Product Description

The Canon C500 Mark II body + 512GB CFExpress card & reader features a 5.9K Full Frame sensor and newly developed image processing platform. The Canon C500MKII offers cinematographers endless possibilities through the modular design offering outstanding flexibility for single-operator and multi-camera production, gimbal shooting and full-scale cinema camera operation.

The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing.

Key Features of the Canon C500 Mark II body + 512GB CFExpress card & reader

  • Full Frame 5.9K 60p
  • DIGIC DV 7 Image Processor
  • 15+ stops of DR
  • 5-axis sensor stabilisation
  • Cinema RAW Lite (Internal Recording)
  • XF-AVC (H.264)
  • 4K 60p 4:2:2 10-bit
  • 5.9K, 4K (60fps), 2K (sensor crop) 120fps
  • Modular design
  • User-changeable Lens Mounts (EF, Locking EF, PL)
  • EF, PL, anamorphic and Spherical Lens Support
  • 4.3″ LCD Monitor LM-V2 with Touch Focus
  • Dual Pixel CMOS AF with Touch AF and Face Detection AF
  • Rear audio/power module
  • Internal ND filters (clear, 2, 4, 6, 8, 10 stop – 8 & 10 with extension)
  • 4 channels of XLR with optional module
  • 12G-SDI, 3G-SDI
  • 2x CF Express slots
  • 1x SD card slot

Sensor

The full-frame CMOS sensor captures a clean, low-noise image with over 15 stops of dynamic range, and it has a color gamut that exceeds the BT-2020 specs. The sensor is capable of capturing footage in a variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. In addition to shooting using the sensor's full-frame size, you can use a variety of spherical and anamorphic glass designed for Super 35mm and Super 16mm capture using appropriate sensor crop modes, lens mounts, and adapters.

DIG!C DV 7 Image Processor

The EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. The DiG!C DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. The high-speed DIG!C DV 7 enables the camera to simultaneously record 2K proxy files as XF-AVC 2K 4:2:0 8-bit to an SD card, while you are recording Cinema RAW Light files (5.9K, 4K Crop, or 2K Crop) to the internal CFexpress cards.

Interchangeable Lens Mounts

The C500 Mark II comes standard with a Canon EF lens mount that works with and has electronic iris control of a variety of Canon EF, ENG, and Canon Cine-Servo lenses. An optional EF Cine Lock mount also features the Canon EF electronic protocols, and it removes any play when mounting EF lenses to your camera. An industry-standard PL mount is also available, enabling using virtually any PL-mount lens on your C500 Mark II. The lens mounts are field-swappable by the user, and each mount comes with a set of shims for setting the correct depth. An optional B4 lens adapter is available for either the PL or EF lens mount; this adapter allows you to use B4 mount ENG-style lenses on your C500 Mark II.

Dual Pixel CMOS AF with support for Touch AF and Face Detection AF

DAF technology utilizes the fact that each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far) and by how much. Enabling auto-focus lenses to react when necessary and not have to "hunt" for focus.

Focus Control/Assist

Focus control includes Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, and Face Detection AF. Please note: Only lenses that support AF functions can be used in these modes.

Shutter Settings

Shutter settings include Speed, Angle, Clear Scan, Slow, or Off mode. Either 1/3 or 1/4 steps selected as speed increments.

Electronic Image Stabilization

A new feature to the Cinema EOS ecosystem, the C500 Mark II features built-in five-axis electronic IS that works with almost any lens, including anamorphic lenses.

 

  • MPN - C500MKIICFEXPRESSKIT
  • GTIN - 9313999004500
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Canon C500 Mark II body + 512GB CFExpress card & reader

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Product Overview

  • Full Frame 5.9K 60p
  • DIGIC DV 7 Image Processor
  • 15+ stops of DR
  • 5-axis sensor stabilisation
  • Cinema RAW Lite (Internal Recording)
  • XF-AVC (H.264)
  • 4K 60p 4:2:2 10-bit
  • 5.9K, 4K (60fps), 2K (sensor crop) 120fps
  • Modular design
  • User-changeable Lens Mounts (EF, Locking EF, PL)
  • EF, PL, anamorphic and Spherical Lens Support
  • 4.3″ LCD Monitor LM-V2 with Touch Focus
  • Dual Pixel CMOS AF with Touch AF and Face Detection AF
  • Rear audio/power module
  • Internal ND filters (clear, 2, 4, 6, 8, 10 stop – 8 & 10 with extension)
  • 4 channels of XLR with optional module
  • 12G-SDI, 3G-SDI
  • 2x CF Express slots
  • 1x SD card slot
+ Read more

The Canon C500 Mark II body + 512GB CFExpress card & reader features a 5.9K Full Frame sensor and newly developed image processing platform. The Canon C500MKII offers cinematographers endless possibilities through the modular design offering outstanding flexibility for single-operator and multi-camera production, gimbal shooting and full-scale cinema camera operation.

The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing.

Key Features of the Canon C500 Mark II body + 512GB CFExpress card & reader

  • Full Frame 5.9K 60p
  • DIGIC DV 7 Image Processor
  • 15+ stops of DR
  • 5-axis sensor stabilisation
  • Cinema RAW Lite (Internal Recording)
  • XF-AVC (H.264)
  • 4K 60p 4:2:2 10-bit
  • 5.9K, 4K (60fps), 2K (sensor crop) 120fps
  • Modular design
  • User-changeable Lens Mounts (EF, Locking EF, PL)
  • EF, PL, anamorphic and Spherical Lens Support
  • 4.3″ LCD Monitor LM-V2 with Touch Focus
  • Dual Pixel CMOS AF with Touch AF and Face Detection AF
  • Rear audio/power module
  • Internal ND filters (clear, 2, 4, 6, 8, 10 stop – 8 & 10 with extension)
  • 4 channels of XLR with optional module
  • 12G-SDI, 3G-SDI
  • 2x CF Express slots
  • 1x SD card slot

Sensor

The full-frame CMOS sensor captures a clean, low-noise image with over 15 stops of dynamic range, and it has a color gamut that exceeds the BT-2020 specs. The sensor is capable of capturing footage in a variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. In addition to shooting using the sensor's full-frame size, you can use a variety of spherical and anamorphic glass designed for Super 35mm and Super 16mm capture using appropriate sensor crop modes, lens mounts, and adapters.

DIG!C DV 7 Image Processor

The EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. The DiG!C DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. The high-speed DIG!C DV 7 enables the camera to simultaneously record 2K proxy files as XF-AVC 2K 4:2:0 8-bit to an SD card, while you are recording Cinema RAW Light files (5.9K, 4K Crop, or 2K Crop) to the internal CFexpress cards.

Interchangeable Lens Mounts

The C500 Mark II comes standard with a Canon EF lens mount that works with and has electronic iris control of a variety of Canon EF, ENG, and Canon Cine-Servo lenses. An optional EF Cine Lock mount also features the Canon EF electronic protocols, and it removes any play when mounting EF lenses to your camera. An industry-standard PL mount is also available, enabling using virtually any PL-mount lens on your C500 Mark II. The lens mounts are field-swappable by the user, and each mount comes with a set of shims for setting the correct depth. An optional B4 lens adapter is available for either the PL or EF lens mount; this adapter allows you to use B4 mount ENG-style lenses on your C500 Mark II.

Dual Pixel CMOS AF with support for Touch AF and Face Detection AF

DAF technology utilizes the fact that each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far) and by how much. Enabling auto-focus lenses to react when necessary and not have to "hunt" for focus.

Focus Control/Assist

Focus control includes Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, and Face Detection AF. Please note: Only lenses that support AF functions can be used in these modes.

Shutter Settings

Shutter settings include Speed, Angle, Clear Scan, Slow, or Off mode. Either 1/3 or 1/4 steps selected as speed increments.

Electronic Image Stabilization

A new feature to the Cinema EOS ecosystem, the C500 Mark II features built-in five-axis electronic IS that works with almost any lens, including anamorphic lenses.

 

  • MPN - C500MKIICFEXPRESSKIT
  • GTIN - 9313999004500
+ Read more

Image Sensor

Sensor Full Frame CMOS sensor
System RGB primary colour filter (Bayer array)
Sensor Modes Full Frame / Super 35 mm (Crop) / Super 16 mm (Crop)
Total Pixels Approx. 20.8 megapixels (6062 x 3432)
Effective Pixels (Full Frame Mode) Approx. 18.69 megapixels (5952 x 3140): 5952 x 3140 or 4096 x 2160 or 2048 x 1080 selected resolution
Approx. 17.52 megapixels (5580 x 3140): 3840 x 2160 or 1920 x 1080 selected resolution
Effective Sensor Screen Size 38.1 x 20.1 mm (43.1 mm on the diagonal): 5952 x 3140, 4096 x 2160 or 2048 x 1080 selected resolution
35.7 x 20.1 mm (41.0 mm on the diagonal): W 3840 x 2160 or 1920 x 1080 selected resolution
Dynamic Range Canon Log 2: 1600% / 15+ stops
Canon Log 3: 1600% / 14 stops
Wide DR: 800% (at ISO 400)

Image Proccessor

Type DIGIC DV7
LENS  
Lens Mount Canon EF Mount. B4 mount lens via adapter accessory (EF or PL)
Lens Magnification factor (for EF Mount lenses, including Cinema Primes) Full Frame: 5952 X 3140/4096 X 2160/2048 X 1080:x1.00
3840X2160/1920 X 1080: x1.056
Super 35MM (Crop):
4096 X 2160/2048 X 1080: x1.460
3840 X 2160/1920 X 1080: x1.534
Super 16mm (Crop):
4096 X 2160/2048 X 1080: x2.920
3840 X 2160/1920 X1080: x3.069
Changeable Lens Mount Yes, User changeable to EF with Cinema Mount or PL
Peripheral illumination correction YES (dependent on lens used)
ND filter Up to 10 stops via built-in ND filter system (in extended mode)
Focus control EF Mount: Via lens, wireless control or wired remote (dependent on lens used)
PL Mount: Only Cine Servo lenses
Iris control (EF mount lenses) Via body, grip, wireless control or wired remote.
1/2-stop, 1/3-stop or FINE control.
Possible to maintain constant F-number during zoom.
Cooke /i Technology Support Yes (PL Mount only after mount change)
Anamorphic Lens Support Yes, x2.0/x1.3
Image stabilization system Optical depending on lens used

Recording

Internal Recording CFexpress card x2 for Cinema RAW Light or XF-AVC/MXF, SD card for XF-AVC Proxy recording, SD card also used for Photo Storage (1920 x 1080), CP setting transfer, and firmware update.
Recording Time (CFexpress card, 512GB) Cinema RAW Light:
- 5952 X 3140: 2.1Gbps - 30 Mins
- 4096 X 2160: 1 Gbps - 65 Mins
- 2048 X 1080: 250 Mbps - 270 Mins
XF-AVC/MXF:
- 4096 X 2160: 810 Mbps - 80 Mins / 410 Mbps - 165 Mins
- 2048 X 2160: 310 Mbps - 215 Mins / 160 Mbps - 425 Mins
Recording Formats Cinema RAW Light (CRM), XF-AVC (MXF)
System Frequency/Frame Rates 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P), 50.00Hz mode (50.00P / 50.00i / 25.00P), 24.00 Hz mode (24.00P)
Cinema RAW Light Bit Rate/Bit Depth (PAL) 5952 X 3140: 50.00P, 2.1Gbps 10-bit/25.00P, 2.1 Gbps 12-bit
4096 X 2160: 50.00P, 1 Gbps 10-bit/25.00P, 1 Gbps 12-bit
2048 X 1080: 50.00P, 250 Mbps 10-bit/25.00P 250 Mbps 12-bit
XF-AVC Recording Bit Rate/Sampling (PAL) 4096 X 2160/3840 X 2160: 50.00P YCC 4:2:2 10-BIT 810 Mbps/25.00P YCC 4:2:2 10-bit 410 Mbps
2048 X 1080/1920 X 1080: 50.00P YCC 4:2:2 10-BIT 310 Mbps/25.00P YCC 4:2:2 10-bit 160 Mbps
All Intra Frame
XF-AVC Proxy Recording Bit Rate/Sampling (PAL) to SD Card 2048 X 1080: 50.00P, YCC 4:2:0 8-bit 35 Mbps/25.00P, YCC 4:2:0 8-bit 24 Mbps Long GOP
Slow/Fast Motion Yes, Cinema RAW Light 5952 x 3140/4096 x 2160: 1-60 FPS/2048 x 1080 (2K Crop) 1-120FPS
XF-AVC: 4096 x 2160/3840 x 2160 (810/410 Mbps) 1-60 FPS (Full Frame/Super 35mm Crop)
2048x1080/1920x1080 1-60 FPS (Full Frame/Super 35mm Crop) 1-120 FPS (Super 16mm Crop)
Interval Record No
Frame Record No
Pre Record (cache record) Yes, 3 seconds
Relay Recording Yes
Double Slot (simultaneous) Recording Yes
Scan Reverse Yes
HD->SD conversion No

System

Wave Form Monitor Yes. Via MON.1/2, VIDEO or HDMI Terminals (Not available from SDI Out 1-4). Line Display/Line and Spot/Line Select/Field Display/RGB Display/YPrPb. HDR PQ and HDR-HLG output supported.
False Colour Display (Exposure Indication) Yes. Via MON.1/2, VIDEO or HDMI Terminals.
Colour Bars SMPTE, EBU and ARIB colour bars available. See the menu.
Peaking Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable).
Zebra Level 1; Level 2; Both, Output via HD-SDI or HDMI.
Markers On/Off selectable: center, horizontal, grid, aspect, safety zone, and rectangular marker. Colour selectable, yellow, blue, green, red, black, gray, or white.

EVF

Built-In EVF No
Optional EVF Accessory Yes. OLED Electronic Viewfinder, EVF-V50 or EVF-V70
Audio in XLR 3-pin connector x2, 3.5 mm stereo mini jack (input only). Input 1 and 2 on camera body. Additional 2x 3-Pin XLR on optional Expansion Unit EU-V2 (Input 3 and 4).
Headphone output 3.5 mm stereo mini jack (output only, Camera Body).
Video monitor output MON.: BNC jack (output only, Camera Body).
HDMI HDMI connector (type A) (output only, Camera Body).
USB Yes, Input only, Camera Body. (GP-E2 connection)
SDI output BNC jack 1 x 12G-SDI Out (output only, Camera Body).
Time code BNC jack (input/output, Camera Body).
Genlock Yes with optional Expansion Unit EU-V1 and EU-V2. BNC jack (input only/also serves as SYNC OUT connector).
Synch BNC jack (output only/also serves as GENLOCK connector).
Component out No
AV terminal No
DC Output Yes, with optional EU-V2. DC 24V 2A jack Fischer 3-pin jack (output only), D-Tap connection, 50W maximum.
DC input XLR 4-pin jack
Remote Control Terminal REMOTE A connector 2.5 mm stereo mini-mini jack (input only) REMOTE B connector Round 8-pin jack (for RS-422) with optional EU-V1 or EU-V2.
Wireless Control Terminal Yes
Lens terminal Yes, with optional EU-V2. 12-pin jack
Ethernet terminal Yes, with optional EU-V1 and EU-V2. Ethernet connector (RJ45) (supports 1000 BASE-T)
IP Streaming Yes. Via Ethernet connection. Wi-Fi capability TBC) 9 Mbps/4 Mbps:1920 X 1080 (59.94p/59.94i/50.00p/50.00i) optional EU-V1 or EU-V2 required
User Viewing LUT input YES
Video connector Canon’s proprietary specification (special 13-pin jack) for LM-V2 Monitor or optional EVF-V70 viewfinder or LM-V1 monitor
Tally lamp Yes
Custom Dial Yes

Exposure

Exposure metering Manual exposure determined by shutter setting, iris setting, ISO/gain setting and ND filter setting, Push Auto Iris, Auto Iris
Exposure compensation Yes
Auto Exposure mode Auto Iris with compatible lenses
Push Auto Iris Yes EF model all compatible lenses, PL Version compatible Canon Cine Servo lenses only with 12-pin connection on optional EU-V2
Exposure Lock No
Auto Gain Control setting Yes
ISO Sensitivity 1-Stop Display: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200,102400] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF 1/3 Stop Display: [100,125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600, [32000,40000,51200,64000, 80000,102400] [---] When ISO speed expansion is ON.
Auto Focus System (EF Mount) Dual Pixel CMOS AF, Contrast AF
AF Frame Sizes (EF Mount) Large; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range Selectable AF point over 80% (approx.) of sensor
Auto Focus Modes (EF Mount) One-Shot AF, Continuous AF and AF-Boosted MF. All modes take effect when the AF/MF switch of the EF lens is at the AF setting. One-Shot AF, Continuous AF, AF-Boosted MF
Face Detection AF (EF Version Only) Face Priority or Face Only.
Focus Guide EF version: All compatible Canon EF lenses, Canon Cine Servo Lenses
Gain setting [-6dB,-3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB, 45dB,48dB,51dB,54dB] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF. When ISO speed expansion is ON: between -2 dB and 54 dB When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB increments can be set.

Shutter

Control Modes Off; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS)
Shutter speed 1 sec to 1/2000 depending on frame rate and Shutter Control Mode, 39 setting options
Shutter Angle 11.25º to 360º depending on frame rate
Slow Shutter (SLS) 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate
Clear Scan 24.00 Hz* to 250.40 Hz (*) The frequency will differ depending on the frame rate setting.

Custom Picture

Stored Configurations BT.709 (Wide DR / BT.709 Gamut), LOG (Canon Log 2 / Cinema Gamut), HDR-PQ (HDR-PQ / BT.2020 Gamut), HDR-HLG (HDR-HLG / BT.2020 Gamut), USER5 to USER20 (Wide DR / BT.709 Gamut)* From BT.709, HDR-HLG is protected.
Colour Matrix Neutral: Accurate colour reproduction, Production Camera: Colour reproduction for use in movie production, Video: Color reproduction equivalent to C300/500 CP-OFF (for commercial cameras)
HDR-HLG Profile BT.2100: Corresponds to ITU-R BT.2100 Vivid: Corresponds to Traditional Colour in ITU-R BT.2390
Master Pedestal -50 to +50
Master Black Adjustable for each channel RGB -50 to +50 plus Master Black -50 to +50
Black Gamma Adjustable Level -50 to +50, Range -20 to +50 and Point -20 to +50
Low Key Saturation Adjustable: -50 to +50
Knee Point -50 to +109, Slope -35 to +50, Saturation -10 to +10
Sharpness Adjustment for Level, H Detail Freq., Coring, HV Detail Balance, Limit, Select, Knee Aperture and Level dependent sharpness
Noise reduction Off, On (1 to 12)
Skin detail Off, Low, Middle, High / Hue, Chroma, Area, Luminance. 32 steps
Selective Noise Reduction Off, Low, Middle, High / Hue, Chroma, Area, Luminance.
Colour matrix Phase, Gain and RGB adjustment, in tandem with Gamma selection
White balance AWB, USER setting 01(setting range: 2000K to 15000K/ -20CC to +20CC), daylight, tungsten, settings (A/B)
Colour correction Area selection / area revision of two areas
Setup level -50 to +50 On/Off

Wifi & GPS

Wi-Fi (Optional Accessory)
  1. WPS [Wi-Fi Protected Setup] (push-button system, PIN code system)
  2. Manual setup
  3. Search for access points
Open system, WPA-PSK, WPA2-PSK, WEP-64, WEP-128, TKIP, AES, Auto/manual
GPS Information (Optional Accessory) Latitude/Longitude/Elevation, Coordinated Universal Time (UTC)

White Balance

Auto YES
Preset
  • Daylight (5400K)
  • Tungsten (3200K)
  • Kelvin (2000K - 15000K, 100K intervals)
  • Set A
  • Set B
White Balance Matching Yes, for previous models
White Balance Shift YES. -9 to +9 (Daylight and Tungsten only)

Black Balance

Black balance adjustment YES
TIME CODE
  • Count up system: Regen, RecRun, Free Run, External, Hold (Drop frame available for some frame rates)
  • Start value setting: “00:00:00:00”, Set/Reset selectable

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Attribute2 Value2

Accessories

Supplied
  • Camera Grip GR-V1
  • Thumb rest
  • Mic holder unit (w/ M4 screw)
  • LCD Monitor LM-V2
  • LCD Attachment Unit LA-V2
  • Handle unit
  • Shoulder strap SS-1200
  • Battery Charger CG-A20
  • Compact power adapter CA-CP200B
  • AC cable
  • Battery pack (BP-A60)
  • Extension System Attachment Bracket
  • Unit Cable UN-5
  • Other: Stopper, Hex Wrenches (M4 and M3), Hex Socket Head Bolt (1/4 in.), Hex Socket Head Bolt (M3)
Optional
  • Canon Battery Pack BP-A30/BP-A60 (provided with camera)
  • Canon Battery Charger CG-A10/CG-A20 (provided with camera)
  • Canon Remote Controller RC-V100
  • Canon Compact Power Adapter CA-CP200B (provided with camera)
  • Canon Shoulder Strap SS-1200 (provided with camera)
  • Canon Tripod base TB-1
  • Canon GPS Receiver GP-E2
  • Canon Unit Cable UN-5 (provided)/UN-10 (purchased separately)
  • Canon OLED Electronic View Finder EVF-V50(*)/EVF-V70
  • Canon Extension unit 1: EU-V1
  • Canon Extension unit 2: EU-V2
  • Canon EF Cinema Lock Mount Kit CM-V1
  • Canon PL Mount Kit PM-V1
  • Canon B4 Mount Adapter MO-4E/MO-4P
  • Canon LCD Monitor LM-V2 (included)/LM- V1
  • Canon LCD Attachment Unit LA-V2 (included)/LA-V1
  • Canon Camera Grip GR-V1 (included)
  • Canon Shoulder Support Unit SU-15
  • Canon Shoulder Style Grip Unit SG-1
  • Canon Clamp Base CL-V2
  • Canon Rod Clamp RD-1
  • Canon Handle Unit HDU-2
  • Canon 8-pin Remote Cable RR-10/RR-100
  • Canon EF/EF cinema lens group, Canon PL cinema lens group, and accessories designed for these lenses (*) New products
Third Party Accessories V-Lock battery

Miscellaneous

Dimensions (Main Body Only) Approx. 153x148x168mm (WxHxD)
Weight (Body Only) Approx. 1,730g
Operating Temperature range Approx. 0 to 40°C, (85% relative humidity), Approx. -5 to 45°C, (60% relative humidity)
Power Supply BP-A60 (Supplied), BP-A30 (Optional) V-Lock with EU-V2, 11V - 20V, Mains 4-pin XLR
+ Read more
What’s In The Box
  • Canon EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount)
  • Canon GR-V1 Camera Grip
  • Canon LM-V2 4.3" LCD Monitor
  • Canon LA-V2 LCD Attachment Unit
  • Handle Unit
  • SS-1200 Shoulder Strap
  • Battery Charger CG-A20
  • CA-CP200 B Compact Power Adapter for Battery Charger
  • AC Power Cable US for Battery Charger
  • Canon BP-A60 Battery Pack For EOS C300 Mark II, C200, and C200B
  • Canon UN-5 Unit Cable
  • 1/4" Hex Wrench
  • M3 Hex Wrench
  • M4 Hex Wrench
  • 1/4" Hex Socket Head Bolt
  • M3 Hex Socket Head Bolt
  • Bolt Stopper
  • Microphone Holder Unit
  • M4 Screw for Microphone Holder Unit
+ Read more
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