Capture quality sound indoors or outside for your next indie film, TV shoot, or documentary project with the Rode NTG2 Microphone. With low handling noise, the ability to endure loud sound sources before distortion, and support for battery or phantom power, the NTG2 offers a versatile, cost-effective solution for recording clean dialogue and sound effects.
The NTG2's elevated sensitivity allows it to produce strong output levels without having to apply extreme gain at your mic preamp. Sonically, the NTG2 delivers consistently clear sound due in part to its gentle rise in high frequencies and its rumble-reducing selectable low-cut filter. The durable and lightweight high-grade aluminum housing is finished in hard-wearing epoxy paint to withstand the stress of location recording.
The combination of the NTG2's 280 mm long body and supercardioid polar pattern yields focused front-facing directionality and enhanced attenuation of sound entering from the sides. Its low self-noise of 18 dBA and sensitive condenser element communicate detailed audio unburdened by the hiss that plagues many low-cost microphones. Plus, its balanced output allows longer cable runs than most camera-mount shotgun microphones.
Thanks to its 3-pin XLR output and operability with 48V phantom power or a single AA battery, the NTG2 is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters as well as built-in preamps on cameras and camcorders.
The NTG2 includes a mic clip for easy placement on a mic stand or boompole. Alternatively, mount the NTG2 in the Rode SM4-R shockmount or Rode PG2-R pistol grip (both available separately) to impede the transfer of vibrations in boompole or handheld applications.
The NTG2 has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of handling noise and wind noise in indoor or outdoor environments, consider the Rode Blimp furry windshield and shockmount suspension system (available separately).
|Form Factor||Stand/Boom Mount|
|Operating Principle||Line Gradient|
|High-Pass Filter||80 Hz, 12 dB/Octave|
|On-Board Controls||High-Pass Filter|
|Frequency Range||20 Hz to 20 kHz|
|Maximum SPL||131 dB SPL (1 kHz, 1% THD, 1-Kilohm Load)|
|Off-Axis Rejection||14 dB at 60°
16 dB at 120°
12 dB at 180°
|Impedance||250 Ohms (Phantom Power)
350 Ohms (Battery Power)
|Sensitivity||-36 dBV/Pa at 1 kHz|
|Output Level||6.9 mV (Max)|
|Dynamic Range||113 dB|
|Signal-to-Noise Ratio||76 dB A-Weighted (1 kHz)|
|Equivalent Noise Level||18 dB A-Weighted|
|Output Connectors (Analog)||XLR 3-Pin|
|Operating Voltage||48 V (Phantom Power)
1.5 V (Battery Power)
|Operating Current Consumption||2 mA (Phantom Power)
0.18 mA (Battery Power)
|Battery Type||AA (Not Included)|
|Mounting||3/8"-16 Female, 5/8"-27 Female, Mic Clip/Stand Adapter (with Included Hardware)|
|Included Case||Soft Case|
|Dimensions||ø: 22 x L: 280 mm|
|Weight||161 g (Microphone)|