4K] 4352x3264 (4:3) 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [C4K] 4096x2160 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. [4K] 3840x2160 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. [FHD] 1920x1080 120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. |
MP4 (*1) | 59.94Hz [4K] 3840x2160 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* 29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* 23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) *HLG is selectable. [FHD] 1920x1080 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 50.00Hz [4K] 3840x2160 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* 25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) *HLG is selectable. [FHD] 1920x1080 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
ProRes (*1) (*2) | 59.94Hz [5.7K] 5728x3024 (17:9) 29.97p, 1.9Gbps (ProRes 422 HQ) / 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM) 23.98p, 1.5Gbps (ProRes 422 HQ) / 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM) 50.00Hz [5.7K] 5728x3024 (17:9) 25.00p, 1.6Gbps (ProRes 422 HQ) / 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM) 24.00Hz [5.7K] 5728x3024 (17:9) 24.00p, 1.5Gbps (ProRes 422 HQ) / 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM) |
MOV (*1) *HLG is selectable. | 59.94Hz [5.7K] 5728x3024 (17:9) 29.97p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *When Image Area of Video is set to FULL. [C4K] 4096x2160 59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. [4K] 3840x2160 59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. [FHD] 1920x1080 59.94p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 59.94p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 29.97p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 23.98p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL. 50.00Hz [5.7K] 5728x3024 (17:9) 25.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *When Image Area of Video is set to FULL. [C4K] 4096x2160 50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. [4K] 3840x2160 50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. [FHD] 1920x1080 50.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 50.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 25.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL. 24.00Hz [5.7K] 5728x3024 (17:9) 24.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *When Image Area of Video is set to FULL. [C4K] 4096x2160 24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. [4K] 3840x2160 24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. [FHD] 1920x1080 24.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 24.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL. |
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Type | OLED Live View Finder |
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Pixels | Approx. 3.68 million dots |
Field of view / Magnification | Approx. 100% / Approx. 1.52x / 0.76x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3 |
Eye point / Diopter adjustment | Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +3.0 (dpt) |
Eye sensor | Yes |
Type | TFT LCD monitor with static touch control |
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Monitor size | Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect |
Pixels | Approx. 1.84 million dots |
Field of view | Approx. 100% |
Type | Contrast AF system |
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DFD technology | Yes |
Focus mode | AFS (Single) / AFC (Continuous) / MF |
AF mode | Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint *Automatic Detection can be turned ON to switch between Human/ Face/Eye/ Animal+Human. Except when Pinpoint is set. |
AF detective range | EV -4 - 18 (F2.0, ISO100 equivalent, AFS) |
AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction |
AF assist light | Yes |
AF lock | Set the Fn button in custom menu to AF lock |
Focus ring control | Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) *When a compatible lens is attached. |
Others | AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume |
Light metering system | 1,728-zone multi-pattern sensing system |
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Light metering mode | Multiple / Center Weighted / Spot / Highlight Weighted |
Metering range | EV0-18 (F2.0 lens, ISO100 equivalent) |
Mode dial | Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Custom 1, 2, 3, 4 / Intelligent Auto *The same exposure operations as P/A/S/M mode is available. |
Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) |
Dynamic Range Boost | ON / OFF |
ISO sensitivity (Standard output sensitivity) | Still image [Normal] Auto / 50 (Extended ISO) / 100-25600 [V-Log] Auto / 125 (Extended ISO) / 250-12800 *Switchable between 1/3 or 1 EV step. Motion picture [Normal] Dynamic Range Boost OFF (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800 Dynamic Range Boost ON (Creative Video Mode) (Base ISO 800): Auto / 800-12800 [V-Log] Dynamic Range Boost OFF (Base ISO 250): Auto / 125 (Extended ISO) / 250-12800 Dynamic Range Boost ON (Creative Video Mode) (Base ISO 2000): Auto / 2000-12800 [Hybrid Log Gamma] Dynamic Range Boost OFF (Base ISO 250): Auto / 250-12800 Dynamic Range Boost ON (Creative Video Mode) (Base ISO 2000): Auto / 2000-12800 *Switchable between 1/3 or 1 EV step. |
AE lock | Set the Fn button in custom menu to AE lock |
B.I.S. | 5-axis / 7.5-stop* *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used. |
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Dual I.S. 2 | 7.5-stop** **Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FS14140 is used. |
White balance | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 |
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White balance adjustment | Blue/Amber bias, Magenta/Green bias |
Color temperature setting | 2500-10000K in 100K |
Type | Focal-plane shutter |
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Shutter speed | Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 Electronic shutter: Bulb (Max. 60 sec), 1/32,000 - 60 Motion picture: 1/25,000 - 1/25 Creative Video M mode / MF mode: 1/25,000 - 1/8 |
Self timer | 10sec, 3 images / 2sec / 10sec / Custom Time |
Remote control | Remote control by DMW-RS2 (sold separately) |
Silent mode / Shutter type | Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR) |
AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst |
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Aperture bracket | 3, 5 or all positions |
Focus bracket | 1 to 999 images, focus steps can be set in 10 levels |
White balance bracket | 3 images in blue/amber axis or in magenta/green axis, color temperature setting |
Burst Speed | Mechanical shutter / Electronic front curtain shutter H: 14 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View) L: 2 frames/sec (AFS/MF/AFC) (with Live View) Electronic shutter SH75: 75 frames/sec (AFS/MF) SH60: 60 frames/sec (AFS/MF) SH20: 20 frames/sec (AFS/MF) H: 14 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View) L: 2 frames/sec (AFS/MF/AFC) (with Live View) |
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Number of recordable images | H/M/L* RAW+JPEG: More than 40 images RAW: More than 65 images**, More than 50 images*** JPEG: More than 95 images**, More than 90 images*** *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic. **When using a card with CFexpress Type B ***When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)". SH RAW / RAW+JPEG / JPEG: 200 images |
Flash type | TTL External Flash (sold separately) |
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Flash mode | Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. |
Flash synchronization | 1st Curtain Sync, 2nd Curtain Sync. |
Flash output adjustment | 1/3EV step ±3EV |
Synchronization speed | Less than 1/250 second |
Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch |
Flash sync socket | Yes |
Photo Style | Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log / Hybrid Log Gamma / My Photo Style 1-10 |
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Picture adjustment | Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB *Adjustable settings vary depending on the Photo Style mode. |
Filter | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass |
Master pedestal level | 31 steps |
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Luminance level | 8-bit: 0-255 / 16-235 / 16-255 10-bit: 0‒1023 / 64‒940 / 64‒1023 |
Wave form monitor / Vectorscope | Selectable |
LUT view assist | Supported file types: .vlt, .cube Monitor / HDMI |
HLG view assist | Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF) |
Anamorphic desqueeze display | 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF |
Synchro scan | Yes |
SS/Gain operation | Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB |
Color bars / 1kHz test tone | Yes (SMPTE / EBU / ARIB) / Yes |
Knee control | Yes (in Like709 mode) |
Red REC frame indicator | ON / OFF |
REC | Exposure Comp. / Dynamic Range Boost / Sensitivity / White Balance / Photo Style / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / Filter Effect / One Push AE / Touch AE / Exposure Mode / Synchro Scan / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Rec. File Format / Rec Quality / Rec Quality (My List) / Variable Frame Rate / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Mic Input / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Focus Transition / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control/ Zoom Control / Step Zoom / Zoom Speed / Lens Information / Destination Card Slot / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default |
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PLAY | Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default |
USB | USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2)) |
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HDMI | HDMI HDMI TypeA Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.) Monitor-through 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].) 4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].) Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF Playback 59.94Hz: 8K/30p* / C4K/120p** / C4K/60p / C4K/30p / 4K/120p** / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p** 50.00Hz: 8K/25p* / C4K/100p** / C4K/50p / C4K/25p / 4K/100p** / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p** / 576p** 24.00Hz: 8K/24p* / C4K/120p** / C4K/24p / 4K/120p** / 4K/24p / 1080/120p / 1080p *Only for still image playback. **Only for playback. |
Remote input | φ2.5mm |
Audio | Build-in microphone Stereo Wind Noise Canceller: OFF / Standard / High External microphone / External audio device input φ3.5mm for external microphone / external audio device MIC (Plug-in Power) / MIC / LINE Wind Cut: OFF / Low / Standard / High *When attaching DMW-MS2 (sold separately). Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately). XLR microphone Yes with DMW-XLR1 (sold separately) 4ch mic input Yes with DMW-XLR1 (sold separately) Speaker Monaural Headphone output φ3.5mm |
Card Slot | Slot 1: CFexpress Card (CFexpress Type B) Slot 2: SD Memory Card / SDHC Memory Card* / SDXC Memory Card* *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards. |
TC IN/OUT | Yes with BNC Converter Cable (bundled) |
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Count up | Rec Run / Free Run |
Time code mode | Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.) |
HDMI time code output | ON / OFF |
External TC setting | TC Synchronization / TC Output Reference |
Time Lapse Shot | Yes |
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Stop Motion Animation | Yes |
Extra Tele Conversion | 2.0x (EX S), 1.4x (EX M) *Only for still image recording. |
Vertical Position Information | Sill image / Motion picture (ON/OFF) |
Level Gauge | Yes |
PictBridge compatible | |
Fan | Auto1 / Auto2 / Fast / Normal / Slow / OFF* *OFF can be set when in iA/P/A/S/M mode |
Lamp | Tally Lamp (front/rear) / Card Access Light / Power Indicator / Charging Light/Network Connection Light |
Dust and Splash Resistant | Yes. *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. |
Wi-Fi | 2.4GHz (STA/AP) (IEEE802.11b/g/n) 5GHz (STA) (IEEE 802.11a/n/ac) Security: WPA/WPA2/WPA3 |
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Bluetooth | Bluetooth® v5.0 (Bluetooth Low Energy (BLE)) |
Battery | Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) USB power supply, USB power charging, USB power delivery |
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Battery life (CIPA standard) | When using CFexpress Card Approx. 330 images, 750 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22 Approx. 350 images, 800 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22 *Using a Lexar CFexpress Type B card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec. When using SD memory card Approx. 360 images, 850 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22 Approx. 380 images, 900 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22 *Using a Panasonic SDXC memory card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec. |
Continuous recordable time (Motion picture) | When using CFexpress Card MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 90 min with H-ES12060 / H-FS12060 When using SD memory card MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060 |
Actual recordable time (Motion picture) | When using CFexpress Card MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060 When using SD memory card MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060 |
Dimensions (W x H x D) | Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (excluding protrusions) |
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Weight | Approx. 823g / 1.81 lb (SD Memory Card x 1, Battery, Body) Approx. 739g / 1.63 lb (Body only) |
Operating temperature | -10oC to 40oC (14oF to 104oF) |
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Operating humidity | 10%RH to 80%RH |
The Panasonic GH6 Body features a high-speed 16.05-megapixel Digital Live MOS Sensor, UHS-II compliant dual SD card slots, 4K 30/24p video recording, an electronic shutter speed of 1/16,000 second, and 6K and 4K Photo Burst modes.
The Panasonic GH6 Body features a Micro Four Thirds mount, allowing for compatibility with an extensive array of lenses.
No, the Panasonic GH6 Body does not feature built-in image stabilization. However, it is compatible with lens-based image stabilization systems.
Yes, the Panasonic GH6 Body can capture Full HD 1080p video at either 60 or 24 fps.
Yes, the Panasonic GH6 Body has a 3.0 1.04m-dot tilting touchscreen LCD.