The Atomos Shogun 7 HDR Pro/Cinema 7" Monitor-Recorder-Switcher is a precision HDR monitor-recorder-switcher designed for the film and video professional. It can be used as either a stand-alone field monitor, recorder and switcher for event, documentary and live in-the-field storytelling; or as a tool for large-scale on-set episodic TV, film and cinema productions where multiple crew members such as focus pullers, grips and cinematographers require a consistent visual reference across the field monitor ecosystem.
Shogun 7's portable size lets you monitor, analyze and tag while on set; and check how your content will look in your audience’s home via real-time Dolby Vision output. With Shogun 7 you’re not locked into any format, camera manufacturer or pipeline. It is a completely flexible master recording and production station.
Simply touch the Shogun 7 screen to switch between 4 live HD SDI video streams up to 1080p60. Send the resulting switched program output to SDI to HDMI for live streaming or transmission. Record all four inputs as separate ISOs, plus the program output as a fifth stream. This is all done asynchronous, without the need for genlocked sources.
All switches are recorded as metadata with a choice of transition type. Once you’ve finished capturing your streams, simply import the resulting Apple Final Cut . xml file along with your ISOs into your NLE and the timeline automatically populates with all the transitions in place.
Audio is also taken care of, every ISO can record the 2-channel embedded digital audio from each source, as well as the mixed analog stereo channels coming into the Shogun 7 (via optional XLR breakout cable). The program stream always records the analog feed and switches between audio inputs for the on-camera audio to match the switched feed.
With the latest HDMI 2.0v you can capture up to 4Kp60 on any available camera, or via Quad Link, Dual Link or Single Link. If slow motion capture is important to your production, Shogun 7 lets you capture 2K up to 240p. You can tag on-the-fly while recording for direct-to-edit look up in Final Cut Pro X, Adobe Premiere* and Avid Media Composer.
* xml conversion may be required
Introducing Dynamic AtomHDR technology, designed by Atomos to yield a 1,000,000:1 screen contrast ratio. With Shogun 7 blacks and colors are rich and deep. Images appear to ‘pop’ with added dimensionality and detail.
The incredible Atomos screen uses a unique combination of advanced LED and LCD technologies which together offer deeper, better blacks than rival OLED screens, but with the much higher brightness and vivid color performance of top-end LCDs.
With HDR production it is often challenging to maintain the creative intent at the time of shooting all the way to the finished product that is viewed on devices and TVs. Atomos and Dolby have teamed up to give you Dolby Vision live HDMI out, in real-time, from any SDI or HDMI HDR camera. All courtesy of AtomOS 10.
Simply connect your Dolby Vision capable TV or monitor to your Shogun 7 or Ninja V and magically, automatically, the AtomOS analyses the image, queries the TV, and applies the right color and brightness profiles for the maximum HDR image on the display or TV. This ensures the HDR image always looks – as it was creatively intended by the creator. This is a valuable on-set reference check for the creative director and client.
This function is also available in playback and playout from RAW and Log recorded ProRes RAW, ProRes and DNx rushes for instant time-saving, on-set and in-studio review. Utilise playback functions like slow motion, and insert edit and in and out points to speed up playlist compilation.
A new 360 zone backlight combined new screen technology controlled by the Dynamic AtomHDR engine is used to show millions of shades of brightness and color, yielding jaw-dropping results. It allows Shogun 7 to display 15+ stops of real dynamic range on-screen. The panel is also incredibly accurate, with ultra-wide color and 105% of DCI-P3 covered.
AtomOS 10 includes a redesigned touch user interface for improved HDR image viewing via our Dynamic AtomHDR engine. It allows for accurate set up and one-touch operation, a complete suit of scopes, exposure, zoom, calibration and focus tools to ensure a great recording every time.
ProRes RAW combines the flexibility of RAW video with the incredible performance of ProRes. Import, edit and grade pristine video with RAW data straight from your camera sensor without slowing down your edit. These RAW files provide maximum flexibility for adjusting the look of your video, while extending brightness & shadow detail.
In addition to ProRes RAW, Shogun 7 supports ProRes, DNxHR, CinemaDNG, Avid DNxHD via HDMI and SDI. Capture from any HDMI, SDI or Quad Link SDI source including cameras from Nikon, Canon, Panasonic, Sony, RED and ARRI.
|Panel Type||IPS-Type LCD|
|Display Size||7.2" / 18.3 cm|
|Screen Resolution||1920 x 1200|
|Maximum Brightness||3000 cd/m|
|Dynamic Contrast Ratio||1,000,000:1|
|Bit Depth / Color Support||8-Bit+FRC (1.07 Billion Colors)|
|Pixels Per Inch (ppi)||325 ppi|
|Color Gamut||105% DCI-P3|
|Real-Time LUT Monitoring||SDR, HDR|
|Image Controls||Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Image Flip, Pixel-to-Pixel Zoom, Screen Markers, Vectorscope, Waveform, Zebra|
|Video||1 x HDMI Type A (HDMI 2.0) Input
1 x HDMI Type A (HDMI 2.0) Output
1 x BNC (12G-SDI) Input
1 x BNC (12G-SDI) Input/Output
1 x BNC (12G-SDI) Output
2 x BNC (3G-SDI) Input
|Embedded Audio||HDMI: 8-Channel
|Audio||1 x 10-Pin LEMO Input
1 x 3.5 mm Headphone Output
|Power||1 x Barrel Input|
|Other I/O||1 x Genlock (BNC)
1 x LANC (2.5 mm)
|Video Format||HDMI (8/10-Bit 4:2:2)
DCI 4K: 60/59.94/50/30/29.97/25/24/23.98
UHD 4K: 60/59.94/50/30/29.97/25/24/23.98
DCI 2K: 240/200/120/100/60/59.94/50/30/29.97/25/24/23.98
SDI (8/10-Bit 4:2:2)
DCI 4K: 60/59.94/50/30/29.97/25/24
UHD 4K: 60/59.94/50/30/29.97/25/24/23.98
DCI 2K: 240/200/120/100/60/59.94/50/30/29.97/25/23.98
|Gamma Curve||ARRI Log C, Canon Log, Canon Log 2, DCI-P3, DCI-P3+, FujiFilm F-Log, HDR-HLG, HDR-PQ, JVC J-Log, Panasonic V-Log, REDlogFilm, Sony S-Log 2, Sony S-Log 3|
|PC Resolutions||1920 x 1080 at 60 Hz|
|Video Signal Conversion||HDMI to SDI
SDI to HDMI
|Pulldown Conversion||2:2, 3:2|
|Camera Trigger||SDI, HDMI|
|Pre-Roll Record||4K: 2 Seconds
Full HD: 8 Seconds
|Encoding Formats||4096 x 2160
3840 x 2160
2048 x 1080
1920 x 1080
|Maximum Audio Tracks||8|
|Recording Media||1 x 2.5" SSD (SATA III)|
|Timecode Support||SMPTE 12M via BNC Input|
|Phantom Power||+48 V|
|DC Input Power||6.2 to 16.8 VDC|
|Battery Type||2 x L-Series|
|Power Consumption||33 W (Maximum)|
|Mounting||2 x 1/4"-20 Female|
|Operating Temperature||104°F / 40°C|
|Material of Construction||Polycarbonate|
|Dimensions (W x H x D)||8.43 x 5 x 1.77" / 214 x 127 x 45 mm|
|Weight||1.62 lb / 738 g|