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The Panasonic G9 II Mirrorless Camera with Leica 12-60mm Lens is a combination of the Panasonic G9 II Mirrorless Camera and the Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens.
The Panasonic G9 II Mirrorless Camera is Panasonic's latest offering from it's long line of excellent LUMIX cameras. The camera’s new 25.2-megapixel Live MOS sensor delivers high resolution and high-speed response, supporting V-Log/V-Gamut and 13+ stops of wide dynamic range . The new engine achieves natural, three-dimensional textured images and ensures high-speed processing of high bitrate video.
The hybrid PDAF technology on board the LUMIX G9II enables accurate auto-focus and high-speed tracking of fast-moving subjects. New AI-powered recognition technology (developed using AI deep learning) for real-time auto-focus now recognises cars, motorcycles, and animal eyes for improved precision..
To deliver fast action photography, the LUMIX G9II offers burst shooting at 60 fps (AFC) and Super High Speed pre-burst recording that can commence shooting up to 1.5 seconds prior to shutter release, including support for RAW files. A blackout-free Live View Finderv means the user can continuously track and keep the subject in focus.
Providing incredible stabilisation for hybrid shooters, the excellent LUMIX image stabilisation system is further enhanced. For photographers, the in-body IS offers an impressive 8-stop at 60mm , and when shooting with ultra-telephoto focal length, the Dual I.S 2 system offers 7.5-stop at 140mm (280mm 35mm equivalent). Videographers will appreciate the Active I.S. technology which is optimised for video shooting, offering smooth gimbal-like video even when walking with the camera. These capabilities provide even greater support for handheld shooting at ultra-telephoto focal lengths, capturing difficult, dynamic subjects such as wildlife. Using the precision gyro-sensor and in-body stabilisation unit, 100-megapixel images can be captured in camera using the High Resolution mode both with a tripod or when handheld.
There are also several modes that expand the possibilities of creativity. The 13+ stop V-Log/V-Gamut capture offers a high dynamic range, consistent colour management and streamlined post-production. With in-camera colour grading via REAL TIME LUT, creative scope is increased while workflow is reduced – excellent for repeatable setups such as content creators who work in the same studio or are looking to repeat the same style in camera instead of applying the same LUT in post. The newly-added LEICA Monochrome mode provides deep black/white contrast.
The Live View Composite Mode takes away the guess work, allowing the photographer to set the desired exposure, take the shot, then view the image on-screen as it is being exposed in real time. Once they are happy with how the shot looks, they simply hit the shutter button again to stop the exposure. This mode is also great for light painting, shooting light trails and other long exposure scenarios.
The G9II is a launching point for video creation. It includes 4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9), enabling flexible framing options for various social media formats, as well as 4:2:0 10-bit C4K/4K 120p/100p to enable slow motion videos. Recording and playback are supported using an external SSD via USB.
It also offers Apple ProRes video, which delivers high image quality at low compression, reducing computer load during post-production and allowing non-linear editing without transcoding, streamlining workflow from start to finish.
Spanning a useful wide-angle to short telephoto range, the Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH is a 24-120mm equivalent zoom designed for Micro Four Thirds cameras. Designed in collaboration with Leica, this versatile lens utilizes four aspherical elements and two extra-low dispersion elements to deliver well-corrected, sharp image quality that is void of colour fringing and distortions. The lens also makes use of a linear motor for fast, quiet, and precise autofocus performance, and the POWER Optical Image Stabilization system helps to minimize the appearance of camera shake for sharper handheld shooting. Additionally, the durable metal body of the lens renders it splash, dust, and freezeproof to suit its use in trying environmental conditions.
The lens offers a focal length range of 12-60mm, providing a versatile zoom range suitable for various photography genres, including landscapes, portraits, and everyday shooting.
The lens is designed in collaboration with Leica, a renowned optics manufacturer. It incorporates high-quality Leica glass elements that ensure excellent image quality, sharpness, and clarity.
The lens features a constant aperture throughout its zoom range. It has a maximum aperture of f/2.8 at 12mm and f/4 at 60mm, allowing for consistent exposure settings and depth of field control.
Panasonic's Power O.I.S. (Optical Image Stabilization) technology is built into the lens, minimizing the effects of camera shake and enabling sharper handheld shots, especially in low-light conditions.
The lens utilizes a high-speed and precise autofocus system, ensuring quick and accurate focusing performance. This feature is beneficial for capturing fast-moving subjects and maintaining sharpness in various shooting situations.
The lens is constructed with a weather-sealed design, making it resistant to dust, moisture, and splashes. This feature enhances its durability and allows for confident shooting in challenging outdoor conditions.
The lens incorporates Panasonic's Nano Surface Coating technology, which effectively reduces ghosting and flare caused by reflections. This coating helps to maintain image contrast and clarity, even in challenging lighting scenarios.
Despite its versatile zoom range and high-quality optics, the lens is designed to be compact and lightweight. This makes it portable and well-suited for travel and everyday photography.
The Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH lens is designed for Micro Four Thirds camera systems, such as those produced by Panasonic and Olympus.
The Panasonic G9 II Mirrorless Camera with Leica 12-60mm Lens is a combination of the Panasonic G9 II Mirrorless Camera and the Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens.
The Panasonic G9 II Mirrorless Camera is Panasonic's latest offering from it's long line of excellent LUMIX cameras. The camera’s new 25.2-megapixel Live MOS sensor delivers high resolution and high-speed response, supporting V-Log/V-Gamut and 13+ stops of wide dynamic range . The new engine achieves natural, three-dimensional textured images and ensures high-speed processing of high bitrate video.
The hybrid PDAF technology on board the LUMIX G9II enables accurate auto-focus and high-speed tracking of fast-moving subjects. New AI-powered recognition technology (developed using AI deep learning) for real-time auto-focus now recognises cars, motorcycles, and animal eyes for improved precision..
To deliver fast action photography, the LUMIX G9II offers burst shooting at 60 fps (AFC) and Super High Speed pre-burst recording that can commence shooting up to 1.5 seconds prior to shutter release, including support for RAW files. A blackout-free Live View Finderv means the user can continuously track and keep the subject in focus.
Providing incredible stabilisation for hybrid shooters, the excellent LUMIX image stabilisation system is further enhanced. For photographers, the in-body IS offers an impressive 8-stop at 60mm , and when shooting with ultra-telephoto focal length, the Dual I.S 2 system offers 7.5-stop at 140mm (280mm 35mm equivalent). Videographers will appreciate the Active I.S. technology which is optimised for video shooting, offering smooth gimbal-like video even when walking with the camera. These capabilities provide even greater support for handheld shooting at ultra-telephoto focal lengths, capturing difficult, dynamic subjects such as wildlife. Using the precision gyro-sensor and in-body stabilisation unit, 100-megapixel images can be captured in camera using the High Resolution mode both with a tripod or when handheld.
There are also several modes that expand the possibilities of creativity. The 13+ stop V-Log/V-Gamut capture offers a high dynamic range, consistent colour management and streamlined post-production. With in-camera colour grading via REAL TIME LUT, creative scope is increased while workflow is reduced – excellent for repeatable setups such as content creators who work in the same studio or are looking to repeat the same style in camera instead of applying the same LUT in post. The newly-added LEICA Monochrome mode provides deep black/white contrast.
The Live View Composite Mode takes away the guess work, allowing the photographer to set the desired exposure, take the shot, then view the image on-screen as it is being exposed in real time. Once they are happy with how the shot looks, they simply hit the shutter button again to stop the exposure. This mode is also great for light painting, shooting light trails and other long exposure scenarios.
The G9II is a launching point for video creation. It includes 4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9), enabling flexible framing options for various social media formats, as well as 4:2:0 10-bit C4K/4K 120p/100p to enable slow motion videos. Recording and playback are supported using an external SSD via USB.
It also offers Apple ProRes video, which delivers high image quality at low compression, reducing computer load during post-production and allowing non-linear editing without transcoding, streamlining workflow from start to finish.
Spanning a useful wide-angle to short telephoto range, the Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH is a 24-120mm equivalent zoom designed for Micro Four Thirds cameras. Designed in collaboration with Leica, this versatile lens utilizes four aspherical elements and two extra-low dispersion elements to deliver well-corrected, sharp image quality that is void of colour fringing and distortions. The lens also makes use of a linear motor for fast, quiet, and precise autofocus performance, and the POWER Optical Image Stabilization system helps to minimize the appearance of camera shake for sharper handheld shooting. Additionally, the durable metal body of the lens renders it splash, dust, and freezeproof to suit its use in trying environmental conditions.
The lens offers a focal length range of 12-60mm, providing a versatile zoom range suitable for various photography genres, including landscapes, portraits, and everyday shooting.
The lens is designed in collaboration with Leica, a renowned optics manufacturer. It incorporates high-quality Leica glass elements that ensure excellent image quality, sharpness, and clarity.
The lens features a constant aperture throughout its zoom range. It has a maximum aperture of f/2.8 at 12mm and f/4 at 60mm, allowing for consistent exposure settings and depth of field control.
Panasonic's Power O.I.S. (Optical Image Stabilization) technology is built into the lens, minimizing the effects of camera shake and enabling sharper handheld shots, especially in low-light conditions.
The lens utilizes a high-speed and precise autofocus system, ensuring quick and accurate focusing performance. This feature is beneficial for capturing fast-moving subjects and maintaining sharpness in various shooting situations.
The lens is constructed with a weather-sealed design, making it resistant to dust, moisture, and splashes. This feature enhances its durability and allows for confident shooting in challenging outdoor conditions.
The lens incorporates Panasonic's Nano Surface Coating technology, which effectively reduces ghosting and flare caused by reflections. This coating helps to maintain image contrast and clarity, even in challenging lighting scenarios.
Despite its versatile zoom range and high-quality optics, the lens is designed to be compact and lightweight. This makes it portable and well-suited for travel and everyday photography.
The Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH lens is designed for Micro Four Thirds camera systems, such as those produced by Panasonic and Olympus.
Type | Digital Single Lens Mirrorless camera |
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Lens mount | Micro Four Thirds mount |
Type | Live MOS sensor (17.3 x 13.0 mm) |
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Camera effective pixels / Total pixels | 25.21 megapixels / 26.52 megapixels |
AR (Anti Reflection) coating | Yes |
Aspect ratio / Color filter | 4:3 / Primary color filter |
Dust reduction system | Image sensor shift type |
Latitude | 13+ stops (V-Log) (Sensor output is 60fps or less) 12+ stops (V-Log) (Sensor output is 61fps or higher) |
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Recording file format | JPEG (DCF, Exif 2.31), RAW |
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Aspect ratio | 4:3 / 3:2 / 16:9 / 1:1 |
File size (Pixels) | 4:3 5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode. 3:2 5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode. 16:9 "5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode. " 1:1 4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode. |
Image quality | RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine) |
Color space | sRGB, AdobeRGB |
Recording file format | MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes MP4: H.264/MPEG-4 AVC, H.265/HEVC |
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Audio format | MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**) MP4: AAC (2ch 48kHz/16-bit) *When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately). |
System frequency | 59.94Hz / 50.00Hz / 24.00Hz |
Image area of video | FULL / PIXEL/PIXEL |
EXTERNAL USB-SSD RECORDING | Yes (ON / OFF) |
Type | OLED Live View Finder |
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Pixels | Approx. 3.68 million dots |
Field of view / Magnification | Approx. 100% / Approx. 1.6x / 0.8x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3 |
Eye point / Diopter adjustment | Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt) |
Eye sensor | Yes |
Display speed | 120fps / 60fps |
Type | TFT LCD monitor with static touch control |
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Monitor size | Free-angle, 3.0-inch (7.6cm), 3:2 aspect |
Pixels | Approx. 1.84 million dots |
Field of view | Approx. 100% |
Type | Phase Detection AF system / Contrast AF system |
---|---|
DFD technology | Yes |
Focus mode | AFS (Single) / AFC (Continuous) / MF |
AF mode | Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint *Automatic Detection can be turned ON to switch between Human / Animal / Car / Motorcycle. Except when Pinpoint is set. |
AF detective range | EV -4 - 18 (F2.0, ISO100 equivalent, AFS) |
AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction |
AF assist light | Yes |
AF lock | Set the Fn button in custom menu to AF lock |
Focus ring control | Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) *When a compatible lens is attached. |
Others | AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume |
Light metering system | 1,728-zone multi-pattern sensing system |
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Light metering mode | Multiple / Center Weighted / Spot / Highlight Weighted |
Metering range | EV0-18 (F2.0 lens, ISO100 equivalent) |
Mode dial | Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Slow&Quick / Custom 1, 2, 3 / Intelligent Auto *The same exposure operations as P/A/S/M mode is available. |
Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) |
AE lock | Set the Fn button in custom menu to AE lock |
IMAGE STABILIZATION SYSTEM | B.I.S. (5-axis / 8.0-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.] Dual I.S. 2 (7.5-stop**) **Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FSA14140 is used.] |
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White balance | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 |
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White balance adjustment | Blue/Amber bias, Magenta/Green bias |
Color temperature setting | 2500-10000K in 100K |
Type | Focal-plane shutter |
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Shutter speed | Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 Electronic shutter: Bulb (Max. 60 sec), 1/32,000 - 60 Motion picture: 1/25,000 - 1/25 Creative Video M mode / MF mode: 1/25,000 - 1/8 |
Self timer | 10sec, 3 images / 2sec / 10sec / Custom Time |
Remote control | Remote control by DMW-RS2 (sold separately) |
Silent mode / Shutter type | Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR) |
AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst |
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Aperture bracket | 3, 5 or all positions |
Focus bracket | 1 to 999 images, focus steps can be set in 10 levels |
White balance bracket | 3 images in blue/amber axis or in magenta/green axis, color temperature setting |
Burst speed | Mechanical shutter H: 14 frames/sec (AFS/MF), 10 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/AFC/MF) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View) Electronic front curtain shutter H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/AFC/MF) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View) Electronic shutter SH75: 75 frames/sec (AFS/MF) SH60: 60 frames/sec (AFS/AFC/MF) SH20: 20 frames/sec (AFS/AFC/MF) SH75 PRE: 75 frames/sec (AFS/MF) SH60 PRE: 60 frames/sec (AFS/AFC/MF) SH20 PRE: 20 frames/sec (AFS/AFC/MF) H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/AFC/MF) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View) |
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Number of recordable images | H/M/L* RAW+JPEG: More than 160 images RAW: More than 170 images JPEG: More than 200 images *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic. *When using a card with SD Speed Class with ""UHS-II UHS Speed Class 3 (U3)"". SH RAW / RAW+JPEG / JPEG: 200 images |
Flash type | TTL External Flash (sold separately) |
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Flash mode | Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. |
Flash synchronization | 1st Curtain Sync, 2nd Curtain Sync. |
Flash output adjustment | 1/3EV step ±3EV |
Synchronization speed | Less than 1/250 second |
Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch |
Wi-Fi | 2.4GHz (STA/AP) (IEEE802.11b/g/n) 5GHz (STA) (IEEE 802.11a/n/ac) Security: WPA/WPA2/WPA3 Please refer to "Wi-Fi" sheet |
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Bluetooth | Bluetooth® v5.0 (Bluetooth Low Energy (BLE)) |
DUST AND SPLASH RESISTANT | Yes. *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water." |
Battery | Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) USB power supply, USB power charging, USB power delivery |
Dimensions (W x H x D) | Approx. 134.3 x 102.3 x 90.1 mm / 5.29 x 4.03 x 3.55 inch (Body only, excluding protrusions) Approx. 134.3 x 102.3 x 140.7 mm / 5.29 x 4.03 x 5.54 inch (with H-FS12060, excluding protrusions) Approx. 134.3 x 102.3 x 153.8 mm / 5.29 x 4.03 x 6.06 inch (with H-ES12060, excluding protrusions) |
Weight | Approx. 658g / 1.45 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap) Approx. 575g / 1.27 lb (Body, Hot Shoe Cover) (excluding body cap) |
Operating temperature | -10oC to 40oC (14oF to 104oF) |
Operating humidity | 10%RH to 80%RH |
Focal Length | 12 to 60mm (35mm Equivalent Focal Length: 24 to 120mm) |
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Maximum Aperture | f/2.8 to 4 |
Minimum Aperture | f/22 |
Lens Mount | Micro Four Thirds |
Format Compatibility | Micro Four Thirds |
Angle of View | 84° to 20° |
Minimum Focus Distance | 7.87" / 20 cm |
Maximum Magnification | 0.3x |
Optical Design | 14 Elements in 12 Groups |
Diaphragm Blades | 9, Rounded |
Focus Type | Autofocus |
Image Stabilization | Yes |
Filter Size | 62 mm (Front) |
Dimensions (ø x L) | 2.69 x 3.39" / 68.4 x 86 mm |
Weight | 11.29 oz / 320 g |