{"title":"P\u0026V - Cinema\/ProVideo Cameras","description":null,"products":[{"product_id":"canon-c70-body","title":"Canon C70 Body","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon C70 Body \u003c\/strong\u003e is the smallest and lightest in Canon’s Cinema EOS System line-up, it’s packed with features that support a versatile range of professional video requirements. It has 13 assignable buttons, a multi-functional hand grip for ease of operability, professional input\/output terminals including HDMI and 2x mini XLR terminals for audio, as well as an independent ventilation system.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eCanon EOS C70 features a Super35 DGO (Dual Gain Output) sensor for capturing nuanced images with up to 16+ stops of high dynamic range. The innovative DGO system combines two separate gain readings for each photodiode on the sensor, emphasizing saturation in bright areas of your image and lowering noise in darker areas.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eVideo functions include unlimited video recording, Dual Pixel CMOS AF autofocus control and up to 4K 120p or Super 16 2K crop 180 fps capture - plus a BNC timecode input\/output connector, and built-in dual mini-XLR audio inputs. The EOS C70 is also the first Cinema EOS camera with an RF mount that enables you to use Canon's line of fast, reliable RF lenses with advanced coatings and image stabilization.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eFor greater flexibility during post-production, the C70 also offers Canon's Log 2 and Log 3 gamma modes, both of which provide an expanded dynamic range with excellent tonal reproduction for highlights and in low-light areas of your images. The EOS C70 also supports .cube 3D LUTs so you can get the most accurate colour reproduction on both the LCD and your external viewing monitors.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThis lightweight cine camera also incorporates a 3.5\" Direct Touch Control LCD panel for quick, easy setting changes, and both auto-ISO and auto-gain functions for on-the-go adjustments to changing light levels. Furthermore, a new, thinner ND filter system gives up to 10-stops of ND filtration, providing filmmakers with the flexibility to control exposure while keeping control over the depth of field and enabling significant bokeh, even when using a high-speed lens.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe EOS C70 cinema camera features one HDMI Type-A output, a BNC timecode input\/output, and a USB Type-C port for control or linking to an external Wi-Fi adapter for streaming. It supports up to 4-channel audio using dual mini-XLR ports, an internal stereo mic, and a 3.5mm mic input. It comes with a detachable handle unit, a mic holder, a shoulder strap, one BPA-30 battery, a battery charger, an AC adapter with power cord, and a port cap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon C70 Body  \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRF Lens Mount \/ EF Mount with Adapter\u003c\/li\u003e\n\u003cli\u003eSuper35 Dual Gain Output (DGO) Sensor\u003c\/li\u003e\n\u003cli\u003e4K 120p no crop 4:2:2 10-bit recording\u003c\/li\u003e\n\u003cli\u003e2K Crop 180p HDR Capture\u003c\/li\u003e\n\u003cli\u003eIn-built ND filters\u003c\/li\u003e\n\u003cli\u003eDual mini-XLR\u003c\/li\u003e\n\u003cli\u003eFull-sized HDMI output\u003c\/li\u003e\n\u003cli\u003eDual SD card slots\u003c\/li\u003e\n\u003cli\u003eExtended Auto Focus (Dual Pixel CMOS AF + EOS iTR AF X )\u003c\/li\u003e\n\u003cli\u003eArticulating touch screen\u003c\/li\u003e\n\u003cli\u003eNo recording time limits!\u003c\/li\u003e\n\u003cli\u003eCompact size\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit lh1\"\u003e4K Super 35mm DGO (Dual Gain Output) Sensor | 16+ stops of Dynamic Range\u003c\/h2\u003e\n\u003cp\u003eTaking advantage of its Super 35mm Dual Gain Output (DGO) sensor, seen in the highly acclaimed EOS C300 Mark III, the EOS C70 delivers exceptional image quality with over 16 stops of dynamic range. Much like the EOS C300 Mark III, the EOS C70 produces the same true-to-life, cinematic colours, exceptionally clean low-light image quality and superb HDR acquisition capabilities.\u003c\/p\u003e\n\u003cp\u003eThanks to the DGO sensor, and powerful DIGIC DV 7 processor the EOS C70 is an ideal choice for professionals looking to produce high-quality content in 4K. It also supports slow-motion capture with 4K 120p recording – with Dual Pixel CMOS AF support, as well as an audio recording. For those who desire higher frame rates, 180p is also available in Super16 mode. Recording to Dual SD cards in Canon’s XF-AVC format with 4K 4:2:2 10-bit, the EOS C70 captures high-resolution footage for a wide range of applications, from documentary and journalism to music videos and web-based content.\u003c\/p\u003e\n\u003cbr\u003e\u003cstrong\u003eCanon EOS C70 Sensor Modes\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSuper 35mm\u003c\/li\u003e\n\u003cli\u003eSuper 16mm (crop)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cstrong\u003eCanon EOS C70 Crop Factors\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e4K Super 35mm: 1.46x\u003c\/li\u003e\n\u003cli\u003eUHD Super 35mm: 1.53x\u003c\/li\u003e\n\u003cli\u003e2K Super 16mm (cropped): 2.92x\u003c\/li\u003e\n\u003cli\u003eHD Super 16mm (cropped): 3.07x\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDual Gain Output\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCanon C70's DGO sensor produces images optimized for HDR by creating two images. One prioritizes highlights and the other prioritizes shadows and dark areas. This sensor is capable of 16+ stops of dynamic range with reduced noise in the shadows and improved low light performance.\u003c\/p\u003e\n\u003cp\u003eThe DGO works* across all ISO ranges on the C70 up to 60p S35 4K recording, including 2K Super 16mm Crop mode up to 180 fps, and results in:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16+ stops dynamic range, at ISO 800 in Canon Log 2\u003c\/li\u003e\n\u003cli\u003e14 stops dynamic range, at ISO 800 in Canon Log 3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eAuto ISO\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCanon has also as a first for Cinema EOS cameras included an Auto ISO option in the C70. The Auto ISO can be set to either High or Low in the menu. This feature makes going from outdoors to indoors in one shot a more practical scenario when shooting with minimal crew.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eHigh Frame Rate; 4K 120p and 2K Crop 180p\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWith its new chip design and DIG!C DV7 processor, the EOS C70 is capable of ultra-high frame rates. Capture video at frame rates up to 120 fps in 4K and up to 180 fps in the 2K crop mode. Dual Pixel AF is supported by the EOS C70 even at high frame rates, keeping your focus even when used on a gimbal or drone.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e4K\/2K Long GOP Support\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe EOS C70 supports the higher-compression Long GOP for longer recording times at rates up to 4K60p. The inter-frame Long GOP compression detects differences between frames by referring to preceding and subsequent frames.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit lh1\"\u003eDual Pixel AF + EOS iTR AF X (Intelligent Tracking and Recognition)\u003c\/h2\u003e\n\u003cp\u003eIn addition to supporting Canon’s renowned Dual Pixel AF System, it is also the first Cinema EOS System camera to feature the revolutionary EOS iTR AF X (Intelligent Tracking and Recognition) system seen in the newly-launched EOS R5. The system uses a face and head detection algorithm that works in conjunction with Face Detection AF to greatly improve the reliability of focusing on and tracking the subject.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit lh1\"\u003eEIS with Coordinated Control\u003c\/h2\u003e\n\u003cp\u003eTo smooth out handheld shots, EOS C70 is the first Cinema EOS camera to offer enhanced image stabilization with coordinated control. When used with an RF-mount lens and the EOS C70's electronic IS, coordinated control optimizes hand-shake correction for even greater vibration reduction than that obtained with an EF-mount lens and electronic IS.\u003c\/p\u003e\n\u003cp\u003eWhen working in the 2K format, the EOS C70's Super16 Digital IS improves performance by using the peripheral area around the center of the 4K sensor to stabilize the image.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eOther Features\u003c\/h2\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eBuilt-in ND\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eDesigned specifically for the EOS C70's short flange distance, a thin motorized ND filter unit enables users to quickly select up to 10 stops of neutral density - an especially handy feature for ENG shooters or when shooting in quickly changing lighting conditions.\u003c\/p\u003e\n\u003cp\u003eYou can activate the ND through the touchscreen or via the ND buttons on the side of the camera.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDual SD Card Slots \/ Multiple Recording Options\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eDual SD card slots on the EOS C70 enable simultaneous recording in different formats including 4K\/HD and XF-AVC\/MP4 options.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eMulti-functional grip\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCanon has taken what people loved about the handgrips that have appeared on various Cinema EOS cameras over the years and integrated it into the C70’s body.\u003c\/p\u003e\n\u003cp\u003eMany of the EOS C70 camera controls have been configured around the right grip, allowing you to access and change various settings while holding the camera. Three custom dials and a joystick are placed on the grip in an ergonomic layout. The custom dials can be set to perform various functions such as iris, ISO\/gain, WB selection and colour temperature.\u003c\/p\u003e\n\u003cp\u003eVarious settings can also be assigned to the RF lens control ring in addition to the front and rear custom dials, with up to three different parameters set at the same time. Additionally, the C70 has a total of 13 user-assignable buttons for customization to your filmmaking needs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDirect Touch Control\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe EOS C70 features Direct Touch Control, enabling you to quickly and easily access your favourite menu settings through the fully rotatable LCD screen. Simply touch the 3.5\" screen to start\/stop recording, set ISO\/Gain, colour temperature, and iris, and to access other critical settings. Recording settings that are used to located in different menus can now be controlled with one hand, enabling on-the-spot changes even while operating the camera with one hand.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eMini-XLR Audio Inputs\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eTwo mini-XLR inputs with phantom power and manual control dials provide professional audio recording options for the EOS C70.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eTimecode Input\/Output\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eA BNC connector on the front of the EOS C70 enables users to input and output timecode, making synching on multicamera shoots easier.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eRC-V100 Support and LANC Compatible\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe EOS C70 body's remote LANC terminal enables remote control using the optional Canon RC-V100 unit. The RC-V100 provides full access to key functions like start\/stop, shutter\/gain adjustments, focus\/iris\/zoom settings, display settings, white balance, black gamma, and more.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eEF Lens Compatibility with Optional Adapter\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe optional EF-EOS R 0.71X EF to RF lens adapter converts a full-frame lens to Super35 format while boosting the aperture speed by an average of one-stop. The EF adapter passes EF lens data through the RF mount, providing full Dual-Pixel Autofocus and metadata information for select lenses.\u003c\/p\u003e\n\u003cp\u003eAdditional compatible adapters include the EF-EOS R Canon Mount, Canon Control Ring Mount, Drop-In Circular Polarizer Filter Mount, and Drop-In Variable ND Filter Mount adapters.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCube LUT Support\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eA Look File option enables users to import .cube-type 3D LUTs, improving the flexibility of the EOS C70 in professional workflows.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e9 x 16 Vertical Capture\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eUse the 1\/4\"-20 tripod thread built into the grip to position the EOS C70 for vertical use when capturing images for digital signage or mobile device use. For easier viewing, the user interface can also be switched for vertical use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - C70\u003c\/li\u003e\n\u003cli\u003eGTIN - 4549292167467\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838068117689,"sku":"137159","price":6299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/137159-001-new_47b8c59b-ff16-4148-81b8-46c3d4947052.jpg?v=1775431608"},{"product_id":"canon-eos-c400-full-frame-rf-cinema-camera","title":"Canon EOS C400 Full Frame RF Cinema Camera","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon EOS C400 Full Frame RF Cinema Camera.\u003c\/strong\u003e RF lenses enable richly expressive, high quality imaging. The high speed communication capabilities of the RF mount makes operation intuitive and stress free. Co ordinated control of camera and lens IS via RF mount communication achieves powerful image stabilisation.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon EOS C400 Full Frame RF Cinema Camera\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAdjustable Lcd Monitor\u003c\/li\u003e\n\u003cli\u003eDigic Dv 7 Processor\u003c\/li\u003e\n\u003cli\u003eCompact Lightweight Design\u003c\/li\u003e\n\u003cli\u003eCanon Log 2 \u0026amp; Canon Log 3\u003c\/li\u003e\n\u003cli\u003e4k 120p Recording\u003c\/li\u003e\n\u003cli\u003eFour Base Iso Modes\u003c\/li\u003e\n\u003cli\u003eVirtual Production Support\u003c\/li\u003e\n\u003cli\u003eSimultaneous Recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e6K FULL FRAME CMOS SENSOR\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe 6K full frame back illuminated stacked CMOS sensor and DIGIC DV7 processor deliver breathtakingly beautiful visuals with support for enhanced 4K image quality with 6K oversampling and wide 16 stop tonality. Full frame readout is supported along with Super 35mm and Super 16mm modes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eVERSATILITY FROM FILMMAKING TO LIVE EVENTS\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eEOS C400's combination of high image quality, movie performance, compact size and full range of interfaces for greater operability makes it ideal for shooting in a range of environments from filmmaking to live events\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDUAL PIXEL CMOS AF II WITH SUBJECT DETECTION\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eDual Pixel CMOS AF II offers advanced high speed, high precision AF. Algorithms which utilise deep learning enable high performance subject detection which provides high speed AF that captures the subject instantly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eLINEUP OF MOUNT ADAPTERS FOR COMPATIBILITY\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eUsers can fully utilise their existing EF lenses by attaching an EF EOS R adapter. PL lenses can also be attached using a new PL RF mount adapter.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - C400\u003c\/li\u003e\n\u003cli\u003eGTIN - 4549292224603\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838084829369,"sku":"161018","price":11189.43,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/ezgif-6-fa6bcff17c_43fd982a-a7d9-4a23-85cd-3ac9fff28c1b.jpg?v=1775431714"},{"product_id":"canon-eos-c50-cinema-body","title":"Canon EOS C50 Cinema Body","description":"\u003cp class=\"mText\"\u003eCompact in size, powerful in performance. The \u003cstrong class=\"h1Lit\"\u003eCanon EOS C50 Cinema Body\u003c\/strong\u003e features a 7K sensor with open gate recording in our smallest Cinema EOS body yet.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eCapture every detail in breathtaking motion. Whether you're filming a high-energy action sequence or a slow, emotional moment\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eUnlock cinematic power without the bulk. The EOS C50 is packed with high end cinema features One camera, any job. From documentaries to commercials, YouTube to the big screen, the EOS C50 adapts to your story, not the other way around.\u003c\/p\u003e\n\u003ch2\u003eKey Features of the Canon EOS C50 Cinema Body\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSimultaneous dual recording\u003c\/li\u003e\n\u003cli\u003e4K footage from 7K oversampled \u003c\/li\u003e\n\u003cli\u003eDual Pixel Cmos Auto Focus II\u003c\/li\u003e\n\u003cli\u003eRF lens mount\u003c\/li\u003e\n\u003cli\u003e32MP stills \/ 40fps burst mode\u003c\/li\u003e\n\u003cli\u003e14 assignable buttons\u003c\/li\u003e\n\u003cli\u003eCanon Log 3 and Canon Log 2\u003c\/li\u003e\n\u003cli\u003ePro connectivity\u003c\/li\u003e\n\u003cli\u003eWide range of recording formats\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSimultaneous dual recording\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCapture 4K plus a repositionable 2K crop (such as vertical or square) simultaneously\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e4K footage from 7K oversampled \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCinematic 4K captured from a full 7K sensor readout for stunning detail\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDual Pixel Cmos Auto Focus II\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFast, accurate autofocus with intelligent subject tracking and eye detection\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eRF lens mount\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eDelivering lightning-fast communication between camera and lens. Access Canon’s growing lineup of high-performance RF lenses or adapt easily to EF and PL glass for any production need.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e32MP stills \/ 40fps burst mode\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCapture stills at speed in photo mode. Pre-continuous shooting of up to 20 shots\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e14 assignable buttons\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCustomise and speeden up your workflow with 14 assignable buttons for flexible control\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCanon Log 3 and Canon Log 2\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eDelivers maximum dynamic range for professional colour grading\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003ePro connectivity \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFull-size HDMI and Timecode DIN for seamless integration into professional set ups\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eWide range of recording formats\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eVersatile format support, from lightweight proxy to high-end broadcast-ready pre-continous shooting (when enabled) captures as shutter button is half-pressed\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - C50\u003c\/li\u003e\n\u003cli\u003eGTIN - 4549292254600\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838085157049,"sku":"172218","price":4788.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/172218-000ax_4e31cce2-c58f-4c71-84d0-7876d4dd0509.jpg?v=1775431716"},{"product_id":"canon-eos-c80-cinema-camera","title":"Canon EOS C80 Cinema Camera","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon EOS C80 Cinema Camera\u003c\/strong\u003e is a groundbreaking RF mount cinema camera poised to revolutionise filmmaking and live production, with a native RF-mount and full-frame, back-illuminated stacked CMOS sensor, designed for filmmakers that require a full-featured camera in a compact body.. Building upon the legacy of the acclaimed EOS R5 C and EOS C70, the EOS C80 seamlessly blends cutting-edge technology with a compact and ergonomic design, empowering professionals to capture cinematic visuals with greater ease.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon EOS C80 Cinema Camera\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e6K FF Back-Illuminated CMOS Sensor\u003c\/li\u003e\n\u003cli\u003e6K30, DCI 4K\/2K, UHD 4K120 S35 Recording\u003c\/li\u003e\n\u003cli\u003eFull Frame and Super35 Modes\u003c\/li\u003e\n\u003cli\u003e12G-SDI and HDMI Simultaneous Output\u003c\/li\u003e\n\u003cli\u003eTriple-Base ISO: 800, 3200, 12,800\u003c\/li\u003e\n\u003cli\u003eCinema Raw Light LT, HEVC, AVC Codecs\u003c\/li\u003e\n\u003cli\u003e16+ Stops of Total Dynamic Range\u003c\/li\u003e\n\u003cli\u003eDual-Pixel CMOS AF II, Built-In NDs\u003c\/li\u003e\n\u003cli\u003e1 x BNC Timecode, 2 x Mini-XLR Audio In\u003c\/li\u003e\n\u003cli\u003e2 x SD Card Slots, LUT\/Long GOP Support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e6K Full-Frame Back-Illuminated Stacked CMOS Sensor\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Canon EOS C80 camera features a 6K full-frame, back-illuminated CMOS sensor, with triple-base ISO, allowing the camera to deliver stunning imagery in a wide range of lighting conditions. The base ISOs of 800, 3200, and 12,800 maximize the full dynamic range of the camera.\u003c\/p\u003e\n\u003cp\u003eThe EOS C80 camera also features Canon’s latest Dual Pixel CMOS Autofocus, Dual Pixel AF II. The back-illuminated stacked sensor’s positioning offers superb light-capturing efficiency, which widens the area of the sensor that can be used for autofocusing. The sensor also empowers fast readout speed, as well as amazing 4K image quality from 6K oversampling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e12-G SDI and a Variety of Interfaces\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eIn addition to moving to a full-frame sensor, the EOS C80 camera has also stepped up from its predecessor by adding 12G-SDI output, which enables uncompressed transfer of your video signal with a secure cable connection. The camera’s design includes a variety of other interfaces including HDMI, mini-XLR audio inputs, time code, built-in Wi-Fi® connectivity, and Ethernet. This internet connectivity enables the camera to be controlled remotely via our IP-based XC Protocol using Canon’s Remote Camera Control Application (available for free on the Canon USA Website), or our Multi-Camera Control App for iPhone (available for free on the App Store).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCompact Design\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe compact and lightweight EOS C80 camera is suitable on a drone, gimbal, tripod, or in any configuration where compact size and light weight are important.\u003c\/p\u003e\n\u003cp\u003eThe camera is ergonomically designed with a new, lightweight handle assembly. The Multi-function Shoe is located just above the LCD screen and the joystick controller provides easy control and menu navigation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eRecording Options\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe EOS C80 camera can record up to 6K 30P in Cinema RAW Light. Other recording options include our standard XF-AVC codec which can record in 10-bit 4:2:2 with oversampling from the 6K sensor, creating rich detail and smooth imagery without the need for cropping the image from the sensor. Furthermore, autofocus is enabled when recording in slow or fast motion at up to 4K 120P.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the EOS C80 camera has two more recording codecs, XF-AVC S and XF-HEVC S. These formats were first introduced with the EOS C400 camera and feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - C80\u003c\/li\u003e\n\u003cli\u003eGTIN - TBA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838085386425,"sku":"163176","price":7299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/163176-new_3847606e-e1b7-4f42-9648-6174c6649b34.jpg?v=1775431718"},{"product_id":"canon-eos-r5-c-full-frame-cinema-camera","title":"Canon EOS R5 C Full Frame Cinema Camera","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eCanon EOS R5 C Full Frame Cinema Camera\u003c\/strong\u003e is a powerful, hybrid cinema camera which combines the professional filmmaking features of the Cinema EOS range with the EOS R System’s photo capabilities. Underpinned by a high-resolution, full frame CMOS sensor, DIGIC X processor and the RF Mount, these three elements enable high fidelity 8K capture, and 45 megapixel still photo capture at burst speeds up to 20 frames per second, all in a single body. Its compact, yet versatile body supports the needs of a new generation of content creators and solo shooters.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: 8K 60p recording is only available if the camera is connected to an external power source. Running on batteries the camera can shoot at up to 8K 30p.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Canon EOS R5 C Full Frame Cinema Camera\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTwo Cameras in One Body: Photo + Cinema\u003c\/li\u003e\n\u003cli\u003e45MP Stills, Full-Frame 8K CMOS Sensor\u003c\/li\u003e\n\u003cli\u003eDual Pixel CMOS AF with Eye Detection\u003c\/li\u003e\n\u003cli\u003eNew heat dissipating internal cooling system\u003c\/li\u003e\n\u003cli\u003eDual-Slot Record, Unlimited Record Time\u003c\/li\u003e\n\u003cli\u003eCFexpress Type-B and SD UHS-II Slots\u003c\/li\u003e\n\u003cli\u003e4-Channel Audio Record with XLR Adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eA True Hybrid System\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eSharing its photo specifications with the EOS R5, the EOS R5 C incorporates additional professional video features, creating a high-performance workhorse capable of capturing high quality 45MP images, as well as shoot up to 8K 60p¹ video.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e8K Video Support\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe EOS R5 C is the first Cinema EOS System camera to provide internal 8K 60p recording. This allows for highly flexible workflow, such as 4K cropping from 8K footage without any loss in quality. The R5 C can also record 8K in the versatile MP4 format, as well as allow for lighter proxy video recording in 8K for more efficiant editing and previewing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDual Card Slots For Simultaneous RAW Recording\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe R5 C boasts dual card slots, allowing simultaneous recording. Options in different file formats, resolutions, and colour sampling can be assigned according to workflow requirements.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eNewly Developed Internal Cooling Fan\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe R5 C has adopted a newly developed, heat dissipating design with a built in cooling fan system that keeps internal temperature from rising, along with airflow separate from the main board. Dramatic improvement of the thermal design achieves long hours of non-stop recording in high-quality 8K 60p video.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCompatibility with Canon VR RF lens\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eHigh-resolution VR images and video can be shot by attatching the Canon RF 5.2mm F2.8 L Dual Fisheye, a stereoscopic RF mount fisheye lens designed for VR movie shooting, to the R5 C.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - R5CBODY\u003c\/li\u003e\n\u003cli\u003eGTIN - 4549292184860\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46838088040633,"sku":"144044","price":4999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/144044-001-new_7f0ebf67-4aee-41ed-9734-f00a21519d1d.jpg?v=1775431738"},{"product_id":"nikon-zr-cinema-camera-with-nikkor-z-24-200mm-f-4-6-3-lens-kit","title":"Nikon ZR Cinema Camera with NIKKOR Z 24-200mm f\/4-6.3 Lens Kit","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eNikon ZR Cinema Camera with NIKKOR Z 24-200mm f\/4-6.3 Lens Kit. \u003c\/strong\u003eNikon has officially launched the ZR, a compact full-frame cinema camera co-developed with RED Digital Cinema. As the smallest model in the Z CINEMA series, the ZR weighs just 540g and is built for high-end filmmaking in a lightweight, rugged magnesium alloy body. It features internal 6K RAW recording (R3D NE, N-RAW, ProRes RAW HQ), RED-curated colour science, and native 32-bit float audio with OZO Audio support—all designed to eliminate the need for bulky rigs. The camera includes dual base ISO (800\/6400), 15+ stops of dynamic range, and advanced autofocus with 273 points and deep-learning subject recognition across nine categories.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eFor cinematic output, the ZR offers nine RED Imaging Recipes, real-time LUT previews, waveform and histogram monitoring, and a configurable shutter angle for authentic motion blur. It supports seven video formats, including 12-bit RAW in REDWideGamutRGB and Log3G10 profiles, and integrates RED’s R3D NE codec for the first time in a Nikon camera. The ZR is also cloud-ready via Frame.io and NX MobileAir, enabling direct uploads from the field.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eDesigned for modern workflows, the ZR includes HDMI-CEC tally light compatibility, USB-C connectivity, and ON AIR\/PREVIEW indicators, making it ideal for studio, livestreaming, and multi-cam setups. Its efficient heat dissipation allows over two hours of silent recording without overheating. The Z mount system supports a wide range of lenses, including adapted third-party options.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eAltogether, the Nikon ZR delivers a complete, portable cinema solution with professional-grade video, audio, and connectivity—tailored for filmmakers who demand uncompromising quality in a streamlined setup.\u003c\/p\u003e\n\u003cp\u003e     \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Nikon ZR Cinema Camera with NIKKOR Z 24-200mm f\/4-6.3 Lens Kit\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRED R3D NE Video codec with 15+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eInternal RAW recording up to 6K\/59.94p and 4K\/119.88p.\u003c\/li\u003e\n\u003cli\u003eDual Base ISO 800\/6400.\u003c\/li\u003e\n\u003cli\u003e24.5mp Partially stacked sensor mimises rolling shutter.\u003c\/li\u003e\n\u003cli\u003e32-Float audio for wide dynamic range audio.\u003c\/li\u003e\n\u003cli\u003e3070k-dot 4\" DCI-P3 compatible vari-angle LCD\u003c\/li\u003e\n\u003cli\u003eUp to 8 stops of inbody VR stabilisation.\u003c\/li\u003e\n\u003cli\u003eAuto subject detection powered by deep learning down to -10ev.\u003c\/li\u003e\n\u003cli\u003eReal-time waveform, histogram, and multi-colour zebra overlays, and ten loadable LUTs.\u003c\/li\u003e\n\u003cli\u003eSmall form factor and lightweight at 540g. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN -  VOK180YA\u003c\/li\u003e\n\u003cli\u003eGTIN - 4960759919793\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":46838520250553,"sku":"172270","price":4799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/zr_z24-200_4-6.3_front34l_1.jpg?v=1775365380"},{"product_id":"nikon-zr-cinema-camera-with-nikkor-z-24-50mm-f-4-6-3-lens-kit","title":"Nikon ZR Cinema Camera with NIKKOR Z 24-50mm f\/4-6.3 Lens Kit","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eNikon ZR Cinema Camera with NIKKOR Z 24-50mm f\/4-6.3 Lens Kit. \u003c\/strong\u003eNikon has officially launched the ZR, a compact full-frame cinema camera co-developed with RED Digital Cinema. As the smallest model in the Z CINEMA series, the ZR weighs just 540g and is built for high-end filmmaking in a lightweight, rugged magnesium alloy body. It features internal 6K RAW recording (R3D NE, N-RAW, ProRes RAW HQ), RED-curated colour science, and native 32-bit float audio with OZO Audio support—all designed to eliminate the need for bulky rigs. The camera includes dual base ISO (800\/6400), 15+ stops of dynamic range, and advanced autofocus with 273 points and deep-learning subject recognition across nine categories.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eFor cinematic output, the ZR offers nine RED Imaging Recipes, real-time LUT previews, waveform and histogram monitoring, and a configurable shutter angle for authentic motion blur. It supports seven video formats, including 12-bit RAW in REDWideGamutRGB and Log3G10 profiles, and integrates RED’s R3D NE codec for the first time in a Nikon camera. The ZR is also cloud-ready via Frame.io and NX MobileAir, enabling direct uploads from the field.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eDesigned for modern workflows, the ZR includes HDMI-CEC tally light compatibility, USB-C connectivity, and ON AIR\/PREVIEW indicators, making it ideal for studio, livestreaming, and multi-cam setups. Its efficient heat dissipation allows over two hours of silent recording without overheating. The Z mount system supports a wide range of lenses, including adapted third-party options.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eAltogether, the Nikon ZR delivers a complete, portable cinema solution with professional-grade video, audio, and connectivity—tailored for filmmakers who demand uncompromising quality in a streamlined setup.\u003c\/p\u003e\n\u003cp\u003e     \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Nikon ZR Cinema Camera with NIKKOR Z 24-50mm f\/4-6.3 Lens Kit\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRED R3D NE Video codec with 15+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eInternal RAW recording up to 6K\/59.94p and 4K\/119.88p.\u003c\/li\u003e\n\u003cli\u003eDual Base ISO 800\/6400.\u003c\/li\u003e\n\u003cli\u003e24.5mp Partially stacked sensor mimises rolling shutter.\u003c\/li\u003e\n\u003cli\u003e32-Float audio for wide dynamic range audio.\u003c\/li\u003e\n\u003cli\u003e3070k-dot 4\" DCI-P3 compatible vari-angle LCD\u003c\/li\u003e\n\u003cli\u003eUp to 8 stops of inbody VR stabilisation.\u003c\/li\u003e\n\u003cli\u003eAuto subject detection powered by deep learning down to -10ev.\u003c\/li\u003e\n\u003cli\u003eReal-time waveform, histogram, and multi-colour zebra overlays, and ten loadable LUTs.\u003c\/li\u003e\n\u003cli\u003eSmall form factor and lightweight at 540g. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN -  790180\u003c\/li\u003e\n\u003cli\u003eGTIN - 9322250002919\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":46838520283321,"sku":"172265","price":4049.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/zr_z24-50_4-6.3_front34l_1.jpg?v=1775365382"},{"product_id":"nikon-zr-cinema-camera-with-nikkor-z-24-70mm-f-4-s-lens-kit","title":"Nikon ZR Cinema Camera with NIKKOR Z 24-70mm f\/4 S Lens Kit","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eNikon ZR Cinema Camera with NIKKOR Z 24-70mm f\/4 S Lens Kit. \u003c\/strong\u003eNikon has officially launched the ZR, a compact full-frame cinema camera co-developed with RED Digital Cinema. As the smallest model in the Z CINEMA series, the ZR weighs just 540g and is built for high-end filmmaking in a lightweight, rugged magnesium alloy body. It features internal 6K RAW recording (R3D NE, N-RAW, ProRes RAW HQ), RED-curated colour science, and native 32-bit float audio with OZO Audio support—all designed to eliminate the need for bulky rigs. The camera includes dual base ISO (800\/6400), 15+ stops of dynamic range, and advanced autofocus with 273 points and deep-learning subject recognition across nine categories.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eFor cinematic output, the ZR offers nine RED Imaging Recipes, real-time LUT previews, waveform and histogram monitoring, and a configurable shutter angle for authentic motion blur. It supports seven video formats, including 12-bit RAW in REDWideGamutRGB and Log3G10 profiles, and integrates RED’s R3D NE codec for the first time in a Nikon camera. The ZR is also cloud-ready via Frame.io and NX MobileAir, enabling direct uploads from the field.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eDesigned for modern workflows, the ZR includes HDMI-CEC tally light compatibility, USB-C connectivity, and ON AIR\/PREVIEW indicators, making it ideal for studio, livestreaming, and multi-cam setups. Its efficient heat dissipation allows over two hours of silent recording without overheating. The Z mount system supports a wide range of lenses, including adapted third-party options.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eAltogether, the Nikon ZR delivers a complete, portable cinema solution with professional-grade video, audio, and connectivity—tailored for filmmakers who demand uncompromising quality in a streamlined setup.\u003c\/p\u003e\n\u003cp\u003e     \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Nikon ZR Cinema Camera with NIKKOR Z 24-70mm f\/4 S Lens Kit\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRED R3D NE Video codec with 15+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eInternal RAW recording up to 6K\/59.94p and 4K\/119.88p.\u003c\/li\u003e\n\u003cli\u003eDual Base ISO 800\/6400.\u003c\/li\u003e\n\u003cli\u003e24.5mp Partially stacked sensor mimises rolling shutter.\u003c\/li\u003e\n\u003cli\u003e32-Float audio for wide dynamic range audio.\u003c\/li\u003e\n\u003cli\u003e3070k-dot 4\" DCI-P3 compatible vari-angle LCD\u003c\/li\u003e\n\u003cli\u003eUp to 8 stops of inbody VR stabilisation.\u003c\/li\u003e\n\u003cli\u003eAuto subject detection powered by deep learning down to -10ev.\u003c\/li\u003e\n\u003cli\u003eReal-time waveform, histogram, and multi-colour zebra overlays, and ten loadable LUTs.\u003c\/li\u003e\n\u003cli\u003eSmall form factor and lightweight at 540g. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN -  VOK180XA\u003c\/li\u003e\n\u003cli\u003eGTIN - 4960759919717\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":46838520348857,"sku":"172269","price":4449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/zr_z24-70_4_front.jpg?v=1775365384"},{"product_id":"nikon-zr-cinema-camera-with-nikkor-z-35mm-f-1-4-lens-kit","title":"Nikon ZR Cinema Camera with NIKKOR Z 35mm f\/1.4 Lens Kit","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eNikon ZR Cinema Camera with NIKKOR Z 35mm f\/1.4 Lens Kit. \u003c\/strong\u003eNikon has officially launched the ZR, a compact full-frame cinema camera co-developed with RED Digital Cinema. As the smallest model in the Z CINEMA series, the ZR weighs just 540g and is built for high-end filmmaking in a lightweight, rugged magnesium alloy body. It features internal 6K RAW recording (R3D NE, N-RAW, ProRes RAW HQ), RED-curated colour science, and native 32-bit float audio with OZO Audio support—all designed to eliminate the need for bulky rigs. The camera includes dual base ISO (800\/6400), 15+ stops of dynamic range, and advanced autofocus with 273 points and deep-learning subject recognition across nine categories.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eFor cinematic output, the ZR offers nine RED Imaging Recipes, real-time LUT previews, waveform and histogram monitoring, and a configurable shutter angle for authentic motion blur. It supports seven video formats, including 12-bit RAW in REDWideGamutRGB and Log3G10 profiles, and integrates RED’s R3D NE codec for the first time in a Nikon camera. The ZR is also cloud-ready via Frame.io and NX MobileAir, enabling direct uploads from the field.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eDesigned for modern workflows, the ZR includes HDMI-CEC tally light compatibility, USB-C connectivity, and ON AIR\/PREVIEW indicators, making it ideal for studio, livestreaming, and multi-cam setups. Its efficient heat dissipation allows over two hours of silent recording without overheating. The Z mount system supports a wide range of lenses, including adapted third-party options.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eAltogether, the Nikon ZR delivers a complete, portable cinema solution with professional-grade video, audio, and connectivity—tailored for filmmakers who demand uncompromising quality in a streamlined setup.\u003c\/p\u003e\n\u003cp\u003e     \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Nikon ZR Cinema Camera with NIKKOR Z 35mm f\/1.4 Lens Kit\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRED R3D NE Video codec with 15+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eInternal RAW recording up to 6K\/59.94p and 4K\/119.88p.\u003c\/li\u003e\n\u003cli\u003eDual Base ISO 800\/6400.\u003c\/li\u003e\n\u003cli\u003e24.5mp Partially stacked sensor mimises rolling shutter.\u003c\/li\u003e\n\u003cli\u003e32-Float audio for wide dynamic range audio.\u003c\/li\u003e\n\u003cli\u003e3070k-dot 4\" DCI-P3 compatible vari-angle LCD\u003c\/li\u003e\n\u003cli\u003eUp to 8 stops of inbody VR stabilisation.\u003c\/li\u003e\n\u003cli\u003eAuto subject detection powered by deep learning down to -10ev.\u003c\/li\u003e\n\u003cli\u003eReal-time waveform, histogram, and multi-colour zebra overlays, and ten loadable LUTs.\u003c\/li\u003e\n\u003cli\u003eSmall form factor and lightweight at 540g. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN -  792180\u003c\/li\u003e\n\u003cli\u003eGTIN - 9322250002926\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":46838520381625,"sku":"172266","price":4499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/zr_z35_1.4_front.jpg?v=1775365385"},{"product_id":"nikon-zr-cinema-camera-with-nikkor-z-50mm-f-1-4-lens-kit","title":"Nikon ZR Cinema Camera with NIKKOR Z 50mm f\/1.4 Lens Kit","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eNikon ZR Cinema Camera with NIKKOR Z 50mm f\/1.4 Lens Kit. \u003c\/strong\u003eNikon has officially launched the ZR, a compact full-frame cinema camera co-developed with RED Digital Cinema. As the smallest model in the Z CINEMA series, the ZR weighs just 540g and is built for high-end filmmaking in a lightweight, rugged magnesium alloy body. It features internal 6K RAW recording (R3D NE, N-RAW, ProRes RAW HQ), RED-curated colour science, and native 32-bit float audio with OZO Audio support—all designed to eliminate the need for bulky rigs. The camera includes dual base ISO (800\/6400), 15+ stops of dynamic range, and advanced autofocus with 273 points and deep-learning subject recognition across nine categories.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eFor cinematic output, the ZR offers nine RED Imaging Recipes, real-time LUT previews, waveform and histogram monitoring, and a configurable shutter angle for authentic motion blur. It supports seven video formats, including 12-bit RAW in REDWideGamutRGB and Log3G10 profiles, and integrates RED’s R3D NE codec for the first time in a Nikon camera. The ZR is also cloud-ready via Frame.io and NX MobileAir, enabling direct uploads from the field.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eDesigned for modern workflows, the ZR includes HDMI-CEC tally light compatibility, USB-C connectivity, and ON AIR\/PREVIEW indicators, making it ideal for studio, livestreaming, and multi-cam setups. Its efficient heat dissipation allows over two hours of silent recording without overheating. The Z mount system supports a wide range of lenses, including adapted third-party options.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eAltogether, the Nikon ZR delivers a complete, portable cinema solution with professional-grade video, audio, and connectivity—tailored for filmmakers who demand uncompromising quality in a streamlined setup.\u003c\/p\u003e\n\u003cp\u003e     \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Nikon ZR Cinema Camera with NIKKOR Z 50mm f\/1.4 Lens Kit\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRED R3D NE Video codec with 15+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eInternal RAW recording up to 6K\/59.94p and 4K\/119.88p.\u003c\/li\u003e\n\u003cli\u003eDual Base ISO 800\/6400.\u003c\/li\u003e\n\u003cli\u003e24.5mp Partially stacked sensor mimises rolling shutter.\u003c\/li\u003e\n\u003cli\u003e32-Float audio for wide dynamic range audio.\u003c\/li\u003e\n\u003cli\u003e3070k-dot 4\" DCI-P3 compatible vari-angle LCD\u003c\/li\u003e\n\u003cli\u003eUp to 8 stops of inbody VR stabilisation.\u003c\/li\u003e\n\u003cli\u003eAuto subject detection powered by deep learning down to -10ev.\u003c\/li\u003e\n\u003cli\u003eReal-time waveform, histogram, and multi-colour zebra overlays, and ten loadable LUTs.\u003c\/li\u003e\n\u003cli\u003eSmall form factor and lightweight at 540g. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN -  799180\u003c\/li\u003e\n\u003cli\u003eGTIN - 9322250002933\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":46838520447161,"sku":"172267","price":4399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/hqdefault_5_9.jpg?v=1775365387"},{"product_id":"nikon-zr-cinema-body","title":"Nikon ZR Cinema Body","description":"\u003cp class=\"mText\"\u003eIntroducing the \u003cstrong class=\"h1Lit\"\u003eNikon ZR Cinema Body\u003c\/strong\u003e, the smallest full-frame cinema camera in the Z CINEMA series, developed in collaboration with RED Digital Cinema. Weighing just 540g, the ZR offers internal 6K RAW recording, RED-curated colour science, and pro-grade audio in a compact, rugged body. It features dual base ISO, 32-bit float audio with OZO support, and direct cloud uploads via Frame.io. Designed for cinematic output, it includes nine RED Imaging Recipes via Nikon Imaging Cloud, advanced monitoring tools, and deep-learning autofocus. Ideal for studio, remote, and multi-cam workflows, the ZR supports HDMI-CEC tally lights, silent operation, and versatile lens compatibility.\u003c\/p\u003e\n\u003ch2\u003eKey Features of the Nikon ZR Cinema Body\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRED R3D NE Video codec with 15+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eInternal RAW recording up to 6K\/59.94p and 4K\/119.88p.\u003c\/li\u003e\n\u003cli\u003eDual Base ISO 800\/6400.\u003c\/li\u003e\n\u003cli\u003e24.5mp Partially stacked sensor mimises rolling shutter.\u003c\/li\u003e\n\u003cli\u003e32-Float audio for wide dynamic range audio.\u003c\/li\u003e\n\u003cli\u003e3070k-dot 4\" DCI-P3 compatible vari-angle LCD\u003c\/li\u003e\n\u003cli\u003eUp to 8 stops of inbody VR stabilisation.\u003c\/li\u003e\n\u003cli\u003eAuto subject detection powered by deep learning down to -10ev.\u003c\/li\u003e\n\u003cli\u003eReal-time waveform, histogram, and multi-colour zebra overlays, and ten loadable LUTs.\u003c\/li\u003e\n\u003cli\u003eSmall form factor and lightweight at 540g. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - VOA180AA\u003c\/li\u003e\n\u003cli\u003eGTIN - 4960759919618\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":46838520479929,"sku":"172268","price":2999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/zr_bf-n1_front.jpg?v=1775365391"},{"product_id":"sony-fx30-cinema-camera-w-xlr-handle-unit","title":"Sony FX30 Cinema Camera w\/ XLR Handle Unit","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eSony FX30 Cinema Camera w\/ XLR Handle Unit\u003c\/strong\u003e is paired with an all new back-illuminated APS-C Exmor R™ CMOS sensor (Super 35mm format), delivering exceptional results with high sensitivity, low noise, and wide dynamic latitude. The 6K oversampled image compresses a vast amount of information into 4K (QFHD: 3840 x 2160) output, delivering 4K movies with overwhelming resolution. The image sensor maximizes light collection efficiency so that clear, usable images can be captured even in challenging low light. Standard ISO sensitivity is 100 to 32000, and latitude is an impressively wide 14+ stops when recording in S-Log3 gamma.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Sony FX30 Cinema Camera w\/ XLR Handle Unit\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBrand new Back-illuminated APS-C Exmor R™ CMOS sensor\u003c\/li\u003e\n\u003cli\u003eDual Base ISO (800\/2500), and a 14+ stop for a wide latitude\u003c\/li\u003e\n\u003cli\u003eFlexible motion with up to 4K (QFHD) 120p recording with autofocus\u003c\/li\u003e\n\u003cli\u003eXAVC HS 4:2:2 10-bit internal recording, 4K 16-bit RAW output full HDMI terminal\u003c\/li\u003e\n\u003cli\u003eNative ISO of 100-32000\u003c\/li\u003e\n\u003cli\u003e495 Phase-detect AF points with 90% coverage\u003c\/li\u003e\n\u003cli\u003eFast Hybrid Autofocus with Real-Time Eye autofocus tracking\u003c\/li\u003e\n\u003cli\u003eSubject AF tracking for Human, Animals and Birds\u003c\/li\u003e\n\u003cli\u003e4K (QFHD) video recording up to 120FPS\u003c\/li\u003e\n\u003cli\u003eFull HD video recording up to 240FPS\u003c\/li\u003e\n\u003cli\u003e14+ stops dynamic latitude in S-Log3\u003c\/li\u003e\n\u003cli\u003eS-Cinetone colour profile\u003c\/li\u003e\n\u003cli\u003eDimensions (WxHxD)mm: 129.7x77.8x84.5\u003c\/li\u003e\n\u003cli\u003eWeight (body only): 646g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eS-Log3 recording for smooth cinematic color grading\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe S-Log3 gamma curve provided in the FX30 has been designed with an emphasis on smooth gradations that make it easier to achieve cinematic image quality when colour grading in post production. S-Log3 and S-Gamut3.Cine not only offer high-quality color reproduction over a wide latitude, but also facilitate colour matching with footage from other Cinema Line cameras. To bring out the best in footage shot with the FX30, special care has been taken to adjust the camera’s output to ensure that the highest image quality can be easily achieved during post processing.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eImport user LUTs for ultimate creator control\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWhen recording with the S-Log3 gamma curve, the lowcontrast image displayed on the monitor can make it difficult to judge how the final image will look. The FX30 allows custom LUTs to be applied to the LCD monitor and HDMI output, providing a more accurate preview of the final image. User LUTs can be applied to the LCD monitor and HDMI output while recording, or embedded in clips to facilitate post-production processing. The FX30 even includes a new s709 preview LUT that can provide a more cinematic.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eRecording formats that facilitate visual expression\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCapable of capturing 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, the FX30 makes it possible to grade for fuller, more natural gradations while generally providing greater editing freedom. Additionally, the FX30 supports the XAVC HS format recording, using the MPEG-H HEVC\/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS format allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eAdvanced Autofocus for movie makers\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWide-area autofocus with intelligent tracking uses focalplane phase-detection for tenacious subject tracking across almost the entire frame. Tracking features keep the subject in steady focus so the user can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes (human, animal, or bird), while Real-time Tracking provides reliable tracking thanks to Sony‘s unique AI-based subject recognition algorithms. Stable AF and flexible focusing are available for a wide range of shooting situations. Improved tracking is achieved when shooting at high frame rates such as 120p.\u003c\/p\u003e\n\u003cp\u003eAdditionally detailed AF settings are capable through AF Transition Speed and AF Subject Shift Sensitivity. These parameters allow for more detailed AF control. AF Transition Speed is ideal for creating rack focus effects to effectively guide the viewers’ eye. AF Subject Shift Sensitivity determines how “sticky” AF will be. Both parameters can be assigned to custom keys for fast access while shooting.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCompact and lightweight form factor\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX30 body is just 77.8 mm high, 129.7 mm wide, and 84.5 mm deep, excluding protrusions. It weighs just 646 grams with battery and memory card or 951 grams with XLR handle unit, and features a distinctive flat-top design that is suitable not only for handheld shooting, but for gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability, and comfort for extended handheld shooting sessions.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eFlexible operability with redesigned menu\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eIt is possible to access frame rates, shutter speed, change LUTs, adjust focus modes, and other essential shooting parameters via a list-style Main menu. The Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Separate Main menus optimized for movies and stills are provided.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - ILMEFX30\u003c\/li\u003e\n\u003cli\u003eGTIN - 4548736141841\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46839008100537,"sku":"148815","price":3999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/sony_cinema_line_fx30_apsc_e_mount_camera_with_xlr_handle_unit.jpg?v=1775374961"},{"product_id":"sony-fx3a-cinema-camera","title":"Sony FX3A Cinema Camera","description":"\u003cp class=\"mText\"\u003eWith a compact design for solo shooters, travel applications, or as an ideal B camera, the\u003cstrong class=\"h1Lit\"\u003e Sony FX3A Cinema Camera \u003c\/strong\u003e borrows from both the Cinema Line and Alpha series of cameras to create an optimised portable cinema camera. The FX3A features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a \"cage-free\" design, offering the ability to secure various accessories directly to the camera body.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Sony FX3A Cinema Camera\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e12.1MP Full-Frame CMOS Exmor R Sensor\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120 | 1080p up to 240\u003c\/li\u003e\n\u003cli\u003eCompact Form for Cage-Free Operation\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 15+ Stops DR\u003c\/li\u003e\n\u003cli\u003eDetachable Dual XLR\/TRS Adapter Handle\u003c\/li\u003e\n\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cli\u003e80 to 409,600 Expanded ISO Range\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e Expressive UHD 4K Video Capture \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX3A's 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and a greater-than-15-stop dynamic range for working in mixed lighting conditions. Benefiting colour and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3\/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e 4K Full-Frame CMOS Exmor R Sensor\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eA 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3A true cinematic expression with 10.2MP effective video and 12.1MP still capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for colour grading.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eS-Cinetone Color\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eBeautiful skin tone reproduction and a softer-toned look that complements your VENICE, FX9, or FX6 footage are created using the FX3A's default S-Cinetone colour setting. S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support help maintain rich gradation and colour matching with the range of Sony Cinema Line cameras, while HLG HDR provides the option of direct HLG playback without the need for grading.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eVideo Recording\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCapture sharp, detailed images at rates up to 4K 120p with up to 5x slow motion at 24p output. Recording options include the ability to output DCI 4K+ in 16-bit raw over HDMI to compatible recorders while simultaneously recording XAVC 4K and proxies in-camera. Internal 4K recording options include 4:2:2 10-bit color with All-Intra and Long GOP codecs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCooling features like a silent fan and a heatsink dissipate warmth to enable uninterrupted recording up to 4K60\u003c\/li\u003e\n\u003cli\u003eDual SD card slots accept both CFexpress Type A and SDXC cards for easy relay or backup recording\u003c\/li\u003e\n\u003cli\u003eSuper 35 1080p capture at rates up to 240p\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSteady Focus \u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eNow, even solo shooters can keep the action in focus thanks to real-time Tracking and Eye autofocus functions made possible by AI-based algorithms, plus a simple touchscreen focus function.\u003c\/li\u003e\n\u003cli\u003eSeven choices of AF Transition Speed let you rack focus, and five AF Subject Shift settings enable you to adjust the speed when shifting from a locked-on subject.\u003c\/li\u003e\n\u003cli\u003eFast Hybrid AF uses 627 points to cover approximately 89% of the image frame.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eErgonomic Form for Solo Operation\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX3A's cage-free design enables you to mount ¼\"-20 compatible accessories directly on the camera or the detachable handle, saving you the weight and setup\/breakdown time of a camera cage. The clustered record button, focus and menu controls, and six assignable buttons all help to enable single-handed control, leaving your left hand free for balancing or controlling your lens.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e Tilting Touchscreen LCD\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe fold-out 3\" touchscreen LCD has a crisp 2.35MP resolution and can be variously angled for optimal viewing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eEasily Viewable Tally Lights\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTop, front, and rear tally indicators let the operator, talent, and sound person know precisely when the camera is recording.\u003c\/li\u003e\n\u003cli\u003eThis enables more accurately timed movements and dialogue delivery.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e Quality Audio Options \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePro audio recording options include:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA detachable XLR adapter handle with two XLR-1\/4\" TRS combo audio inputs\u003c\/li\u003e\n\u003cli\u003eA mic holder and a 3.5mm input for adding a microphone\u003c\/li\u003e\n\u003cli\u003eUp to 4-channel, 24-bit audio recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e Remote Control, Streaming, and Transfers\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eControl your FX3A remotely using the Imaging Edge Mobile or Imaging Edge Desktop apps, and transfer files using Wi-Fi or via a wired USB-C connector to let your editor get a jump on post-production.\u003c\/li\u003e\n\u003cli\u003eYou can also stream your content using your computer and the Imaging Edge Webcam app..\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e Post-Production Stabilization with E-Mount Lenses\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSony's Catalyst Prepare\/Browse software uses shake metadata to stabilise your image.\u003c\/li\u003e\n\u003cli\u003eAn adjustable balance between shake compensation and image area trimming lets you fine-tune the image.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eImproved FX3A Features \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX3A updates the Cinema Line with improvements like comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCommon FX3A\/FX6\/a7S III Features\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLike the FX6 and the a7S III, the FX3A features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFull-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor\u003c\/li\u003e\n\u003cli\u003eHigh-speed rates of 120p in 4K and 240p in HD\u003c\/li\u003e\n\u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e Shared FX3A\/FX6 Attributes\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAttributes that the FX3A has in common with the larger FX6 camera include:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\n\u003cli\u003eTally lamps on the front, side, and rear\u003c\/li\u003e\n\u003cli\u003eAn internal fan to prevent overheating\u003c\/li\u003e\n\u003cli\u003eA zoom lever for easy frame adjustments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e Shared FX3A\/a7S III Attributes \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAttributes that the FX3A shares with the a7S III include:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5-axis in-body image stabilisation\u003c\/li\u003e\n\u003cli\u003e16-bit raw output via HDMI\u003c\/li\u003e\n\u003cli\u003eS-Log2 gamma choice\u003c\/li\u003e\n\u003cli\u003e80 to 409,600 ISO range (expanded)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eWireless Connectivity\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDual-band 2.4\/5 GHz wireless connectivity\u003c\/li\u003e\n\u003cli\u003eWired LAN link using the USB-C port and a separate adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - ILMEFX3A\u003c\/li\u003e\n\u003cli\u003eGTIN - 4548736166158\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46839008133305,"sku":"170068","price":7499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/1746547141_1894322_1_1.jpg?v=1775374962"},{"product_id":"sony-fx2-cinema-camera","title":"Sony FX2 Cinema Camera","description":"\u003cp class=\"mText\"\u003eAs a gateway into a professional filmmaking career, the\u003cstrong class=\"h1Lit\"\u003e Sony FX2 Cinema Camera \u003c\/strong\u003eis a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony’s top-level VENICE series. With high mobility, operability, expandability and reliability, it’s ideal for solo shooting and features enhanced still image functions designed to support filmmaking.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Sony FX2 Cinema Camera\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTiltable EVF with 3.68 million dots (approx.) resolution.\u003c\/li\u003e\n\u003cli\u003eBig6 (Home) screen for frequently used parameters.\u003c\/li\u003e\n\u003cli\u003eCage-less mounting with 3x 1\/4-20 UNC Mounting Points on the body.\u003c\/li\u003e\n\u003cli\u003eAI-based Real-time Recognition AF.\u003c\/li\u003e\n\u003cli\u003eEasy view Tally lamps on Top, Front \u0026amp; LCD.\u003c\/li\u003e\n\u003cli\u003eStills at the flip of a switch.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eFor that professional cinematic look \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX2 is a Cinema Line camera designed as a gateway into professional filmmaking. It combines the high image quality of a full-frame sensor with expressive capabilities modelled on Sony’s top-level VENICE cinema cameras, to bring your creative visions to life.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eTiltable high-definition electronic viewfinder\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x, and the angle of view and eyepoint are optimised for video recording. The viewfinder itself can be tilted from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eFrequently used parameters all in one place\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eEffective heat management \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eEnjoy uninterrupted video recording time for formats up to 4K 59.94p*25. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilisation unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e4:2:2 10-bit or 16-bit RAW output via HDMI\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eHDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDurable magnesium alloy chassis\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eHigh body durability has been achieved through the use of a lightweight, high-rigidity magnesium alloy for the top cover, front cover, internal frame, and rear cover. Accessory attachment screw holes and rings are machined from a hard stainless steel for maximum wear-resistance and reliability. The lens mount is attached by six screws for extra strength and rigidity that can handle heavy super-telephoto lenses. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e Digital audio without degradation\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWith an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - ILMEFX2B\u003c\/li\u003e\n\u003cli\u003eGTIN - 4548736166028\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46839008198841,"sku":"169914","price":4204.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/sony_fx2_digital_cinema_camera_12.jpg?v=1775374964"},{"product_id":"sony-fx2-cinema-camera-w-xlr-handle-unit","title":"Sony FX2 Cinema Camera w\/ XLR Handle Unit","description":"\u003cp class=\"mText\"\u003eAs a gateway into a professional filmmaking career, the\u003cstrong class=\"h1Lit\"\u003e Sony FX2 Cinema Camera w\/ XLR Handle Unit\u003c\/strong\u003e is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony’s top-level VENICE series. With high mobility, operability, expandability and reliability, it’s ideal for solo shooting and features enhanced still image functions designed to support filmmaking.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Sony FX2 Cinema Camera w\/ XLR Handle Unit\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTiltable EVF with 3.68 million dot (approx.) resolution.\u003c\/li\u003e\n\u003cli\u003eBig6 (Home) screen for frequently used parameters.\u003c\/li\u003e\n\u003cli\u003eCage-less mounting with 3x 1\/4-20 UNC Mounting Points on the body.\u003c\/li\u003e\n\u003cli\u003eAI-based Real-time Recognition AF.\u003c\/li\u003e\n\u003cli\u003eEasy view Tally lamps on Top, Front \u0026amp; LCD.\u003c\/li\u003e\n\u003cli\u003eStills at the flip of a switch.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"gText\"\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eFor that professional cinematic look \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX2 is a Cinema Line camera designed as a gateway into professional filmmaking. It combines the high image quality of a full-frame sensor with expressive capabilities modelled on Sony’s top-level VENICE cinema cameras, to bring your creative visions to life.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eTiltable high-definition electronic viewfinder\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x, and the angle of view and eyepoint are optimised for video recording. The viewfinder itself can be tilted from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eFrequently used parameters all in one place\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eEffective heat management \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eEnjoy uninterrupted video recording time for formats up to 4K 59.94p*25. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilisation unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e4:2:2 10-bit or 16-bit RAW output via HDMI\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eHDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDurable magnesium alloy chassis\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eHigh body durability has been achieved through the use of a lightweight, high-rigidity magnesium alloy for the top cover, front cover, internal frame, and rear cover. Accessory attachment screw holes and rings are machined from a hard stainless steel for maximum wear-resistance and reliability. The lens mount is attached by six screws for extra strength and rigidity that can handle heavy super-telephoto lenses.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e Digital audio without degradation\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWith an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN -  ILMEFX2\u003c\/li\u003e\n\u003cli\u003eGTIN - 4548736165946\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46839034904761,"sku":"169915","price":4939.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/cx96900_front_top_handle-large.jpg?v=1775376847"},{"product_id":"sony-fx30-cinema-camera","title":"Sony FX30 Cinema Camera","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eSony FX30 Cinema Camera\u003c\/strong\u003e is paired with an all new back-illuminated APS-C Exmor R™ CMOS sensor (Super 35mm format), delivering exceptional results with high sensitivity, low noise, and wide dynamic latitude. The 6K oversampled image compresses a vast amount of information into 4K (QFHD: 3840 x 2160) output, delivering 4K movies with overwhelming resolution. The image sensor maximizes light collection efficiency so that clear, usable images can be captured even in challenging low light. Standard ISO sensitivity is 100 to 32000, and latitude is an impressively wide 14+ stops when recording in S-Log3 gamma.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Sony FX30 Cinema Camera\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBrand new Back-illuminated APS-C Exmor R™ CMOS sensor\u003c\/li\u003e\n\u003cli\u003eDual Base ISO (800\/2500), and a 14+ stop for a wide latitude\u003c\/li\u003e\n\u003cli\u003eFlexible motion with up to 4K (QFHD) 120p recording with autofocus\u003c\/li\u003e\n\u003cli\u003eXAVC HS 4:2:2 10-bit internal recording, 4K 16-bit RAW output full HDMI terminal\u003c\/li\u003e\n\u003cli\u003eNative ISO of 100-32000\u003c\/li\u003e\n\u003cli\u003e495 Phase-detect AF points with 90% coverage\u003c\/li\u003e\n\u003cli\u003eFast Hybrid Autofocus with Real-Time Eye autofocus tracking\u003c\/li\u003e\n\u003cli\u003eSubject AF tracking for Human, Animals and Birds\u003c\/li\u003e\n\u003cli\u003e4K (QFHD) video recording up to 120FPS\u003c\/li\u003e\n\u003cli\u003eFull HD video recording up to 240FPS\u003c\/li\u003e\n\u003cli\u003e14+ stops dynamic latitude in S-Log3\u003c\/li\u003e\n\u003cli\u003eS-Cinetone colour profile\u003c\/li\u003e\n\u003cli\u003eDimensions (WxHxD)mm: 129.7x77.8x84.5\u003c\/li\u003e\n\u003cli\u003eWeight (body only): 646g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eS-Log3 recording for smooth cinematic color grading\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe S-Log3 gamma curve provided in the FX30 has been designed with an emphasis on smooth gradations that make it easier to achieve cinematic image quality when colour grading in post production. S-Log3 and S-Gamut3.Cine not only offer high-quality color reproduction over a wide latitude, but also facilitate colour matching with footage from other Cinema Line cameras. To bring out the best in footage shot with the FX30, special care has been taken to adjust the camera’s output to ensure that the highest image quality can be easily achieved during post processing.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eImport user LUTs for ultimate creator control\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWhen recording with the S-Log3 gamma curve, the lowcontrast image displayed on the monitor can make it difficult to judge how the final image will look. The FX30 allows custom LUTs to be applied to the LCD monitor and HDMI output, providing a more accurate preview of the final image. User LUTs can be applied to the LCD monitor and HDMI output while recording, or embedded in clips to facilitate post-production processing. The FX30 even includes a new s709 preview LUT that can provide a more cinematic.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eRecording formats that facilitate visual expression\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCapable of capturing 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, the FX30 makes it possible to grade for fuller, more natural gradations while generally providing greater editing freedom. Additionally, the FX30 supports the XAVC HS format recording, using the MPEG-H HEVC\/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS format allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eAdvanced Autofocus for movie makers\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWide-area autofocus with intelligent tracking uses focalplane phase-detection for tenacious subject tracking across almost the entire frame. Tracking features keep the subject in steady focus so the user can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes (human, animal, or bird), while Real-time Tracking provides reliable tracking thanks to Sony‘s unique AI-based subject recognition algorithms. Stable AF and flexible focusing are available for a wide range of shooting situations. Improved tracking is achieved when shooting at high frame rates such as 120p.\u003c\/p\u003e\n\u003cp\u003eAdditionally detailed AF settings are capable through AF Transition Speed and AF Subject Shift Sensitivity. These parameters allow for more detailed AF control. AF Transition Speed is ideal for creating rack focus effects to effectively guide the viewers’ eye. AF Subject Shift Sensitivity determines how “sticky” AF will be. Both parameters can be assigned to custom keys for fast access while shooting.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCompact and lightweight form factor\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX30 body is just 77.8 mm high, 129.7 mm wide, and 84.5 mm deep, excluding protrusions. It weighs just 646 grams with battery and memory card or 951 grams with XLR handle unit, and features a distinctive flat-top design that is suitable not only for handheld shooting, but for gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability, and comfort for extended handheld shooting sessions.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eFlexible operability with redesigned menu\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eIt is possible to access frame rates, shutter speed, change LUTs, adjust focus modes, and other essential shooting parameters via a list-style Main menu. The Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Separate Main menus optimized for movies and stills are provided.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - ILMEFX30B\u003c\/li\u003e\n\u003cli\u003eGTIN - 4548736143227\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46839034970297,"sku":"148816","price":2445.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/sony_0033_fx30_front-large_1.jpg?v=1775376849"},{"product_id":"sony-fx6-cinema-camera","title":"Sony FX6 Cinema Camera","description":"\u003cp class=\"mText\"\u003eThe \u003cstrong class=\"h1Lit\"\u003eSony FX6 Cinema Camera\u003c\/strong\u003e offers versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eWeighing just under 907g, the FX6 body packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. It fits seamlessly into a pro-cine on-set workflow, but also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5\" LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eNote:\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e Product is shown in use for illustration only, additional equipment and lens are not included.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Sony FX6 Cinema Camera\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e4K 10.2MP full-frame sensor\u003c\/li\u003e\n\u003cli\u003eUHD up to 120p\u003c\/li\u003e\n\u003cli\u003e4K DCI up to 60p\u003c\/li\u003e\n\u003cli\u003eBase ISO 800 (Cine EI S-Log3)\u003c\/li\u003e\n\u003cli\u003eClaimed 15+ stops of DR\u003c\/li\u003e\n\u003cli\u003eHigh Sensitivity setting of 12,800 ISO\u003c\/li\u003e\n\u003cli\u003eAF with face detection and Eye-AF\u003c\/li\u003e\n\u003cli\u003e4K 4:2:2 10bit internal recording\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\u003c\/li\u003e\n\u003cli\u003eSupports External RAW recording with Atomos Shogun 7\u003c\/li\u003e\n\u003cli\u003eUp to 120 frames per second 4K video\u003c\/li\u003e\n\u003cli\u003eHD up to 180 fps\u003c\/li\u003e\n\u003cli\u003eElectronic Variable ND\u003c\/li\u003e\n\u003cli\u003eFour channels of audio recording\u003c\/li\u003e\n\u003cli\u003e12G\/6G\/3G SDI\u003c\/li\u003e\n\u003cli\u003eTC In\/Out\u003c\/li\u003e\n\u003cli\u003eUser uploadable LUTS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eProfessional 4K Video from a Full-Frame 10.2 Megapixels CMOS Exmor R Sensor with 15+ stops DR\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe full-frame, back-illuminated, 10.2-megapixel3 Exmor R™ CMOS image sensor of the Sony FX6 offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops deliver superb image quality with wide sensitivity and reduced noise.\u003c\/p\u003e\n\u003cp\u003eThe BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high-quality images faster and dramatically improves camera interface responsiveness.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e15+ Stops Dynamic Range\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eAt its base sensitivity of ISO800, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 12800 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post-production.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCapture the impossible with expanded ISO sensitivity\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCapture usable images in near-total darkness with an impressive ISO expanded range up to 409600. The full-frame sensor coupled with innovative light-gathering ensures limitless shooting possibilities.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eStunning bokeh and full-frame creativity\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eRealise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eS-Cinetone | Cinematic colour science\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eS-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post-production.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eAchieve Critical Focus | Fast Hybrid AF System\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (627-point focal-plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD).\u003c\/p\u003e\n\u003cp\u003eYou can set the target area among Flexible Spot, Zone, Wide and change the position of the target area quickly during shooting by simply touching the LCD monitor.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSelectable AF Transition Speed\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWith AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eReal-time Eye AF and Face Detection\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eReal-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eAF Assist | Lens-ring AF subject selection\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWhen the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eWork Efficiently with a Lightweight, Modular and Dependable Ready-to-shoot Camera\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eDespite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button.\u003c\/p\u003e\n\u003cp\u003eIdeal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eMagnesium Body and Frame\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eTo perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDesigned to Prevent Thermal Shut Down\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eBuilt-in electronic Variable ND Filter\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1\/4ND to 1\/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eInternal 10-bit 4:2:2 recording\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eRecord right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e16-bit RAW SDI output\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFor demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 \/ 50 \/ 29.97 \/ 25 \/ 24 \/ 23.98 frame rates.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eAll-Intra encoding available\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eAs well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eScene File function allows easy look changes on-site\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFour preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post-production.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eRemarkable smart grip and smart handle\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eSony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eProfessional connectors\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eA wide range of professional interfaces is available including 12G-SDI and HDMI outputs, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eMulti-Interface (MI) Shoe\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eSony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D22.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eFour-channel audio\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFour-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDual XLR inputs\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eHigh-definition 2.76 million-dot flexible LCD panel\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eQuick menu control with touch operation\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO\/sensitivity, shooting mode and audio levels.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDual CFexpress Type A-compatible media slots\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eDual media slots support CFexpress Type A cards, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eNetworked\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWi-Fi connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eMetadata\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software15.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - ILMEFX6V\u003c\/li\u003e\n\u003cli\u003eGTIN - 4548736128330\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46839035003065,"sku":"138479","price":7674.87,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/sony_fx6_cinema_camera.jpg?v=1775376850"},{"product_id":"sony-fx9-cinema-camera","title":"Sony FX9 Cinema Camera","description":"\u003cp class=\"mText\"\u003eWhether you're shooting documentaries, events, reality TV, education, or corporate productions, the \u003cstrong class=\"h1Lit\"\u003eSony FX9 Cinema Camera\u003c\/strong\u003e has you covered with its powerful and flexible 4K interchangeable lens camera system.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eRealise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high-resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eMake sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF* and Real-time Tracking**.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe PXW-FX9 input and output features include 12G\/6G-SDI and HDMI outputs for 4K video, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eThe camera features a 15-stop dynamic range, supports dynamic HDR, hybrid log gamma mode (HLG), and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. Its 7-stop electronic variable ND filter can perform in auto or manual mode, smoothly adjusting from 1\/4 to 1\/128 density. The camera's default S-Cinetone colour look offers the same soft, vivid tone as with Sony's VENICE camera.\u003c\/p\u003e\n\u003cp class=\"mText\"\u003eIn addition to its wide dynamic range, its enhanced colour and light features include a dual base ISO of 800\/4000 with a maximum ISO up to 102,400, which is helpful when in low-light situations or using a slower lens. Other improvements with the latest firmware include improved white balancing in sunlight with a more natural look, user-created 3D LUTs, improved AF, audio improvements, USB tethering, T-value metadata, password enhancements, and an S35 2K imager scan mode.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Ver2.0 Firmware is required.\u003cbr\u003e** Ver3.0 Firmware is required.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003eKey Features of the Sony FX9 Cinema Camera\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e6K Full-Frame Exmor R CMOS Sensor\u003c\/li\u003e\n\u003cli\u003e15 Stops of Dynamic Range, Dynamic HDR\u003c\/li\u003e\n\u003cli\u003eDCI 4K and UHD 4K up to 59.94p\u003c\/li\u003e\n\u003cli\u003eHD Recording up to 150\/180 fps\u003c\/li\u003e\n\u003cli\u003eQuad Full HD 120p Raw with XDCA-FX9 Unit\u003c\/li\u003e\n\u003cli\u003eSony E-Mount\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC-I up to 600 Mb\/s\u003c\/li\u003e\n\u003cli\u003eAuto-HD, AF, 7-Stop ND Filter, 3D LUTs\u003c\/li\u003e\n\u003cli\u003eDual Base ISO up to 102,400, HLG Mode\u003c\/li\u003e\n\u003cli\u003e12G\/6G\/3G-SDI \u0026amp; HDMI Output up to 4K\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e6K Full-Frame “Exmor R” sensor for stunning picture quality\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe back-illuminated full-frame 6K CMOS sensor uses Sony’s Exmor R technology for improved sensitivity and reduced noise. When recording at DCI 4K*, Ultra HD resolutions the ability to oversample and capture at 6K, combined with powerful image processing, ensures that subtle details and textures beyond those that can be captured by a conventional 4K sensor are retained while at the same time noise is reduced.\u003c\/p\u003e\n\u003cp\u003eCompared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area, providing a wider angle of view, making it easier to gain a shallower depth of field. You can also shoot with Super 35mm lenses without compromise, capturing at 4K in super 35mm with all the benefits of this advanced imaging sensor.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*DCI 4K (4096 x 2160 at 17:9 recording) requires Ver.2.0 or higher firmware.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003ePhenomenal 15+ stops dynamic range for limitless expression\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFX9 offers an exceptional 15+ stops of dynamic range – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e* RAW recording requires Ver.2.0 or higher firmware, XDCA-FX9 and external recorder.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eDual Base ISO for stunning images in any light\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eDigital imaging sensors perform best at their base ISO as no unnecessary gain (voltage) is added to the sensors output. While a typical camera has a single base ISO, carefully chosen to provide the optimum settings for a wide range of shooting scenarios, the FX9’s dual ISO function offers far greater flexibility. Its low base sensitivity of ISO 800* is similar to most other digital cinema cameras offering an excellent balance between dynamic range and sensitivity for most normal types of production. The FX9 with its secondary High Base ISO of 4000* excels in low light conditions without adding extra gain. Low light scenes can be shot using High Base and 4000 ISO with near identical image quality to Low Base and 800 ISO. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCinematic colour science with S-Cinetone™\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eS-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e16-bit RAW capability*\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.**\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*RAW output will be enabled with Ver.2.0 or higher firmware. \u003cbr\u003e**Compatible recorders to be announced by 3rd party.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eAccelerate your workflow with User 3D Luts and HLG*\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eUser Created 3D LUTs make it easy to customise FX9’s look to your preferences. It is possible to import LUTs files from an SD card and store up to 16 files on the FX9’s internal memory and switch between them as needed. This is particularly useful for shooting in S-Log3, allowing you to preview on camera whatever custom look you create.\u003c\/p\u003e\n\u003cp\u003eFX9 can record HDR using S-Log3 or Hybrid Log Gamma (HLG)*.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eS-Log3 is optimized for premium applications, capturing the maximum dynamic range from a sensor and providing ultimate creative freedom when colour grading\u003c\/li\u003e\n\u003cli\u003eHLG* delivers content quickly without additional colour grading making it an ideal choice for day-to-day shooting, viewing and editing workflows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e*Ver.2.0 or higher firmware required\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eHDR \/ SDR dual production support*\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWhen shooting HDR content, the FX9’s EVF is easily switched between HDR and SDR emulation modes. In addition, if you adjust the brightness of the image when in SDR emulation, the SDR gain dB is recorded into metadata so it can be used in post-production for the SDR content. Together these changes make it easier to shoot in HDR while also achieving a quick turnaround for SDR content.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Requires firmware V3.0 or higher.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eSelectable frame rates for full-frame, Super 35 and Super 16\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eChoose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology. With Ver.3 firmware, FX9 also supports Super 16 scan mode*** and enables B4 lens control (requires optional LA-EB1 and XDCA-FX9 for lens DC supply) with ALAC****(Auto Lens Aberration Compensation). Imager scan area can be switched with Assign button that works like a digital extender.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSuper 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, below settings are recommended.\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCine EI mode: Set EI gain lower and exposure level higher instead\u003c\/li\u003e\n\u003cli\u003eCustom\/SDR mode: Choose the gamma category setting of Original (S-Cinetone) or STD (STD1 to 6)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e*Up to 120fps with Ver1.0. Full-HD 180fps requires Ver.2.0 or higher firmware. \u003cbr\u003e**In full-frame scanning mode: selectable at 1–30fps\/in super 35 scanning mode: selectable at 1–60fps. Quality priority setting is recommended if desired framerate is available. \u003cbr\u003e*** Requires V3 or higher, AF performance at S16 2K mode is not same as other imager mode \u003cbr\u003e**** Lens should support ALAC function.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCatch the action with enhanced Fast Hybrid AF\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eEffortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e561-point phase detection AF\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eCustomisable AF settings\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.\u003c\/li\u003e\n\u003cli\u003e5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eEye AF and Real-time Tracking*\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFX9 is the world’s first professional camcorder with Sony’s world-leading eye tracking technology**. High speed, high precision image processing maintains a pin-sharp focus. During an interview or portraiture shoot, you can rely upon Eye AF to capture your subject’s most subtle expressions while you concentrate on the interview and framing. Simply turn on Face or Eye AF priority for seamless AI-based tracking.\u003c\/p\u003e\n\u003cp\u003eUsing Real-time Tracking you can simply touch a subject on the viewfinder, or select a face with FX9 joystick, and the camera will track and maintain focus automatically.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Eye AF requires Ver.2.0 or higher firmware. Real-time Tracking requires Ver.3.0 or higher firmware. \u003cbr\u003e**As of Apr 2020.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eWorld’s first electronic variable ND filter for full-frame sensor*\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eRealise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1\/4 to 1\/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breathtaking artistic effects.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSeamless exposure control\u003c\/li\u003e\n\u003cli\u003eSeamless depth-of-field control\u003c\/li\u003e\n\u003cli\u003eUse the best iris range for optimal optical resolution\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eWhat is Sony's 'Electronic Variable ND Filter'?\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eSony’s Electronic Variable ND Filter can be seamlessly varied while shooting because of its innovative technology, which is completely unlike conventional technology such as a rotating filter wheel or polarising ND Filters. It is also critical to note, Sony’s technology is optically based rather than using image processing.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUse the dial on the right side of the camera, seamlessly altering image exposure while shooting. The filter has a wide range from 1\/4 to 1\/128\u003c\/li\u003e\n\u003cli\u003eSelect Auto ND and the camera will proactively adjust the filter density to find the best exposure level for shooting. This is very helpful, for example, when shooting outside with variable lighting conditions. The Electronic Variable ND Filter automatically adjusts the density so that the exposure will remain the same no matter how light levels change\u003c\/li\u003e\n\u003cli\u003eSet a fixed filter level by simply rotating the filter knob – just like working with a conventional optical filter wheel. The default settings are 1\/4, 1\/16, and 1\/64. However, it is possible to change these three settings to whichever values you prefer. For example, you can set the filter #3 to 1\/128 so that you can go outside on a sunny summer day for shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eProven ergonomics \u0026amp; accessory compatibility\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-series batteries, chargers, E-mount lenses, plus arms and lens adapters.*\u003c\/p\u003e\n\u003cp\u003eThe control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip also features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.\u003c\/p\u003e\n\u003cp\u003eTo withstand the rigors of real-world shooting, FX9 has a robust magnesium chassis which is almost one third lighter than aluminum equivalent, while offering high impact resistance. FX9’s buttons, dials and other parts are sealed to prevent dust and water spray from entering for even greater operational reliability.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eMulti-Interface (MI) Shoe\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eSony’s flexible Multi-Interface (MI) Shoe provides power, signal connections and coordinated on\/off switching with compatible Sony accessories. For example, you can connect and control Sony UWP-D wireless microphone systems (optional).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*BP-U30 and XDCA-FS7 are not compatible with the FX9. \u003cbr\u003e**Dust and water resistance does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eQuick menu control with touch operation*\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX9’s LCD Viewfinder has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCodec, Imager Scan mode, Picture Size and frequency\u003c\/li\u003e\n\u003cli\u003eBase ISO\/Sensitivity\u003c\/li\u003e\n\u003cli\u003eShooting Mode\u003c\/li\u003e\n\u003cli\u003eAudio Levels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIntroduced with V2 firmware, the FX9’s quick access control menu uses a similar UI to Sony’s acclaimed VENICE digital cinematography camera.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Requires Ver.2.0 or higher firmware.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e4-channel audio input and recording\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eFX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.\u003c\/p\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003eNetworked for high mobility\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe FX9 features internal 5GHz* and 2.4GHz Wi-Fi capability as standard. Just switch on and log onto your preferred network to enable a host of advanced wireless production features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContent Browser Mobile allows the PXW-FX9 to be controlled remotely from a smartphone or tablet computer via a Wi-Fi connection. Adjust the exposure level, zoom, Record\/Stop and more via your mobile device – it’s ideal for single operator shoots. One-touch authentication is also possible with smartphones offering NFC connectivity\u003c\/li\u003e\n\u003cli\u003eFTP Transfer allows content files to be sent over the internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection restored\u003c\/li\u003e\n\u003cli\u003eTrimming allows you to set start and end points in a clip, eliminating time-wasting transfers of unneeded content\u003c\/li\u003e\n\u003cli\u003eC3 Portal can upload high-res and proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. Production teams can even start logging clips while shooting is still going on, saving even more valuable time when a story’s breaking\u003c\/li\u003e\n\u003cli\u003eWired LAN port with optional XDCA-FX9 allows connection of the FX9 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP\u003c\/li\u003e\n\u003cli\u003eDual Link Cellular is enabled with optional XDCA-FX9 and uses two cellular networks in combination to provide an even more reliable network connection. FX9 is compatible with standard USB cellular dongles from most networks. (Please check for most appropriate service provider for your region. Standard network fees will apply.)\u003c\/li\u003e\n\u003cli\u003eHigh quality Sony QoS Streaming to Network RX Station (optional) and C3 Portal by Sony allows images to be streamed live for viewing at a remote location\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e* 5GHz support dependent on country\/regional regulation. Only PXW-FX9V\/9VK support 5GHz. \u003cbr\u003e** Content Browser Mobile™ application can be downloaded from Google Play Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and tablet computers. \u003cbr\u003e*** Requires Ver.3.0 or higher firmware. C3 Portal is available in specific countries.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2Lit\"\u003e\u003cspan class=\"h2Lit\"\u003e4K Multi-Camera Remote Operation\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003ePXW-FX9 supports S700 Protocol over Ethernet* for simple, easy-to-operate multi-camera operation for local events and TV studio production. The optional XDCA-FX9 Extension Unit with RJ45 jack can take S700 Protocol control via Ethernet from a single RCP** unit or you can control multiple FX9s with a PoE Switch using one RCP per FX9. A\/V output over SDI can be routed via a standard SDI switcher and a monitor such as the PVM-X2400 can display up to four HD inputs simultaneously.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*V3 or higher firmware required. \u003cbr\u003e**Availability depends on region.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 class=\"uLit\"\u003eBuy Sony FX9 Cinema Camera with Sony Australia Warranty from digiDirect\u003c\/h3\u003e\n\u003cp\u003eAll our \u003ca href=\"https:\/\/www.digidirect.com.au\/cameras\/sony\"\u003eSony\u003c\/a\u003e products come with Sony Australia Warranty. \u003cbr\u003eBuy with confidence from a reputable seller. digiDirect does not sell grey-import or grey-market stock. \u003cbr\u003eFor more on our warranty policy please see \u003ca href=\"https:\/\/www.digidirect.com.au\/faq\/warranty\/\"\u003e digiDirect FAQ Warranty\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"mpn\"\u003e\n\u003cli\u003eMPN - PXWFX9V\u003c\/li\u003e\n\u003cli\u003eGTIN - 4548736112001\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46839055614137,"sku":"145315","price":19800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/8897\/7337\/files\/0005_sony_fx9_cinema_camera.jpg?v=1775376854"}],"url":"https:\/\/www.digidirect.com.au\/collections\/c0e0.oembed","provider":"digiDirect","version":"1.0","type":"link"}