{"title":"Cinema Lenses","description":"\u003ch2\u003e\u003cstrong\u003eBuy Cheap Digital Cine Camera Lenses for Your Next Big Project\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eHere at DigiDirect, we have sourced the most incredible range of digital cine lenses for Australian photography lovers – so you can invest in these amazing products for more affordable prices. With dozens of options to choose from, you won’t be disappointed when you shop our online store.\u003c\/p\u003e\n\u003cp\u003eBuy online today to enjoy fast shipping and unbeatable prices.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003ePerfect your shots with digital cine lenses\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eWhen you invest in one of our incredible digital cine lenses available online, you can feel confident knowing you’re getting the best value for your money. Whether you choose the \u003ca href=\"\/lenses\/digital-cine-lenses\/samyang-xeen-50mm-t1-5-sony-fe\"\u003eSamyang Xeen 50mm T1.5 Sony FE\u003c\/a\u003e, the \u003ca href=\"\/sigma-24mm-t1-5-canon-ef-mount-cine-lens\"\u003eSigma 24mm T1.5 lens\u003c\/a\u003e or something else entirely, you can expect to pay a competitive price. With each lens featuring a slew of incredible features that ensure your cinematography is taken to the next level, you can choose any one of our options and know you’re getting an incredible product. \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAll the best photography equipment, all in one place\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eIt doesn’t matter if you’re a professional photographer or just looking for the best digital camera to see you through your next holiday; here at DigiDirect, we cater to everyone’s needs. In our online store you will find thousands of incredible products from brands such as \u003ca href=\"\/brands\/nikon\/filters\/cat\/cameras\"\u003eNikon\u003c\/a\u003e, \u003ca href=\"\/brands\/sony\/filters\/cat\/cameras\"\u003eSony\u003c\/a\u003e, \u003ca href=\"\/brands\/polaroid\/filters\/cat\/cameras\"\u003ePolaroid\u003c\/a\u003e, \u003ca href=\"\/brands\/canon\/filters\/cat\/cameras\"\u003eCanon\u003c\/a\u003e, \u003ca href=\"\/brands\/gopro\/filters\/cat\/cameras\"\u003eGoPro\u003c\/a\u003e and many, many more. With so many options to choose from, it’s no wonder we are Australia’s one-stop-shop when it comes to buying camera and photography equipment online.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eBuy online today\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eWhether you’re looking to buy digital cine camera lenses or need a simple, everyday camera, DigiDirect has you covered. Simply shop online today to enjoy our low prices and fast shipping to your door anywhere in Australia.\u003c\/p\u003e","products":[{"product_id":"canon-cn-e-14mm-t3-1-fp-x-sumire-cinema-lens-pl-mount","title":"Canon CN-E 14mm T3.1 FP X Sumire Cinema Lens (PL Mount)","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon CN-E 14mm T3.1 FP X Sumire Cinema Lens (PL Mount)\u003c\/strong\u003e is an ultra wide-angle, manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 14mm offers a maximum T-stop of 3.1 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300° smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe lens is designed to minimize focus breathing. It offers focus distance markings on both sides of the barrel with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier to see them in dim conditions. All lenses in the Sumire series share the same 114mm front barrel diameter, focus rotation, and focus and iris gear positions, allowing for easier lens swaps.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-E 14mm T3.1 FP X Sumire Cinema Lens (PL Mount)\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eUltra Wide-Angle 4K Cine Lens\u003c\/li\u003e\n\u003cli\u003eNuanced Image Characteristics\u003c\/li\u003e\n\u003cli\u003eMinimized Focus Breathing\u003c\/li\u003e\n\u003cli\u003eSame Gear Positions Among Sumire Primes\u003c\/li\u003e\n\u003cli\u003eCovers Full Frame \u0026amp; Super 35 Sensors\u003c\/li\u003e\n\u003cli\u003eT3.1 Maximum Aperture, 11-Blade Iris\u003c\/li\u003e\n\u003cli\u003eDual Focus Markings on Angled Surfaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - CN-E14MM T3.1 FP X SUMIRE LENS\u003c\/li\u003e\n\u003cli\u003eGTIN - 4549292145366\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838070280377,"sku":"153669","price":10999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/1554281439_1470890_0853c7b3-327c-4d8b-8d83-cd41f9baa2ac.jpg?v=1775431624"},{"product_id":"canon-cn-e-135mm-t2-2-fp-x-sumire-cinema-lens-pl-mount","title":"Canon CN-E 135mm T2.2 FP X Sumire Cinema Lens (PL Mount)","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon CN-E 135mm T2.2 FP X Sumire Cinema Lens (PL Mount)\u003c\/strong\u003e is a manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 135mm offers a maximum T-stop of 2.2 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300° smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003ehe lens is designed to minimize focus breathing. It offers focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier to see them in dim conditions. All lenses in the Sumire series share the same 11.4cm front barrel diameter, focus rotation, and focus and iris gear positions, allowing for easier lens swaps.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-E 135mm T2.2 FP X Sumire Cinema Lens (PL Mount)\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e4K Cine Lens\u003c\/li\u003e\n\u003cli\u003eNuanced Image Characteristics\u003c\/li\u003e\n\u003cli\u003eMinimized Focus Breathing\u003c\/li\u003e\n\u003cli\u003eSame Gear Positions Among Sumire Primes\u003c\/li\u003e\n\u003cli\u003eCovers Full Frame \u0026amp; Super 35 Sensors\u003c\/li\u003e\n\u003cli\u003eT2.2 Maximum Aperture, 11-Blade Iris\u003c\/li\u003e\n\u003cli\u003eDual Focus Markings on Angled Surfaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - CN-E135MM T2.2 FP X SUMIRE LEN\u003c\/li\u003e\n\u003cli\u003eGTIN - 4549292145663\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838070444217,"sku":"153668","price":10599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/1554281439_1470896_208040a9-f483-4fb0-ae3d-101787724dbb.jpg?v=1775431625"},{"product_id":"canon-cn-e-135mm-t2-2-l-f-cinema-lens-ef-mount","title":"Canon CN-E 135mm T2.2 L F Cinema Lens (EF Mount)","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon CN-E 135mm T2.2 L F Cinema Prime Lens (EF Mount)\u003c\/strong\u003e is a telephoto prime lens for the full-frame sensor format, which makes it an ideal lens for the Cinema EOS series and all Canon DSLRs. The maximum aperture is T2.2, and the 11 blade iris ensures beautiful, rounded bokeh.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe lens features markings on both sides of the barrel, making it easy to read settings from behind or on either side of the camera. In order to make lens changes quicker and easier, the 135mm T2.2 is designed to share similar dimensions with other CN-E lenses.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-E 135mm T2.2 L F Cinema Prime Lens (EF Mount)\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTelephoto Prime for Full-Frame Format\u003c\/li\u003e\n\u003cli\u003eT2.2 Maximum Aperture with 11 Blade Iris\u003c\/li\u003e\n\u003cli\u003eMarkings on Both Sides of the Barrel\u003c\/li\u003e\n\u003cli\u003eSimilar Dimensions to Other CN-E Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - CN13522LF\u003c\/li\u003e\n\u003cli\u003eGTIN - 4960999975078\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838070673593,"sku":"126135","price":6499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/14480_m_1_8d78fbc1-fd29-46b3-800a-b110e3a75b8f.jpg?v=1775431626"},{"product_id":"canon-cn-e-14mm-t3-1-l-f-cinema-lens-ef-mount","title":"Canon CN-E 14mm T3.1 L F Cinema Lens (EF Mount)","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon CN-E 14mm T3.1 L F Cinema Lens\u003c\/strong\u003e is an ultra-wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe lens offers a maximum T stop of 3.1 and has an 11-blade iris that provides round out of focus highlights for a natural-looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe lens is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It has focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. It also has a dust and water-resistant housing to minimize maintenance.\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36° iris rotation, and focus and iris gear positions, allowing for easier lens swaps.\u003c\/p\u003e \u003cp class=\"mText\"\u003e \u003c\/p\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-E 14mm T3.1 L F Cinema Lens (EF Mount)\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eCovers Full Frame and Super 35 sensors\u003c\/li\u003e \u003cli\u003e11-blade iris\u003c\/li\u003e \u003cli\u003eFocus breathing minimized to virtually zero\u003c\/li\u003e \u003cli\u003eDistance markings on both sides of the barrel\u003c\/li\u003e \u003cli\u003eRear markings on an angled surface\u003c\/li\u003e \u003cli\u003eSmooth, stepless 300° focus ring\u003c\/li\u003e \u003cli\u003eThe geared manual iris ring\u003c\/li\u003e \u003cli\u003eShares 114mm front barrel diameter, focus rotation, 36° iris rotation, and focus and iris gear positions with the rest of the CN-E line-up\u003c\/li\u003e \u003cli\u003eGlass construction counteracts temperature-induced marking discrepancies\u003c\/li\u003e \u003cli\u003eDust and water-resistant housing\u003c\/li\u003e \u003cli\u003eFocus markings can be switched to metric labelling if you send the lens to Canon for modification\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - CN1431LF\u003c\/li\u003e \u003cli\u003eGTIN - 635492501966\u003c\/li\u003e \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838071001273,"sku":"124478","price":6799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/canon_cn-e_14mm_t3.1_l_f_01.jpg?v=1775431627"},{"product_id":"canon-cn-e-20mm-t1-5-l-f-cinema-lens-ef-mount","title":"Canon CN-E 20mm T1.5 L F Cinema Lens (EF Mount)","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon CN-E 20mm T1.5 L F \u003c\/strong\u003e is a manual focus prime lens that covers Full Frame and Super 35 sensor formats. The lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round, out-of-focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe lens features standard cine lens gears and is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It's dual focus, with markings on both sides of the barrel. The rear markings are on an angled surface, making it readable form either side of the camera. It also has a dust- and water-resistant housing to minimize maintenance during normal use.\u003c\/p\u003e \u003cp\u003e      \u003c\/p\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-E 20mm T1.5 L F  \u003c\/h2\u003e \u003cul\u003e \u003cli\u003eCovers Full Frame and Super 35 sensors\u003c\/li\u003e \u003cli\u003e11-blade iris\u003c\/li\u003e \u003cli\u003eFocus breathing minimized to virtually zero\u003c\/li\u003e \u003cli\u003eMarkings on both sides of the barrel\u003c\/li\u003e \u003cli\u003eRear markings on an angled surface\u003c\/li\u003e \u003cli\u003eSmooth, stepless 300° focus ring\u003c\/li\u003e \u003cli\u003eGeared manual iris ring\u003c\/li\u003e \u003cli\u003eShares 114mm front barrel diameter, focus rotation, 36° iris rotation, and focus and iris gear positions with the rest of the CN-E line-up\u003c\/li\u003e \u003cli\u003eGlass construction counteracts temperature induced marking discrepancies\u003c\/li\u003e \u003cli\u003eDust and water-resistant housing\u003c\/li\u003e \u003cli\u003eFocus markings can be switched to metric labeling if you send the lens to Canon for modification\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - CN-E20MM L F\u003c\/li\u003e \u003cli\u003eGTIN - 4549292123685\u003c\/li\u003e \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838071427257,"sku":"130534","price":7199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/ezgif.com-webp-to-jpg_-_2023-07-20t080522.084_9e6dbaaf-e8e8-4a40-8b9d-96e82d9ee983.jpg?v=1775431629"},{"product_id":"canon-cn-e-24mm-t1-5-l-f-cinema-lens-ef-mount","title":"Canon CN-E 24mm T1.5 L F Cinema Lens (EF Mount)","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon CN-E 24mm T1.5 L F Cinema Prime Lens\u003c\/strong\u003e is a wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe lens is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It's dual focus with markings on both sides of the barrel, with the rear markings on an angled surface, making it readable form either side of the camera. It also has a dust and water resistant housing to minimize maintenance during normal use.\u003c\/p\u003e       \u003cbr\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-E 24mm T1.5 L F Cinema Prime Lens\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eWide-Angle Cine Lens\u003c\/li\u003e \u003cli\u003eCovers Full Frame \u0026amp; Super 35 Sensors\u003c\/li\u003e \u003cli\u003eT1.5 Maximum Aperture\u003c\/li\u003e \u003cli\u003e11-Blade Iris\u003c\/li\u003e \u003cli\u003eBreathing Minimized Virtually to Zero\u003c\/li\u003e \u003cli\u003eDual Focus Markings\u003c\/li\u003e \u003cli\u003eStepless 300° Focus Rotation\u003c\/li\u003e \u003cli\u003eSame Gear Positions as Other CN-E Models\u003c\/li\u003e \u003cli\u003eDust and Water Resistant Housing\u003c\/li\u003e \u003c\/ul\u003e \u003cbr\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - CN-E24MM T1.5 L F\u003c\/li\u003e \u003cli\u003eGTIN - 013803151152\u003c\/li\u003e \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838071492793,"sku":"126136","price":5899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/ezgif.com-webp-to-jpg_-_2023-07-19t132242.441_210adc51-f7ee-49e8-917d-87a586f32fbe.jpg?v=1775431630"},{"product_id":"canon-cn-e-24mm-t1-5-fp-x-sumire-cinema-lens-pl-mount","title":"Canon CN-E 24mm T1.5 FP X Sumire Cinema Lens (PL Mount)","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon CN-E 24mm T1.5 FP X Sumire Cinema Lens (PL Mount)\u003c\/strong\u003e is a manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 24mm offers a maximum T-stop of 1.5 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300° smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe lens is designed to minimize focus breathing. It offers focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier to see them in dim conditions. All lenses in the Sumire series share the same 114mm front barrel diameter, focus rotation, and focus and iris gear positions, allowing for easier lens swaps.\u003c\/p\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-E 24mm T1.5 FP X Sumire Cinema Lens (PL Mount)\u003c\/h2\u003e \u003cul\u003e \u003cli\u003e4K Cine Lens\u003c\/li\u003e \u003cli\u003eNuanced Image Characteristics\u003c\/li\u003e \u003cli\u003eMinimized Focus Breathing\u003c\/li\u003e \u003cli\u003eSame Gear Positions Among Sumire Primes\u003c\/li\u003e \u003cli\u003eCovers Full Frame \u0026amp; Super 35 Sensors\u003c\/li\u003e \u003cli\u003eT1.5 Maximum Aperture, 11-Blade Iris\u003c\/li\u003e \u003cli\u003eDual Focus Markings on Angled Surfaces\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - CN-E24MM T1.5 FP X SUMIRE LENS\u003c\/li\u003e \u003cli\u003eGTIN - 4549292130881\u003c\/li\u003e \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838071591097,"sku":"153671","price":10999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/1554281439_1470892_7da2f5c1-098e-4cf4-b965-1388a2b7bd9f.jpg?v=1775431631"},{"product_id":"canon-cn-e-50mm-t1-3-fp-x-sumire-cinema-lens-pl-mount","title":"Canon CN-E 50mm T1.3 FP X Sumire Cinema Lens (PL Mount)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cstyle\u003e\n        h2.h2Lit {padding-block-start: 0.6rem;margin-block-end: 0.5rem;}\n        .gText h2, .gText3 h2, .gText4 h2, .gText5 h2 {line-height:0.7;}\n        h2.lh1 {line-height: 1;}\n        h3.uLit {padding-top: 1rem; margin-bottom: -0.2rem;}\n        span.h2Lit, .h1Lit {color: #ff6600; font-weight: bold;}\n        .h1Lit {font-size: large;}\n        span.h2Lit, p.mText, blockquote.descQ {font-size: medium;}\n        blockquote.descQ footer {font-size: small; }\n        blockquote.descQ {background-color: rgb(237, 237, 237); padding: 0.5rem; width: 80%;}\n        blockquote.descQ p{padding: 0.5rem 0.5rem 0 0.5rem;}\n        Ul.mpn {color: #888888;}\n        span.ind{padding-left: 1rem;}\n        table.descTable tr {vertical-align: top;}\n        table.descTable th, table.descTable td {width: 50%; text-align: left; padding: 0 1rem 0 1rem;}\n        table.descTable th {padding-top:1.5rem;}\n        table.bTable {width: auto;}\n        table.bTable th {text-align: left; padding-top:1rem; padding-bottom: 1rem; width: auto; font-size: 1vw;}\n            .bDs {padding:0.5rem; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n            @media only screen and (min-width:200px) and (max-width:1000px) {\n                table.bTable th {font-size:3vw;}\n            }\n        .gText div, .gText3 div, .gText4 div, .gText5 div {padding:1rem;}\n        .gText {display:grid; grid-template-columns: repeat(auto-fill,minmax(50%, 1fr));}\n        .gText3 {display:grid; grid-template-columns: repeat(auto-fill,minmax(33.33%, 1fr));}\n        .gText4 {display:grid; grid-template-columns: repeat(auto-fill,minmax(25%, 1fr));}\n        .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(20%, 1fr));}\n                @media only screen and (min-width:200px) and (max-width:1000px) {\n                        .gText, .gText3, .gText4, .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(100%, 1fr));}\n            }\n        .bDs1 {width:fit-content; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n        .iDs1 {padding: 0.7rem;}\n        .l1div {border-bottom: 0.1rem solid #000;}\n        .dBor {padding:1rem;border:0.1rem solid #000;}\n            .dMobile {border-top: solid .3rem #000; border-radius: 1rem; box-shadow: #000 0.1rem 0.1rem 0.3rem;}\n            .dMobi {padding-left: 1rem; padding-right: 1rem;}\n            u.h1Lit {font-size: large;}\n        .aquaList li {padding-top: 0.5rem;}\n        .aquaList li::first-line {font-weight: bolder;}\n    \u003c\/style\u003e\n\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon CN-E 50mm T1.3 FP X Sumire Cinema Lens (PL Mount) \u003c\/strong\u003e is a manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 50mm offers a maximum T-stop of 1.3 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300° smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe lens is designed to minimize focus breathing. It offers focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier to see them in dim conditions. All lenses in the Sumire series share the same 114mm front barrel diameter, focus rotation, and focus and iris gear positions, allowing for easier lens swaps. .\u003c\/p\u003e\n\u003cp\u003e     \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-E 50mm T1.3 FP X Sumire Cinema Lens (PL Mount) \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e4K Cine Lens\u003c\/li\u003e\n\u003cli\u003eCovers Full Frame \u0026amp; Super 35 Sensors\u003c\/li\u003e\n\u003cli\u003eNuanced Image Characteristics\u003c\/li\u003e\n\u003cli\u003eT1.3 Maximum Aperture, 11-Blade Iris\u003c\/li\u003e\n\u003cli\u003eMinimized Focus Breathing\u003c\/li\u003e\n\u003cli\u003eDual Focus Markings on Angled Surfaces\u003c\/li\u003e\n\u003cli\u003eSame Gear Positions Among Sumire Primes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - CN-E50MM T1.3 FP X SUMIRE LENS\u003c\/li\u003e\n\u003cli\u003eGTIN - 4549292131086\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838071722169,"sku":"153673","price":10599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/1554281439_1470894.jpg?v=1775431632"},{"product_id":"canon-cn-e-85mm-t1-3-l-f-cinema-lens-ef-mount","title":"Canon CN-E 85mm T1.3 L F Cinema Lens (EF Mount)","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon CN-E 85mm T1.3 L F \u003c\/strong\u003e is an EF-mount standard-width lens for Canon's C-series cinema cameras, for full-frame EOS DSLRs, and for any video-capable cameras that accept EF-mount lenses.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe aperture is a fast 1.3 and lets you get superior shots in low light. The diaphragm is made up of 11-blades and is as round as can be, and along with the fast aperture it can produce impressive bokeh and beautiful circular highlights. The diaphragm ring is stepless, is super-smooth, and is fully manual, even when used with a DSLR, offering evermore accurate handle.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe CN-E 50 was released with two complementary relatives -- the CN-E 24mm and CN-E 85mm. All three lenses share the same front diameter, form factor, optical design, placement of gear rings, and mechanical construction. Because of the identical characteristics, one lens can be swapped with another easily, even when geared accessories are involved.\u003c\/p\u003e\n      \u003cbr\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-E 85mm T1.3 L F\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEF Mount Prime Designed for Cine-Use\u003c\/li\u003e\n\u003cli\u003eFor Canon C-Series and Full-Frame DSLRs\u003c\/li\u003e\n\u003cli\u003e11-Blade Rounded Diaphragm\u003c\/li\u003e\n\u003cli\u003eStepless and Manual Diaphragm Ring\u003c\/li\u003e\n\u003cli\u003e300? Barrel Rotation\u003c\/li\u003e\n\u003cli\u003eSupports 4K Recording Quality\u003c\/li\u003e\n\u003cli\u003eSuperb Available Light Performance\u003c\/li\u003e\n\u003cli\u003eStrong Bokeh and Circular Highlights\u003c\/li\u003e\n\u003cli\u003eSwaps Easily with 24 and 85mm Relatives\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - CN8513LF\u003c\/li\u003e\n\u003cli\u003eGTIN - 013803151176\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838071853241,"sku":"126139","price":5899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/14484_q_1_71bdf7a3-f0ca-4882-8d20-7cda5bb65f0f.jpg?v=1775431633"},{"product_id":"canon-cn-e-50mm-t1-3-l-f-cinema-lens-ef-mount","title":"Canon CN-E 50mm T1.3 L F Cinema Lens (EF Mount)","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon CN-E 50mm T1.3 L F Cine Lens\u003c\/strong\u003e is an EF-mount standard-width lens for Canon's C-series cinema cameras, for full-frame EOS DSLRs, and for any video-capable cameras that accept EF-mount lenses.\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe aperture is a fast 1.3 and lets you get superior shots in low light. The diaphragm is made up of 11-blades and is as round as can be, and along with the fast aperture it can produce impressive bokeh and beautiful circular highlights. The diaphragm ring is stepless, is super-smooth, and is fully manual, even when used with a DSLR, offering evermore accurate handle.\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe CN-E 50 was released with two complementary relatives -- the CN-E 24mm and CN-E 85mm. All three lenses share the same front diameter, form factor, optical design, placement of gear rings, and mechanical construction. Because of the identical characteristics, one lens can be swapped with another easily, even when geared accessories are involved.\u003c\/p\u003e      \u003cbr\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-E 50mm T1.3 L F Cine Lens\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eEF Mount Prime Designed for Cine-Use\u003c\/li\u003e \u003cli\u003eFor Canon C-Series and Full-Frame DSLRs\u003c\/li\u003e \u003cli\u003e11-Blade Rounded Diaphragm \u003c\/li\u003e\n\u003cli\u003eStepless and Manual Diaphragm Ring \u003c\/li\u003e\n\u003cli\u003e300? Barrel Rotation \u003c\/li\u003e\n\u003cli\u003eSupports 4K Recording Quality \u003c\/li\u003e\n\u003cli\u003eSuperb Available Light Performance \u003c\/li\u003e\n\u003cli\u003eStrong Bokeh and Circular Highlights \u003c\/li\u003e\n\u003cli\u003eSwaps Easily with 24 and 85mm Relatives \u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - CN5013LF(AB)\u003c\/li\u003e \u003cli\u003eGTIN - 013803151169\u003c\/li\u003e \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838071918777,"sku":"126138","price":5899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/ezgif.com-webp-to-jpg_-_2023-07-19t134119.903_9d7cea5e-0842-4348-8b26-cdc0a490e2be.jpg?v=1775431635"},{"product_id":"canon-cn-r-135mm-t2-2-l-f-cinema-prime-lens-canon-rf","title":"Canon CN-R 135mm T2.2 L F Cinema Prime Lens (Canon RF)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cstyle\u003e\n        h2.h2Lit {padding-block-start: 0.6rem;margin-block-end: 0.5rem;}\n        .gText h2, .gText3 h2, .gText4 h2, .gText5 h2 {line-height:0.7;}\n        h2.lh1 {line-height: 1;}\n        h3.uLit {padding-top: 1rem; margin-bottom: -0.2rem;}\n        span.h2Lit, .h1Lit {color: #ff6600; font-weight: bold;}\n        .h1Lit {font-size: large;}\n        span.h2Lit, p.mText, blockquote.descQ {font-size: medium;}\n        blockquote.descQ footer {font-size: small; }\n        blockquote.descQ {background-color: rgb(237, 237, 237); padding: 0.5rem; width: 80%;}\n        blockquote.descQ p{padding: 0.5rem 0.5rem 0 0.5rem;}\n        Ul.mpn {color: #888888;}\n        span.ind{padding-left: 1rem;}\n        table.descTable tr {vertical-align: top;}\n        table.descTable th, table.descTable td {width: 50%; text-align: left; padding: 0 1rem 0 1rem;}\n        table.descTable th {padding-top:1.5rem;}\n        table.bTable {width: auto;}\n        table.bTable th {text-align: left; padding-top:1rem; padding-bottom: 1rem; width: auto; font-size: 1vw;}\n            .bDs {padding:0.5rem; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n            @media only screen and (min-width:200px) and (max-width:1000px) {\n                table.bTable th {font-size:3vw;}\n            }\n        .gText div, .gText3 div, .gText4 div, .gText5 div {padding:1rem;}\n        .gText {display:grid; grid-template-columns: repeat(auto-fill,minmax(50%, 1fr));}\n        .gText3 {display:grid; grid-template-columns: repeat(auto-fill,minmax(33.33%, 1fr));}\n        .gText4 {display:grid; grid-template-columns: repeat(auto-fill,minmax(25%, 1fr));}\n        .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(20%, 1fr));}\n                @media only screen and (min-width:200px) and (max-width:1000px) {\n                        .gText, .gText3, .gText4, .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(100%, 1fr));}\n            }\n        .bDs1 {width:fit-content; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n        .iDs1 {padding: 0.7rem;}\n        .l1div {border-bottom: 0.1rem solid #000;}\n        .dBor {padding:1rem;border:0.1rem solid #000;}\n            .dMobile {border-top: solid .3rem #000; border-radius: 1rem; box-shadow: #000 0.1rem 0.1rem 0.3rem;}\n            .dMobi {padding-left: 1rem; padding-right: 1rem;}\n            u.h1Lit {font-size: large;}\n        .aquaList li {padding-top: 0.5rem;}\n        .aquaList li::first-line {font-weight: bolder;}\n    \u003c\/style\u003e\n\u003cp class=\"mText\"\u003eAt \u003cstrong class=\"h1Lit\"\u003eCanon CN-R 135mm T2.2 L F Cinema Prime Lens (Canon RF) \u003c\/strong\u003e this medium telephoto lens offers a greater reach for frame-filling views and delivers spectacular 8K image quality with superb speed and control.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eHarness the power of the RF mount with cutting-edge optical performance, shallow depth of field and accurate colour reproduction in a series of compact and robust lenses. Canon CN-R Prime lenses make your world cinematic.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eOffering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well suited for professional video productions including drama, documentaries and music videos.\u003c\/p\u003e\n\u003cp\u003e    \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-R 135mm T2.2 L F Cinema Prime Lens (Canon RF) \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRF Mount cinema lenses for professional productions\u003c\/li\u003e\n\u003cli\u003eUncompromised full frame creativity\u003c\/li\u003e\n\u003cli\u003eExceptional optical performance\u003c\/li\u003e\n\u003cli\u003eMechanical precision in a compact design\u003c\/li\u003e\n\u003cli\u003eRefined ergonomics, redefined handling\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eRF Mount cinema lenses for professional productions\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eStep into cinematic filmmaking with a range of RF Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eUncompromised full frame creativity\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eBring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eExceptional optical performance\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eMeet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eMechanical precision in a compact design\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWith a smooth and consistent 300-degree focus rotation, consistent gear positions \/ front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eRefined ergonomics, redefined handling\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eConfidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eConsistent Diameters\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFront Diameter supports matte boxes of 114mm, Filter diameter of 105mm (excl. CN-R14mm T3.1 L F)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eHigh-speed Communication\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eOffering faster communication for advanced metadata support, and expanded functionality for Dual Pixel Focus Guide, Distortion Correction, and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eConsistent Gear Positions\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003ePerfect for 4K, 8K, and HDR Productions\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eBright T-Stops\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eShoot with confidence in low-light environments, and obtain shallower depth of field\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eReduced Focus Breathing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eAllowing the angle of view to remain the same when changing the focus distance\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eHigh Quality Optics\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCapture exceptional clarity with accurate colour perfect for 4K, 8K, and HDR Productions\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003ePrecise Focusing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e300 rotation for greater precision\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCinematic Bokeh \/ Diffused Highlights\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e11 aperture blades offer artistically pleasing light rays and shallow depth of field\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - CN-R135MM T2.2 L F\u003c\/li\u003e\n\u003cli\u003eGTIN - 4549292226157\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838072082617,"sku":"155768","price":7199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/canon_cn-r_135mm_t2.2_l_f_cinema_prime_lens_canon_rf_01.jpg?v=1775431636"},{"product_id":"canon-cn-r-14mm-t3-1-l-f-cinema-prime-lens-canon-rf","title":"Canon CN-R 14mm T3.1 L F Cinema Prime Lens (Canon RF)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cstyle\u003e\n        h2.h2Lit {padding-block-start: 0.6rem;margin-block-end: 0.5rem;}\n        .gText h2, .gText3 h2, .gText4 h2, .gText5 h2 {line-height:0.7;}\n        h2.lh1 {line-height: 1;}\n        h3.uLit {padding-top: 1rem; margin-bottom: -0.2rem;}\n        span.h2Lit, .h1Lit {color: #ff6600; font-weight: bold;}\n        .h1Lit {font-size: large;}\n        span.h2Lit, p.mText, blockquote.descQ {font-size: medium;}\n        blockquote.descQ footer {font-size: small; }\n        blockquote.descQ {background-color: rgb(237, 237, 237); padding: 0.5rem; width: 80%;}\n        blockquote.descQ p{padding: 0.5rem 0.5rem 0 0.5rem;}\n        Ul.mpn {color: #888888;}\n        span.ind{padding-left: 1rem;}\n        table.descTable tr {vertical-align: top;}\n        table.descTable th, table.descTable td {width: 50%; text-align: left; padding: 0 1rem 0 1rem;}\n        table.descTable th {padding-top:1.5rem;}\n        table.bTable {width: auto;}\n        table.bTable th {text-align: left; padding-top:1rem; padding-bottom: 1rem; width: auto; font-size: 1vw;}\n            .bDs {padding:0.5rem; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n            @media only screen and (min-width:200px) and (max-width:1000px) {\n                table.bTable th {font-size:3vw;}\n            }\n        .gText div, .gText3 div, .gText4 div, .gText5 div {padding:1rem;}\n        .gText {display:grid; grid-template-columns: repeat(auto-fill,minmax(50%, 1fr));}\n        .gText3 {display:grid; grid-template-columns: repeat(auto-fill,minmax(33.33%, 1fr));}\n        .gText4 {display:grid; grid-template-columns: repeat(auto-fill,minmax(25%, 1fr));}\n        .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(20%, 1fr));}\n                @media only screen and (min-width:200px) and (max-width:1000px) {\n                        .gText, .gText3, .gText4, .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(100%, 1fr));}\n            }\n        .bDs1 {width:fit-content; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n        .iDs1 {padding: 0.7rem;}\n        .l1div {border-bottom: 0.1rem solid #000;}\n        .dBor {padding:1rem;border:0.1rem solid #000;}\n            .dMobile {border-top: solid .3rem #000; border-radius: 1rem; box-shadow: #000 0.1rem 0.1rem 0.3rem;}\n            .dMobi {padding-left: 1rem; padding-right: 1rem;}\n            u.h1Lit {font-size: large;}\n        .aquaList li {padding-top: 0.5rem;}\n        .aquaList li::first-line {font-weight: bolder;}\n    \u003c\/style\u003e\n\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon CN-R 14mm T3.1 L F Cinema Prime Lens (Canon RF) \u003c\/strong\u003e renders crisp images with rich contrast. An 11-blade iris and maximum T3.1 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e\n\u003cp\u003e     \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-R 14mm T3.1 L F Cinema Prime Lens (Canon RF) \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRF Mount Prime Designed for Cine Use\u003c\/li\u003e\n\u003cli\u003eFor Full-Frame Sensors\u003c\/li\u003e\n\u003cli\u003e11-Blade Iris, Multicoated Lens\u003c\/li\u003e\n\u003cli\u003e8K HDR Image Capture\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e8K HDR Image Capture\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSelect Camera Compatibility \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eIntuitive Lens Switching \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCommon gearing positions, 114mm front diameter, and shared focus rotation range ensure consistency across the lens series. Use the same follow focus system, matte box, or other tools, no matter the focal length mounted on your camera.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - CN-R14MM T3.1 L F\u003c\/li\u003e\n\u003cli\u003eGTIN - 4549292225549\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838072311993,"sku":"155769","price":7299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/1694508361_1786687_1__2_c055a912-01df-4171-8729-1a8146c1591f.jpg?v=1775431637"},{"product_id":"canon-cn-r-20mm-t1-5-l-f-cinema-prime-lens-canon-rf","title":"Canon CN-R 20mm T1.5 L F Cinema Prime Lens (Canon RF)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cstyle\u003e\n        h2.h2Lit {padding-block-start: 0.6rem;margin-block-end: 0.5rem;}\n        .gText h2, .gText3 h2, .gText4 h2, .gText5 h2 {line-height:0.7;}\n        h2.lh1 {line-height: 1;}\n        h3.uLit {padding-top: 1rem; margin-bottom: -0.2rem;}\n        span.h2Lit, .h1Lit {color: #ff6600; font-weight: bold;}\n        .h1Lit {font-size: large;}\n        span.h2Lit, p.mText, blockquote.descQ {font-size: medium;}\n        blockquote.descQ footer {font-size: small; }\n        blockquote.descQ {background-color: rgb(237, 237, 237); padding: 0.5rem; width: 80%;}\n        blockquote.descQ p{padding: 0.5rem 0.5rem 0 0.5rem;}\n        Ul.mpn {color: #888888;}\n        span.ind{padding-left: 1rem;}\n        table.descTable tr {vertical-align: top;}\n        table.descTable th, table.descTable td {width: 50%; text-align: left; padding: 0 1rem 0 1rem;}\n        table.descTable th {padding-top:1.5rem;}\n        table.bTable {width: auto;}\n        table.bTable th {text-align: left; padding-top:1rem; padding-bottom: 1rem; width: auto; font-size: 1vw;}\n            .bDs {padding:0.5rem; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n            @media only screen and (min-width:200px) and (max-width:1000px) {\n                table.bTable th {font-size:3vw;}\n            }\n        .gText div, .gText3 div, .gText4 div, .gText5 div {padding:1rem;}\n        .gText {display:grid; grid-template-columns: repeat(auto-fill,minmax(50%, 1fr));}\n        .gText3 {display:grid; grid-template-columns: repeat(auto-fill,minmax(33.33%, 1fr));}\n        .gText4 {display:grid; grid-template-columns: repeat(auto-fill,minmax(25%, 1fr));}\n        .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(20%, 1fr));}\n                @media only screen and (min-width:200px) and (max-width:1000px) {\n                        .gText, .gText3, .gText4, .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(100%, 1fr));}\n            }\n        .bDs1 {width:fit-content; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n        .iDs1 {padding: 0.7rem;}\n        .l1div {border-bottom: 0.1rem solid #000;}\n        .dBor {padding:1rem;border:0.1rem solid #000;}\n            .dMobile {border-top: solid .3rem #000; border-radius: 1rem; box-shadow: #000 0.1rem 0.1rem 0.3rem;}\n            .dMobi {padding-left: 1rem; padding-right: 1rem;}\n            u.h1Lit {font-size: large;}\n        .aquaList li {padding-top: 0.5rem;}\n        .aquaList li::first-line {font-weight: bolder;}\n    \u003c\/style\u003e\n\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon CN-R 20mm T1.5 L F Cinema Prime Lens (Canon RF) \u003c\/strong\u003erenders crisp images with rich contrast. An 11-blade iris and maximum T1.5 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003e \u003c\/p\u003e\n\u003cp class=\"mText\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-R 20mm T1.5 L F Cinema Prime Lens (Canon RF) \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRF Mount Prime Designed for Cine Use\u003c\/li\u003e\n\u003cli\u003eFor Full-Frame Sensors\u003c\/li\u003e\n\u003cli\u003e11-Blade Iris, Multicoated Lens\u003c\/li\u003e\n\u003cli\u003e8K HDR Image Capture\u003c\/li\u003e\n\u003cli\u003eDual-Pixel Focus Guide, Metadata Capture\u003c\/li\u003e\n\u003cli\u003e300° Focus Rotation\u003c\/li\u003e\n\u003cli\u003eDistortion Correction with Select Cams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e8K HDR Image Capture \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSelect Camera Compatibility \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eIntuitive Lens Switching \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCommon gearing positions, 114mm front diameter, 105mm filter diameter, and shared focus rotation range ensure consistency across the lens series. Use the same follow focus system, matte box, lens filters, or other tools, no matter the focal length mounted on your camera.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - CN-R20MM T1.5 L F\u003c\/li\u003e\n\u003cli\u003eGTIN - 4549292225648\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838072606905,"sku":"155770","price":7299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/1694508361_1786688_1_92f528a8-ccfb-4426-9861-30a7f64a719c.jpg?v=1775431638"},{"product_id":"canon-cn-r-35mm-t1-5-l-f-cinema-prime-lens-canon-rf","title":"Canon CN-R 35mm T1.5 L F Cinema Prime Lens (Canon RF)","description":"\u003cp class=\"mText\"\u003eThis \u003cstrong class=\"h1Lit\"\u003eCanon CN-R 35mm T1.5 L F Cinema Prime Lens (Canon RF) \u003c\/strong\u003eflattering wide-angle fixed length lens delivers 8K image quality with superb speed and control, making it ideal for corporate documentaries.\u003c\/p\u003e \u003cp class=\"mText\"\u003eHarness the power of the RF mount with cutting-edge optical performance, shallow depth of field and accurate colour reproduction in a series of compact and robust lenses. Canon CN-R Prime lenses make your world cinematic.\u003c\/p\u003e \u003cp class=\"mText\"\u003eOffering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well suited for professional video productions including drama, documentaries and music videos.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-R 35mm T1.5 L F Cinema Prime Lens (Canon RF) \u003c\/h2\u003e \u003cul\u003e \u003cli\u003eRF Mount cinema lenses for professional productions\u003c\/li\u003e \u003cli\u003eUncompromised full frame creativity\u003c\/li\u003e \u003cli\u003eExceptional optical performance\u003c\/li\u003e \u003cli\u003eMechanical precision in a compact design\u003c\/li\u003e \u003cli\u003eRefined ergonomics, redefined handling\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cdiv class=\"gText\"\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eRF Mount cinema lenses for professional productions\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eStep into cinematic filmmaking with a range of RF Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction.\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eUncompromised full frame creativity\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eBring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility.\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eExceptional optical performance\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eMeet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction.\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eMechanical precision in a compact design\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eWith a smooth and consistent 300-degree focus rotation, consistent gear positions \/ front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions.\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eRefined ergonomics, redefined handling\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eConfidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eConsistent Diameters\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eFront Diameter supports matte boxes of 114mm, Filter diameter of 105mm (excl. CN-R14mm T3.1 L F)\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eHigh-speed Communication\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eOffering faster communication for advanced metadata support, and expanded functionality for Dual Pixel Focus Guide, Distortion Correction, and more.\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eConsistent Gear Positions\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003ePerfect for 4K, 8K, and HDR Productions\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eBright T-Stops\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eShoot with confidence in low-light environments, and obtain shallower depth of field\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eReduced Focus Breathing\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eAllowing the angle of view to remain the same when changing the focus distance\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eHigh Quality Optics\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eCapture exceptional clarity with accurate colour perfect for 4K, 8K, and HDR Productions\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003ePrecise Focusing\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003e300 rotation for greater precision\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCinematic Bokeh \/ Diffused Highlights\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003e11 aperture blades offer artistically pleasing light rays and shallow depth of field\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cp\u003e \u003c\/p\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - CN-R35MM T1.5 L F\u003c\/li\u003e \u003cli\u003eGTIN - 4549292225846\u003c\/li\u003e \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838072803513,"sku":"155772","price":6699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/canon_cn-r_35mm_t1.5_l_f_cinema_prime_lens_canon_rf_01_fa5e0e8b-61f4-4a75-a509-6238f3f6af6a.jpg?v=1775431640"},{"product_id":"canon-cn-r-50mm-t1-3-l-f-cinema-prime-lens-canon-rf","title":"Canon CN-R 50mm T1.3 L F Cinema Prime Lens (Canon RF)","description":"\u003cp class=\"mText\"\u003eSuited for full-frame cinema cameras with RF lens mount compatibility, the \u003cstrong class=\"h1Lit\"\u003eCanon CN-R 50mm T1.3 L F Cinema Prime Lens\u003c\/strong\u003e renders crisp images with rich contrast. An 11-blade iris and maximum T1.3 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-R 50mm T1.3 L F Cinema Prime Lens (Canon RF)\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eRF Mount Prime Designed for Cine Use\u003c\/li\u003e \u003cli\u003eFor Full-Frame Sensors\u003c\/li\u003e \u003cli\u003e11-Blade Iris, Multicoated Lens\u003c\/li\u003e \u003cli\u003e8K HDR Image Capture\u003c\/li\u003e \u003cli\u003eDual-Pixel Focus Guide, Metadata Capture\u003c\/li\u003e \u003cli\u003e300° Focus Rotation\u003c\/li\u003e \u003cli\u003eDistortion Correction with Select Cams\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"gText\"\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e8K HDR Image Capture\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality colour rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Colour reproduction is consistent across the series, minimizing the need for colour correction in posts. The 8K chromatic aberration correction reduces colour bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSelect Camera Compatibility\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eIntuitive Lens Switching\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eCommon gearing positions, 114mm front diameter, 105mm filter diameter, and shared focus rotation range ensure consistency across the lens series. Use the same follow-focus system, matte box, lens filters, or other tools, no matter the focal length mounted on your camera.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cp\u003e \u003c\/p\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - CN-R50MM T1.3 L F\u003c\/li\u003e \u003cli\u003eGTIN - 4549292225945\u003c\/li\u003e \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838072934585,"sku":"155773","price":6699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/cn-r50mm_t1.3_l_f_01_61a641cd-15d4-4337-9119-b0ecbb2812d9.jpg?v=1775431641"},{"product_id":"canon-cn-r-24mm-t1-5-l-f-cinema-prime-lens-canon-rf","title":"Canon CN-R 24mm T1.5 L F Cinema Prime Lens (Canon RF)","description":"\u003cp class=\"mText\"\u003eSuited for full-frame cinema cameras with RF lens mount compatibility, the \u003cstrong class=\"h1Lit\"\u003eCanon CN-R 24mm T1.5 L F Cinema Prime Lens (Canon RF)\u003c\/strong\u003e renders crisp images with rich contrast. An 11-blade iris and maximum T1.5 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.\u003c\/p\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-R 24mm T1.5 L F Cinema Prime Lens (Canon RF)\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eRF Mount Prime Designed for Cine Use\u003c\/li\u003e \u003cli\u003eFor Full-Frame Sensors\u003c\/li\u003e \u003cli\u003e11-Blade Iris, Multicoated Lens\u003c\/li\u003e \u003cli\u003e8K HDR Image Capture\u003c\/li\u003e \u003cli\u003eDual-Pixel Focus Guide, Metadata Capture\u003c\/li\u003e \u003cli\u003e300° Focus Rotation\u003c\/li\u003e \u003cli\u003eDistortion Correction with Select Cams\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cdiv class=\"gText\"\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e8K HDR Image Capture\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSelect Camera Compatibility\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eIntuitive Lens Switching\u003c\/span\u003e\u003c\/h2\u003e \u003cp\u003eCommon gearing positions, 114mm front diameter, 105mm filter diameter, and shared focus rotation range ensure consistency across the lens series. Use the same follow focus system, matte box, lens filters, or other tools, no matter the focal length mounted on your camera.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cp\u003e \u003c\/p\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - CN-R24MM T1.5 L F\u003c\/li\u003e \u003cli\u003eGTIN - 4549292225747\u003c\/li\u003e \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838073131193,"sku":"155771","price":6899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/1694508361_1786690_1fe0943e-9421-4435-9bac-9d17d46a44bc.jpg?v=1775431642"},{"product_id":"canon-cn-r-85mm-t1-3-l-f-cinema-prime-lens-canon-rf","title":"Canon CN-R 85mm T1.3 L F Cinema Prime Lens (Canon RF)","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon CN-R 85mm T1.3 L F Cinema Prime Lens (Canon RF) \u003c\/strong\u003erenders crisp images with rich contrast. An 11-blade iris and maximum T3.1 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon CN-R 85mm T1.3 L F Cinema Prime Lens (Canon RF)\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRF Mount Prime Designed for Cine Use\u003c\/li\u003e\n\u003cli\u003eFor Full-Frame Sensors\u003c\/li\u003e\n\u003cli\u003e11-Blade Iris, Multicoated Lens\u003c\/li\u003e\n\u003cli\u003e8K HDR Image Capture\u003c\/li\u003e\n\u003cli\u003eDual-Pixel Focus Guide, Metadata Capture\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e8K HDR Image Capture\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSelect Camera Compatibility\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eIntuitive Lens Switching\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCommon gearing positions, 114mm front diameter, and shared focus rotation range ensure consistency across the lens series. Use the same follow focus system, matte box, or other tools, no matter the focal length mounted on your camera.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - CN-R85MM T1.3 L F\u003c\/li\u003e\n\u003cli\u003eGTIN - 4549292226058\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838073196729,"sku":"155774","price":6699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/1694508423_img_2079905_1_6622846b-5ed5-4c8c-8067-f0b3f78e7da9.jpg?v=1775431643"},{"product_id":"laowa-100mm-t2-9-2x-macro-apo-cine-lens-arri-pl-mount","title":"Laowa 100mm T2.9 2x Macro APO Cine Lens - Arri PL Mount","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eLaowa 100mm T2.9 2x Macro APO Cine Lens - Arri PL Mount \u003c\/strong\u003e is a macro cinema lens with 26.1°angle of view on Full Frame sensors. The large aperture of T2.9 is able to create shallower depth of field. Its 2x magnification makes it stand out from the market, offering an extra flexibility in shootings. Its stepless aperture ring offers smooth iris control. A standard 77mm filter thread is designed to mount screw-in filters easily. Industrial standard of 0.8 mod gears on both aperture and focus rings is also applied. It weighs around 957g.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Laowa 100mm T2.9 2X Macro APO Cine Lens - (Cine) - Arri PL \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 2x Magnification\u003c\/li\u003e\n\u003cli\u003eApochromat (APO) Design\u003c\/li\u003e\n\u003cli\u003eOutstanding Image Quality\u003c\/li\u003e\n\u003cli\u003eSmooth Bokeh\u003c\/li\u003e\n\u003cli\u003eInternal Focusing\u003c\/li\u003e\n\u003cli\u003eProfessional Cine-style Housing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eUp to 2x Magnification\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe 65mm \u0026amp; 100mm macro lenses can focus infinity to 2x magnification along with a minimum focusing distance of 8cm (17cm) and 7.1cm (24.7cm) respectively. A lot more details of the objects can be captured. The combination of Macro and cinema lenses is rarely to be found in the market.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eApochromat (APO) Design\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe chromatic aberration (CA) at both in-focus and out-of-focus area (Longitudinal CA) is controlled to the minimal. The photos of less CA also avoid time-consuming postproduction.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eOutstanding Image Quality\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e65mm and 100mm macro cine lens consists of 3 and 2 ELD glasses respectively. Both lenses are able to deliver stunning details and contrast from centre to corner.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSmooth Bokeh\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe 65mm and 100mm cine lens are assembled with 9 and 13 aperture blades respectively, creating round and pleasant bokeh.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eProfessional Cine-style Housing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe lens optimized the design for film and video production. Hugely improve efficiency and achieve a smoother workflow. An industrial standard of 0.8 mod gear is also applied on both apertures and focus rings. The entire enclosure of the lens is made up of metal which improves durability.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eProtective Case Inclusion\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eComes with a protective case to provide an all-rounded protection for the lens\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eExtended focus throw\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe 65mm and 100mm macro cine lens have a 270 degree and 240 degree focus throw respectively, allowing cinematographers to get more precise focus.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eStepless Aperture Ring\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eBoth lenses consist of stepless aperture ring design, allowing smooth exposure adjustment by cinematographers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDual scale (m\/ft)\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eBoth imperial and metric scales are presented on the lens body.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - VE10029PL\u003c\/li\u003e\n\u003cli\u003eGTIN - 6940486703672\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46838428860601,"sku":"149018","price":1789.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/dsc_1269_1_1.jpg?v=1775362426"},{"product_id":"laowa-12mm-t2-9-zero-d-lens-arri-pl-mount","title":"Laowa 12mm T2.9 Zero-D Lens - Arri PL Mount","description":"\u003cp class=\"mText\"\u003eThe ARRI PL mount \u003cspan class=\"h1Lit\"\u003eLaowa 12mm T2.9 Zero-D Lens - Arri PL Mount\u003c\/span\u003e provides a wide, 122° angle of view well suited for outdoor and landscape shots and in tight interior locations, and it is optimized for digital cinematography. It is so lightweight and compact that it can be used not only with handheld shooting, it is also light enough for use on gimbals. The lens produces an image circle that will cover full-frame, VistaVision, and ARRI ALEXA LF sized sensors or smaller.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe 12mm cine lens features a maximum aperture of T2.9 with 16 elements in 10 groups. Its 7-blade aperture provides a soft, pleasing bokeh, a shallow depth of field with little to no distortion, and a 18cm close focus distance. The focus and aperture rings feature industry-standard 0.8 pitch gearing that will accommodate standard cine follow focus motors. The 102mm front diameter can be stepped up to 114mm with the included adapter to fit industry-standard matte boxes to prevent glare and reflection, as well as to add filters. Focus, aperture, and depth of field markings are in feet on the side of the lens to aid focus pullers.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eIn addition to the 114mm step-up adapter ring, a shim set is included for calibration, and a hard-shell Pelican case with custom foam is included to protect and transport the lens.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e This is a Metric version of this lens. It features focus markings in meters.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Laowa 12mm T2.9 Zero-D Lens - Arri PL Mount\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eUltra wide-angle 12mm T2.9 prime designed for EF mount cine cameras with up to full-frame\/VistaVision\/ALEXA LF sensor\u003c\/li\u003e\n\u003cli\u003eDesigned with 16 elements in 10 groups, low distortion, and 7-blade iris\u003c\/li\u003e\n\u003cli\u003eClose to zero distortion\u003c\/li\u003e\n\u003cli\u003e102mm front diameter with 114mm step-up adapter ring to fit industry-standard matte box\u003c\/li\u003e\n\u003cli\u003e18cm close focus, smooth 270° focus rotation, and standard 0.8 MOD focus ring\u003c\/li\u003e\n\u003cli\u003eShim set and hard-shell Pelican case with custom foam are included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSuitable for both Large format \u0026amp; Super35 cameras\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe image circle allows cinematographers to use not only on full frame sensors (Size = 43.14mm), but also able to fill the Vista Vision sensors on RED Monstro and the sensor on Arri Alexa LF (Size @ open-gate = 44.7mm) fully. The lens is also ideal for Super35-sized camera owners with the ultra-wide 17mm equivalent field of view and its future-proof decision when cinematographers need to upgrade to large format cameras.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSuper compact \u0026amp; lightweight\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThis 12mm lens is extremely compact and lightweight despite of the extreme specifications. It measures 3.4” (87mm) long and weighs less than 1.5 lb (675g). It can be easily fitted onto any sorts of stabilizations system including handheld gimbals.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eClose-to-zero distortion\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe optical distortion of ultra-wide angle lens will never be a nightmare for DoP. The distortion rate of good wide angle lenses in the market ranges from 2-4%. Venus Optics, however, are able to compress the distortion to a close-to-zero level. In fact, the ‘Zero-D’ claim had been validated by many existing Laowa lenses owners from all around the world.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eExtreme close focusing distance\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe lens able to focus at an extremely close focusing distance. It can focus anywhere from 18cm away from sensor (10cm from front element) all the way to infinity. No diopter will be needed in this case. Wide angle lenses usually create a ‘flat’ image with very deep DOF but with this close focusing ability and a fast t-stop, Laowa 12mm is able to create some unique wide \u0026amp; shallow DOF look with pleasing bokeh.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eRobust and professional cinema housing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eDesigned with standard 0.8 mod gears on both aperture and focusing rings for easy installation of follow-focus system. An extended 270° smooth focus throw is designed for accruate focus pulling. The entire enclosure of the lens is made up of aluminum alloy.\u003c\/p\u003e\n\u003cp\u003eA 114mm step-ring is included in the package to expand the front diameter to fit with industry sized matte box. Venus Optics have tested with a number of matte boxes in the market and it is still free of vignetting on VV sensor with the matte box installed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - VE1229PL\u003c\/li\u003e\n\u003cli\u003eGTIN - 6940486700831\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46838431416505,"sku":"134419","price":2719.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/1429201195_1104182_1_2.jpg?v=1775362495"},{"product_id":"laowa-15mm-t2-1-zero-d-cine-lens-sony-fe-mount","title":"Laowa 15mm T2.1 Zero-D Cine Lens - Sony FE Mount","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e \u003cp class=\"mText\"\u003eThis exciting prime lens \u003cstrong class=\"h1Lit\"\u003e\u003cspan data-sheets-root=\"1\"\u003eLaowa 15mm T2.1 Zero-D Cine Lens - Sony FE Mount\u003c\/span\u003e \u003c\/strong\u003eis provides ultra wide-angle coverage up to 110° on Full Frame camera system. It is currently the widest T2.1 lens in the market covering large format sensor. The tiny size \u0026amp; light weight makes it a perfect companion with gimbals and run-and-gun shooting. The new Cine version comes with standard 0.8 mod gears on both aperture and focus rings. A standard 77mm filter thread is designed to mount screw-in filters easily. The lens also features a superb optical distortion control with all straight lines retained.\u003c\/p\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the \u003cspan data-sheets-root=\"1\"\u003eLaowa 15mm T2.1 Zero-D Cine Lens - Sony FE Mount\u003c\/span\u003e\n\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eE-Mount Lens, T2.1 to T22 Aperture\u003c\/li\u003e \u003cli\u003e110° Angle of View, Low Distortion\u003c\/li\u003e \u003cli\u003eCovers Full Frame\u003c\/li\u003e \u003cli\u003e5.9\" Close Focus, 0.8 MOD Cine Gears\u003c\/li\u003e \u003cli\u003e12 Elements in 9 Groups, 5-Blade Iris\u003c\/li\u003e \u003cli\u003e80mm Front Diameter, 77mm Filter Thread\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - VE1521SFECM\u003c\/li\u003e \u003cli\u003eGTIN - 4960759911247\u003c\/li\u003e \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46838433546425,"sku":"149464","price":2089.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/1593606958_1573865.jpg?v=1775362551"},{"product_id":"laowa-24mm-f-14-2x-macro-probe-lens-arri-pl-cine-mount","title":"Laowa 24mm f\/14 2x Macro Probe Lens - Arri PL Cine Mount","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Images are illustrative only. This listing is for a PL-mount version with lens gears.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt;\"\u003eDescribed as \"weird but genius,\" the PL-mount \u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003eLaowa 24mm f\/14 2x Macro Probe Lens - Arri PL Cine Mount\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e from \u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003eVenus Optics\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e is a truly unique lens designed for close-up shooting. Distinguished by its long, slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5' minimum focusing distance and a close 0.8\" minimum working distance. Even with such a close working distance, the lens measures 1.3' long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, which allows for greater detail in the background with less subject isolation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt;\"\u003eThe optical design includes both extra-low dispersion and extra refractive index elements, which help to suppress chromatic and spherical aberrations for a high degree of clarity, color accuracy, and sharpness. Manual focus control permits focusing from 1.5' to infinity, and the front of the lens has a built-in LED ring light to aid in focusing at close distances. The slim 0.2\" diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. Additionally, the front portion of the lens is waterproof, and permits working with subjects just beneath the surface of water or in other dusty or trying environments.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eKey Features of the Laowa 24mm f\/14 2x Macro Probe Lens - Arri PL Cine Mount\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eUnique macro lens design offers a greater-than-life-size 2:1 maximum magnification along with a minimum focusing distance of 1.5' and a working distance of just 0.8\".\u003c\/li\u003e\n\u003cli\u003eThe long, tubular lens barrel contributes to producing a distinct bug-eye perspective and, despite the short working distance, the length of the lens barrel places the camera at a comfortable shooting distance.\u003c\/li\u003e\n\u003cli\u003eWide-angle 24mm focal length affords greater depth of field and more surrounding detail than traditional telephoto macro designs, which tend to isolate subject matter with shallow depth of field.\u003c\/li\u003e\n\u003cli\u003eOptical design includes two extra-low dispersion elements that control color fringing and chromatic aberrations in order to produce greater clarity and color accuracy. One extra refractive index element is also featured, which reduces spherical aberrations and distortion for improved sharpness and accurate rendering.\u003c\/li\u003e\n\u003cli\u003eSlim 0.8\" front diameter allows performing unique \"slide-in\" shots as well as affords a greater range of close-up, inconspicuous shooting opportunities. The smaller front diameter also makes it easier to illuminate close-up subjects from the front.\u003c\/li\u003e\n\u003cli\u003eThe front of the lens is also waterproof, allowing you to comfortably work just under the surface of water or in dusty environments.\u003c\/li\u003e\n\u003cli\u003eThe front of the lens also has a built-in LED ring light, which is powered via a micro-USB port on the barrel, to provide some illumination on close-up subjects for easier focusing.\u003c\/li\u003e\n\u003cli\u003eDesigned for use as a close-up, macro lens, the manual focus operation also lets you focus at infinity.\u003c\/li\u003e\n\u003cli\u003eSeven-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - VE2414PL\u003c\/li\u003e\n\u003cli\u003eGTIN - 6940486700534\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46838435283129,"sku":"129356","price":2865.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/laowa_24mm_f14_2x_macro_probe_lens_arri_pl_cine_1.jpg?v=1775362601"},{"product_id":"laowa-24mm-t14-2x-periprobe-cine-lens-arri-pl-mount","title":"Laowa 24mm T14 2x Periprobe Cine Lens - Arri PL Mount","description":"\u003cp class=\"mText\"\u003eThe new \u003cstrong class=\"h1Lit\"\u003eLaowa 24mm T14 2x Periprobe Cine Lens - Arri PL Mount\u003c\/strong\u003e inherits all the features from Laowa's old probe lens. It features 85° AoV with a periscope and very close working distance for a bug-eye perspective.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003e2x magnification allows for capturing subjects of different sizes with incredible detail. Users can poke the long and waterproof barrel into tight spaces and even underwater to obtain a unique perspective.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eLED Ring Lite provides a light source super close to the subject.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eUsers can easily switch the 90° periscope back to the 0° straight scope.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe lens can rotate 360° along the axis by using the clutch mechanism to unlock the orientation ring.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eAdditional accessories can also be installed at the thread at the lens tip.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Laowa 24mm T14 2x Periprobe Cine Lens - Arri PL Mount\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e360 degree rotation clutch mechanism with 0.8 MOD gear for smooth perspective movements\u003c\/li\u003e\n\u003cli\u003eInterchangeable lens tube with direct view module included\u003c\/li\u003e\n\u003cli\u003e1\/4\" threaded tip for mounting accessories or as a point for stabilisation\u003c\/li\u003e\n\u003cli\u003eBigger than life size 85 \"bug-eye perspective’\" with a working distance of 2cm at 2x magnification\u003c\/li\u003e\n\u003cli\u003eDeep depth of field\u003c\/li\u003e\n\u003cli\u003e40cm long, tubular lens barrel\u003c\/li\u003e\n\u003cli\u003eWaterproof front barrel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eReach the unreachable \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eUsers can hold up or down the camera with the Periprobe to create a periscope perspective. It is useful when you shoot something unreachable like the tree hole at 7’ tall or the crab hiding in an underwater cave. It also makes your set-ups easier since you do not need a big tank and waterproof housing for this shot.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCreate shots that travel through tight spaces \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eIt is nearly impossible to travel between objects that are close to each other unless you make a complicated mechanism with programs to move the objects back and forward to prevent from colliding. It is very time-consuming and pain for videographers to have this pre-shoot preparation. With Periprobe, you could simply travel through the tight space by rigging the cameras on sliders and tripods.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eLook up, look down \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWith 2x magnification, 85° wide AoV and close working distance, users could create a special close-up face-up and face-down shot that other lenses cannot do.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSpin it around \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eRelease the orientation ring to spin the lens along the axis to create special movements.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e No constraints\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eIt is difficult for photographers to film close to the ground as there are always restrictions in set-ups, like the cameras and the lens itself are always obstacles. You could dig a hole in the ground for the camera for complicated pre-shoot set-ups. Or, with Periprobe, you simply stick the lens tip to the ground.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - VE2414P-PL\u003c\/li\u003e\n\u003cli\u003eGTIN - 6940486702132\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46838435709113,"sku":"146076","price":3875.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/20-05-20221653056936laowa-ve2414p-pl-24mm-t14-2x-periprobe-lens--arri-pl-mount.jpg?v=1775362611"},{"product_id":"sigma-135mm-t2-cine-lens-canon-ef","title":"Sigma 135mm T2  Cine Lens Canon EF","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003eSigma\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e's \u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003eFF High Speed Prime Lenses\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 135mm EF-mount prime is the longest focal length of the series, offering full-frame sensor coverage, 6-8K resolution, and a T2 aperture in a relatively compact form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\"\u003e\n\u003cdiv class=\"js-featureSection\"\u003e\n\u003ch3 class=\"featureHeader c27 fs24\"\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eFast T2 maximum aperture aids in shooting with low light levels\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eMPN - 4240966\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003e GTIN - 0085126240660\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838846980281,"sku":"127544","price":8199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/15723_u_1.jpg?v=1775372517"},{"product_id":"sigma-14mm-t2-cine-lens-canon-ef","title":"Sigma 14mm T2  Cine Lens Canon EF","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cstyle\u003e\n        h2.h2Lit {padding-block-start: 0.6rem;margin-block-end: 0.5rem;}\n        .gText h2, .gText3 h2, .gText4 h2, .gText5 h2 {line-height:0.7;}\n        h2.lh1 {line-height: 1;}\n        h3.uLit {padding-top: 1rem; margin-bottom: -0.2rem;}\n        span.h2Lit, .h1Lit {color: #ff6600; font-weight: bold;}\n        .h1Lit {font-size: large;}\n        span.h2Lit, p.mText, blockquote.descQ {font-size: medium;}\n        blockquote.descQ footer {font-size: small; }\n        blockquote.descQ {background-color: rgb(237, 237, 237); padding: 0.5rem; width: 80%;}\n        blockquote.descQ p{padding: 0.5rem 0.5rem 0 0.5rem;}\n        Ul.mpn {color: #888888;}\n        span.ind{padding-left: 1rem;}\n        table.descTable tr {vertical-align: top;}\n        table.descTable th, table.descTable td {width: 50%; text-align: left; padding: 0 1rem 0 1rem;}\n        table.descTable th {padding-top:1.5rem;}\n        table.bTable {width: auto;}\n        table.bTable th {text-align: left; padding-top:1rem; padding-bottom: 1rem; width: auto; font-size: 1vw;}\n            .bDs {padding:0.5rem; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n            @media only screen and (min-width:200px) and (max-width:1000px) {\n                table.bTable th {font-size:3vw;}\n            }\n        .gText div, .gText3 div, .gText4 div, .gText5 div {padding:1rem;}\n        .gText {display:grid; grid-template-columns: repeat(auto-fill,minmax(50%, 1fr));}\n        .gText3 {display:grid; grid-template-columns: repeat(auto-fill,minmax(33.33%, 1fr));}\n        .gText4 {display:grid; grid-template-columns: repeat(auto-fill,minmax(25%, 1fr));}\n        .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(20%, 1fr));}\n                @media only screen and (min-width:200px) and (max-width:1000px) {\n                        .gText, .gText3, .gText4, .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(100%, 1fr));}\n            }\n        .bDs1 {width:fit-content; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n        .iDs1 {padding: 0.7rem;}\n        .l1div {border-bottom: 0.1rem solid #000;}\n        .dBor {padding:1rem;border:0.1rem solid #000;}\n            .dMobile {border-top: solid .3rem #000; border-radius: 1rem; box-shadow: #000 0.1rem 0.1rem 0.3rem;}\n            .dMobi {padding-left: 1rem; padding-right: 1rem;}\n            u.h1Lit {font-size: large;}\n        .aquaList li {padding-top: 0.5rem;}\n        .aquaList li::first-line {font-weight: bolder;}\n    \u003c\/style\u003e\n\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eSigma 14mm T2 Canon EF Mount Cine Lens\u003c\/strong\u003e combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 14mm EF-mount prime is the widest focal length of the series, offering full-frame sensor coverage, 6-8K resolution, and a T2 aperture in a relatively lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Sigma 14mm T2 Canon EF Mount Cine Lens\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/li\u003e\n\u003cli\u003eFast T2 maximum aperture aids in shooting with low light levels\u003c\/li\u003e\n\u003cli\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/li\u003e\n\u003cli\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - 4450966\u003c\/li\u003e\n\u003cli\u003eGTIN - 085126450663\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838847275193,"sku":"127543","price":8199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/sigma_14mm_t2_cine_lens_canon_ef_01.jpg?v=1775372520"},{"product_id":"sigma-18-35mm-t2-cine-lens-pl-mount","title":"Sigma 18-35mm T2 Cine Lens PL Mount","description":"\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe High Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eWide focal length coverage\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eCompatibility\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLenses for both S35 and full-frame\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eStrong high-speed lens lineup\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eT1.5 is available in FF High Speed Prime Line, while the High Speed Zoom Line achieves T2 throughout the zoom range. These options enable cinematographers to shoot with a wide range of expressive purposes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eInspecting each and every lens\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eMinimisation of flare and ghosting\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eComputer-based ray tracing has been used from the design stage onward to minimise flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eSharpness combined with outstanding bokeh effect\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eColour balance standardised across the lineup\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardised colour balance makes colour correction a snap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e6K-8K class resolution\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lineup features the same optical system that delivers 50-megapixel plus resolution in still photography. Therefore, these lenses are ready for higher resolution shooting, and are ideal for chroma keying as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLightweight and compact\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimised for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eDust-proof and splash-proof construction\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSMSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e100% metal body\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLuminous paint for enhanced visibility\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing and operating the lens in the dark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLaser engraving for enhanced durability\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eInformation on each ring is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away the paint when the tape is removed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e82mm filter size*\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe filter size is standardised at 82mm, allowing users to use the same size of ND filter on different lenses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e95mm front diameter\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more lightweight and compact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eStandardised gear positions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe positions of the gears in each ring are standardised, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e0.8M gear pitch\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eSilent ring stoppers\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e180° focus rotational angle\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimised the cam for cine lenses for even easier long distance focusing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e160° zoom rotational angle\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eIris with optional manual control\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eFeaturing optional manual control, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like other high-end cine lenses, the rotational angle of the iris ring is 60°.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLinear iris ring\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eMount Conversion Service\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003ePL, EF and E*\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eMount with electronic contacts\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eEnhanced EF mount*\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe hole for the stopper pin has been strengthened with a separate part to minimise loosening over time and enhance long-term use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e*Only applicable for Canon EF mount\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eDedicated lens support foot\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimise load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eCine-style front lens cap\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt; color: #808080;\"\u003eMPN - 4210968 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt; color: #808080;\"\u003eGTIN - 0085126210687\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838851272889,"sku":"126162","price":6599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/14502_k_1.jpg?v=1775372571"},{"product_id":"sigma-18-35mm-t2-cine-lens-canon-ef-mount","title":"Sigma 18-35mm T2 Cine Lens - Canon EF Mount","description":"\u003cstyle\u003e h2.h2Lit {padding-block-start: 0.6rem;margin-block-end: 0.5rem;} .gText h2, .gText3 h2, .gText4 h2, .gText5 h2 {line-height:0.7;} h2.lh1 {line-height: 1;} h3.uLit {padding-top: 1rem; margin-bottom: -0.2rem;} span.h2Lit, .h1Lit {color: #ff6600; font-weight: bold;} .h1Lit {font-size: large;} span.h2Lit, p.mText, blockquote.descQ {font-size: medium;} blockquote.descQ footer {font-size: small; } blockquote.descQ {background-color: rgb(237, 237, 237); padding: 0.5rem; width: 80%;} blockquote.descQ p{padding: 0.5rem 0.5rem 0 0.5rem;} Ul.mpn {color: #888888;} span.ind{padding-left: 1rem;} table.descTable tr {vertical-align: top;} table.descTable th, table.descTable td {width: 50%; text-align: left; padding: 0 1rem 0 1rem;} table.descTable th {padding-top:1.5rem;} table.bTable {width: auto;} table.bTable th {text-align: left; padding-top:1rem; padding-bottom: 1rem; width: auto; font-size: 1vw;} .bDs {padding:0.5rem; box-shadow: 0rem 0.2rem 0.5rem rgba(0,0,0,0.6); border-radius:0.5rem; border} @media only screen and (min-width:200px) and (max-width:1000px) { table.bTable th {font-size:3vw;} } .gText div, .gText3 div, .gText4 div, .gText5 div {padding:1rem;} .gText {display:grid; grid-template-columns: repeat(auto-fill,minmax(50%, 1fr));} .gText3 {display:grid; grid-template-columns: repeat(auto-fill,minmax(33.33%, 1fr));} .gText4 {display:grid; grid-template-columns: repeat(auto-fill,minmax(25%, 1fr));} .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(20%, 1fr));} @media only screen and (min-width:200px) and (max-width:1000px) { .gText, .gText3, .gText4, .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(100%, 1fr));} } .bDs1 {width:fit-content; box-shadow: 0rem 0.2rem 0.5rem rgba(0,0,0,0.6); border-radius:0.5rem; border} .iDs1 {padding: 0.7rem;} .l1div {border-bottom: 0.1rem solid #000;} .dBor {padding:1rem;border:0.1rem solid #000;} .dMobile {border-top: solid .3rem #000; border-radius: 1rem; box-shadow: #000 0.1rem 0.1rem 0.3rem;} .dMobi {padding-left: 1rem; padding-right: 1rem;} u.h1Lit {font-size: large;} .aquaList li {padding-top: 0.5rem;} .aquaList li::first-line {font-weight: bolder;} \u003c\/style\u003e\n\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003e Sigma 18-35mm T2 Cine Lens - Canon EF Mount\u003c\/strong\u003e. The High Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Sigma 18-35mm T2 Cine Lens - Canon EF Mount\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCompact Size. 180º Focus Rotation\u003c\/li\u003e\n\u003cli\u003eSuper 35mm Format\u003c\/li\u003e\n\u003cli\u003eStandardized Essentials: Gear position, Color Correction, Filter Size \u0026amp; Front Diameter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eWide focal length coverage\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCompatibility\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eLenses for both S35 and full-frame\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eStrong high-speed lens lineup\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eT1.5 is available in FF High Speed Prime Line, while the High Speed Zoom Line achieves T2 throughout the zoom range. These options enable cinematographers to shoot with a wide range of expressive purposes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eInspecting each and every lens\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eMinimisation of flare and ghosting\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimise flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSharpness combined with outstanding bokeh effect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eColour balance standardised across the lineup\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardised colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - 4210966\u003c\/li\u003e\n\u003cli\u003eGTIN - 085126210663\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838851436729,"sku":"126160","price":6599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/sigma_18-35mm_t2_cine_lens_canon_ef_mount_01.jpg?v=1775372573"},{"product_id":"sigma-18-35mm-t2-cine-lens-sony-e-mount","title":"Sigma 18-35mm T2 Cine Lens Sony E Mount","description":"\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe High Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eWide focal length coverage\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eCompatibility\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLenses for both S35 and full-frame\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eStrong high-speed lens lineup\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eT1.5 is available in FF High Speed Prime Line, while the High Speed Zoom Line achieves T2 throughout the zoom range. These options enable cinematographers to shoot with a wide range of expressive purposes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eInspecting each and every lens\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eMinimisation of flare and ghosting\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eComputer-based ray tracing has been used from the design stage onward to minimise flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eSharpness combined with outstanding bokeh effect\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eColour balance standardised across the lineup\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardised colour balance makes colour correction a snap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e6K-8K class resolution\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lineup features the same optical system that delivers 50-megapixel plus resolution in still photography. Therefore, these lenses are ready for higher resolution shooting, and are ideal for chroma keying as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLightweight and compact\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimised for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eDust-proof and splash-proof construction\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSMSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e100% metal body\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLuminous paint for enhanced visibility\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing and operating the lens in the dark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLaser engraving for enhanced durability\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eInformation on each ring is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away the paint when the tape is removed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e82mm filter size*\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe filter size is standardised at 82mm, allowing users to use the same size of ND filter on different lenses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e95mm front diameter\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more lightweight and compact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eStandardised gear positions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe positions of the gears in each ring are standardised, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e0.8M gear pitch\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eSilent ring stoppers\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e180° focus rotational angle\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimised the cam for cine lenses for even easier long distance focusing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e160° zoom rotational angle\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eIris with optional manual control\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eFeaturing optional manual control, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like other high-end cine lenses, the rotational angle of the iris ring is 60°.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLinear iris ring\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eMount Conversion Service\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003ePL, EF and E*\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eMount with electronic contacts\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eEnhanced EF mount*\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe hole for the stopper pin has been strengthened with a separate part to minimise loosening over time and enhance long-term use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e*Only applicable for Canon EF mount\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eDedicated lens support foot\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimise load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eCine-style front lens cap\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt; color: #808080;\"\u003eMPN - 4210967\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt; color: #808080;\"\u003e GTIN - 0085126210670\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838851764409,"sku":"126161","price":6599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/14503_l_1.jpg?v=1775372578"},{"product_id":"sigma-20mm-t1-5-cine-lens-canon-ef","title":"Sigma 20mm T1.5 Cine Lens Canon EF","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cstyle\u003e\n        h2.h2Lit {padding-block-start: 0.6rem;margin-block-end: 0.5rem;}\n        .gText h2, .gText3 h2, .gText4 h2, .gText5 h2 {line-height:0.7;}\n        h2.lh1 {line-height: 1;}\n        h3.uLit {padding-top: 1rem; margin-bottom: -0.2rem;}\n        span.h2Lit, .h1Lit {color: #ff6600; font-weight: bold;}\n        .h1Lit {font-size: large;}\n        span.h2Lit, p.mText, blockquote.descQ {font-size: medium;}\n        blockquote.descQ footer {font-size: small; }\n        blockquote.descQ {background-color: rgb(237, 237, 237); padding: 0.5rem; width: 80%;}\n        blockquote.descQ p{padding: 0.5rem 0.5rem 0 0.5rem;}\n        Ul.mpn {color: #888888;}\n        span.ind{padding-left: 1rem;}\n        table.descTable tr {vertical-align: top;}\n        table.descTable th, table.descTable td {width: 50%; text-align: left; padding: 0 1rem 0 1rem;}\n        table.descTable th {padding-top:1.5rem;}\n        table.bTable {width: auto;}\n        table.bTable th {text-align: left; padding-top:1rem; padding-bottom: 1rem; width: auto; font-size: 1vw;}\n            .bDs {padding:0.5rem; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n            @media only screen and (min-width:200px) and (max-width:1000px) {\n                table.bTable th {font-size:3vw;}\n            }\n        .gText div, .gText3 div, .gText4 div, .gText5 div {padding:1rem;}\n        .gText {display:grid; grid-template-columns: repeat(auto-fill,minmax(50%, 1fr));}\n        .gText3 {display:grid; grid-template-columns: repeat(auto-fill,minmax(33.33%, 1fr));}\n        .gText4 {display:grid; grid-template-columns: repeat(auto-fill,minmax(25%, 1fr));}\n        .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(20%, 1fr));}\n                @media only screen and (min-width:200px) and (max-width:1000px) {\n                        .gText, .gText3, .gText4, .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(100%, 1fr));}\n            }\n        .bDs1 {width:fit-content; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n        .iDs1 {padding: 0.7rem;}\n        .l1div {border-bottom: 0.1rem solid #000;}\n        .dBor {padding:1rem;border:0.1rem solid #000;}\n            .dMobile {border-top: solid .3rem #000; border-radius: 1rem; box-shadow: #000 0.1rem 0.1rem 0.3rem;}\n            .dMobi {padding-left: 1rem; padding-right: 1rem;}\n            u.h1Lit {font-size: large;}\n        .aquaList li {padding-top: 0.5rem;}\n        .aquaList li::first-line {font-weight: bolder;}\n    \u003c\/style\u003e\n\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eSigma 20mm T1.5 Cine Lens Canon EF\u003c\/strong\u003e  combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 20mm EF-mount prime is a wide focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Sigma 20mm T1.5 Cine Lens Canon EF\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCovers Full-Frame Sensor Size\u003c\/li\u003e\n\u003cli\u003eCanon EF Mount\u003c\/li\u003e\n\u003cli\u003eT1.5 to T16 Aperture Range\u003c\/li\u003e\n\u003cli\u003e9-Blade Iris \u003c\/li\u003e\n\u003cli\u003eClickless Iris Ring\u003c\/li\u003e\n\u003cli\u003eSuitable for 8K Image Capture\u003c\/li\u003e\n\u003cli\u003eLens Scale Marked in Feet\u003c\/li\u003e\n\u003cli\u003eWeighs 2.9 Pounds\u003c\/li\u003e\n\u003cli\u003e95mm Front Diameter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - 4412966\u003c\/li\u003e\n\u003cli\u003eGTIN - 085126412661\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838853271737,"sku":"127542","price":6199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/sigma_20mm_t1.5_cine_lens_canon_ef_01.jpg?v=1775372596"},{"product_id":"sigma-24mm-t1-5-cine-lens-canon-ef","title":"Sigma 24mm T1.5 Cine Lens Canon EF","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cstyle\u003e\n        h2.h2Lit {padding-block-start: 0.6rem;margin-block-end: 0.5rem;}\n        .gText h2, .gText3 h2, .gText4 h2, .gText5 h2 {line-height:0.7;}\n        h2.lh1 {line-height: 1;}\n        h3.uLit {padding-top: 1rem; margin-bottom: -0.2rem;}\n        span.h2Lit, .h1Lit {color: #ff6600; font-weight: bold;}\n        .h1Lit {font-size: large;}\n        span.h2Lit, p.mText, blockquote.descQ {font-size: medium;}\n        blockquote.descQ footer {font-size: small; }\n        blockquote.descQ {background-color: rgb(237, 237, 237); padding: 0.5rem; width: 80%;}\n        blockquote.descQ p{padding: 0.5rem 0.5rem 0 0.5rem;}\n        Ul.mpn {color: #888888;}\n        span.ind{padding-left: 1rem;}\n        table.descTable tr {vertical-align: top;}\n        table.descTable th, table.descTable td {width: 50%; text-align: left; padding: 0 1rem 0 1rem;}\n        table.descTable th {padding-top:1.5rem;}\n        table.bTable {width: auto;}\n        table.bTable th {text-align: left; padding-top:1rem; padding-bottom: 1rem; width: auto; font-size: 1vw;}\n            .bDs {padding:0.5rem; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n            @media only screen and (min-width:200px) and (max-width:1000px) {\n                table.bTable th {font-size:3vw;}\n            }\n        .gText div, .gText3 div, .gText4 div, .gText5 div {padding:1rem;}\n        .gText {display:grid; grid-template-columns: repeat(auto-fill,minmax(50%, 1fr));}\n        .gText3 {display:grid; grid-template-columns: repeat(auto-fill,minmax(33.33%, 1fr));}\n        .gText4 {display:grid; grid-template-columns: repeat(auto-fill,minmax(25%, 1fr));}\n        .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(20%, 1fr));}\n                @media only screen and (min-width:200px) and (max-width:1000px) {\n                        .gText, .gText3, .gText4, .gText5 {display:grid; grid-template-columns: repeat(auto-fill,minmax(100%, 1fr));}\n            }\n        .bDs1 {width:fit-content; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n        .iDs1 {padding: 0.7rem;}\n        .l1div {border-bottom: 0.1rem solid #000;}\n        .dBor {padding:1rem;border:0.1rem solid #000;}\n            .dMobile {border-top: solid .3rem #000; border-radius: 1rem; box-shadow: #000 0.1rem 0.1rem 0.3rem;}\n            .dMobi {padding-left: 1rem; padding-right: 1rem;}\n            u.h1Lit {font-size: large;}\n        .aquaList li {padding-top: 0.5rem;}\n        .aquaList li::first-line {font-weight: bolder;}\n    \u003c\/style\u003e\n\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eSigma 24mm T1.5 Cine Lens Canon EF\u003c\/strong\u003e combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 24mm EF-mount prime is a wider focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Sigma 24mm T1.5 Cine Lens Canon EF\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCovers Full-Frame Sensor Size\u003c\/li\u003e\n\u003cli\u003eCanon EF Mount\u003c\/li\u003e\n\u003cli\u003eT1.5 to T16 Aperture Range\u003c\/li\u003e\n\u003cli\u003eGeared Focus and Iris Control Rings\u003c\/li\u003e\n\u003cli\u003eClickless Iris Ring\u003c\/li\u003e\n\u003cli\u003eSuitable for 8K Image Capture\u003c\/li\u003e\n\u003cli\u003eLens Scale Marked in Feet\u003c\/li\u003e\n\u003cli\u003eWeighs 2.5 Pounds\u003c\/li\u003e\n\u003cli\u003e95mm Front Diameter\u003c\/li\u003e\n\u003cli\u003e9-Blade Iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - 4401966\u003c\/li\u003e\n\u003cli\u003eGTIN - 085126401665\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838855041209,"sku":"127442","price":6199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/sigma_24mm_t1.5_cine_lens_canon_ef_04.jpg?v=1775372616"},{"product_id":"sigma-28mm-t1-5-cine-lens-for-pl-mount-i-technology","title":"Sigma 28mm T1.5 Cine Lens for PL Mount \/i-Technology","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e \u003cstyle\u003e\n        h2.h2Lit {padding-top: 0.6rem; margin-bottom: -0.3rem;}\n        h3.uLit {padding-top: 1rem; margin-bottom: -0.2rem;}\n        span.h2Lit, span.h1Lit {color: #ff6600; font-weight: bold;}\n        span.h1Lit {font-size: large;}\n        span.h2Lit, p.mText, blockquote.descQ {font-size: medium;}\n        blockquote.descQ footer {font-size: small; }\n        blockquote.descQ {background-color: rgb(237, 237, 237); padding: 0.5rem; width: 80%;}\n        blockquote.descQ p{padding: 0.5rem 0.5rem 0 0.5rem;}\n        Ul.mpn {color: #888888;}\n        span.ind{padding-left: 1rem;}\n        table.descTable tr {vertical-align: top;}\n        table.descTable th, table.descTable td {width: 50%; text-align: left; padding: 0 1rem 0 1rem;}\n        table.descTable th {padding-top:1.5rem;}\n        table.bTable {width: auto;}\n        table.bTable th {text-align: left; padding-top:1rem; padding-bottom: 1rem; width: auto; font-size: 1vw;}\n            .bDs {padding:0.5rem; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n            @media only screen and (min-width:200px) and (max-width:1000px) {\n                table.bTable th {font-size:3vw;}\n            }\n        .gText div, .gText3 div, .gText4 div {padding:1rem;}\n        .gText {display:grid; grid-template-columns: repeat(auto-fill,minmax(50%, 1fr));}\n        .gText3 {display:grid; grid-template-columns: repeat(auto-fill,minmax(33.33%, 1fr));}\n        .gText4 {display:grid; grid-template-columns: repeat(auto-fill,minmax(25%, 1fr));}\n                @media only screen and (min-width:200px) and (max-width:1000px) {\n                        .gText, .gText3, .gText4 {display:grid; grid-template-columns: repeat(auto-fill,minmax(100%, 1fr));}\n            }\n        .bDs1 {width:fit-content; box-shadow: 0rem 0.2rem 0.5rem  rgba(0,0,0,0.6); border-radius:0.5rem; border}\n        .iDs1 {padding: 0.7rem;}\n    \u003c\/style\u003e\n\n    \u003cp class=\"mText\"\u003eOffering stunning image quality in a compact construction, the \u003cspan class=\"h1Lit\"\u003eSigma 28mm T1.5 Cine Lens for PL Mount \/i-Technology\u003c\/span\u003e is designed for 6K-8K shooting. \n        This Cine lens also offers full-frame coverage and supports Cooke Optics’ \/i Technology\n    communication protocol. This technology enables the compatible cine camera to automatically record key lens data for\n    every frame shot that can be later on used by post-production teams.\u003c\/p\u003e\n    \n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eHigh Performance Lens\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eNew to the FF High Speed Prime Line, the Art Prime PL mount lenses give you an image quality of a high-end prime lens.\n    This 28mm T1.5 lens offers full-frame sensor coverage with 6-8K resolution support. All the lens in this line share a\n    common 95mm front diameter and similar physical attributes. The lens features a 9-bladed diaphragm design that gives you\n    pleasing bokeh effects. \u003cstrong\u003e\u003cem\u003eThe focus ring is marked in meters.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCooke \/i Technology-Compatible\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThis \/i Technology-compatible cine lens when used with a cine camera that supports the same protocol records lens’\n    metadata such as focus distance, focal length, and aperture. This data can be later used for post-production processes.\n    This is ideal for VFX filmmaking that requires detailed shooting data.\u003c\/p\u003e\n\n\u003cdiv class=\"gText\"\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eMinimization of flare and ghosting\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting for enhanced contrast in backlit conditions.\u003c\/p\u003e\n    \u003c\/div\u003e\n\u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e100% metal body\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eLaser engraving for enhanced durability\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eInformation on rings and elsewhere on the lens is laser-engraved for use over the long term. Tape may be placed on gradations without any fear of stripping away paint when removed.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e180° focus ring rotation\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThe long throw of the focus ring enables extremely high-precision focusing.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e0.8M gear pitch\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThis lens is equipped with standard 0.8M pictch focus ring for use with follow focus motors and hand-units.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eLinear Iris Ring\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n    \u003c\/div\u003e\n\u003c\/div\u003e \n\n    \u003cbr\u003e\n    \u003cul class=\"mpn\"\u003e\n        \u003cli\u003eMPN - 4441974\u003c\/li\u003e\n        \u003cli\u003eGTIN - 0085126937911\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838855729337,"sku":"134162","price":6499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/28mm_sigma_cine_1.jpg?v=1775372624"},{"product_id":"sigma-40mm-t1-5-cine-lens-for-pl-mount-i-technology","title":"Sigma 40mm T1.5 Cine Lens for PL Mount \/i-Technology","description":"\u003cp class=\"mText\"\u003eOffering stunning image quality in a compact construction, the \u003cspan class=\"h1Lit\"\u003eSigma 40mm T1.5 Cine Lens for PL Mount \/i-Technology\u003c\/span\u003e is designed for 6K-8K shooting. \n        This Cine lens also offers full-frame coverage and supports Cooke Optics’ \/i Technology\n    communication protocol. This technology enables the compatible cine camera to automatically record key lens data for\n    every frame shot that can be later on used by post-production teams.\u003c\/p\u003e\n    \n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eHigh Performance Lens\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eNew to the FF High Speed Prime Line, the Art Prime PL mount lenses give you an image quality of a high-end prime lens.\n    This 40mm T1.5 lens offers full-frame sensor coverage with 6-8K resolution support. All the lens in this line share a\n    common 95mm front diameter and similar physical attributes. The lens features a 9-bladed diaphragm design that gives you\n    pleasing bokeh effects. \u003cstrong\u003e\u003cem\u003eThe focus ring is marked in meters.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCooke \/i Technology-Compatible\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThis \/i Technology-compatible cine lens when used with a cine camera that supports the same protocol records lens’\n    metadata such as focus distance, focal length, and aperture. This data can be later used for post-production processes.\n    This is ideal for VFX filmmaking that requires detailed shooting data.\u003c\/p\u003e\n\n\u003cdiv class=\"gText\"\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eMinimization of flare and ghosting\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting for enhanced contrast in backlit conditions.\u003c\/p\u003e\n    \u003c\/div\u003e\n\u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e100% metal body\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eLaser engraving for enhanced durability\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eInformation on rings and elsewhere on the lens is laser-engraved for use over the long term. Tape may be placed on gradations without any fear of stripping away paint when removed.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e180° focus ring rotation\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThe long throw of the focus ring enables extremely high-precision focusing.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e0.8M gear pitch\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThis lens is equipped with standard 0.8M pictch focus ring for use with follow focus motors and hand-units.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eLinear Iris Ring\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n    \u003c\/div\u003e\n\u003c\/div\u003e \n\n    \u003cbr\u003e\n    \u003cul class=\"mpn\"\u003e\n        \u003cli\u003eMPN - 4332974\u003c\/li\u003e\n        \u003cli\u003eGTIN - 0085126937997\u003c\/li\u003e\n    \u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838857564345,"sku":"134161","price":6499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/40mm_sigma_cine_1.jpg?v=1775372644"},{"product_id":"sigma-50-100mm-t2-cine-lens-canon-ef-mount","title":"Sigma 50-100mm T2 Cine Lens Canon EF Mount","description":"\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe High Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eWide focal length coverage\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eCompatibility\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLenses for both S35 and full-frame\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eStrong high-speed lens lineup\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eT1.5 is available in FF High Speed Prime Line, while the High Speed Zoom Line achieves T2 throughout the zoom range. These options enable cinematographers to shoot with a wide range of expressive purposes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eInspecting each and every lens\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eMinimisation of flare and ghosting\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eComputer-based ray tracing has been used from the design stage onward to minimise flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eSharpness combined with outstanding bokeh effect\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eColour balance standardised across the lineup\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardised colour balance makes colour correction a snap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e6K-8K class resolution\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lineup features the same optical system that delivers 50-megapixel plus resolution in still photography. Therefore, these lenses are ready for higher resolution shooting, and are ideal for chroma keying as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLightweight and compact\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimised for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eDust-proof and splash-proof construction\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSMSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e100% metal body\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLuminous paint for enhanced visibility\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing and operating the lens in the dark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLaser engraving for enhanced durability\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eInformation on each ring is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away the paint when the tape is removed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e82mm filter size*\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe filter size is standardised at 82mm, allowing users to use the same size of ND filter on different lenses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e95mm front diameter\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more lightweight and compact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eStandardised gear positions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe positions of the gears in each ring are standardised, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e0.8M gear pitch\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eSilent ring stoppers\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e180° focus rotational angle\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimised the cam for cine lenses for even easier long distance focusing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e160° zoom rotational angle\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eIris with optional manual control\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eFeaturing optional manual control, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like other high-end cine lenses, the rotational angle of the iris ring is 60°.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLinear iris ring\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eMount Conversion Service\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003ePL, EF and E*\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eMount with electronic contacts\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eEnhanced EF mount*\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe hole for the stopper pin has been strengthened with a separate part to minimise loosening over time and enhance long-term use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e*Only applicable for Canon EF mount\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eDedicated lens support foot\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimise load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eCine-style front lens cap\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #808080;\"\u003eMPN - 4693966 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #808080;\"\u003eGTIN - 0085126693664\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838858154169,"sku":"126163","price":6599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/14501_j_1.jpg?v=1775372650"},{"product_id":"sigma-50-100mm-t2-cine-lens-sony-e-mount","title":"Sigma 50-100mm T2 Cine Lens Sony E Mount","description":"\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe High Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eT1.5 is available in FF High Speed Prime Line, while the High Speed Zoom Line achieves T2 throughout the zoom range. These options enable cinematographers to shoot with a wide range of expressive purposes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eMinimisation of flare and ghosting\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eComputer-based ray tracing has been used from the design stage onward to minimise flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eColour balance standardised across the lineup\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardised colour balance makes colour correction a snap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe lineup features the same optical system that delivers 50-megapixel plus resolution in still photography. Therefore, these lenses are ready for higher resolution shooting, and are ideal for chroma keying as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimised for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSMSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing and operating the lens in the dark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eInformation on each ring is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away the paint when the tape is removed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe filter size is standardised at 82mm, allowing users to use the same size of ND filter on different lenses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more lightweight and compact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eStandardised gear positions\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe positions of the gears in each ring are standardised, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimised the cam for cine lenses for even easier long distance focusing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eIris with optional manual control\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eFeaturing optional manual control, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like other high-end cine lenses, the rotational angle of the iris ring is 60°.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eMount Conversion Service\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eEnhanced EF mount*\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe hole for the stopper pin has been strengthened with a separate part to minimise loosening over time and enhance long-term use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003e*Only applicable for Canon EF mount\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimise load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600; font-size: 12pt;\"\u003e\u003cem\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt;\"\u003e\u003cspan style=\"color: #808080;\"\u003eMPN - 4693967\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt; color: #808080;\"\u003e GTIN - 0085126693671\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838858252473,"sku":"126164","price":6599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/14499_i_1.jpg?v=1775372652"},{"product_id":"sigma-50-100mm-t2-cine-lens-pl-mount","title":"Sigma 50-100mm T2 Cine Lens PL Mount","description":"\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe High Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eWide focal length coverage\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eCompatibility\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLenses for both S35 and full-frame\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eStrong high-speed lens lineup\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eT1.5 is available in FF High Speed Prime Line, while the High Speed Zoom Line achieves T2 throughout the zoom range. These options enable cinematographers to shoot with a wide range of expressive purposes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eInspecting each and every lens\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eMinimisation of flare and ghosting\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eComputer-based ray tracing has been used from the design stage onward to minimise flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eSharpness combined with outstanding bokeh effect\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eColour balance standardised across the lineup\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardised colour balance makes colour correction a snap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e6K-8K class resolution\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lineup features the same optical system that delivers 50-megapixel plus resolution in still photography. Therefore, these lenses are ready for higher resolution shooting, and are ideal for chroma keying as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLightweight and compact\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimised for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eDust-proof and splash-proof construction\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSMSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e100% metal body\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLuminous paint for enhanced visibility\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing and operating the lens in the dark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLaser engraving for enhanced durability\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eInformation on each ring is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away the paint when the tape is removed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e82mm filter size*\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe filter size is standardised at 82mm, allowing users to use the same size of ND filter on different lenses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e95mm front diameter\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more lightweight and compact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eStandardised gear positions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe positions of the gears in each ring are standardised, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e0.8M gear pitch\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eSilent ring stoppers\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e180° focus rotational angle\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimised the cam for cine lenses for even easier long distance focusing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e160° zoom rotational angle\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eIris with optional manual control\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eFeaturing optional manual control, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like other high-end cine lenses, the rotational angle of the iris ring is 60°.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eLinear iris ring\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eMount Conversion Service\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eSeeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003ePL, EF and E*\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eMount with electronic contacts\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eEnhanced EF mount*\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe hole for the stopper pin has been strengthened with a separate part to minimise loosening over time and enhance long-term use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e*Only applicable for Canon EF mount\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eDedicated lens support foot\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimise load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eCine-style front lens cap\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt; color: #808080;\"\u003eMPN - 4693968 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt; color: #808080;\"\u003eGTIN - 0085126693688\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838858383545,"sku":"126165","price":6299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/14498_h_1.jpg?v=1775372653"},{"product_id":"sigma-50mm-t1-5-cine-lens-canon-ef","title":"Sigma 50mm T1.5 Cine Lens Canon EF","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003eSigma\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e's \u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003eFF High Speed Prime Lenses\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 50mm EF-mount prime is a longer mid-range focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\"\u003e\n\u003cdiv class=\"js-featureSection\"\u003e\n\u003ch3 class=\"featureHeader c27 fs24\"\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"font-size: medium;\"\u003eFeatures\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eMPN - 4311966 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eGTIN - 0085126311667\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838859104441,"sku":"127540","price":6199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/15725_v_1.jpg?v=1775372661"},{"product_id":"sigma-50mm-t1-5-cine-lens-for-pl-mount-i-technology","title":"Sigma 50mm T1.5 Cine Lens for PL Mount \/i-Technology","description":"\u003cp class=\"mText\"\u003eOffering stunning image quality in a compact construction, the \u003cspan class=\"h1Lit\"\u003eSigma 50mm T1.5 Cine Lens for PL Mount \/i-Technology\u003c\/span\u003e is designed for 6K-8K shooting. \n        This Cine lens also offers full-frame coverage and supports Cooke Optics’ \/i Technology\n    communication protocol. This technology enables the compatible cine camera to automatically record key lens data for\n    every frame shot that can be later on used by post-production teams.\u003c\/p\u003e\n    \n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eHigh Performance Lens\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eNew to the FF High Speed Prime Line, the Art Prime PL mount lenses give you an image quality of a high-end prime lens.\n    This 50mm T1.5 lens offers full-frame sensor coverage with 6-8K resolution support. All the lens in this line share a\n    common 95mm front diameter and similar physical attributes. The lens features a 9-bladed diaphragm design that gives you\n    pleasing bokeh effects. \u003cstrong\u003e\u003cem\u003eThe focus ring is marked in meters.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCooke \/i Technology-Compatible\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThis \/i Technology-compatible cine lens when used with a cine camera that supports the same protocol records lens’\n    metadata such as focus distance, focal length, and aperture. This data can be later used for post-production processes.\n    This is ideal for VFX filmmaking that requires detailed shooting data.\u003c\/p\u003e\n\n\u003cdiv class=\"gText\"\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eMinimization of flare and ghosting\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting for enhanced contrast in backlit conditions.\u003c\/p\u003e\n    \u003c\/div\u003e\n\u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e100% metal body\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eLaser engraving for enhanced durability\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eInformation on rings and elsewhere on the lens is laser-engraved for use over the long term. Tape may be placed on gradations without any fear of stripping away paint when removed.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e180° focus ring rotation\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThe long throw of the focus ring enables extremely high-precision focusing.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e0.8M gear pitch\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThis lens is equipped with standard 0.8M pictch focus ring for use with follow focus motors and hand-units.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n    \u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eLinear Iris Ring\u003c\/span\u003e\u003c\/h2\u003e\n    \u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n    \u003c\/div\u003e\n\u003c\/div\u003e \n\n    \u003cbr\u003e\n    \u003cul class=\"mpn\"\u003e\n        \u003cli\u003eMPN - 4311974\u003c\/li\u003e\n        \u003cli\u003eGTIN - 0085126938031\u003c\/li\u003e\n    \u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838859169977,"sku":"134160","price":6499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/50mm_sigma_cine.jpg?v=1775372662"},{"product_id":"sigma-85mm-t1-5-cine-lens-canon-ef","title":"Sigma 85mm T1.5 Cine Lens Canon EF","description":"\u003cdiv class=\"featureWrapper bulletlist clearfix\"\u003e\n\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003eSigma\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e's \u003cstrong\u003e\u003cem\u003e\u003cspan style=\"color: #ff6600;\"\u003eFF High Speed Prime Lenses\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 85mm EF-mount prime is a longer focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\"\u003e\n\u003cdiv class=\"js-featureSection\"\u003e\n\u003ch3 class=\"featureHeader c27 fs24\"\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eMPN - 4321966 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eGTIN - 0085126321666 \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838861201593,"sku":"127541","price":6199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/15727_w_1.jpg?v=1775372687"},{"product_id":"sigma-85mm-t1-5-cine-lens-for-sony-e-mount","title":"Sigma 85mm T1.5 Cine Lens for Sony E-Mount","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eBushnell Prime 8x32 Black Roof Prism\u003c\/strong\u003e are the new standard in premium optics. Nobody else offers anything like EXO Barrier Bushnell's new, exclusive and patented protective lens coating at this price. EXO Barrier is ultra-slick, and repels water, oil, fog, dust and debris. Nobody else offers total waterproof protection even when totally submerged at this price point\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Bushnell Prime 8x32 Black Roof Prism\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLower magnification and wide field of view are ideal for scanning open terrain.\u003c\/li\u003e\n\u003cli\u003eExclusive EXO Barrier Protection - Bushnells newest and best protective lens coating molecularly bonds to the glass repelling water, oil, dust, debris and preventing scratches.\u003c\/li\u003e\n\u003cli\u003eIPX7 Waterproof construction\u003c\/li\u003e\n\u003cli\u003eO-ring sealed optics stay dry inside when immersed in three feet of water for up to 30 minutes.\u003c\/li\u003e\n\u003cli\u003eFully Multi-Coated Optics\u003c\/li\u003e\n\u003cli\u003eMultiple layers of anti-reflective coating on all air-to-glass surfaces deliver bright high-contrast images.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - BP832B\u003c\/li\u003e\n\u003cli\u003eGTIN - N\/A\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":46838861332665,"sku":"134008","price":6199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/1572443640_1325921.jpg?v=1775372689"},{"product_id":"tokina-16-28mm-t3-fx-cine-pl-mount","title":"Tokina 16-28mm T3 FX CINE PL Mount","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e \u003cdiv class=\"ov-desc\"\u003e \u003cp class=\"ov-desc-paragraph\"\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe \u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003eTokina Cinema ATX 16-28mm T3.0 (PL)\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e is a version of Tokina's wide-angle DSLR zoom lens, re-engineered for video use and capable of producing images suitable for 4K capture. It covers full-frame 35mm image sensors and is a parfocal lens, enabling you to maintain focus throughout a zoom move. The Cinema ATX 16-28mm can open up to a T3.0 aperture throughout its zoom range, eliminating the need for exposure compensation on the tight end of the zoom. The lens design also reduces the breathing and image shifting sometimes encountered while zooming and focusing.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe Tokina Cinema ATX 16-28mm employs aspherical super-low dispersion elements for optimal color correction and minimal distortion. Its 9-bladed iris diaphragm produces attractive bokeh in out-of-focus areas.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eCinema ATX 16-28mm features include focus, iris, and zoom markings on both sides of the lens barrel, a de-clicked aperture ring for smooth iris pulls, an all-metal housing, and standard gears for use with a follow focus system. A minimum focus distance of just under 1' and an industry-standard 114mm front diameter fitting most matte boxes are additional cine features.\u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eWide-angle T3 manual-focus zoom lens\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eParfocal lens design maintains focus while zooming\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eCovers full-frame 35mm sensors, images are suitable for 4K capture\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eReduced breathing and image shifting while zooming or focusing\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eT3.0 aperture can be maintained throughout the zoom range\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eAspherical, SLD (super-low dispersion) glass elements optimize color correction and reduce distortion\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eDe-clicked 9-bladed iris for precise exposure control and attractive bokeh\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e114mm front diameter is compatible with most matte boxes\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e11\" minimum focus distance allows for wide but close shots\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eCine-style lens housing is designed for use with follow focus systems\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eFocus, iris, and zoom markings are on both sides of the lens barrel\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cp\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eMPN - 1628CINEFXPL \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eGTIN - 4961607634363\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":47110889439417,"sku":"106024","price":4999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/tokina_16-28mm_t3_fx_cine_eos_mount_01_1.jpg?v=1778105823"},{"product_id":"tokina-100mm-t2-9-cinema-lens-pl-mount","title":"Tokina 100mm T2.9 Cinema Lens PL Mount","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eTokina 100mm T2.9 Cinema Lens PL Mount \u003c\/strong\u003eis a true 35mm, full-frame, 1:1 macro close-up lens that fits PL mount cameras. The lens achieves maximum magnification at a working distance of 30 cm. This allows enough space for lighting, the camera operator, and the subject to work comfortably.     \u003c\/p\u003e \u003cp class=\"mText\"\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lens's optical design is 4K-ready, super sharp, high contrast, and exhibits very low distortion and chromatic aberrations. Focus breathing is very well controlled, and the lens has a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. The wide T-stop range, from T2.9 to T32, allows for maximum control of exposure and depth-of-field, which is critical when working very close to your subject.\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"mText\"\u003e     \u003c\/p\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Tokina 100mm T2.9 Cinema Lens PL Mount\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eClose-focus 1:1 reproduction at 30 cm\u003c\/li\u003e \u003cli\u003eFast T2.9 aperture\u003c\/li\u003e \u003cli\u003eFull-frame 35mm format lens\u003c\/li\u003e \u003cli\u003eMinimized breathing\u003c\/li\u003e \u003cli\u003eSmooth, de-clicked, 9-bladed, curved iris for beautiful out-of-focus areas\u003c\/li\u003e \u003cli\u003e4K-image ready\u003c\/li\u003e \u003cli\u003eDurable, all-metal cine-style housing with geared focus and aperture rings for use in follow-focus systems\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"mText\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - 100CINEFXPL\u003c\/li\u003e \u003cli\u003eGTIN - 4968808220173\u003c\/li\u003e \u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":47111017496761,"sku":"126183","price":4599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/tokina_100mm_t2.9_cinema_lens_pl_mount_01.jpg?v=1778106558"},{"product_id":"tokina-cinema-85mm-t1-5-lens-for-pl-mount","title":"Tokina Cinema 85mm T1.5 Lens for PL Mount","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eTokina Cinema 85mm T1.5 Lens for PL Mount\u003c\/strong\u003e with focus scales marked in feet provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is an 85mm focal length, and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe 9-bladed iris provides round out of focus highlights for a natural-looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features a PL mount, and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe 85mm T1.5 PL mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors..\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The Iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera..\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/p\u003e \u003cp class=\"mText\"\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable..\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe lens features threading on the front of the lens to accommodate 112 mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/p\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Tokina Cinema 85mm T1.5 Lens for PL Mount\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eCovers Full-Frame Sensors\u003c\/li\u003e \u003cli\u003e46.7mm Image Circle\u003c\/li\u003e \u003cli\u003eSuitable for 8K Image Capture\u003c\/li\u003e \u003cli\u003eInternal Focus Design\u003c\/li\u003e \u003cli\u003eVirtually No Lens Breathing\u003c\/li\u003e \u003cli\u003e300° Focus Barrel Rotation\u003c\/li\u003e \u003cli\u003eT1.5 Aperture, Clickless 9-Bladed Iris\u003c\/li\u003e \u003cli\u003e114 mm Front Lens Diameter, PL Mount\u003c\/li\u003e \u003cli\u003eIntegrated Lens Support Foot\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - KPC-3003PL\u003c\/li\u003e \u003cli\u003eGTIN - 4968808220531\u003c\/li\u003e \u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":47111019692217,"sku":"126314","price":8299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/tokina_cinema_85mm_t1.5_lens_for_pl_mount_01.jpg?v=1778106571"},{"product_id":"tokina-cinema-50mm-t1-5-lens-for-sony-e-mount","title":"Tokina Cinema 50mm T1.5 Lens for Sony E Mount","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eTokina Cinema 50mm T1.5 Lens for Sony E Mount\u003c\/strong\u003e  with focus scales marked in feet, provides an image circle that more than covers It provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is a 50mm focal length, and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe 9-bladed iris provides round out of focus highlights for a natural looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an E-mount and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Tokina Cinema 50mm T1.5 Lens for Sony E Mount\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eThe 50mm T1.5 E-mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/li\u003e \u003cli\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/li\u003e \u003cli\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/li\u003e \u003cli\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/li\u003e \u003cli\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/li\u003e \u003cli\u003eThe lens features threading on the front of the lens to accommodate 112 mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - KPC-3002E\u003c\/li\u003e \u003cli\u003eGTIN - 4968808220388\u003c\/li\u003e \u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":47111019954361,"sku":"126307","price":5899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/tokina_cinema_50mm_t1.5_lens_for_sony_e_mount_03.jpg?v=1778106571"},{"product_id":"tokina-cinema-35mm-t1-5-lens-for-sony-e-mount","title":"Tokina Cinema 35mm T1.5 Lens for Sony E Mount","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eTokina 35mm T1.5 Cinema Vista Prime Lens for Sony E-Mount\u003c\/strong\u003e with focus scales marked in feet, provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is a 35mm focal length lens, and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe 9-bladed iris provides round out of focus highlights for a natural looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera.\u003c\/p\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Tokina 35mm T1.5 Cinema Vista Prime Lens for Sony E-Mount\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eThe 35mm T1.5 E-mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/li\u003e \u003cli\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/li\u003e \u003cli\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/li\u003e \u003cli\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/li\u003e \u003cli\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/li\u003e \u003cli\u003eThe lens features threading on the front of the lens to accommodate 112 mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - KPC-3001E\u003c\/li\u003e \u003cli\u003eGTIN - TBA\u003c\/li\u003e \u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":47111020314809,"sku":"126303","price":6299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/kpc-3001e_01.jpg?v=1778106573"},{"product_id":"tokina-16-28mm-t3-cine-mk-ii-pl-mount","title":"Tokina 16-28mm T3 CINE Mk II PL Mount","description":"\u003cp class=\"mText\"\u003eThe highly innovative \u003cstrong class=\"h1Lit\"\u003eTokina 16-28mm T3 CINE Mk II PL Mount\u003c\/strong\u003e has been re-engineered to meet the demanding needs of the professional cinematographer. Using the successful optical formula of the award winning still lens, Tokina engineers have created a lens that is Parfocal, has dramatically reduced breathing and image shift, and a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. With its 28cm close-focus capability, the lens allows you the freedom to capture a super wide-angle of view while still maintaining a tight perspective on your subject..\u003c\/p\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Tokina 16-28mm T3 CINE Mk II PL Mount\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eFull frame super-wide 16-28mm lens\u003c\/li\u003e \u003cli\u003eFast Constant T3.0 Aperture Throughout the 16mm to 28mm Zoom Range\u003c\/li\u003e \u003cli\u003eVirtually No Breathing\u003c\/li\u003e \u003cli\u003eA Focus Rotation Angle of Approximately 300 Degrees\u003c\/li\u003e \u003cli\u003eHigh Resolution - Low Distortion\u003c\/li\u003e \u003cli\u003eLow Chromatic Aberration\u003c\/li\u003e \u003cli\u003eAspherical Elements and Super-Low Dispersion Glass Reduce Distortion and Increase Optical Performance\u003c\/li\u003e \u003cli\u003eDurable, All-metal Cine-Style Housing with Geared Manual Zoom, Focus and Aperture Rings for Use in Follow-Focus Systems\u003c\/li\u003e \u003cli\u003eCommon 114mm Front Diameter for Use with a Wide Variety of Matte Boxes and Accessories\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN - KPC-1016PL\u003c\/li\u003e \u003cli\u003eGTIN - 4968808220616\u003c\/li\u003e \u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":47111020970169,"sku":"126291","price":6699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/tokina_16-28mm_t3_cine_mk_ii_pl_mount_01.jpg?v=1778106574"},{"product_id":"tokina-16-28mm-t3-cine-mk-ii-nikon-f-mount","title":"Tokina 16-28mm T3 CINE Mk II Nikon F Mount","description":"\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular;\"\u003e\u003cstrong\u003eIMPROVED - NEW DESIGN\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular;\"\u003e\u003cbr\u003eThe highly innovative \u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003e\u003cem\u003eT\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003eokina Cinema 16-28mm T3.0 \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003ehas been re-engineered to meet the demanding needs of the professional cinematographer. Using the successful optical formula of the award winning still lens, Tokina engineers have created a lens that is Parfocal, has dramatically reduced breathing and image shift, and a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. With its 28cm close-focus capability, the lens allows you the freedom to capture a super wide-angle of view while still maintaining a tight perspective on your subject.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular;\"\u003e\u003cstrong\u003eFEATURES:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eFull frame super-wide 16-28mm lens\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eFast Constant T3.0 Aperture Throughout the 16mm to \u003cbr\u003e28mm Zoom Range\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eVirtually No Breathing\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eA Focus Rotation Angle of Approximately 300 Degrees\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eHigh Resolution - Low Distortion\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eLow Chromatic Aberration\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eAspherical Elements and Super-Low Dispersion Glass Reduce \u003cbr\u003eDistortion and Increase Optical Performance\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eDurable, All-metal Cine-Style Housing with Geared Manual Zoom, \u003cbr\u003eFocus and Aperture Rings for Use in Follow-Focus Systems\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eCommon 114mm Front Diameter for Use with a Wide\u003cbr\u003eVariety of Matte Boxes and Accessories\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eMPN - KPC-1016F\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003e GTIN - N\/A\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":47111021134009,"sku":"126289","price":6699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/14706_tokina-cinema-vista-16-28mm-ii-t3-wide-angle-zoom-lens-for-nikon-f-mount_1.jpg?v=1778106575"},{"product_id":"tokina-cinema-85mm-t1-5-lens-for-canon-ef-mount","title":"Tokina Cinema 85mm T1.5 Lens for Canon EF Mount","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe \u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003e\u003cem\u003eTokina 85mm T1.5 Cinema Vista Prime Lens\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e with an\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003e EF mount\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e and with focus scales marked in feet provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is an 85mm focal length, and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe 9-bladed iris provides round out of focus highlights for a natural-looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an EF mount, and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey Features of Tokina Cinema 85mm T1.5 Lens for Canon EF Mount \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe 85mm T1.5 EF mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The Iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12pt; color: #000000;\"\u003eThe lens features threading on the front of the lens to accommodate 112 mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eMPN - KPC-3003EF\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003e GTIN - 4968808220548\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":47111021199545,"sku":"126312","price":8299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/14680_tokina-85_1.jpg?v=1778106578"},{"product_id":"tokina-cinema-85mm-t1-5-lens-for-micro-four-thirds-mount","title":"Tokina Cinema 85mm T1.5 Lens for Micro Four Thirds Mount","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe \u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003e\u003cem\u003eTokina 85mm T1.5 Cinema Vista Prime Lens\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e with a \u003cstrong\u003e\u003cem\u003e\u003cspan style=\"color: #ff6600;\"\u003eMFT mount\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e and with focus scales marked in feet provides an image circle that more than covers Super 35-sized sensors providing sharp images and even illumination from edge to edge. This is an 85mm focal length, and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe 9-bladed iris provides round out of focus highlights for a natural-looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features a MFT mount, and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe 85mm T1.5 MFT mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors. The MFT mount physically blocks the image circle coverage from full-frame to Super 35mm sized-sensors, but doesn't otherwise affect the optical operation of the lens.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The Iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lens features threading on the front of the lens to accommodate 112 mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eMPN - KPC-3003MFT\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003e GTIN - 4968808220555\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":47111021297849,"sku":"126313","price":8299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/14678_tokina-85_1.jpg?v=1778106577"},{"product_id":"tokina-cinema-85mm-t1-5-lens-for-sony-e-mount","title":"Tokina Cinema 85mm T1.5 Lens for Sony E Mount","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe \u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003eTokina 85mm T1.5 Cinema Vista Prime Lens\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e with an \u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cstrong\u003eE-mount \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003eand with focus scales marked in feet provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is an 85mm focal length, and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe 9-bladed iris provides round out of focus highlights for a natural-looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an E-mount, and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe 85mm T1.5 E-mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The Iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003eThe lens features threading on the front of the lens to accommodate 112 mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eMPN - KPC-3003E \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eGTIN - 4968808220562\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":47111021330617,"sku":"126311","price":8299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/14682_tokina-85_1.jpg?v=1778106573"},{"product_id":"tokina-cinema-50mm-t1-5-lens-for-canon-ef-mount","title":"Tokina Cinema 50mm T1.5 Lens for Canon EF Mount","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eTokina Cinema 50mm T1.5 Lens for Canon EF Mount\u003c\/strong\u003e with focus scales marked in feet, provides an image circle that more than covers It provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is a 50mm focal length, and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look..\u003c\/p\u003e \u003cp class=\"mText\"\u003eThe 9-bladed iris provides round out of focus highlights for a natural looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an EF mount and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e \u003ch2 class=\"h2Lit\"\u003eKey Features of the Tokina Cinema 50mm T1.5 Lens for Canon EF Mount\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eThe 50mm T1.5 EF mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/li\u003e \u003cli\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/li\u003e \u003cli\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/li\u003e \u003cli\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/li\u003e \u003cli\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/li\u003e \u003cli\u003eThe lens features threading on the front of the lens to accommodate 112 mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cul class=\"mpn\"\u003e \u003cli\u003eMPN -  KPC-3002EF\u003c\/li\u003e \u003cli\u003eGTIN - 4968808220364\u003c\/li\u003e \u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":47111021559993,"sku":"126308","price":5899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/tokina_cinema_50mm_t1.5_lens_for_canon_ef_mount_01.jpg?v=1778106577"},{"product_id":"tokina-16-28mm-t3-cinemk-ii-microfour-third-mount","title":"Tokina 16-28mm T3 CineMk II MicroFour Third Mount","description":"\u003cp\u003e\u003cspan style=\"font-size: medium; color: #000000;\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular;\"\u003eThe highly innovative \u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003e\u003cem\u003eT\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003eokina Cinema 16-28mm T3.0 \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003ehas been re-engineered to meet the demanding needs of the professional cinematographer. Using the successful optical formula of the award winning still lens, Tokina engineers have created a lens that is Parfocal, has dramatically reduced breathing and image shift, and a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. With its 28cm close-focus capability, the lens allows you the freedom to capture a super wide-angle of view while still maintaining a tight perspective on your subject.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular;\"\u003e\u003cstrong\u003eFEATURES:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eFull frame super-wide 16-28mm lens\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eFast Constant T3.0 Aperture Throughout the 16mm to \u003cbr\u003e28mm Zoom Range\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eVirtually No Breathing\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eA Focus Rotation Angle of Approximately 300 Degrees\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eHigh Resolution - Low Distortion\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eLow Chromatic Aberration\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eAspherical Elements and Super-Low Dispersion Glass Reduce \u003cbr\u003eDistortion and Increase Optical Performance\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eDurable, All-metal Cine-Style Housing with Geared Manual Zoom, \u003cbr\u003eFocus and Aperture Rings for Use in Follow-Focus Systems\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular; font-size: medium; color: #000000;\"\u003eCommon 114mm Front Diameter for Use with a Wide\u003cbr\u003eVariety of Matte Boxes and Accessories\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eMPN - KPC-1016MFT \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #808080; font-size: 12pt;\"\u003eGTIN - N\/A \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":47111021822137,"sku":"126290","price":6699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/14703_tokina-cinema-vista-16-28mm-ii-t3-wide-angle-zoom-lens-for-micro-four-thirds-mount_1.jpg?v=1778106579"}],"url":"https:\/\/www.digidirect.com.au\/collections\/cinema-lenses.oembed","provider":"digiDirect","version":"1.0","type":"link"}